Endangering science fiction film:
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Routledge, Taylor & Francis Group
[2016]
|
| Schriftenreihe: | AFI film readers
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | X, 289 Seiten |
| ISBN: | 9781138792623 9781138792630 |
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Datensatz im Suchindex
| _version_ | 1804175173503418368 |
|---|---|
| adam_text | ENDANGERING SCIENCE FICTION FILM
/
: 2015
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION: ENDANGERING SCIENCE FICTION FILM / SEAN REDMOND AND LEON
MARVELL
THE PHILOSOPHY OF SCIENCE FICTION ENDANGERMENT. INTRODUCTION / SEAN
REDMOND
KUBRICK S 2001 AND THE DANGERS OF TECHNO-DYSTOPIA / DOUG KELLNER
EYE TRACKING THE SUBLIME IN SPECTACULAR MOMENTS OF SCIENCE FICTION FILM
/ SEAN REDMOND
HOPE IN CHILDREN OF MEN AND FIREFLY/SERENITY: NIHILISM, WASTE AND THE
DIALECTICS OF THE SUBLIME / SEAN CUBITT
BIOPOLITICS AND THE WAR ON TERROR IN WORLD WAR Z AND MONSTERS / SHERRYL
VINT
DANGEROUS AESTHETICS. INTRODUCTION / LEON MARVELL
NARRATIVE, AESTHETICS AND CULTURAL IMPERATIVES IN RECENT SCIENCE FICTION
FILMS / DEBORAH KNIGHT AND GEORGE MCKNIGHT
ADVENTURES IN PERCEPTION: ENDANGERING THE SPECTATOR IN SCIENCE FICTION
CINEMA / BARRY KEITH GRANT
SLEEPING/WAKING: POLITICIZING THE SUBLIME IN SCIENCE FICTION FILM
SPECIAL EFFECTS / ANDREW M. BUTLER
TARKOVSKY S SOLARIS AND THE (IM)POSSIBILITY OF A SCIENCE FICTION CINEMA
/ LEON MARVELL
SPECTACULAR SPACE AND THE ANNIHILATION OF TIME. INTRODUCTION / SEAN
REDMOND
SUBVERSIVE TOPOLOGIES: SPACE, TIME AND DYSTOPIA IN THE FILMS OF GUSTAVO
MOSQUERA / MARIANO PAZ
ESCAPE FROM THE DIALECTIC OF ENLIGHTENMENT AND DISASTER: AUTHENTICITY,
AGENCY, AND ALIEN SPACE / ALAN WOOLFOLK
SCIENCE FICTION: WHAT S WRONG? THE SOUNDS OF DANGER VERSUS HEARING
DANGEROUSLY / DARRIN VERHAGEN
BODILY EXTINCTIONS AND BODILY BECOMINGS. INTRODUCTION / LEON MARVELL
ROBOTS, ANDROIDS, ALIENS AND OTHERS: THE EROTICS AND POLITICS OF SCIENCE
FICTION FILM / ANNE CRANNY-FRANCIS
THE PERSISTENCE OF THE ROBOT /J. P. TELOTTE
A DANGER TO SELF AND OTHERS: THE CINEMA OF DAVID CRONENBERG / SCOTT
WILSON
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
contents
acknowledgments xi
1. we are in danger 1
sean redmond and leon marvell
section one: the philosophy of science fiction endangerment 9
2. section one introduction 11
sean redmond
3. kubrick’s 2001 and the dangers of techno-dystopia 15
douglas kellner
4. eye-tracking the sublime in spectacular moments of science
fiction film 32
sean redmond
5. hope in children of men and firefly/serenity: nihilism,
waste, and the dialectics of the sublime 51
sean cubitt
6. biopolitics and the war on terror in world war z and monsters 66
sherryI vint
section two: dangerous aesthetics 81
7. section two introduction 83
¡eon marvell
8. narrative, aesthetics, and cultural imperatives in recent
science fiction films 89
dehorah knight andgeorge mcknight
9. adventures in perception: endangering the spectator
in science fiction cinema 103
harry keith grant
10. sleeping/waking: politicizing the sublime in science fiction
film special effects 117
andrew m. butler
11. tarkovsky’s Solaris and the (im)possibility of a science
fiction cinema 132
leon marvell
section three: spectacular space and the annihilation of time 147
12. section three introduction 149
sean redmond
13. subversive topologies: space, time, and dystopia in the films
of gustavo mosquera 154
mariano paz
14. escape from the dialectic of enlightenment and disaster”?
authenticity, agency, and alien space 171
alan woolfolk
15. science fiction: what’s wrong? the sounds of danger
versus hearing dangerously 189
darrin verhagen
section four: bodily extinctions and bodily becomings 213
16. section four introduction 215
leon marvell
17. robots, androids, aliens, and others: the erotics and politics
of science fiction film 220
anne cranny-frauds
18. the persistence of the robot 243
j.p. telotte
19. a danger to self and others: the cinema of david cronenberg 258
scott Wilson
contributors 273
about the american film institute 277
index
279
Science Fiction Film explores the ways in which science fiction film
is a dangerous and endangering genre. The collection argues that science
fiction’s cinematic power rests in its ability to imagine ‘Other worlds that
challenge and disturb the lived conditions of the ‘real’ world, as it is pres-
ently known to us. From classic films such as 2001: A Space Odyssey and Solaris
to modern blockbusters including World War Z and Gravity, and directors
from David Cronenberg to Alfonso Cuarón, contributors comment on the
way science fiction film engages with dangerous encounters, liminal expe-
riences and sublime aesthetics, and untethers space and time to question
the very nature of human existence. With the analysis of a diverse range of
films from Europe, Asia, North and South America, Endangering Science Fiction
Film offers a uniquely interdisciplinary view of the evolving and dangerous
sentiments and sensibility of this genre.
|
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| title | Endangering science fiction film |
| title_auth | Endangering science fiction film |
| title_exact_search | Endangering science fiction film |
| title_full | Endangering science fiction film edited by Sean Redmond, Leon Marvell |
| title_fullStr | Endangering science fiction film edited by Sean Redmond, Leon Marvell |
| title_full_unstemmed | Endangering science fiction film edited by Sean Redmond, Leon Marvell |
| title_short | Endangering science fiction film |
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| topic | Science fiction films History and criticism Action and adventure films History and criticism Science-Fiction-Film (DE-588)4054023-6 gnd |
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