NSK - from Kapital to Capital: Neue Slowenische Kunst - an event of the final decade of Yugoslavia
In 1984, three groups of artists in post-Tito Yugoslavia—the music and multimedia group Laibach, the visual arts group Irwin, and the theater group Scipion Nasice Sisters Theater—came together to form the Neue Slowenische Kunst (NSK) art collective. Adopting the symbols, codes, appearances, and disc...
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The MIT Press
2015
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Zusammenfassung: | In 1984, three groups of artists in post-Tito Yugoslavia—the music and multimedia group Laibach, the visual arts group Irwin, and the theater group Scipion Nasice Sisters Theater—came together to form the Neue Slowenische Kunst (NSK) art collective. Adopting the symbols, codes, appearances, and discourses of fascism, nationalism, state power, socialist-realist, and avant-garde art, and pushing the strategies of overidentification and subversive affirmation to their limits, NSK exposed the common foundations of various regimes, systems, and ideologies, while affirming that "art and totalitarianism are not mutually exclusive." Employing music, video, film, exhibitions, writing, graphic design, architecture, theater, and public relations to probe the aesthetic possibilities of declining socialism and proliferating capitalism, NSK introduced an idiosyncratic version of postmodernism (the Retro-Avant-Garde) into the globalizing cultural sphere. Combining primary documents, period artifacts, critical essays, and contextual notes, NSK from Kapital to Capital documents NSK’s collective practice during the final decade of Yugoslavia—from the first (and banned) Laibach concert (1980) in a small proletarian mining town in Slovenia to the series of projects launched by individual NSK groups entitled Kapital (1991-92). This illuminating chronicle of NSK’s work and its reception is produced in conjunction with the first major museum exhibition devoted to NSK. Designed by Novi Kolektivizem (New Collectivism), the graphic design section of NSK, the cover of each individual copy of the book is printed with a custom detail; no two covers exactly are the same. |
Beschreibung: | XLII, 546 Seiten 27 cm |
ISBN: | 9780262029957 |
Internformat
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505 | 8 | |a 1 Initiation: The Early 1980s and the Emergence of the NSK Groups<br> Darko Štrajn, Black -and -White Shock in Trbovlje<br> Goran Đorđević, A Letter to the Theoria Editorial Board<br> Dušan Mandič, Harbingers of the Apocalypse: An Exhibition of Works by Belgrade Artist Goran Đorđević<br> Slavoj Žižek, History and Repetition: How "Truth Arises Out of Misrecognition"<br> Mladen Dolar, Fascism through Psychoanalysis<br> Taras Kermauner, X + (–) 11 = ?<br> Tone Peršak, The Retrogarde as Alternative Avant-Garde?<br> Marina Gržinić, Graffiti as a Subversion of Slovenian Cultural Space<br> Slavoj Žižek, Ideology, Cynicism, Punk | |
505 | 8 | |a 2 Formative Stage: From Neue Slowenische Kunst (1984) to NSK State in Time (1992)<br> Željko Kipke, Organic Eclectics<br> Rastko Močnik, Postmodernism and the Alternative<br> Marina Gržinić, Was ist Kunst<br> Dimitrij Rupel, Retrogardism<br> Jaša L. Zlobec, A Sterile Baptism in a Hollow Temple<br> Lev Kreft, Avant-Garde, Retro-Garde and Progress<br> Mladen Dolar, Psychoanalysis in Power: On Fascism, Marxism and the Poster Scandal<br> Slavoj Žižek, A Letter from Afar<br> Tomaž Mastnak, On the Soul of Social Movements: A Few Remarks from Up Close on Žižek’s Letter from Afar<br> Chrissie Iles, Perpetual Present<br> Boris Groys, The IRWIN Group: More Total Than Totalitarianism<br> Stojan Pelko, Dragan Živadinov – Noordung Prayer Machine | |
