Sound effects: the object voice in fiction
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Leiden [u.a.]
Rodopi
2015
|
| Schriftenreihe: | DQR studies in literature
59 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XX, 339 S. |
| ISBN: | 9789004304383 9789004304406 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Acknowledgements ix
Preface: Is There a Voice in the Text? xi
Mladen Dolar
1. Revoicing Writing: An Introduction to Theorizing 1
Vocality
Jorge Sacido-Romero and Sylvia Mieszkowski
2. Secondary Vocality and the Sound Defect 19
Garrett Stewart
Section I: The Nineteenth Century
3. The Object Voice in Romantic Irish Novels 47
Peter Weise
4. Poe, Voice and the Origin of Horror Fiction 73
FredBotting
5. Double Voice and Extimate Singing in Trilby 101
Bruce Wyse
Section II: The Twentieth Century
6. Bloom s Neume: The Object Voice in the Sirens 133
Episode in Joyce s Ulysses
Phillip Mahoney
7. Fantasizing Agency and Otherness through Voice 157
and Voicelessness in Ellison s Invisible Man
Natalja Chestopalova
8. The Voice in Twentieth-Century English Short Fiction: 185
E.M. Forster, V.S. Pritchett and Muriel Spark
Jorge Sacido-Romero
w
Section III: The Twenty-First Century
9. Voices of Terror and Horror: Towards an Acoustics 217
of Modern Gothic
Matt Foley
10. “That which cannot be said”: Voice, Desire and the 243
Uncanny in Armistead Maupin’s The Night Listener
Sylvia Mieszkowski
11. “It s only combinations of letters, after all, isn’t it”: 269
The “Voice” and Spirit Mediums in Thomas
Pynchon’s Against the Day (2006)
Alexander Hope
12. Voice-Trace’ in James Chapman’s How Is This 295
Going to Continue? (2007)
Marcin Stawiarski
Notes on Contributors 321
Index 327
ound Effects combines literary criticism and psycho-
analytic theory in eleven original articles which
explore the potential of the object voice as an analytic
tool to approach fiction. Alongside the gaze, the voice is
Jacques Lacan’s original addition to the set of partial objects
of classical psychoanalysis, and has only recently been
theorised by Mladen Dolar in A Voice and Nothing More (2006).
With notable exceptions like Garrett Stewart’s Reading Voices
(1990), the sonorous element in fiction has received little
scholarly attention in comparison with poetry and drama.
Sound Effects is a contribution to the burgeoning field of
sound studies, and sets out to fill this gap through selective
readings of English and American fiction of the last two
hundred years.
|
| any_adam_object | 1 |
| author | Sacido-Romero, Jorge |
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| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 823 - English fiction |
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| dewey-search | 823.009353 |
| dewey-sort | 3823.009353 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| format | Book |
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| title | Sound effects the object voice in fiction |
| title_auth | Sound effects the object voice in fiction |
| title_exact_search | Sound effects the object voice in fiction |
| title_full | Sound effects the object voice in fiction ed. by Jorge Sacido-Romero ... |
| title_fullStr | Sound effects the object voice in fiction ed. by Jorge Sacido-Romero ... |
| title_full_unstemmed | Sound effects the object voice in fiction ed. by Jorge Sacido-Romero ... |
| title_short | Sound effects |
| title_sort | sound effects the object voice in fiction |
| title_sub | the object voice in fiction |
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