Twenty years of MAKE Magazine: back to the future of women's art
During the 1970s, adding 'women's' to 'art' was a powerfully political act. Fuelled by the momentum of the women's liberation movement, artists, art historians, critics and curators began to explore the women's art practice, as distinct from men's, and to chal...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Tauris
2015
|
| Schriftenreihe: | International Library of Modern and Contemporary Art
15 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | During the 1970s, adding 'women's' to 'art' was a powerfully political act. Fuelled by the momentum of the women's liberation movement, artists, art historians, critics and curators began to explore the women's art practice, as distinct from men's, and to challenge its invisibility in the established art world and historical canon. In the 1980s, they continued to creatively critique representations of female sexuality, and in the 1990s, some began to embrace the 'post-feminist' idea of difference and the performance of gender. Throughout this pivotal period, the MAKE magazine offered a unique platform for academics, artists and arts professionals to critically engage with women's art. Though the need to talk about 'women's art' seemed to lose some of its political urgency in the early 2000s, many artists, art historians and art students are now once again explicitly engaging with feminist art histories and art practices as possible models and precedents for resistance. Now is the time to revisit the past, in order to understand and galvanise the energy of the present.Gathering together the work of eminent writers such as Griselda Pollock and Marina Warner, on celebrated artists such as Helen Chadwick, Sarah Lucas and The Guerrilla Girls, this unparalleled anthology of material from the MAKE archive allows us to trace the lineages and links between then and now. |
| Beschreibung: | XIV, 262 S. zahlr. Ill. |
| ISBN: | 9781780767574 9781780767581 |
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| 505 | 0 | |a Section1: Sexuality & the Body<br> In an Unsafe Light Pennina Barnett Performing Postures Susan Croft & Claire MacDonald The Time Someone Pointed to the Outside Kathy Kubicki Text, Textile, Sex and Sexuality Janice Jefferies Indifference in Difference Emma Cocker interviews Helen Chadwick The Monstrous & the Grotesque Marsha Meskimmon Subject & (Sex) Object Simon Ford The Body in Question: Transgender Images in Contemporary Visual Art Judith Halberstam <br>Section2: Representation<br> Interim Marilyn Crabtree Susan Hiller Monica Bohm-Duchen Women and Contemporary Painting: Re-presenting Non-representation Rebecca Fortnum & Gill Houghton Dirty Words for the Tate Christine Battersby Bodies of Knowledge Hilary Robinson Too Much of a Good Thing Sadie Murdoch Are You Being Served With a Mask? Lorraine Gamman interviews The Guerrilla Girls <br>Section3: Feminist Discourse<br> The Uses of Theory Pam Gerrish Nunn Framing Feminisn Griselda Pollock Survival Guide: Language and Gender Deborah Cameron Woman With Attitude Margaret Whitford Irigaray's Imaginings Hilary Robinson Is Women's Art Homeless? Nancy Proctor Into Inside the Visible Griselda Pollock Enjoy Your Alienation! David Burrows & Paula Smithard | |
| 505 | 0 | |a Section4: The Technical Image<br> Art, Society, and the Woman Photographer Linda Wilson Green Glass Ceiling in Cyberspace? Shirley Read I Pose a Paradox Rosy Martin Subject to Change Susan Butler Childhood: A Molotov Cocktail for Our Time Anna Douglas Where Women Dare to Tread? Val Williams Coming Into Contact Sadie Plant ...Woman with Head... Rachel Armstrong Memories of Demos, Dungarees and Badges – So Where Are We Now? Liz Wells In Video Veritas: a Feminist Perspective on Women's Video Across Two Decades Catherine Elwes Gender Matters to Capital Yvonne Volkart <br>Section5: Race & Ethnicity<br> There Have Always Been Great