505 | 8 | |a 3 Codification: Selected Critical Essays on NSK during Its First Decade<br>Marina Gržinić, Neue Slowenische Kunst (NSK): The Art Groups Laibach, IRWIN, and Noordung<br> Cosmokinetical Theatre Cabinet-New Strategies in the Nineties<br>Slavoj Žižek, Why Are Laibach and NSK not Fascists?<br>Slavoj Žižek, The Enlightenment in Laibach<br>Lilijana Stepančič, The Poster Scandal: New Collectivism and the 1987 Youth Day<br> Inke Arns, Mobile States/Shifting Borders/Moving Entities: The Slovenian Artists’ Collective Neue Slowenische Kunst (NSK)<br> Eda Čufer, Athletics of the Eye: Baptism and the Problem of Writing and Reading Contemporary Performance<br>Alexei Monroe, Was ist Kunst?<br>Inke Arns & Sylvia Sasse, Subversive Affirmation: On Mimesis as a Strategy of Resistance | |
505 | 8 | |a 4 Historicization: Art- Historical and Intercultural Contextualization from a Contemporary Perspective<br> Tomaž Mastnak, Civil Society and Fascism<br> Igor Vidmar, In the Name of Idea: The Birth of Action from the Spirit of Music<br> Barbara Borčić, The ŠKUC Gallery, Alternative Culture, and Neue Slowenische Kunst in the 1980s<br> Catherine Wood, Back to USA, Replayed<br> Stevphen Shukaitis, Icons of Futures Past: IRWIN, Neue Slowenische Kunst, and the Spiritual Politics of Artistic Provocation<br> Bojan Anđelković, The Genealogy of the Spectator’s View in the Dragan Živadinov Theatre<br> Katja Praznik, Ideological Subversion vs. Cultural Policy of Late Socialism: The Case of the Scipion Nasice Sisters Theatre (SNST) Jela Krečič, Manifestos and Programmes<br> Dejan Kršić, Fragments on the Matter of New Collectivism<br> Dominic Boyer & Alexei Yurchak, American Stiob: Or, What Late-Socialist Aesthetics of Parody Reveal about Contemporary Political Culture in the West<br> Gediminas Gasparavičius, Promises and Premises of Art as a State: NSK Embassy Moscow and its Contexts<br> Rastko Močnik, East!<br> Daniel R. Quiles, S(h)ifters: Over-identification in Latin America, 1966–1989<br> Anthony Gardner, Neue Slowenische Kunst 1984–1992: From the Critique of Institutions to the Pursuit of Independence<br> Mladen Dolar, State of the Art<br><br> Primary documents | |
520 | |a In 1984, three groups of artists in post-Tito Yugoslavia—the music and multimedia group Laibach, the visual arts group Irwin, and the theater group Scipion Nasice Sisters Theater—came together to form the Neue Slowenische Kunst (NSK) art collective. Adopting the symbols, codes, appearances, and discourses of fascism, nationalism, state power, socialist-realist, and avant-garde art, and pushing the strategies of overidentification and subversive affirmation to their limits, NSK exposed the common foundations of various regimes, systems, and ideologies, while affirming that "art and totalitarianism are not mutually exclusive." Employing music, video, film, exhibitions, writing, graphic design, architecture, theater, and public relations to probe the aesthetic possibilities of declining socialism and proliferating capitalism, NSK introduced an idiosyncratic version of postmodernism (the Retro-Avant-Garde) into the globalizing cultural sphere. Combining primary documents, period artifacts, critical essays, and