From fairy tale to film screenplay: working with plot genotypes
"From the time of the Classical era of Greece and Rome, literary theorists have been concerned with the subject of how the plots of stories are organized. In The Poetics, Aristotle put forward the crucial idea that a plot must possess sufficient amplitude to allow a probable or necessary succes...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Basingstoke
Palgrave Macmillan
2015
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "From the time of the Classical era of Greece and Rome, literary theorists have been concerned with the subject of how the plots of stories are organized. In The Poetics, Aristotle put forward the crucial idea that a plot must possess sufficient amplitude to allow a probable or necessary succession of particular actions to produce a significant change in the fortune of the main character. In the early twentieth century, the Russian scholar Vladimir Propp put forward the radical idea that each of the plots in his corpus of a hundred Russian fairy tales consisted of a sequence of 31 functions executed in an identical order. In this way, Propp had provided a workable solution to the mystery of how that 'significant change in the fortune of the main character' might be brought about. In effect, what Propp had done was to discover the first plot genotype, the functional structure or compositional schema of a particular short fiction, the Marriage fairy tale. But Propp was mistaken in his belief that all plots were the same. Although the exact number of plot genotypes is still unclear, this number is not excessively great. Plot genotypes fall into set categories, which means that the analysis of a few important fairy tales will shed light on the way in which most fairy tales...and by extension most short stories and dramatic texts and Hollywood screenplays...are also organized. This study explores the plots of ten fairy tales to lay the foundations for a complete description of the plot genotype".. |
| Beschreibung: | Includes bibliographical references |
| Beschreibung: | xi, 197 Seiten |
| ISBN: | 9781137552020 9781349561292 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV042911257 | ||
| 003 | DE-604 | ||
| 005 | 20180403 | ||
| 007 | t | ||
| 008 | 151007s2015 xxk |||| 00||| eng d | ||
| 010 | |a 015019255 | ||
| 020 | |a 9781137552020 |9 978-1-137-55202-0 | ||
| 020 | |a 9781349561292 |9 978-1-349-56129-2 | ||
| 035 | |a (OCoLC)929445430 | ||
| 035 | |a (DE-599)BVBBV042911257 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a xxk |c GB | ||
| 049 | |a DE-12 |a DE-384 | ||
| 050 | 0 | |a PN1995.9.F34 | |
| 082 | 0 | |a 809.3/924 |2 23 | |
| 084 | |a EC 7260 |0 (DE-625)20783: |2 rvk | ||
| 100 | 1 | |a Murphy, Terence Patrick |d 1964- |e Verfasser |0 (DE-588)1078128138 |4 aut | |
| 245 | 1 | 0 | |a From fairy tale to film screenplay |b working with plot genotypes |c Terence Patrick Murphy |
| 264 | 1 | |a Basingstoke |b Palgrave Macmillan |c 2015 | |
| 300 | |a xi, 197 Seiten | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references | ||
| 520 | |a "From the time of the Classical era of Greece and Rome, literary theorists have been concerned with the subject of how the plots of stories are organized. In The Poetics, Aristotle put forward the crucial idea that a plot must possess sufficient amplitude to allow a probable or necessary succession of particular actions to produce a significant change in the fortune of the main character. In the early twentieth century, the Russian scholar Vladimir Propp put forward the radical idea that each of the plots in his corpus of a hundred Russian fairy tales consisted of a sequence of 31 functions executed in an identical order. In this way, Propp had provided a workable solution to the mystery of how that 'significant change in the fortune of the main character' might be brought about. In effect, what Propp had done was to discover the first plot genotype, the functional structure or compositional schema of a particular short fiction, the Marriage fairy tale. But Propp was mistaken in his belief that all plots were the same. Although the exact number of plot genotypes is still unclear, this number is not excessively great. Plot genotypes fall into set categories, which means that the analysis of a few important fairy tales will shed light on the way in which most fairy tales...and by extension most short stories and dramatic texts and Hollywood screenplays...are also organized. This study explores the plots of ten fairy tales to lay the foundations for a complete description of the plot genotype".. | ||
