Audible punctuation: performative pause in Homeric prosody:
Gespeichert in:
1. Verfasser: | |
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Format: | Abschlussarbeit Buch |
Sprache: | English |
Veröffentlicht: |
[Eibergen]
[Blankenborg]
[2015]
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | Enth. Zsfassung in niederländ. Sprache |
Beschreibung: | 312 S. 25 cm |
ISBN: | 9789082311914 |
Internformat
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245 | 1 | 0 | |a Audible punctuation: performative pause in Homeric prosody |c door Ronald Blankenborg |
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Datensatz im Suchindex
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adam_text | Contents
Acknowledgements............................................................ 7
Introduction: Pause in Homer.............................................. 9
1 Pause on the level of metrics.................................... 10
2 Pause on the level of rhythmics................................. 11
3 Pause on the level of syntax................................... 13
4 Pause on the level of phonology................................. 16
5 Pause on the level of phonetics................................. 18
Aim of the study: the reconstruction of performative pause. 21
Organisation of the study.......................................... 22
Outcome of the study: phrases in composition and performance
terminate differently.............................................. 23
Evidence from text? - the status of a written Iliad and Odyssey . . 24
Glossary................................................................... 27
1 Pause in Metrics and Rhythmics................................................ 45
1.0 Introduction...................................................... 45
1.1 Pause in prosody.................................................. 46
1.1.1 Meter............................................................. 46
Scansion........................................................... 46
Footing............................................................ 47
Colometry.......................................................... 51
1.1.2 Tone.............................................................. 56
1.1.3 Weight............................................................ 57
Weight and duration................................................ 57
Weight as equivalent of sonority................................... 61
1.2 Rhythm............................................................ 61
Thesis recurrence.................................................. 62
Colon recurrence................................................... 63
Rhythmical word type recurrence.................................... 63
Timing mechanism of speech......................................... 65
From pause in prosody to pause in performance...................... 69
3
2 Pause in Syntax and Sense........................................ 71
2.0 Introduction.................................................. 71
2.1 Pause in loose syntax......................................... 72
2.2 Pause in special speech..................................... 76
2.3 Pause in syntactical movement................................. 82
2.4 Pause in out-of֊line composition.............................. 84
Enjambment.................................................... 85
Classification of enjambment-types............................ 87
Acknowledgement ofout-ofiline composition..................... 90
Affective prosody?............................................ 92
3 Pause in Phonology and Phonetics................ ................ 93
3.0 Introduction.................................................. 93
Audible phenomena in a dead language? ........................ 93
3.1 Pause in phonology............................................ 95
3.1.1 Metrical syllabification...................................... 96
3.1.2 Apposition ................................................ 98
3.1.3 Coherence and pause in larger phonological domains....... 99
3.1.3 .1 Vowel coalescence in larger domains....................... 100
Elision...................................................... 100
Hiatus....................................................... 102
3.1.3 .2 Lengthening, prolongation and subordination in larger
domains...................................................... 102
Lengthening.................................................. 103
Prolongation................................................. 105
Subordination................................................ 106
3.1.3 .3 Bridges................................................... 107
3.1.4 Pause in phonological phrases................................ 108
3.2 Pause in phonetics........................................... 113
3.2.1 The phonetics of pause....................................... 114
Phonetics from phonology..................................... 114
No room for syntactic considerations......................... 115
3.2.2 Frequent word end and pause.................................. 116
3.2.3 The phonetics of termination................................. 118
Termination.................................................. 118
Lengthening.................................................. 119
Conclusion and consequences.................................. 171
4
4 Possible Pause in Performance.................................. 123
4.0 Introduction................................................ 123
4.1 Performance and pause....................................... 124
4.1.1 Poetry recited.............................................. 126
4.1.2 Song........................................................ 128
4.2 Performance and the phonetics of pause...................... 129
4.2.1 Phonological perspectives of phonetic pause in performance 131
4.2.2 Phonological restrictions on phonetic pause in performance . 136
4.2.3 Metrical perspectives of phonetic pause in performance .... 140
4.2.4 Metrical restrictions on phonetic pause in performance.. 144
4.2.5 Two types of sandhi-free word end - two types of phonetic
pause....................................................... 145
5 Performative Pause............................................. 149
5.0 Introduction............................................... 149
5.1 Performative pause.......................................... 149
5.1.1 Options for performative pause.............................. 151