contextual notes, NSK from Kapital to Capital documents NSK’s collective practice during the final decade of Yugoslavia—from the first (and banned) Laibach concert (1980) in a small proletarian mining town in Slovenia to the series of projects launched by individual NSK groups entitled Kapital (1991-92). This illuminating chronicle of NSK’s work and its reception is produced in conjunction with the first major museum exhibition devoted to NSK. Designed by Novi Kolektivizem (New Collectivism), the graphic design section of NSK, the cover of each individual copy of the book is printed with a custom detail; no two covers exactly are the same. | ||
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Datensatz im Suchindex
_version_ | 1804175087048327168 |
---|---|
adam_text | Index
0100l0111010n01.org 266,274,
274, 27S
23 Skidoo 303,508
300.000 V. K. see Dreihundert Tausend
verschiedene Krawalle
А
Abakanowicz, Magdalena 523
Abalakova, Natalia 268,274,411
Abramovič, Marina 34, 506
Adamovič, Jadran xxxix, 421, 522
Adasme, Eifas 433,434
Africano, Nicholas 19, 92, 116,309,
310,319
Ahearn, John 19,309,311
Alajbegovič, Zemira 92, 94, 129, 310,
509,512
Aleksander 313,511
Ana Monrö, Theatre 94, 129, 138, 308,
309,318,442,510
Ančfelkovič, Bojan 23,525
Apartment a rt see Apt-Art
Appia, Adolphe 239, 242, 244
Apt-Art 197,198, 199, 200, 316,406,
407,411-413, 524, 525, 528
Arns, Inke 14, 325, 329, 334, 338, 349,
361,406,410,412,429,517
Artaud, Antonin 14,90,91,239, 240,
351,354,355
Artiste Anonyme 523
Atlanta 313,511
Avbelj, Jožica 535
Avbelj, Magda 536
В
Babačfč, Esad 522
Badovinac, Zdenka 262,280, 310,319,
361,436
Bajda, Srečko 30,338, 525,528, 530,
534, 536
Bakhtin, Mikhail 106,202, 384, 442
Bakstein, losif 200,524
Balant, Boris 528, 534
Balantič, France 81
Barbarič, Peter 512
Basaiiovič, Patricija 536
Bassara, Vladimir 536
Batič, Stojan 514
Bavčar, Jgor 507
Beatles, The 18
Begič, Mirsad 533
Benedičič, Diana 536
Benjamin, Walter 162, 381,439
Benson, Michael xxxvi, 226, 230, 270,
329, 407,408, 524, 525, 529
8erce, Nataša 536
Berger, Matjaž 408, 524, 528
Bernard, Emerik 317,512
Bernik, Janez 317,512
Bernik, Lidija 514,528, 534
Bernik, Stane 385,511
Beuys, Joseph 184,251, 258
B. G. 193,419,519, 528, 539, 536
Bianchi, Paolo 524
Biard, Ida 522
Bierinckx, Cis 518
Bijelič, Milivoj 409, 528,533
Bitenc, Brane 129,318
Blake, Peter 117
Bogda novski, Goran 536
Bolčina, Radoš 528,534
Bor, Matej 142
Borčič, Barbara 20,21,94, 129,304,
322,323, 352, 509-511, 525, 526, 530,
533,536
Borghesia 84, 92,94,135, 301, 303,
310,510-512,533
Borofsky, Jonathan 19, 21, 34, 92, 309,
311,312,319
Borovečki, Ra n ko 296, 531
Bosman, Richard 19,309, 310, 319
Bourriaud, Nicolas 406,413-415, 521
Boyer, Dominic 14
Brecelj, Marko 377
Brecht, Bertolt 63, 71, 106, 148, 239,
512, 534
Brejc, Taja 454
Brejc, Tomaž 510, 515, 524, 525
Broz - Tito, Josip xxxix, 8, 9,11,14,16,
18, 25, 83, 172, 186, 216, 218, 220,
227, 238, 248, 251, 271, 280-282, 292,
297, 302, 378, 380, 398, 427, 428, 439,
440, 443, 508, 516, 526, 538
Bucko Tucko 532
Bučar, Mateja 536
Builders xxvi-xxvii, xxxvi, 484,485,
486,487, 514, 517, 518,518, 520, 527,
529, 536
Bulatov, Erik 411
Buldožer 31, 166,291,377,
Burgalat, Bertrand 520
Burn, lan 443
Bussmann, Georg 524, 528
C
ČADA 433
Cafnik, Samo 523
Cajn ko, Borut 129
Ca m nitzer, Lu is 13,426-428,426,428,
431,432,435
Cankar, Ivan 48,49,80,142,175, 360
Cegnar, Franci 528, 534
Chandler, John 19
Chempiony mira 267,268
Ch u b by, Voj i n Kovač 67
Clark, Michael 443, 515