Black Women Artists Chila Burman Intimate Distance Carole Enahoro The Other Story: Afro-Asian Artists in Post-war Britain Carole Enahoro Irish Art in Liverpool Fiona Barber Bodyrites: The Self Portraits of Chila Burman... Janice Cheddie Storm Damage Janice Cheddie Poles Apart: The Irreconcilible Process of Ageing Joanna Krysa <br>Section6: Feminist Histories<br> Making it Like a Woman Marina Warner Trouble in the Archives Griselda Pollock Can do: Laura Cottingham Speaks with Heidi Reitmaier Heidi Reitmaier speaks with Laura Cottingham Fragile Territories Roxane Permar Cherchez la Femme Aoife MacNamara | |
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Datensatz im Suchindex
| _version_ | 1804175163723350016 |
|---|---|
| adam_text | CONTENTS
LIST OF ILLUSTRATIONS
ACKNOWLEDGMENTS
FOREWORD
ALTHEA GREENAN
IX
XII
XIII
EDITOR S INTRODUCTION
SECTION 1: SEXUALITY & THE BODY
INTRODUCTION TO SECTION 1
IN AN UNSAFE LIGHT
PENNINA BARNETT
PERFORMING POSTURES
SUSAN CROFT & CLAIRE MACDONALD
THE TIME SOMEONE POINTED TO THE OUTSIDE
KATHY KUBICKI
TEXT, TEXTILE, SEX AND SEXUALITY
JANIS JEFFERIES
INDIFFERENCE IN DIFFERENCE
EMMA COCKER INTERVIEWS HELEN CHADWICK
THE MONSTROUS AND THE GROTESQUE
MARSHA MESKIMMON
SUBJECT & (SEX) OBJECT
SIMON FORD
THE BODY IN QUESTION: TRANSGENDER IMAGES IN
CONTEMPORARY VISUAL ART
JUDITH HALBERSTAM
9
13
17
24
28
34
39
45
52
VI CONTENTS
SECTION 2: REPRESENTATION
INTRODUCTION TO SECTION 2 59
INTERIM 62
MARILYN CRABTREE
SUSAN HILLER 65
MONICA BOHM-DUCHEN
WOMEN AND CONTEMPORARY PAINTING: RE-PRESENTING
NON-REPRESENTATION 67
REBECCA FORTNUM & GILLHOUGHTON
DIRTY WORDS FOR THE TATE 73
CHRISTINE BATTERSBY
BODIES OF KNOWLEDGE 78
HILARY ROBINSON
TOO MUCH OF A GOOD THING 81
SADIE MURDOCH
ARE YOU BEING SERVED WITH A MASK? 86
LORRAINE GAMMAN INTERVIEWS THE GUERRILLA GIRLS
SECTION 3: FEMINIST DISCOURSE
INTRODUCTION TO SECTION 3 95
THE USES OF THEORY 99
PAM GERRISH NUNN
FRAMING FEMINISM 101
GRISELDA POLLOCK
SURVIVAL GUIDE: LANGUAGE & GENDER 106
DEBORAH CAMERON
WOMAN WITH ATTITUDE 109
MARGARET WHITFORD
IRIGARAY S IMAGININGS 114
HILARY ROBINSON
IS WOMEN S ART HOMELESS? 116
NANCY PROCTOR
INTO INSIDE THE VISIBLE 120
GRISELDA POLLOCK
ENJOY YOUR ALIENATION! 124
DAVID BURROWS & PAULA SMITHARD
CONTENTS
SECTION 4: THE TECHNICAL IMAGE
INTRODUCTION TO SECTION 4 131
ART, SOCIETY, AND THE WOMAN PHOTOGRAPHER 134
LINDA WILSON GREEN
GLASS CEILING IN CYBERSPACE? 137
SHIRLEY READ
I POSE A PARADOX 141
ROSY MARTIN
SUBJECT TO CHANGE 146
SUSAN BUTLER
CHILDHOOD: A MOLOTOV COCKTAIL FOR OUR TIME 154
ANNA DOUGLAS
WHERE WOMEN DARE TO TREAD? 159
VAL WILLIAMS
COMING INTO CONTACT 163
SADIE PLANT
...WOMAN WITH HEAD... 166
RACHEL ARMSTRONG
MEMORIES OF DEMOS, DUNGAREES AND BADGES -
SO WHERE ARE WE NOW? 169
LIZ WELLS
IN VIDEO VERITAS: A FEMINIST PERSPECTIVE ON
WOMEN S VIDEO ACROSS TWO DECADES 174
CATHERINE ELWES
GENDER MATTERS TO CAPITAL 179
YVONNE VOLKART
SECTION 5: RACE & ETHNICITY
INTRODUCTION TO SECTION 5 185
THERE HAVE ALWAYS BEEN GREAT BLACK WOMEN ARTISTS 188
CHILA BURMAN
INTIMATE DISTANCE 193
CAROLE ENAHORO
THE OTHER STORY: AFRO-ASIAN ARTISTS IN POST-WAR BRITAIN 196
CAROLE ENAHORO
IRISH ART IN LIVERPOOL 201
FIONNA BARBER
CONTENTS
BODYRITES: THE SELF PORTRAITS OF CHILA BURMAN 205
JANICE CHEDDIE
STORM DAMAGE 208
JANICE CHEDDIE
POLES APART: THE IRRECONCILIBLE PROCESS OF AGEING 212
JOANNA KRYSA
SECTION 6: FEMINIST HISTORIES
INTRODUCTION TO SECTION 6 217
MAKING IT LIKE A WOMAN 220
MARINA WARNER
TROUBLE IN THE ARCHIVES 226
GRISELDA POLLOCK
CAN DO 231
HEIDI REITMAIER SPEAKS WITH LAURA COTTINGHAM
FRAGILE TERRITORIES 235
ROXANE PERMAR
CHERCHEZ LA FEMME 238
AOIFE MAC NAMARA
LIST OF CONTRIBUTORS 242
INDEX 245
|
| any_adam_object | 1 |
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| author_facet | Walsh, Maria |
| building | Verbundindex |
| bvnumber | BV042878514 |
| classification_rvk | LH 60250 |
