The theatrical public sphere:
The concept of the public sphere, as first outlined by German philosopher Jürgen Habermas, refers to the right of all citizens to engage in debate on public issues on equal terms. In this book, Christopher B. Balme explores theatre's role in this crucial political and social function. He traces...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, United Kingdom
Cambridge University Press
July 2014
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| Schlagworte: | |
| Online-Zugang: | FUBA1 UBG01 UBM01 URL des Erstveröffentlichers |
| Zusammenfassung: | The concept of the public sphere, as first outlined by German philosopher Jürgen Habermas, refers to the right of all citizens to engage in debate on public issues on equal terms. In this book, Christopher B. Balme explores theatre's role in this crucial political and social function. He traces its origins and argues that the theatrical public sphere invariably focuses attention on theatre as an institution between the shifting borders of the private and public, reasoned debate and agonistic intervention. Chapters explore this concept in a variety of contexts, including the debates that led to the closure of British theatres in 1642, theatre's use of media, controversies surrounding race, religion and blasphemy, and theatre's place in a new age of globalised aesthetics. Balme concludes by addressing the relationship of theatre today with the public sphere and whether theatre's transformation into an art form has made it increasingly irrelevant for contemporary society. |
| Beschreibung: | Literaturverzeichnis Seite 203-213 |
| Beschreibung: | 1 Online-Ressource (XI, 220 Seiten) Illustrationen |
| ISBN: | 9781139051668 |
| DOI: | 10.1017/CBO9781139051668 |
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| 520 | |a The concept of the public sphere, as first outlined by German philosopher Jürgen Habermas, refers to the right of all citizens to engage in debate on public issues on equal terms. In this book, Christopher B. Balme explores theatre's role in this crucial political and social function. He traces its origins and argues that the theatrical public sphere invariably focuses attention on theatre as an institution between the shifting borders of the private and public, reasoned debate and agonistic intervention. Chapters explore this concept in a variety of contexts, including the debates that led to the closure of British theatres in 1642, theatre's use of media, controversies surrounding race, religion and blasphemy, and theatre's place in a new age of globalised aesthetics. Balme concludes by addressing the relationship of theatre today with the public sphere and whether theatre's transformation into an art form has made it increasingly irrelevant for contemporary society. | ||
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| author | Balme, Christopher 1957- |
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| dewey-full | 792.01 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
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| dewey-search | 792.01 |
| dewey-sort | 3792.01 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| doi_str_mv | 10.1017/CBO9781139051668 |
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| isbn | 9781139051668 |
| language | English |
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| spelling | Balme, Christopher 1957- Verfasser (DE-588)143490001 aut The theatrical public sphere Christopher B. Balme Cambridge, United Kingdom Cambridge University Press July 2014 1 Online-Ressource (XI, 220 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Literaturverzeichnis Seite 203-213 The concept of the public sphere, as first outlined by German philosopher Jürgen Habermas, refers to the right of all citizens to engage in debate on public issues on equal terms. In this book, Christopher B. Balme explores theatre's role in this crucial political and social function. He traces its origins and argues that the theatrical public sphere invariably focuses attention on theatre as an institution between the shifting borders of the private and public, reasoned debate and agonistic intervention. Chapters explore this concept in a variety of contexts, including the debates that led to the closure of British theatres in 1642, theatre's use of media, controversies surrounding race, religion and blasphemy, and theatre's place in a new age of globalised aesthetics. Balme concludes by addressing the relationship of theatre today with the public sphere and whether theatre's transformation into an art form has made it increasingly irrelevant for contemporary society. Theater and society Theater (DE-588)4059702-7 gnd rswk-swf Öffentlichkeit (DE-588)4043183-6 gnd rswk-swf Theater (DE-588)4059702-7 s Öffentlichkeit (DE-588)4043183-6 s DE-604 Erscheint auch als Druck-Ausgabe 978-1-107-00683-6 (DE-604)BV041950034 https://doi.org/10.1017/CBO9781139051668 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Balme, Christopher 1957- The theatrical public sphere Theater and society Theater (DE-588)4059702-7 gnd Öffentlichkeit (DE-588)4043183-6 gnd |
| subject_GND | (DE-588)4059702-7 (DE-588)4043183-6 |
| title | The theatrical public sphere |
| title_auth | The theatrical public sphere |
| title_exact_search | The theatrical public sphere |
| title_full | The theatrical public sphere Christopher B. Balme |
| title_fullStr | The theatrical public sphere Christopher B. Balme |
| title_full_unstemmed | The theatrical public sphere Christopher B. Balme |
| title_short | The theatrical public sphere |
| title_sort | the theatrical public sphere |
| topic | Theater and society Theater (DE-588)4059702-7 gnd Öffentlichkeit (DE-588)4043183-6 gnd |
| topic_facet | Theater and society Theater Öffentlichkeit |
| url | https://doi.org/10.1017/CBO9781139051668 |
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