5.1.2 Options at position 2 (στίχος Λαγαρός)?..................... 153
5.1.3 Options at position 8 (under Wernicke s Law)?............... 155
5.1.4 Options at verse end........................................ 161
Option 1: Metarrhythmisis due to a verse-final heavy syllable .... 162
Option 2: Subordination due to spondaic closure......... 163
Option 3: Metarrhythmisis despite a verse-final light syllable? ... 165
Conclusion.................................................. 167
5.1.5 Options at secondary word end............................... 169
5.1.6 Options and choice.......................................... 171
5.2 Performative pause as audible punctuation................... 171
5.3 Repetition of rhythmic patterning........................... 173
5.4 A sample (Iliad 1.1-100, Odyssey 1.1-100)................... 173
Iliad 1.1-100............................................... 174
Odyssey 1.1-100........................................... 181 6
6 Audible Punctuation............................................. 189
6.0 Introduction............................................... 189
6.1 Audible punctuation in performance......................... 189
6.1.1 Selective pausing in performance........................... 190
6.1.2 Straddling compositional pauses............................ 191
6.2 Mismatching punctuation.................................... 192
6.2.1 Mismatched metrical pauses.............................. 193
5
Verse end......................................................... 193
Main caesura...................................................... 196
6.2.2 Mismatched syntactical pauses..................................... 198
6.2.2 .1 Pause and clause............................................... 199
Extension of the clause........................................... 199
Fixed positions of start and completion........................... 200
Variety in positions for start and completion..................... 205
A model for the grammatical clause in Homer....................... 206
Isolated heralding and afterthoughts.............................. 210
Clauses and extra-clausals as equivalent of phonological phrases.. 213
6.2.2 .2 Pause and enjambment........................................... 214
Expectations based on semantics................................... 216
Expectations based on the pattern of intonation................... 219
Expectations based on phonetic word end........................... 222
6.3 Prosodic affectiveness............................................ 224
Prosodically affective enjambment................................. 224
Prosodically affective clause juncture............................ 226
7 Between Performative Pauses 231
7.0 Introduction...................................................... 231
7.1 Intonation between pauses......................................... 231
7.2 Syntax between pauses............................................. 232
Continuation...................................................... 233
Compositional units teaming up.................................... 234
Discourse between performative pauses............................. 235
Audible continuation.............................................. 235
Expectations between pauses....................................... 240
7.3 Rhythm without beat............................................... 241
Breaking the measure.............................................. 242
Rhythm from pause to pause........................................ 245
7.4 Iliad 1.1-100, Odyssey 1.1-100 between performative pauses.. 250
Iliad 1.1-100..................................................... 251
Odyssey 1.1-100................................................... 258
Conclusion................................................................ 265
Appendix: The Grammatical clause in Homer............................. 269
Bibliography.............................................................. 293
6
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isbn | 9789082311914 |
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spelling | Blankenborg, Ronald 1971- Verfasser (DE-588)1079604022 aut Audible punctuation: performative pause in Homeric prosody door Ronald Blankenborg [Eibergen] [Blankenborg] [2015] 312 S. 25 cm txt rdacontent n rdamedia nc rdacarrier Enth. Zsfassung in niederländ. Sprache Zugl.: Nijmegen, Univ., Diss., 2015 Homerus / ca. 800 v.Chr Homerus ca. v8. Jh. (DE-588)11855333X gnd rswk-swf Declamaties gtt Auditieve waarneming gtt Versleer gtt Pauses gtt Pause (DE-588)4173579-1 gnd rswk-swf Prosodie (DE-588)4047500-1 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Homerus (DE-2581)TH000001467 gbd Metrik & Prosodie, griechisch (DE-2581)TH000005755 gbd Homerus ca. v8. Jh. (DE-588)11855333X p Prosodie (DE-588)4047500-1 s Pause (DE-588)4173579-1 s DE-604 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028349099&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Blankenborg, Ronald 1971- Audible punctuation: performative pause in Homeric prosody Homerus / ca. 800 v.Chr Homerus ca. v8. Jh. (DE-588)11855333X gnd Declamaties gtt Auditieve waarneming gtt Versleer gtt Pauses gtt Pause (DE-588)4173579-1 gnd Prosodie (DE-588)4047500-1 gnd |
subject_GND | (DE-588)11855333X (DE-588)4173579-1 (DE-588)4047500-1 (DE-588)4113937-9 |
title | Audible punctuation: performative pause in Homeric prosody |
title_auth | Audible punctuation: performative pause in Homeric prosody |
title_exact_search | Audible punctuation: performative pause in Homeric prosody |
title_full | Audible punctuation: performative pause in Homeric prosody door Ronald Blankenborg |
title_fullStr | Audible punctuation: performative pause in Homeric prosody door Ronald Blankenborg |
title_full_unstemmed | Audible punctuation: performative pause in Homeric prosody door Ronald Blankenborg |
title_short | Audible punctuation: performative pause in Homeric prosody |
title_sort | audible punctuation performative pause in homeric prosody |
topic | Homerus / ca. 800 v.Chr Homerus ca. v8. Jh. (DE-588)11855333X gnd Declamaties gtt Auditieve waarneming gtt Versleer gtt Pauses gtt Pause (DE-588)4173579-1 gnd Prosodie (DE-588)4047500-1 gnd |
topic_facet | Homerus / ca. 800 v.Chr Homerus ca. v8. Jh. Declamaties Auditieve waarneming Versleer Pauses Pause Prosodie Hochschulschrift |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028349099&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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