| contents | Section1: Sexuality & the Body<br> In an Unsafe Light Pennina Barnett Performing Postures Susan Croft & Claire MacDonald The Time Someone Pointed to the Outside Kathy Kubicki Text, Textile, Sex and Sexuality Janice Jefferies Indifference in Difference Emma Cocker interviews Helen Chadwick The Monstrous & the Grotesque Marsha Meskimmon Subject & (Sex) Object Simon Ford The Body in Question: Transgender Images in Contemporary Visual Art Judith Halberstam <br>Section2: Representation<br> Interim Marilyn Crabtree Susan Hiller Monica Bohm-Duchen Women and Contemporary Painting: Re-presenting Non-representation Rebecca Fortnum & Gill Houghton Dirty Words for the Tate Christine Battersby Bodies of Knowledge Hilary Robinson Too Much of a Good Thing Sadie Murdoch Are You Being Served With a Mask? Lorraine Gamman interviews The Guerrilla Girls <br>Section3: Feminist Discourse<br> The Uses of Theory Pam Gerrish Nunn Framing Feminisn Griselda Pollock Survival Guide: Language and Gender Deborah Cameron Woman With Attitude Margaret Whitford Irigaray's Imaginings Hilary Robinson Is Women's Art Homeless? Nancy Proctor Into Inside the Visible Griselda Pollock Enjoy Your Alienation! David Burrows & Paula Smithard Section4: The Technical Image<br> Art, Society, and the Woman Photographer Linda Wilson Green Glass Ceiling in Cyberspace? Shirley Read I Pose a Paradox Rosy Martin Subject to Change Susan Butler Childhood: A Molotov Cocktail for Our Time Anna Douglas Where Women Dare to Tread? Val Williams Coming Into Contact Sadie Plant ...Woman with Head... Rachel Armstrong Memories of Demos, Dungarees and Badges – So Where Are We Now? Liz Wells In Video Veritas: a Feminist Perspective on Women's Video Across Two Decades Catherine Elwes Gender Matters to Capital Yvonne Volkart <br>Section5: Race & Ethnicity<br> There Have Always Been Great Black Women Artists Chila Burman Intimate Distance Carole Enahoro The Other Story: Afro-Asian Artists in Post-war Britain Carole Enahoro Irish Art in Liverpool Fiona Barber Bodyrites: The Self Portraits of Chila Burman... Janice Cheddie Storm Damage Janice Cheddie Poles Apart: The Irreconcilible Process of Ageing Joanna Krysa <br>Section6: Feminist Histories<br> Making it Like a Woman Marina Warner Trouble in the Archives Griselda Pollock Can do: Laura Cottingham Speaks with Heidi Reitmaier Heidi Reitmaier speaks with Laura Cottingham Fragile Territories Roxane Permar Cherchez la Femme Aoife MacNamara |
| ctrlnum | (OCoLC)923449560 (DE-599)BSZ445252979 |
| discipline | Kunstgeschichte |
| era | Geschichte 1983-2002 gnd |
| era_facet | Geschichte 1983-2002 |
| format | Book |
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| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | XIV, 262 S. zahlr. Ill. |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Tauris |
| record_format | marc |
| series | International Library of Modern and Contemporary Art |
| series2 | International Library of Modern and Contemporary Art |
| spelling | Twenty years of MAKE Magazine back to the future of women's art ed. by Maria Walsh & Mo Throp 20 years of Make Magazine London ; New York Tauris 2015 XIV, 262 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier International Library of Modern and Contemporary Art 15 Section1: Sexuality & the Body<br> In an Unsafe Light Pennina Barnett Performing Postures Susan Croft & Claire MacDonald The Time Someone Pointed to the Outside Kathy Kubicki Text, Textile, Sex and Sexuality Janice Jefferies Indifference in Difference Emma Cocker interviews Helen Chadwick The Monstrous & the Grotesque Marsha Meskimmon Subject & (Sex) Object Simon Ford The Body in Question: Transgender Images in Contemporary Visual Art Judith Halberstam <br>Section2: Representation<br> Interim Marilyn Crabtree Susan Hiller Monica Bohm-Duchen Women and Contemporary Painting: Re-presenting Non-representation Rebecca Fortnum & Gill Houghton Dirty Words for the Tate Christine Battersby Bodies of Knowledge Hilary Robinson Too Much of a