| 650 | 7 | |a LITERARY CRITICISM / Semiotics & Theory |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE / Media Studies |2 bisacsh | |
| 650 | 4 | |a Fairy tales in motion pictures | |
| 650 | 4 | |a Fairy tales |x film adaptations | |
| 650 | 4 | |a Plots (Drama, novel, etc.) | |
| 650 | 4 | |a LITERARY CRITICISM / Semiotics & Theory | |
| 650 | 4 | |a SOCIAL SCIENCE / Media Studies | |
| 650 | 0 | 7 | |a Märchen |0 (DE-588)4036910-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Drehbuch |0 (DE-588)4127976-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Handlung |g Literatur |0 (DE-588)4159031-4 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Handlung |g Literatur |0 (DE-588)4159031-4 |D s |
| 689 | 0 | 1 | |a Märchen |0 (DE-588)4036910-9 |D s |
| 689 | 0 | 2 | |a Drehbuch |0 (DE-588)4127976-1 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-137-55203-7 |
| 856 | 4 | 2 | |m LoC Fremddatenuebernahme |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028339048&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 856 | 4 | 2 | |m Digitalisierung UB Augsburg - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028339048&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 856 | 4 | 2 | |m Digitalisierung UB Augsburg - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028339048&sequence=000004&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |3 Klappentext |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-028339048 | ||
Datensatz im Suchindex
| _version_ | 1804175209312288768 |
|---|---|
| adam_text | FROM FAIRY TALE TO FILM SCREENPLAY
/ MURPHY, TERENCE PATRICK 1964-
: 2015
TABLE OF CONTENTS / INHALTSVERZEICHNIS
1. FROM THE HOLLYWOOD PARADIGM TO THE PROPPIAN PLOT GENOTYPE
2. VLADIMIR PROPP S FUNCTIONAL ANALYSIS OF THE FAIRY TALE
3. A FUNCTIONAL ANALYSIS OF CHARLES PERRAULT S CINDERELLA
4. FORMULATING THE CONCEPT OF THE PLOT GENOTYPE
5. THE ROBBER BRIDEGROOM GENOTYPE
6. THE ROBBER BRIDEGROOM GENOTYPE IN WRONG TURN (2003)
7. THE FROG PRINCE GENOTYPE
8. THE FROG PRINCE GENOTYPE IN PRETTY WOMAN (1990)
9. THE PUSS-IN-BOOTS GENOTYPE
10. THE PUSS-IN-BOOTS GENOTYPE IN THE MASK (1994)
11. THE LITTLE RED RIDING HOOD GENOTYPE
12. THE LITTLE RED RIDING HOOD GENOTYPE IN PSYCHO (1960)
13. CONCLUSION
14. APPENDIX: PLOT GENOTYPE THEORY AND THE HERO S JOURNEY
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
Contents
List of Figures viii
Acknowledgements xi
1 From the Hollywood Paradigm to the Proppian Plot
Genotype 1
2 Vladimir Propp s Functional Analysis of the Fairy Tale 9
3 A Functional Analysis of Charles Perrault s Cinderella 16
4 Formulating the Concept of the Plot Genotype 27
5 The Robber Bridegroom Genotype 31
6 The Robber Bridegroom Genotype in Wrong Turn (2003) 46
7 The Frog Prince Genotype 56
8 The Frog Prince Genotype in Pretty Woman (1990) 66
9 The Puss-in-Boots Genotype 102
10 The Puss-in-Boots Genotype in The Mask (1994) 111
11 The Little Red Riding Hood Genotype 144
12 The Little Red Riding Hood Genotype in Psycho (1960) 151
13 Conclusion 172
Appendix: Plot Genotype Theory and the Hero s Journey 177
Notes 182
Bibliography 188
Index 192
vii
Plot genotypes are the compositional schemas of particular stories. They are sets of instructions,
written in the language of the plot function, for executing particular plots, This book offers a
rich theory of plot structure by complementing the work of Syd Field with a deeper level of
analysis. It outlines the plot genotypes for The frog Prince, The Robber Bridegroom, PusMoots
and tittle Red Riding Hood, and demonstrates how these genotypes provide the underpinnings
for the film screenplays of Pretty Woman, Wrong Torn, The Mask and Psycho. By engaging with
the study of these four Hollywood screenplays, readers will become much sharper at understanding
how screenplays work and will become better at learning how to write coherent
screenplays themselves.
