Literary visuality in Siri Hustvedt's works: phenomenological perspectives
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| Format: | Abschlussarbeit Buch |
| Sprache: | English |
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Würzburg
Königshausen & Neumann
[2016]
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| Schriftenreihe: | text & theorie
Band 16 |
| Schlagworte: | |
| Online-Zugang: | Inhaltstext Inhaltsverzeichnis |
| Beschreibung: | 326 Seiten Illustrationen 235 mm x 155 mm |
| ISBN: | 9783826056017 |
Internformat
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Datensatz im Suchindex
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Table of Contents
1. Introduction—Literary Visuality in Siri Hustvedt’s Works .13
2. Literary Visuality as Theoretical Paradigm—The Visual
Sense in Philosophy, Literature, and Culture.22
2.1 Acting and Interacting in the Visual Field—Conditions and
Possibilities.36
2.1.1 Conditions of Acting within the Visual Field.37
2.1.1.1 Embodiment and Embodied Vision.37
2.1.1.2 Intentionality.41
2.LI.3 The Visual Field and the Imaginary.44
2.1.1.3.1 Images.44
2.1.1.3.2 Thelmaginary.47
2.1.2 Acting within the Visual Field.51
2.1.2.1 Perception and Impaired Vision.51
2.1.2.2 Intersubjectivity.54
2.1.2.3 Verbalizing the Visual Experience and the Impossibility of Translation.56
2.2 Literary Visuality as Textual Phenomenon: Description—
Ekphrasis—Intermediality.60
2.2.1 Literature and the Visual Arts.60
2.2.2 Literary Description and Ekphrasis.62
2.2.3 Intermediality and Hustvedt’s Intermedial Poetics.69
2.3 Transformational Processes and Creative Reading Experiences.73
3. Readings.79
3.1 The Blindfold.79
3.1.1 The Plot of The Blindfold and the Visual Paradigm.82
3.1.2 Iris Vegan and the Narrative Situation of The Blindfold.85
3.1.3 Intersubjective Encounters—The Quest for Recognition.87
3.1.3.1 Fictional Appropriations—Iris’ "Becoming” Klaus.88
3.1.3.2 Aesthetic Identification and Giorgione’s The Tempest .94
3.1.3.3 Photographic (Mis)Representation and the Deletion
of Vision.100
3.1.3.4 The Descriptive "Resurrection” of Sherri Zalewski.107
3.1.3.5 Describing the Embodied Vision and Diagnostic
Practice.112
3.1.4 Boxes and Clouds—Between Insight and Impenetrability.114
3.1.5 Conclusion.116
10
3.2 The Enchantment of Lily Dahl.117
3.2.1 Lily Dahl—Between Reality and the Imaginary.120
3.2.2 Martin’s Striving for Signification.124
3.2.3 A Midsummer Night's Dream and the Enchantment of
Webster.130
3.2.4 Intersub jective Encounters and Acts of Performativity.134
3.2.4.1 Lily as Voyeur. 134
3.2.4.2 Lily’s Striptease.136
3.2.5 Webster. 139
3.2.6 Conclusion.147
3.3 What I Loved.149
3.3.1 The Narrative Situation in What I Loved and the Visual
Metaphorization of Memory and Remembering.153
3.3.2 Art and Ekphrasis in What I Loved.166
3.3.2.1 The Artistic Ethos.167
3.3.2.1.1 Matt and Mark.167
3.3.2.1.2 Bill Wechsler and and Teddy Giles.170
3.3.2.2 Bill Wechsler’s Art Cycles.172
3.3.2.2.1 The Self-Portrait Series.173
3.3.2.2.2 Father-Son-Relationships I: The “Missing Men”
Series.181
3.3.2.2.3 Father-Son-Relationships II: “Hysteria Pieces,” the Hansel and Gretel Works, The Changeling, and Icarus. 183
3.3.2.2.4 O's Journey, “101 Doors,” and the “Number Pieces”.196
3.3.3 Conclusion.200
3.4 The Sorrows of an American.201
3.4.1 Erik’s Imaginary and the Narrative Situation in The Sorrows
of an American.205
3.4.2 Fathers and Sons—Forms of Visual Appropriation and
Trans generational Reconciliation.210
3.4.2.1 Reimaginative Readings.210
3.4.2.2 Trans generational Reconciliation and the Aesthetics
of Dreams.217
3.4.2.3 Dioramatic Representations and Lars Davidsen’s
Secret.220
3.4.3 The Aesthetic of Dreams and Photographic Misrepresenta
