Impersonal enunciation, or the place of film:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | , |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Columbia University Press
[2016]
|
| Schriftenreihe: | Film and culture
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xxiv, 247 Seiten |
| ISBN: | 9780231173667 9780231173674 9780231540643 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804175161261293568 |
|---|---|
| adam_text | CONTENTS Acknowledgments Translators Introduction vii ix PART I: HUMANOID ENUNCIATION 1. Humanoid Enunciation 3 PART II: SOME LANDSCAPES OF ENUNCIATION (A GUIDED TOUR) 2. The Voice of Address in the Image: The Look to Camera 27 3. The Voice of Address Outside the Image: Related Sounds 39 4. Written Modes of Address 46 5. Secondary Screens, or Squaring the Rectangle 52 6. Mirrors 60 7. “Exposing the Apparatus” 64 8. Eilm(s) Within Film 71 9. Subjective Images, Subjective Sounds, “Point of View” 89 10. The I-voice and Related Sounds 107
vi CONTENTS u. The Oriented Objective System: Enunciation and Style 121 12. “Neutral” (?) Images and Sounds 135 PART III: A WALK IN THE CLOUDS (TAKING THEORETICAL FLIGHT) 13. (Taking Theoretical Flight) ИЗ Afterword by Dana Polan 177 Notes 187 On the Shelf: Works Cited 217 Index 229
“In this splendid new translation.Metz shines through, avoiding jargon, using richly illustrative examples, and writing with a persuasive voice.” —Publishers Weekly Christian Metz is best known for applying Saussurean theories of semiology to film analysis. In this book, he uses the concept of enunciation to artictilate how films “speak” and to explore where this communication occurs. If a him frame contains another frame, which frame do we emphasize? And should we consider this staging an impersonal act of enunciation? Metz builds a novel theory around the placement and subjectivity of screens within screens, which pulls in—and forces him to reassess—his work on authorship, him language, and the position of the spectator. He draws surprising conclusions that presage current writings on digital media. His analysis enriches work on cybernetic emergence, self-assembly, self-reference, hypertext, and texts that self-produce in such a way that the human element disappears. A critical introduction by Cormac Deane bolsters the connection between Metz’s hndings and nascent digital-media theory, emphasizing Metz’s keen anticipation of the methodological and philosophical concerns we wrestle with today. “Christian Metz’s generous personality is captured well here, something that no other English translation has accomplished.” —D. N. RODOWICK, University of Chicago “Metz’s non-deictic, reflexive theory of enunciation, in which the him text continually references itself, constitutes the culmination of his lifelong semiotic analysis of cinema.” —WARREN BUCKLAND, author of The Cognitive
Semiotics of Film “Metz returns to and develops the question of what speaks in the moving image: code, or something else. In meticulous and enlightening readings of Aims, television shows, and the changing ways of watching them, Metz’s posthumous text is a true ghost in the machine, a revenant who reopens many of the arguments we thought were closed and makes audiovisual media matter, once more, in every sense of the word.” —SEAN CUBITT, Goldsmiths, University of London Є · · u CHRISTIAN METZ (1931-1993) is the author of Film Language: A Semiotics of the Cinema; The Imaginary Signiñer: Psychoanalysis and the Cinema; and Language and Cinema.
|
| any_adam_object | 1 |
| author | Metz, Christian 1931-1993 |
| author2 | Deane, Cormac Polan, Dana |
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| author_facet | Metz, Christian 1931-1993 Deane, Cormac Polan, Dana |
| author_role | aut |
| author_sort | Metz, Christian 1931-1993 |
| author_variant | c m cm |
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| bvnumber | BV042876747 |
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| dewey-full | 791.4301 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4301 |
| dewey-search | 791.4301 |
| dewey-sort | 3791.4301 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Literaturwissenschaft |
| format | Book |
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| id | DE-604.BV042876747 |
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| indexdate | 2024-07-10T07:11:53Z |
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| isbn | 9780231173667 9780231173674 9780231540643 |
| language | English |
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| physical | xxiv, 247 Seiten |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Columbia University Press |
| record_format | marc |
| series2 | Film and culture |
| spelling | Metz, Christian 1931-1993 (DE-588)119393670 aut L' énonciation impersonnelle, ou le site du film Impersonal enunciation, or the place of film Christian Metz ; translated with an introduction by Cormac Deane ; afterword by Dana Polan New York Columbia University Press [2016] © 2016 xxiv, 247 Seiten txt rdacontent n rdamedia nc rdacarrier Film and culture Includes bibliographical references and index Erzähltechnik (DE-588)4124854-5 gnd rswk-swf Filmtheorie (DE-588)4071216-3 gnd rswk-swf Filmsemiotik (DE-588)4131553-4 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Filmsemiotik (DE-588)4131553-4 s Erzähltechnik (DE-588)4124854-5 s Film (DE-588)4017102-4 s DE-604 Filmtheorie (DE-588)4071216-3 s 1\p DE-604 Deane, Cormac trl Polan, Dana aft Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028305744&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028305744&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Metz, Christian 1931-1993 Impersonal enunciation, or the place of film Erzähltechnik (DE-588)4124854-5 gnd Filmtheorie (DE-588)4071216-3 gnd Filmsemiotik (DE-588)4131553-4 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4124854-5 (DE-588)4071216-3 (DE-588)4131553-4 (DE-588)4017102-4 |
| title | Impersonal enunciation, or the place of film |
| title_alt | L' énonciation impersonnelle, ou le site du film |
| title_auth | Impersonal enunciation, or the place of film |
| title_exact_search | Impersonal enunciation, or the place of film |
| title_full | Impersonal enunciation, or the place of film Christian Metz ; translated with an introduction by Cormac Deane ; afterword by Dana Polan |
| title_fullStr | Impersonal enunciation, or the place of film Christian Metz ; translated with an introduction by Cormac Deane ; afterword by Dana Polan |
| title_full_unstemmed | Impersonal enunciation, or the place of film Christian Metz ; translated with an introduction by Cormac Deane ; afterword by Dana Polan |
| title_short | Impersonal enunciation, or the place of film |
| title_sort | impersonal enunciation or the place of film |
| topic | Erzähltechnik (DE-588)4124854-5 gnd Filmtheorie (DE-588)4071216-3 gnd Filmsemiotik (DE-588)4131553-4 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Erzähltechnik Filmtheorie Filmsemiotik Film |
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