Good Thing Sadie Murdoch Are You Being Served With a Mask? Lorraine Gamman interviews The Guerrilla Girls <br>Section3: Feminist Discourse<br> The Uses of Theory Pam Gerrish Nunn Framing Feminisn Griselda Pollock Survival Guide: Language and Gender Deborah Cameron Woman With Attitude Margaret Whitford Irigaray's Imaginings Hilary Robinson Is Women's Art Homeless? Nancy Proctor Into Inside the Visible Griselda Pollock Enjoy Your Alienation! David Burrows & Paula Smithard Section4: The Technical Image<br> Art, Society, and the Woman Photographer Linda Wilson Green Glass Ceiling in Cyberspace? Shirley Read I Pose a Paradox Rosy Martin Subject to Change Susan Butler Childhood: A Molotov Cocktail for Our Time Anna Douglas Where Women Dare to Tread? Val Williams Coming Into Contact Sadie Plant ...Woman with Head... Rachel Armstrong Memories of Demos, Dungarees and Badges – So Where Are We Now? Liz Wells In Video Veritas: a Feminist Perspective on Women's Video Across Two Decades Catherine Elwes Gender Matters to Capital Yvonne Volkart <br>Section5: Race & Ethnicity<br> There Have Always Been Great Black Women Artists Chila Burman Intimate Distance Carole Enahoro The Other Story: Afro-Asian Artists in Post-war Britain Carole Enahoro Irish Art in Liverpool Fiona Barber Bodyrites: The Self Portraits of Chila Burman... Janice Cheddie Storm Damage Janice Cheddie Poles Apart: The Irreconcilible Process of Ageing Joanna Krysa <br>Section6: Feminist Histories<br> Making it Like a Woman Marina Warner Trouble in the Archives Griselda Pollock Can do: Laura Cottingham Speaks with Heidi Reitmaier Heidi Reitmaier speaks with Laura Cottingham Fragile Territories Roxane Permar Cherchez la Femme Aoife MacNamara During the 1970s, adding 'women's' to 'art' was a powerfully political act. Fuelled by the momentum of the women's liberation movement, artists, art historians, critics and curators began to explore the women's art practice, as distinct from men's, and to challenge its invisibility in the established art world and historical canon. In the 1980s, they continued to creatively critique representations of female sexuality, and in the 1990s, some began to embrace the 'post-feminist' idea of difference and the performance of gender. Throughout this pivotal period, the MAKE magazine offered a unique platform for academics, artists and arts professionals to critically engage with women's art. Though the need to talk about 'women's art' seemed to lose some of its political urgency in the early 2000s, many artists, art historians and art students are now once again explicitly engaging with feminist art histories and art practices as possible models and precedents for resistance. Now is the time to revisit the past, in order to understand and galvanise the energy of the present.Gathering together the work of eminent writers such as Griselda Pollock and Marina Warner, on celebrated artists such as Helen Chadwick, Sarah Lucas and The Guerrilla Girls, this unparalleled anthology of material from the MAKE archive allows us to trace the lineages and links between then and now. Geschichte 1983-2002 gnd rswk-swf Feminism and art Feminism in art Feminist art criticism Frauenkunst (DE-588)4370467-0 gnd rswk-swf Frauenbewegung (DE-588)4071428-7 gnd rswk-swf Feminismus (DE-588)4222126-2 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Frauenbewegung (DE-588)4071428-7 s Feminismus (DE-588)4222126-2 s Frauenkunst (DE-588)4370467-0 s Geschichte 1983-2002 z DE-604 Walsh, Maria (DE-588)1029609853 edt Throp, Mo Sonstige (DE-588)1076256228 oth International Library of Modern and Contemporary Art 15 (DE-604)BV040977987 15 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028307463&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Twenty years of MAKE Magazine back to the future of women's art International Library of Modern and Contemporary Art Section1: Sexuality & the Body<br> In an Unsafe Light