Theorizing art cinemas: foreign, cult, avant-garde, and beyond
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Austin
University of Texas Press
2014
|
| Ausgabe: | First paperback edition |
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Beschreibung: | XVIII, 289 Seiten Illustrationen |
| ISBN: | 9780292747746 9781477302057 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents
Preface ix
Acknowledgments xvü
Introduction: Correcting Art Cinema’s Partial Vision 1
PART 1. Art, Auteurism, and the World
1. Art as Genre as Canon: Defining “Art Cinema” 19
2. No Start, No End: Auteurism and the Auteur Theory 35
3. From “Foreign Films” to “World Cinema” 56
PART 2. Formats and Fetishes
4. Recovery and Legitimation in the Traditional Art Film 75
5. Losing the Asterisk: A Theory of Cult-Art Cinema 95
6. Revisiting “The Two Avant-Gardes” 114
7. Sucking the Mainstream:
A Theory of Mainstream Art Cinema 140
PART 3. Institutions and Distributions
8. Re-integrating Stardom (. . . or Technology
or Reception or. . .) 157
viii Theorizing Art Cinemas
9. Art Cinema as Institution, Redux:
Art Houses, Film Festivals, and Film Studies 172
10. Art Cinema, the Distribution Theory 191
Epilogue: Beyond, Before Cinephilia 208
Notes 215
Filmography 247
Bibliography 257
Index 273
he term “art cinema has been applied to many cinematic
projects, including the film dart movement, the postwar avant-
gardes, various Asian new waves, the New Hollvwood, and
Ca *
American indie films, but until now no one has actually defined what
“art cinema is. Turning the traditional, highbrow notion of art cinema
С о
on its head, Theorizing Art Cinemas takes a flexible, inclusive approach
that views art cinema as a predictable way of valuing movies as “art
movies—an activity that has occurred across film history and across
✓ ¥
film subcultures—rather than as a traditional genre in the sense of a
distinct set of forms or a closed historical period or movement.
David Andrews opens with a history of the art cinema “super-genre
from the early days of silent movies to the postwar European invasion
that brought Italian Neorealism, the French New Wave, and the New
German Cinema to the forefront and led to the development of auteur
theory. He then discusses the mechanics of art cinema, from art houses,
✓
film festivals, and the academic discipline of film studies, to the audi-
ences and distribution systems for art cinema as a whole. This wide-
ranging approach allows Andrews to develop a theory that encompasses
both the high and low ends of art cinema in all of its different aspects,
including world cinema, avant-garde films, experimental films, and cult
cinema. All of these art cinemas, according to Andrews, share an em-
phasis on quality, authorship, and anticommercialism, whether the film
in question is a film festival favorite or a midnight movie.
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| isbn | 9780292747746 9781477302057 |
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| spelling | Andrews, David 1970- Verfasser (DE-588)104741354X aut Theorizing art cinemas foreign, cult, avant-garde, and beyond by David Andrews First paperback edition Austin University of Texas Press 2014 XVIII, 289 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Geschichte gnd rswk-swf Experimental films History and criticism Avant-garde (Aesthetics) Experimentalfilm (DE-588)4153359-8 gnd rswk-swf Experimentalfilm (DE-588)4153359-8 s Geschichte z DE-604 Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028344894&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028344894&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Andrews, David 1970- Theorizing art cinemas foreign, cult, avant-garde, and beyond Experimental films History and criticism Avant-garde (Aesthetics) Experimentalfilm (DE-588)4153359-8 gnd |
| subject_GND | (DE-588)4153359-8 |
| title | Theorizing art cinemas foreign, cult, avant-garde, and beyond |
| title_auth | Theorizing art cinemas foreign, cult, avant-garde, and beyond |
| title_exact_search | Theorizing art cinemas foreign, cult, avant-garde, and beyond |
| title_full | Theorizing art cinemas foreign, cult, avant-garde, and beyond by David Andrews |
| title_fullStr | Theorizing art cinemas foreign, cult, avant-garde, and beyond by David Andrews |
| title_full_unstemmed | Theorizing art cinemas foreign, cult, avant-garde, and beyond by David Andrews |
| title_short | Theorizing art cinemas |
| title_sort | theorizing art cinemas foreign cult avant garde and beyond |
| title_sub | foreign, cult, avant-garde, and beyond |
| topic | Experimental films History and criticism Avant-garde (Aesthetics) Experimentalfilm (DE-588)4153359-8 gnd |
| topic_facet | Experimental films History and criticism Avant-garde (Aesthetics) Experimentalfilm |
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