|
| any_adam_object | 1 |
| author | Murphy, Terence Patrick 1964- |
| author_GND | (DE-588)1078128138 |
| author_facet | Murphy, Terence Patrick 1964- |
| author_role | aut |
| author_sort | Murphy, Terence Patrick 1964- |
| author_variant | t p m tp tpm |
| building | Verbundindex |
| bvnumber | BV042911257 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.F34 |
| callnumber-search | PN1995.9.F34 |
| callnumber-sort | PN 41995.9 F34 |
| callnumber-subject | PN - General Literature |
| classification_rvk | EC 7260 |
| ctrlnum | (OCoLC)929445430 (DE-599)BVBBV042911257 |
| dewey-full | 809.3/924 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 809 - History, description & criticism |
| dewey-raw | 809.3/924 |
| dewey-search | 809.3/924 |
| dewey-sort | 3809.3 3924 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04175nam a2200565 c 4500</leader><controlfield tag="001">BV042911257</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20180403 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">151007s2015 xxk |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">015019255</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781137552020</subfield><subfield code="9">978-1-137-55202-0</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781349561292</subfield><subfield code="9">978-1-349-56129-2</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)929445430</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV042911257</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxk</subfield><subfield code="c">GB</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-384</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PN1995.9.F34</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">809.3/924</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">EC 7260</subfield><subfield code="0">(DE-625)20783:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Murphy, Terence Patrick</subfield><subfield code="d">1964-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1078128138</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">From fairy tale to film screenplay</subfield><subfield code="b">working with plot genotypes</subfield><subfield code="c">Terence Patrick Murphy</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Basingstoke</subfield><subfield code="b">Palgrave Macmillan</subfield><subfield code="c">2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xi, 197 Seiten</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"From the time of the Classical era of Greece and Rome, literary theorists have been concerned with the subject of how the plots of stories are organized. In The Poetics, Aristotle put forward the crucial idea that a plot must possess sufficient amplitude to allow a probable or necessary succession of particular actions to produce a significant change in the fortune of the main character. In the early twentieth century, the Russian scholar Vladimir Propp put forward the radical idea that each of the plots in his corpus of a hundred Russian fairy tales consisted of a sequence of 31 functions executed in an identical order. In this way, Propp had provided a workable solution to the mystery of how that 'significant change in the fortune of the main character' might be brought about. In effect, what Propp had done was to discover the first plot genotype, the functional structure or compositional schema of a particular short fiction, the Marriage fairy tale. But Propp was mistaken in his belief that all plots were the same. Although the exact number of plot genotypes is still unclear, this number is not excessively great. Plot genotypes fall into set categories, which means that the analysis of a few important fairy tales will shed light on the way in which most fairy tales...and by extension most short stories and dramatic texts and Hollywood screenplays...are also organized. This study explores the plots of ten fairy tales to lay the foundations for a complete description of the plot genotype"..</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / Semiotics & Theory</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">SOCIAL SCIENCE / Media Studies</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Fairy tales in motion pictures</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Fairy tales</subfield><subfield code="x">film adaptations</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Plots (Drama, novel, etc.)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">LITERARY CRITICISM / Semiotics & Theory</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">SOCIAL SCIENCE / Media Studies</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Märchen</subfield><subfield code="0">(DE-588)4036910-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Drehbuch</subfield><subfield code="0">(DE-588)4127976-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Handlung</subfield><subfield code="g">Literatur</subfield><subfield code="0">(DE-588)4159031-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Handlung</subfield><subfield code="g">Literatur</subfield><subfield code="0">(DE-588)4159031-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Märchen</subfield><subfield code="0">(DE-588)4036910-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Drehbuch</subfield><subfield code="0">(DE-588)4127976-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-137-55203-7</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">LoC Fremddatenuebernahme</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028339048&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Augsburg - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028339048&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Augsburg - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028339048&sequence=000004&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Klappentext</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028339048</subfield></datafield></record></collection> |