Pennina Barnett Performing Postures Susan Croft & Claire MacDonald The Time Someone Pointed to the Outside Kathy Kubicki Text, Textile, Sex and Sexuality Janice Jefferies Indifference in Difference Emma Cocker interviews Helen Chadwick The Monstrous & the Grotesque Marsha Meskimmon Subject & (Sex) Object Simon Ford The Body in Question: Transgender Images in Contemporary Visual Art Judith Halberstam <br>Section2: Representation<br> Interim Marilyn Crabtree Susan Hiller Monica Bohm-Duchen Women and Contemporary Painting: Re-presenting Non-representation Rebecca Fortnum & Gill Houghton Dirty Words for the Tate Christine Battersby Bodies of Knowledge Hilary Robinson Too Much of a Good Thing Sadie Murdoch Are You Being Served With a Mask? Lorraine Gamman interviews The Guerrilla Girls <br>Section3: Feminist Discourse<br> The Uses of Theory Pam Gerrish Nunn Framing Feminisn Griselda Pollock Survival Guide: Language and Gender Deborah Cameron Woman With Attitude Margaret Whitford Irigaray's Imaginings Hilary Robinson Is Women's Art Homeless? Nancy Proctor Into Inside the Visible Griselda Pollock Enjoy Your Alienation! David Burrows & Paula Smithard Section4: The Technical Image<br> Art, Society, and the Woman Photographer Linda Wilson Green Glass Ceiling in Cyberspace? Shirley Read I Pose a Paradox Rosy Martin Subject to Change Susan Butler Childhood: A Molotov Cocktail for Our Time Anna Douglas Where Women Dare to Tread? Val Williams Coming Into Contact Sadie Plant ...Woman with Head... Rachel Armstrong Memories of Demos, Dungarees and Badges – So Where Are We Now? Liz Wells In Video Veritas: a Feminist Perspective on Women's Video Across Two Decades Catherine Elwes Gender Matters to Capital Yvonne Volkart <br>Section5: Race & Ethnicity<br> There Have Always Been Great Black Women Artists Chila Burman Intimate Distance Carole Enahoro The Other Story: Afro-Asian Artists in Post-war Britain Carole Enahoro Irish Art in Liverpool Fiona Barber Bodyrites: The Self Portraits of Chila Burman... Janice Cheddie Storm Damage Janice Cheddie Poles Apart: The Irreconcilible Process of Ageing Joanna Krysa <br>Section6: Feminist Histories<br> Making it Like a Woman Marina Warner Trouble in the Archives Griselda Pollock Can do: Laura Cottingham Speaks with Heidi Reitmaier Heidi Reitmaier speaks with Laura Cottingham Fragile Territories Roxane Permar Cherchez la Femme Aoife MacNamara Feminism and art Feminism in art Feminist art criticism Frauenkunst (DE-588)4370467-0 gnd Frauenbewegung (DE-588)4071428-7 gnd Feminismus (DE-588)4222126-2 gnd |
| subject_GND | (DE-588)4370467-0 (DE-588)4071428-7 (DE-588)4222126-2 (DE-588)4143413-4 |
| title | Twenty years of MAKE Magazine back to the future of women's art |
| title_alt | 20 years of Make Magazine |
| title_auth | Twenty years of MAKE Magazine back to the future of women's art |
| title_exact_search | Twenty years of MAKE Magazine back to the future of women's art |
| title_full | Twenty years of MAKE Magazine back to the future of women's art ed. by Maria Walsh & Mo Throp |
| title_fullStr | Twenty years of MAKE Magazine back to the future of women's art ed. by Maria Walsh & Mo Throp |
| title_full_unstemmed | Twenty years of MAKE Magazine back to the future of women's art ed. by Maria Walsh & Mo Throp |
| title_short | Twenty years of MAKE Magazine |
| title_sort | twenty years of make magazine back to the future of women s art |
| title_sub | back to the future of women's art |
| topic | Feminism and art Feminism in art Feminist art criticism Frauenkunst (DE-588)4370467-0 gnd Frauenbewegung (DE-588)4071428-7 gnd Feminismus (DE-588)4222126-2 gnd |
| topic_facet | Feminism and art Feminism in art Feminist art criticism Frauenkunst Frauenbewegung Feminismus Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028307463&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV040977987 |
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