Composers' intentions?: Lost traditions of musical performance
These selected essays by conductor Andrew Parrott reflect the thinking behind some four decades of his ground-breaking performances and recordings. Bringing together seminal writings on the performance expectations of, amongst others, Monteverdi, Purcell and J. S. Bach, this volume also includes the...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Woodbridge (Suffolk), Rochester (NY)
The Boydell Press
2015
|
| Ausgabe: | First published |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | These selected essays by conductor Andrew Parrott reflect the thinking behind some four decades of his ground-breaking performances and recordings. Bringing together seminal writings on the performance expectations of, amongst others, Monteverdi, Purcell and J. S. Bach, this volume also includes the full version of a major new article calling into question the presumed historical place of the 'countertenor' voice. Focusing primarily on vocal and choral matters, the time span is broad (some five centuries) and the essays multifarious (from extensive scholarly articles to radio broadcasts). Authoritative, provocative and readable, Parrott's writing is packed with information of value to scholars, performers, students and curious listeners alike. ANDREW PARROTT is the founder and director of the Taverner Consort, Choir and Players. His book The Essential Bach Choir (The Boydell Press, 2000) has been acclaimed as 'a brilliant piece of research' (BBC Radio 3); 'utterly fascinating' (Gramophone); and 'a document which will itself no doubt be a subject of study for years to come' (Times Literary Supplement). |
| Beschreibung: | Literaturverzeichnis Seite 398 |
| Beschreibung: | XIII, 407 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781783270323 |
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| 520 | |a These selected essays by conductor Andrew Parrott reflect the thinking behind some four decades of his ground-breaking performances and recordings. Bringing together seminal writings on the performance expectations of, amongst others, Monteverdi, Purcell and J. S. Bach, this volume also includes the full version of a major new article calling into question the presumed historical place of the 'countertenor' voice. Focusing primarily on vocal and choral matters, the time span is broad (some five centuries) and the essays multifarious (from extensive scholarly articles to radio broadcasts). Authoritative, provocative and readable, Parrott's writing is packed with information of value to scholars, performers, students and curious listeners alike. ANDREW PARROTT is the founder and director of the Taverner Consort, Choir and Players. His book The Essential Bach Choir (The Boydell Press, 2000) has been acclaimed as 'a brilliant piece of research' (BBC Radio 3); 'utterly fascinating' (Gramophone); and 'a document which will itself no doubt be a subject of study for years to come' (Times Literary Supplement). | ||
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Datensatz im Suchindex
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| adam_text | Contents
List of Illustrations vii
Preface ix
INTRODUCTION
1 Composers Intentions, Performers Responsibilities i
VOCAL SCORING
2 A Brief Anatomy of Choirs 16
3 Falsetto Beliefs: The ‘Countertenor Cross-Examined 46
4 Falsetto and the French: ‘Une toute autre marche 122
MONTEVERDI
5 Transposition in Monteverdi s Vespers of 1610 146
6 Monteverdi s Vespers of 1610 Revisited 194
7 Monteverdi: Onwards and Downwards 205
8 High Clefs and Down-to-Earth Transposition:
A Brief Defence of Monteverdi 228
PURCELL
9 Performing Purcell 237
J. S. BACH
10 How Many Singers? 287
11 Vocal Ripienists and J. S. Bach s Mass in B minor 290
12 Bach s Chorus: The Leipzig Line 328
MISSING MUSIC
13 J. S. Bach’s Trauer-Music for Prince Leopold:
Clarification and Reconstruction 347
MISCELLANEOUS
14 Performing Machaut s Mass on Record 361
15 ‘Grett and solompne singing :
Instruments in English Church Music before the Civil War 368
16 Monteverdi s VOrfeo 381
17 Purcells Dido Aeneas on Record 385
18 Hail! bright Cecilia (Purcell at 350) 391
Selected Recordings 397
Further Writings 398
Index 399
vi
|
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| contents | Inhaltsverzeichnis: Contents; List of Illustrations; Preface; Introduction; 1 Composers' Intentions, Performers' Responsibilities; Vocal Scoring; 2 A Brief Anatomy of Choirs; 3 Falsetto Beliefs: The 'Countertenor' Cross-Examined; 4 Falsetto and the French: 'Une toute autre marche'; Monteverdi; 5 Transposition in Monteverdi's Vespers of 1610; 6 Monteverdi's Vespers of 1610 Revisited; 7 Monteverdi: Onwards and Downwards; 8 High Clefs and Down-to-Earth Transposition:A Brief Defence of Monteverdi; Purcell; 9 Performing Purcell; J. S. Bach; 10 How Many Singers? 11 Vocal Ripienists and J. S. Bach's Mass in B minor12 Bach's Chorus: The Leipzig Line; Missing Music; 13 J. S. Bach's Trauer-Music for Prince Leopold:Clarification and Reconstruction; Miscellaneous; 14 Performing Machaut's Mass on Record; 15 'Grett and solompne singing':Instruments in English Church Music before the Civil War; 16 Monteverdi's L' Orfeo; 17 Purcell's Dido & Aeneas on Record; 18 'Hail! bright Cecilia' (Purcell at 350); Selected Recordings; Further Writings; Index |
