Art rethought: the social practices of art
Human beings engage works of the arts in many different ways: they sing songs while working, they kiss icons, they create and dedicate memorials. Yet almost all philosophers of art of the modern period have ignored this variety and focused entirely on just one mode of engagement, namely, disinterest...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
2015
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| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | Rezension |
| Zusammenfassung: | Human beings engage works of the arts in many different ways: they sing songs while working, they kiss icons, they create and dedicate memorials. Yet almost all philosophers of art of the modern period have ignored this variety and focused entirely on just one mode of engagement, namely, disinterested attention. In the first part of the book Nicholas Wolterstorff asks why philosophers have concentrated on just this one mode of engagement. The answer he proposes is that almost all philosophers have accepted what the author calls the grand narrative concerning art in the modern world. It is generally agreed that in the early modern period, members of the middle class in Western Europe increasingly engaged works of the arts as objects of disinterested attention. The grand narrative claims that this change represented the arts coming into their own, and that works of art, so engaged, are socially other and transcendent. Wolterstorff argues that the grand narrative has to be rejected as not fitting the facts. Wolterstorff then offers an alternative framework for thinking about the arts.0Central to the alternative framework that he proposes are the idea of the arts as social practices and the idea of works of the arts as having different meaning in different practices. He goes on to use this framework to analyse in some detail five distinct social practices of art and the meaning that works have within those practices: the practice of memorial art, of art for veneration, of social protest art, of works songs, and of recent art-reflexive art |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | xvi, 331 Seiten 24 cm |
| ISBN: | 9780198747758 |
Internformat
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| 520 | |a Human beings engage works of the arts in many different ways: they sing songs while working, they kiss icons, they create and dedicate memorials. Yet almost all philosophers of art of the modern period have ignored this variety and focused entirely on just one mode of engagement, namely, disinterested attention. In the first part of the book Nicholas Wolterstorff asks why philosophers have concentrated on just this one mode of engagement. The answer he proposes is that almost all philosophers have accepted what the author calls the grand narrative concerning art in the modern world. It is generally agreed that in the early modern period, members of the middle class in Western Europe increasingly engaged works of the arts as objects of disinterested attention. The grand narrative claims that this change represented the arts coming into their own, and that works of art, so engaged, are socially other and transcendent. Wolterstorff argues that the grand narrative has to be rejected as not fitting the facts. Wolterstorff then offers an alternative framework for thinking about the arts.0Central to the alternative framework that he proposes are the idea of the arts as social practices and the idea of works of the arts as having different meaning in different practices. He goes on to use this framework to analyse in some detail five distinct social practices of art and the meaning that works have within those practices: the practice of memorial art, of art for veneration, of social protest art, of works songs, and of recent art-reflexive art | ||
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Datensatz im Suchindex
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|---|---|
| any_adam_object | |
| author | Wolterstorff, Nicholas 1932- |
| author_GND | (DE-588)13880382X |
| author_facet | Wolterstorff, Nicholas 1932- |
| author_role | aut |
| author_sort | Wolterstorff, Nicholas 1932- |
| author_variant | n w nw |
| building | Verbundindex |
| bvnumber | BV042903178 |
| classification_rvk | CC 6900 |
| classification_tum | KUN 010f |
| ctrlnum | (OCoLC)927492188 (DE-599)BVBBV042903178 |
| dewey-full | 700.103 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 700 - The arts |
| dewey-raw | 700.103 |
| dewey-search | 700.103 |
| dewey-sort | 3700.103 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte Kunst Philosophie |
| edition | First edition |
| era | Geschichte 1800-2000 gnd |
| era_facet | Geschichte 1800-2000 |
| format | Book |
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| isbn | 9780198747758 |
| language | English |
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| spelling | Wolterstorff, Nicholas 1932- Verfasser (DE-588)13880382X aut Art rethought the social practices of art Nicholas Wolterstorff First edition Oxford Oxford University Press 2015 xvi, 331 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier Hier auch später erschienene, unveränderte Nachdrucke Human beings engage works of the arts in many different ways: they sing songs while working, they kiss icons, they create and dedicate memorials. Yet almost all philosophers of art of the modern period have ignored this variety and focused entirely on just one mode of engagement, namely, disinterested attention. In the first part of the book Nicholas Wolterstorff asks why philosophers have concentrated on just this one mode of engagement. The answer he proposes is that almost all philosophers have accepted what the author calls the grand narrative concerning art in the modern world. It is generally agreed that in the early modern period, members of the middle class in Western Europe increasingly engaged works of the arts as objects of disinterested attention. The grand narrative claims that this change represented the arts coming into their own, and that works of art, so engaged, are socially other and transcendent. Wolterstorff argues that the grand narrative has to be rejected as not fitting the facts. Wolterstorff then offers an alternative framework for thinking about the arts.0Central to the alternative framework that he proposes are the idea of the arts as social practices and the idea of works of the arts as having different meaning in different practices. He goes on to use this framework to analyse in some detail five distinct social practices of art and the meaning that works have within those practices: the practice of memorial art, of art for veneration, of social protest art, of works songs, and of recent art-reflexive art Geschichte 1800-2000 gnd rswk-swf Art / Sociological aspects Aesthetics / Philosophy Kunst Philosophie Ästhetik Kunstsoziologie (DE-588)4033673-6 gnd rswk-swf Gesellschaftskritik (DE-588)4020643-9 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Kunstsoziologie (DE-588)4033673-6 s Ästhetik (DE-588)4000626-8 s Gesellschaftskritik (DE-588)4020643-9 s Geschichte 1800-2000 z DE-604 http://www.sehepunkte.de/2016/12/28018.html rezensiert in: sehepunkte 16 (2016), Nr. 12 Rezension |
| spellingShingle | Wolterstorff, Nicholas 1932- Art rethought the social practices of art Art / Sociological aspects Aesthetics / Philosophy Kunst Philosophie Ästhetik Kunstsoziologie (DE-588)4033673-6 gnd Gesellschaftskritik (DE-588)4020643-9 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)4033673-6 (DE-588)4020643-9 (DE-588)4000626-8 |
| title | Art rethought the social practices of art |
| title_auth | Art rethought the social practices of art |
| title_exact_search | Art rethought the social practices of art |
| title_full | Art rethought the social practices of art Nicholas Wolterstorff |
| title_fullStr | Art rethought the social practices of art Nicholas Wolterstorff |
| title_full_unstemmed | Art rethought the social practices of art Nicholas Wolterstorff |
| title_short | Art rethought |
| title_sort | art rethought the social practices of art |
| title_sub | the social practices of art |
| topic | Art / Sociological aspects Aesthetics / Philosophy Kunst Philosophie Ästhetik Kunstsoziologie (DE-588)4033673-6 gnd Gesellschaftskritik (DE-588)4020643-9 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Art / Sociological aspects Aesthetics / Philosophy Kunst Philosophie Ästhetik Kunstsoziologie Gesellschaftskritik |
| url | http://www.sehepunkte.de/2016/12/28018.html |
| work_keys_str_mv | AT wolterstorffnicholas artrethoughtthesocialpracticesofart |