tions.224
11
3.4.3.1 Miranda’s Dream Drawings.224
3.4.3.2 The Photography of Jeff Lane—Stalking and Intimidation .231
3.4.3.3 Photographic Misrepresentations.234
3.4.4 The Cinematic Aesthetics and Notes on Perception.239
3.4.4.1 Max Blaustein’s Movies.239
3.4.4.2 Notes on Perception.240
3.4.5 Conclusion.244
3.5 The Summer without Men.246
3.5.1 Mia’s Imaginary and the Narrative Situation of The Summer
without Men.247
3.5.1.1 Esse est Percipi—Berkeley’s Dictum and the Notion
of Recognition.252
3.5.1.2 Fictional Appropriations and the Shared Imaginary .253
3.5.1.3 Disembodied Communication: Mia and Mr. Nobody.257
3.5.2 Visualized Uplift—Drawings in The Summer without Men.260
3.5.3 Intersubjective Encounters I—Ostracism and Overexposure .262
3.5.4 Intersubjective Encounters II—“Secret Amusements”.265
3.5.5 Conclusion.267
3.6 The Blazing World.269
3.6.1 Mental Still Life and Hypnagogic Hallucinations.273
3.6.2 Maskings and the Question of Authorship.275
3.6.2.1 The History of Western Art (Anton Tish).278
3.6.2.2 The Suffocation Rooms (Phineas Q. Eldridge).286
3.6.2.3 Beneath (Rune).291
3.6.3 The Blazing World—Recognition and Female Authorship.295
3.6.4 Conclusion.300
4. Conclusion.302
Works Cited.308
List of Illustrations.326 |
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| spelling | Hartmann, Johanna Verfasser (DE-588)1072467925 aut Literary visuality in Siri Hustvedt's works phenomenological perspectives Johanna Hartmann Würzburg Königshausen & Neumann [2016] © 2016 326 Seiten Illustrationen 235 mm x 155 mm txt rdacontent n rdamedia nc rdacarrier text & theorie Band 16 Dissertation Universität Augsburg 2014 Hustvedt, Siri 1955- (DE-588)115468943 gnd rswk-swf Ekphrasis (DE-588)4151667-9 gnd rswk-swf Intermedialität (DE-588)4605581-2 gnd rswk-swf Roman (DE-588)4050479-7 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Hustvedt, Siri 1955- (DE-588)115468943 p Roman (DE-588)4050479-7 s Intermedialität (DE-588)4605581-2 s Ekphrasis (DE-588)4151667-9 s DE-604 text & theorie Band 16 (DE-604)BV019344562 16 X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=5295061&prov=M&dok_var=1&dok_ext=htm Inhaltstext Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028344673&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Hartmann, Johanna Literary visuality in Siri Hustvedt's works phenomenological perspectives text & theorie Hustvedt, Siri 1955- (DE-588)115468943 gnd Ekphrasis (DE-588)4151667-9 gnd Intermedialität (DE-588)4605581-2 gnd Roman (DE-588)4050479-7 gnd |
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| title | Literary visuality in Siri Hustvedt's works phenomenological perspectives |
| title_auth | Literary visuality in Siri Hustvedt's works phenomenological perspectives |
| title_exact_search | Literary visuality in Siri Hustvedt's works phenomenological perspectives |
| title_full | Literary visuality in Siri Hustvedt's works phenomenological perspectives Johanna Hartmann |
| title_fullStr | Literary visuality in Siri Hustvedt's works phenomenological perspectives Johanna Hartmann |
| title_full_unstemmed | Literary visuality in Siri Hustvedt's works phenomenological perspectives Johanna Hartmann |
| title_short | Literary visuality in Siri Hustvedt's works |
| title_sort | literary visuality in siri hustvedt s works phenomenological perspectives |
| title_sub | phenomenological perspectives |
| topic | Hustvedt, Siri 1955- (DE-588)115468943 gnd Ekphrasis (DE-588)4151667-9 gnd Intermedialität (DE-588)4605581-2 gnd Roman (DE-588)4050479-7 gnd |
| topic_facet | Hustvedt, Siri 1955- Ekphrasis Intermedialität Roman Hochschulschrift |
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