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| spelling | Parrott, Andrew 1947- Verfasser (DE-588)123701627 aut Composers' intentions? Lost traditions of musical performance Andrew Parrott First published Woodbridge (Suffolk), Rochester (NY) The Boydell Press 2015 XIII, 407 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Literaturverzeichnis Seite 398 Inhaltsverzeichnis: Contents; List of Illustrations; Preface; Introduction; 1 Composers' Intentions, Performers' Responsibilities; Vocal Scoring; 2 A Brief Anatomy of Choirs; 3 Falsetto Beliefs: The 'Countertenor' Cross-Examined; 4 Falsetto and the French: 'Une toute autre marche'; Monteverdi; 5 Transposition in Monteverdi's Vespers of 1610; 6 Monteverdi's Vespers of 1610 Revisited; 7 Monteverdi: Onwards and Downwards; 8 High Clefs and Down-to-Earth Transposition:A Brief Defence of Monteverdi; Purcell; 9 Performing Purcell; J. S. Bach; 10 How Many Singers? 11 Vocal Ripienists and J. S. Bach's Mass in B minor12 Bach's Chorus: The Leipzig Line; Missing Music; 13 J. S. Bach's Trauer-Music for Prince Leopold:Clarification and Reconstruction; Miscellaneous; 14 Performing Machaut's Mass on Record; 15 'Grett and solompne singing':Instruments in English Church Music before the Civil War; 16 Monteverdi's L' Orfeo; 17 Purcell's Dido & Aeneas on Record; 18 'Hail! bright Cecilia' (Purcell at 350); Selected Recordings; Further Writings; Index These selected essays by conductor Andrew Parrott reflect the thinking behind some four decades of his ground-breaking performances and recordings. Bringing together seminal writings on the performance expectations of, amongst others, Monteverdi, Purcell and J. S. Bach, this volume also includes the full version of a major new article calling into question the presumed historical place of the 'countertenor' voice. Focusing primarily on vocal and choral matters, the time span is broad (some five centuries) and the essays multifarious (from extensive scholarly articles to radio broadcasts). Authoritative, provocative and readable, Parrott's writing is packed with information of value to scholars, performers, students and curious listeners alike. ANDREW PARROTT is the founder and director of the Taverner Consort, Choir and Players. His book The Essential Bach Choir (The Boydell Press, 2000) has been acclaimed as 'a brilliant piece of research' (BBC Radio 3); 'utterly fascinating' (Gramophone); and 'a document which will itself no doubt be a subject of study for years to come' (Times Literary Supplement). Geschichte gnd rswk-swf Historische Musikpraxis (DE-588)4197967-9 gnd rswk-swf Musikalische Aufführungspraxis (DE-588)4170800-3 gnd rswk-swf Historische Musikpraxis (DE-588)4197967-9 s Musikalische Aufführungspraxis (DE-588)4170800-3 s Geschichte z DE-604 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028330861&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Parrott, Andrew 1947- Composers' intentions? Lost traditions of musical performance Inhaltsverzeichnis: Contents; List of Illustrations; Preface; Introduction; 1 Composers' Intentions, Performers' Responsibilities; Vocal Scoring; 2 A Brief Anatomy of Choirs; 3 Falsetto Beliefs: The 'Countertenor' Cross-Examined; 4 Falsetto and the French: 'Une toute autre marche'; Monteverdi; 5 Transposition in Monteverdi's Vespers of 1610; 6 Monteverdi's Vespers of 1610 Revisited; 7 Monteverdi: Onwards and Downwards; 8 High Clefs and Down-to-Earth Transposition:A Brief Defence of Monteverdi; Purcell; 9 Performing Purcell; J. S. Bach; 10 How Many Singers? 11 Vocal Ripienists and J. S. Bach's Mass in B minor12 Bach's Chorus: The Leipzig Line; Missing Music; 13 J. S. Bach's Trauer-Music for Prince Leopold:Clarification and Reconstruction; Miscellaneous; 14 Performing Machaut's Mass on Record; 15 'Grett and solompne singing':Instruments in English Church Music before the Civil War; 16 Monteverdi's L' Orfeo; 17 Purcell's Dido & Aeneas on Record; 18 'Hail! bright Cecilia' (Purcell at 350); Selected Recordings; Further Writings; Index Historische Musikpraxis (DE-588)4197967-9 gnd Musikalische Aufführungspraxis (DE-588)4170800-3 gnd |
| subject_GND | (DE-588)4197967-9 (DE-588)4170800-3 |
| title | Composers' intentions? Lost traditions of musical performance |
| title_auth | Composers' intentions? Lost traditions of musical performance |
| title_exact_search | Composers' intentions? Lost traditions of musical performance |
| title_full | Composers' intentions? Lost traditions of musical performance Andrew Parrott |
| title_fullStr | Composers' intentions? Lost traditions of musical performance Andrew Parrott |
| title_full_unstemmed | Composers' intentions? Lost traditions of musical performance Andrew Parrott |
| title_short | Composers' intentions? |
| title_sort | composers intentions lost traditions of musical performance |
| title_sub | Lost traditions of musical performance |
| topic | Historische Musikpraxis (DE-588)4197967-9 gnd Musikalische Aufführungspraxis (DE-588)4170800-3 gnd |
| topic_facet | Historische Musikpraxis Musikalische Aufführungspraxis |
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