Values and choices in television discourse: a view from both sides of the screen
Gespeichert in:
Weitere Verfasser: | , , |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Basingstoke
Palgrave Macmillan
2015
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | xvi, 255 Seiten Illustrationen |
ISBN: | 9781137478467 |
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Datensatz im Suchindex
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adam_text | Contents
List of Figures and Tables
Acknowledgements
Notes on Contributors
A Word of Introduction
viii
XV
xi
X
Roberta Piazza, Louann Haarman and Anne Cabom
Part I The Analysis of the Television Product
Roberta Piazza and Louann Haarman
1 Promotional Videos: What Do They Tell Us about the
Value of News? 5
Monika Bednarek and Helen Caple
2 Evaluation as Positioning in English Language World
News Channels: CCTV, France 24, Russia Today, A1Jazeera 31
Alison Duguid
3 Camera Angles in Television News: Designed to
Communicate? 59
Scott Koga֊Browes
4 Overweight and Obesity in TV News 87
Catriona Bonfiglioli
5 Television, Collective Memory and the Commemoration
Cure 109
Nuria Lorenzo-Dus
6 The Representation of Travellers in Television
Documentaries: Dispelling Stigma while Dealing with
Infotainment Demands 132
Roberta Piazza
v
vi Contents
7 MasterChef: Cooking Competition across Cultures 158
Louann Haarman
Part II What s Behind the Screen?
Hilary Bruffell and Anne Cabom
8 What Makes the News Newsworthy: Position and Priority
as Considerations in the Channel 4 News Room 185
Jon Snow
9 News as Political Commitment and Observations on
Obesity 190
Cathy Newman
10 Engaging a Daytime Television Audience via Popular
Magazine Programming: A Question of Balance 194
Luke Chilton
11 IPs Not a Disaster if It Doesn t Make the 9 O clock News:
How Factual Programming Can Shape Perceptions and
Responses to Major Disasters 201
Clive Jones
12 Commercial Imperatives and Their Impact on the Values
of the Contemporary Documentary and Reality Formats 207
Peter Hamilton
13 Documentary-Making: A Commercial and Public
Broadcaster Perspective 216
Olivia Lichtenstein
14 Competition and Cookery in a Global Cultural Format 223
Karen Ross and Doug Wood
15 The Morals of the Money Shot: The Journalistic and
Personal Perspective on Creating a Porn Documentary for
Channel 4 229
Martin Daubney
16 Authenticity in Documentary-Making 234
Anya Sitaram
Contents
17 Documentary and Reality TV as Modern Fairytales:
An Odyssey in Character, Content and Commissioning
Jan Enden and Mick Sawyer
18 The Interplay between Conflict and Character in Drama
and Its Possible Influences on the Construction of Reality
Programming
Harry Dnffin
vii
240
246
Index
251
Discourse and media scholars who study television often focus on the way this medium constructs
its messages linguistically and semiotically by words, images, sounds, camera movements and
in general by making specific choices that appear to reflect cultural values and ideologies. At the
same time, television is a very complex medium whose products are the result of a cooperative
effort and are generally created under a number of practical constraints and in response to
pressing market imperatives. Professionals who make television focus on the production and
coherence of their broadcasts, as well as their responsibility to their audience (both in terms of
professional commitment to the viewers and consideration of their evolving tastes), and can rarely
take the time to reflect on how their choices may be interpreted beyond immediate broadcast.
In short, there are two sides to television: what can be seen on the screen and another behind
it, inaccessible to the viewer. This book offers an initial forum in which both academics and
practitioners can reflect on the choices that television makes and some of the reasons for them.
The volume is of interest to students and academics in both linguistics and media, as well as
professionals in the broadcasting industry.
Roberta Piazza is Senior Lecturer in English Language and Linguistics at the University of Sussex,
UK. Her interests range from anthropological linguistic studies of identity, as she explores in
her recent book, Marked Identities (2014, co-edited with Alessandra Fasulo), to pragmatics
and media discourse, as she discusses in The Discourse of Italian Cinema and Beyond (2011) and
Telecinematic Discourse (2011, co-edited with Monika Bednarek and Fabio Rossi). The paper
‘Proposal for a system of text-image relations in television news’, co-authored with Louann
Haarman, is forthcoming in Visual Communication.
Louann Haarman is Professor of English Language and Linguistics (ret,), University of Bologna,
Italy. Her principal research interest is in the field of media discourse analysis, focussing on
television news in a cross-cultural perspective. Her publications include Backstage Activities
as Frontstage News (2012, with Joanna Thornborrow), ‘Toward a Definition and Classification
of Human Interest Narratives in Television War Reporting (2011, with Roberta Piazza), and
Evaluation and Stance in War News (2009, co-edited with Linda Lombardo).
Anne Caborn is a communications consultant for The Content Lab, as well as an editor and
lecturer. She is a former journalist and worked for a number of years as a television correspondent,
contributing articles to UK national newspapers. In 2007 she was elected as a Life Member of
the National U nion of Journalists. She was a contributor to One Day in the Life of Television, part
of a project organised by the British Film Institute, and is co-author of Information Overload: An
International Challenge for Professional Engineers and Technical Communicators.
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spellingShingle | Values and choices in television discourse a view from both sides of the screen Television broadcasting / Social aspects Gesellschaft Fernsehanalyse (DE-588)4334938-9 gnd Dokumentarfilm (DE-588)4012653-5 gnd Fernsehsendung (DE-588)4016842-6 gnd Fernsehen (DE-588)4016825-6 gnd Nachrichtensendung (DE-588)4127995-5 gnd Produktion (DE-588)4047347-8 gnd Sprachgebrauch (DE-588)4191506-9 gnd |
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title | Values and choices in television discourse a view from both sides of the screen |
title_auth | Values and choices in television discourse a view from both sides of the screen |
title_exact_search | Values and choices in television discourse a view from both sides of the screen |
title_full | Values and choices in television discourse a view from both sides of the screen edited by Roberta Piazza, Louann Haarman, Anne Caborn |
title_fullStr | Values and choices in television discourse a view from both sides of the screen edited by Roberta Piazza, Louann Haarman, Anne Caborn |
title_full_unstemmed | Values and choices in television discourse a view from both sides of the screen edited by Roberta Piazza, Louann Haarman, Anne Caborn |
title_short | Values and choices in television discourse |
title_sort | values and choices in television discourse a view from both sides of the screen |
title_sub | a view from both sides of the screen |
topic | Television broadcasting / Social aspects Gesellschaft Fernsehanalyse (DE-588)4334938-9 gnd Dokumentarfilm (DE-588)4012653-5 gnd Fernsehsendung (DE-588)4016842-6 gnd Fernsehen (DE-588)4016825-6 gnd Nachrichtensendung (DE-588)4127995-5 gnd Produktion (DE-588)4047347-8 gnd Sprachgebrauch (DE-588)4191506-9 gnd |
topic_facet | Television broadcasting / Social aspects Gesellschaft Fernsehanalyse Dokumentarfilm Fernsehsendung Fernsehen Nachrichtensendung Produktion Sprachgebrauch Aufsatzsammlung |
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