| id | DE-604.BV042911257 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:12:39Z |
| institution | BVB |
| isbn | 9781137552020 9781349561292 |
| language | English |
| lccn | 015019255 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028339048 |
| oclc_num | 929445430 |
| open_access_boolean | |
| owner | DE-12 DE-384 |
| owner_facet | DE-12 DE-384 |
| physical | xi, 197 Seiten |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Palgrave Macmillan |
| record_format | marc |
| spelling | Murphy, Terence Patrick 1964- Verfasser (DE-588)1078128138 aut From fairy tale to film screenplay working with plot genotypes Terence Patrick Murphy Basingstoke Palgrave Macmillan 2015 xi, 197 Seiten txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references "From the time of the Classical era of Greece and Rome, literary theorists have been concerned with the subject of how the plots of stories are organized. In The Poetics, Aristotle put forward the crucial idea that a plot must possess sufficient amplitude to allow a probable or necessary succession of particular actions to produce a significant change in the fortune of the main character. In the early twentieth century, the Russian scholar Vladimir Propp put forward the radical idea that each of the plots in his corpus of a hundred Russian fairy tales consisted of a sequence of 31 functions executed in an identical order. In this way, Propp had provided a workable solution to the mystery of how that 'significant change in the fortune of the main character' might be brought about. In effect, what Propp had done was to discover the first plot genotype, the functional structure or compositional schema of a particular short fiction, the Marriage fairy tale. But Propp was mistaken in his belief that all plots were the same. Although the exact number of plot genotypes is still unclear, this number is not excessively great. Plot genotypes fall into set categories, which means that the analysis of a few important fairy tales will shed light on the way in which most fairy tales...and by extension most short stories and dramatic texts and Hollywood screenplays...are also organized. This study explores the plots of ten fairy tales to lay the foundations for a complete description of the plot genotype".. LITERARY CRITICISM / Semiotics & Theory bisacsh SOCIAL SCIENCE / Media Studies bisacsh Fairy tales in motion pictures Fairy tales film adaptations Plots (Drama, novel, etc.) LITERARY CRITICISM / Semiotics & Theory SOCIAL SCIENCE / Media Studies Märchen (DE-588)4036910-9 gnd rswk-swf Drehbuch (DE-588)4127976-1 gnd rswk-swf Handlung Literatur (DE-588)4159031-4 gnd rswk-swf Handlung Literatur (DE-588)4159031-4 s Märchen (DE-588)4036910-9 s Drehbuch (DE-588)4127976-1 s DE-604 Erscheint auch als Online-Ausgabe 978-1-137-55203-7 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028339048&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028339048&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028339048&sequence=000004&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Murphy, Terence Patrick 1964- From fairy tale to film screenplay working with plot genotypes LITERARY CRITICISM / Semiotics & Theory bisacsh SOCIAL SCIENCE / Media Studies bisacsh Fairy tales in motion pictures Fairy tales film adaptations Plots (Drama, novel, etc.) LITERARY CRITICISM / Semiotics & Theory SOCIAL SCIENCE / Media Studies Märchen (DE-588)4036910-9 gnd Drehbuch (DE-588)4127976-1 gnd Handlung Literatur (DE-588)4159031-4 gnd |
| subject_GND | (DE-588)4036910-9 (DE-588)4127976-1 (DE-588)4159031-4 |
| title | From fairy tale to film screenplay working with plot genotypes |
| title_auth | From fairy tale to film screenplay working with plot genotypes |
| title_exact_search | From fairy tale to film screenplay working with plot genotypes |
| title_full | From fairy tale to film screenplay working with plot genotypes Terence Patrick Murphy |
| title_fullStr | From fairy tale to film screenplay working with plot genotypes Terence Patrick Murphy |
| title_full_unstemmed | From fairy tale to film screenplay working with plot genotypes Terence Patrick Murphy |
| title_short | From fairy tale to film screenplay |
| title_sort | from fairy tale to film screenplay working with plot genotypes |
| title_sub | working with plot genotypes |
| topic | LITERARY CRITICISM / Semiotics & Theory bisacsh SOCIAL SCIENCE / Media Studies bisacsh Fairy tales in motion pictures Fairy tales film adaptations Plots (Drama, novel, etc.) LITERARY CRITICISM / Semiotics & Theory SOCIAL SCIENCE / Media Studies Märchen (DE-588)4036910-9 gnd Drehbuch (DE-588)4127976-1 gnd Handlung Literatur (DE-588)4159031-4 gnd |
| topic_facet | LITERARY CRITICISM / Semiotics & Theory SOCIAL SCIENCE / Media Studies Fairy tales in motion pictures Fairy tales film adaptations Plots (Drama, novel, etc.) Märchen Drehbuch Handlung Literatur |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028339048&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028339048&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028339048&sequence=000004&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT murphyterencepatrick fromfairytaletofilmscreenplayworkingwithplotgenotypes |
Es ist kein Print-Exemplar vorhanden.
Inhaltsverzeichnis