Joyce's ghosts: Ireland, modernism, and memory
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago [u.a.]
Univ. of Chicago Press
2015
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XX, 286 S. Ill. |
| ISBN: | 9780226236179 |
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Datensatz im Suchindex
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| adam_text | JOYCE S GHOSTS
/ GIBBONS, LUKE [AUTHOR.]
: 2015
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION: A GHOST BY ABSENCE
TEXT AND THE CITY: DUBLIN, CULTURAL INTIMACY, AND MODERNITY
SHOUTS IN THE STREET : INNER SPEECH, SELF, AND THE CITY
HE SAY NO, YOUR WORSHIP : JOYCE, FREE INDIRECT DISCOURSE, AND
VERNACULAR MODERNISM
GHOSTLY LIGHT : VISUALIZING THE VOICE IN JAMES JOYCE S AND JOHN
HUSTON S THE DEAD
PALE PHANTOMS OF DESIRE : SUBJECTIVITY, SPECTRAL MEMORY, AND IRISH
MODERNITY
SPACES OF TIME THROUGH TIMES OF SPACE : HAUNTING THE WANDERING ROCKS
FAMISHED GHOSTS : BLOOM, BIBLE WARS, AND U.P. UP IN JOYCE S DUBLIN
HAUNTING FACE : SPECTRAL PREMONITIONS AND THE MEMORY OF THE DEAD
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
For decades, James Joyces modernism has
overshadowed his Irishness, as his self-
imposed exile and association with the high
modernism of Europe s urban centers have
led critics to see him almost exclusively as a
cosmopolitan figure.
In Joyces Ghosts, Luke Gibbons mounts a
powerful argument that this view is mistaken
Joyces Irishness is intrinsic to his modern-
ism, informing his most distinctive literary
experiments. Ireland, Gibbons shows, is not
just a source of subject matter or content
for Joyce, but of form itself. Joyce s stylistic
innovations can be traced to the tragedies of
Irish history as well as the shock of European
modernity, as he explores the anomalies of
inner life under colonialism. Joyces language,
Gibbons reveals, is less concerned with the
stream of consciousness than with a vernacu-
lar interior dialogue, the “shout in the street”
haunted by absent voices and shadowy pres-
ences of a late colonial culture in crisis.
Showing how memory under modern-
ism breaks free of the nightmare of history,
and how in doing so it gives birth to new
forms, Gibbons forces us to think anew about
Joyce s achievement and its foundation^
• «
CONTENTS
List of Figures xi
Preface xiii
Acknowledgments xvii
INTRODUCTION: A GHOST BY ABSENCE” 1
l: TEXT AND THE CITY 21
Dublin; Cultural Intimacy, and Modernity
2: SHOUTS IN THE STREET” 53
Inner Speech, Self, and the City
3: he says no, your worship” 79
Joyce, Free Indirect Discourse, and Vernacular Modernism
4: ghostly light” 103
Visualizing the Voice in James Joyces and John Hustons “The Dead”
5: pale phantoms of desire” 138
Subjectivity, Spectral Memory, and Irish Modernity
6: SPACES OF TIME THROUGH TIMES OF SPACE” l6$
Haunting the Wandering Rocks”
7: FAMISHED GHOSTS” 188
Bloom, Bible Wars, and TJ. p: up” in Joyces Dublin
8: HAUNTING FACE” 207
Spectral Premonitions and the Memory of the Dead
Notes 227 Index 269
|
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| title | Joyce's ghosts Ireland, modernism, and memory |
| title_auth | Joyce's ghosts Ireland, modernism, and memory |
| title_exact_search | Joyce's ghosts Ireland, modernism, and memory |
| title_full | Joyce's ghosts Ireland, modernism, and memory Luke Gibbons |
| title_fullStr | Joyce's ghosts Ireland, modernism, and memory Luke Gibbons |
| title_full_unstemmed | Joyce's ghosts Ireland, modernism, and memory Luke Gibbons |
| title_short | Joyce's ghosts |
| title_sort | joyce s ghosts ireland modernism and memory |
| title_sub | Ireland, modernism, and memory |
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