What was tragedy?: theory and the early modern canon
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Oxford
Oxford University Press
2015
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Ausgabe: | First edition |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | x, 366 Seiten Illustrationen |
ISBN: | 9780198749165 |
Internformat
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Datensatz im Suchindex
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adam_text | Contents
List of Figures ix
L THE PHILOSOPHY OF THE TRAGIC AND
THE POETICS OF TRAGEDY
1. Our Tragic Culture 3
The Early Modern Conception of Tragedy 8
The Philosophy of the Tragic 14
Literary Form, the Philosophy of History, and the Canon 19
Tragedy Born Anew from the Spirit of Music? 26
Decadence and Primitivism 34
The Post-Structural Assault on Tragic Freedom 37
Reassessing the Legacy of Idealism 40
Approaching the World We Have Lost 54
2. An Early Modem Poetics of Tragedy 57
Definitions 58
The Objects of Tragic Imitation 69
Fables 72
Manners 75
Sentiments 79
Diction 84
The Players Passions 85
Spectacle 92
The Chorus 99
Tragic Pleasure 102
II. THE WORLD WE HAVE LOST
3. Simple Pathetic Tragedy 111
Classical Exemplars 112
Recovery and Invention: Trisslno s Sofonisba (1515) 122
A Theoretical Interlude 126
Racine s Bérénice (1670) 130
Milton s Samson Agonistes (1671) 137
Simplicity and Reformation 146
Gluck s Alceste (1779) 148
La Harpe s Philoctète (1781) 152
From Pathos to Moral Freedom 156
Contents
♦ ft
Vlll
4. Operatic Discoveries: The Complex Tragedy with a Happy Ending 162
Did Tragic Heroes Sing? 167
Euripides and the Operatic Repertoire 176
The Euripidean Tragedy of Anticipated Woe 179
Idomeneo and the Tragedy of Averted Sacrifice 187
5. Counter-Reformation Tragedy: The Laurel and the Cypress 200
Tragedy as Spiritual Exercise 205
Jesuit Defenses of Counter-Reformation Tragedy 240
Enlightened Critiques and Idealist Defenses 246
Final Reckonings 250
Appendix to Chapter 5: Excerpts from Stefonios Crispus 253
6. History as Tragedy, Tragedy as Design: Where Shakespeare
and Dryden Part Company 258
Antony and Cleopatra as a Great Occurrence 261
The Art of Portraiture 264
Sublimity Raised from the Very Elements of Littleness 269
Dryden’s Artificial Order 272
Portraiture and History Painting 274
Tides that Swell and Retire to Seas 278
Language 283
The World Well Lost 286
Tragedy and History 289
Bibliography 295
Index 355
Twentieth centurv critics have definite ideas about tragedv. Thev maintain that in a true
tragedy, fate must feel the resistance of the tragic hero’s moral freedom before finallv
crushing him, thus generating our ambivalent sense of terrible waste coupled with spiritual
consolation. Yet far from being a timeless truth, this account of tragedv onlv emerged in
the wake of the French Revolution.
What lids Tragedy? demonstrates that this account of the tragic, which has been
hegemonic from the early nineteenth centurv to the present despite all the twists and turns of
critical fashion in the twentieth century, obscured an earlier poetics of tragedy that evolved
from 1515 to i~95* By reconstructing that poetics, Blair Hoxbv makes sense ofplavs that are
“merely pathetic, not truly tragic,” of operas with happy endings, of Christian tragedies,
and of other plays that advertised themselves as tragedies to earlv modern audiences and
yet have subsequently been denied the palm of tragedv bv critics. In doing so, Hoxbv not
only illuminates masterpieces by Shakespeare, Calderon, Corneille, Racine, AI il ton,
and Mozart, he also revivifies a vast repertoire of tragic drama and opera that has
been relegated to obscurity by critical developments since 1S00. He suggests
how many of these plays might be reclaimed as living works of theater. And
by reconstructing a lost conception of tragedv both ancient and modern,
he illuminates the hidden assumptions and peculiar blind-spots of the
idealist critical tradition that runs from Schelling, Schlegel, and
Hegel, through Wagner, Nuetzsche, and Freud, up to modern
p o s t- s t r u c t u ral i s m.
|
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institution | BVB |
isbn | 9780198749165 |
language | English |
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spelling | Hoxby, Blair 1966- Verfasser (DE-588)1090797613 aut What was tragedy? theory and the early modern canon Blair Hoxby First edition Oxford Oxford University Press 2015 x, 366 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Geschichte 1500-1800 gnd rswk-swf Tragödie (DE-588)4060591-7 gnd rswk-swf Tragödie (DE-588)4060591-7 s Geschichte 1500-1800 z DE-604 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028326645&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028326645&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Hoxby, Blair 1966- What was tragedy? theory and the early modern canon Tragödie (DE-588)4060591-7 gnd |
subject_GND | (DE-588)4060591-7 |
title | What was tragedy? theory and the early modern canon |
title_auth | What was tragedy? theory and the early modern canon |
title_exact_search | What was tragedy? theory and the early modern canon |
title_full | What was tragedy? theory and the early modern canon Blair Hoxby |
title_fullStr | What was tragedy? theory and the early modern canon Blair Hoxby |
title_full_unstemmed | What was tragedy? theory and the early modern canon Blair Hoxby |
title_short | What was tragedy? |
title_sort | what was tragedy theory and the early modern canon |
title_sub | theory and the early modern canon |
topic | Tragödie (DE-588)4060591-7 gnd |
topic_facet | Tragödie |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028326645&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028326645&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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