Colectivo de Acciones de Arte 433
Cosmokinetic Cabinet
Noordung xxxviii, xli, 8, 23, 191,
192, 193, 196-198, 218, 231, 255, 269,
338-344,346, 347-352, 358, 406,
407,419,477, 523-525, 527, 528, 536
Cosmokinetic Theatre Rdeči
pilot xxiv-xxv, xxxviii, 8,23, 158,
183,197, 218, 258, 338, 340, 341,
341-343, 343, 345, 347, 348, 353, 369,
416, 470, 476, 476, 516-523, 525,
527, 534, 535
Costa, Eduardo 428,429
Cotter, Holland 520
e
Čakič - Šoškič, Dragica 521
Černe, Damjana 528,534, 535
Černigoj, Avgust 516,524
Čufer, Eda 17, 24, 200, 231,232, 262,
280, 295, 316, 326, 329, 338, 340-
343, 349, 350, 355, 357-358, 361,370,
406, 407,408, 411 -413,423,454, 501,
509, 515, 520, 523-525, 527-529,
534, 535
D
Damnjanovič Damnjan, Radomir 533
de Certeau, Michel 273,276
De-stroj֊tank 535
Debeljak, Aleš 508
Dedovič, Monika 536
Delimar, Vlasta 301,533
Deluxe 533,535
Denegri, Ješa 219,513
Department of Pure and Applied
Philosophy xxx-xxxi, xxxvi,
xxxix, 8,18, 218, 253, 270, 293, 369,
488-497, 498, 518, 521, 527, 536; see
also Mlakar, Peter
Dermastja, Janko 89,483,534
di Pietroantonio, Giacinto 522,524
Dimeč Bogdanovski, Mojca 129
Dimitrijevič, Braco 34,533
Dimitrijevič, Branimir 34, 520, 533
Dimitrov, Georgi 169
Dobnikar, Meta 217
Dolar, Mladen xxxviii, 18,181, 361,
368, 380, 507,516, 526
Dolenc, Božidar 107,300
Dragan, Srečo 534
Drakulic-Ilič, Slavenka 511,512
Drechsler, Wolfgang 522
Dreihundert Tausend verschiedene
Krawalle xxxviii, 84, 303,462,499,
507, 510, 525, 530, 535
Duchamp, Marcel 132,186,224,247,
251, 306, 308, 324,473
DuoTekton 535
Dvizheniye 411
О
Oordevič, Goran 21,33, 34, 140, 180,
301, 310, 312, 319, 321, 381, 506,510,
515,516, 529
E
Eber - Saliger - Keller - Dachauer
xxxix, 316,461,527
Ekart, Primož 129, 528, 534
El Attar, Hamdi 517
El Lissitzky 405,410
Eluard, Paul xli
Engels, Friedrich 37, 45, 46,156, 366
Erič, Milan 300, 534
Erjavec, Aleš 360, 361,439,440, 510,
524
Esca ri, Raul 428, 429,429
Exter, Alexandra 326
F
Farič, Matjaž 535
Filač, Renata 528, 534
Film xxviii, xxxvi, 8, 482,483, 527,536
Finley, Jeanne C. 524, 528, 534
First Hand Art 407
Fišer, Dušan 534
Fiškin, Vadim 338,536
Flac, Bojan 536
Flaker, Aleksander 157, 521,524
Flegar, Vojko 293, 507
Fluxus 251
Fon, Gregor 528, 534
Fras, Milan 745, 371,454,516, 520,529
Fraser, Andrea 436-438
Fratkin, Leslie 257
Frey, Damir Zlatar 513
Friedrich, Kaspar David 246
Frydrych, Waldemar 269
G
Ga ir. Camilla 529, 534,535
Gajič, Goran 518
Galas, Diamanda 516,529
Gale, Damjan 757
Gantar, Pavel 286, 516
Gardner, Anthony 326
Gasparavičius, Gediminas 24
Geister - Plamen, Iztok 67
Gelover, Cheryl 522
Gerlica, Dušan 296,509,513,529, 531
Germania xxxviii, 303,378,462
Gledališče sester Scipion Nasice see
Scipion Nasice Sisters Theatre
Globokar, Vinko 519
Gnezdo 267,268
Godnič, Ivo 146, 529, 534
Gómez, Diego Andrés 477
Goncharova, Natalia 330
Gorenec, Bojan 300,522,534
Goršič, Niko 535
Grabnar, Drago 528, 534,536
Graditelji see Builders
Grašič, Damjana 246, 528, 534
Gregorič, Alenka 310,319,320,322
Gregorič, Miloš 313,511
Grohar, Ivan 21,523, 534
Groot, Paul 518
Group of Six Artists (Grupa
šestorice) 508
Grays, Boris 24, 222, 224, 253,264,
270, 328, 329, 334, 427,439, 520,
524, 528
Grujič, Nikola 213,384
Grupa šestorice 508,518
Gržinič, Marina 21,118, 119,129, 135,
197, 200, 224, 230, 269, 300, 307, 308,
310, 317, 318, 322, 344, 347, 348, 358,
360, 361,406-408, 408,439, 440,
507, 509-512, 514, 516, 521-526, 528,
529, 533, 534
GSSN see Scipion Nasice Sisters
Theatre
Gvardjančič, Herman 534
H
Hadžifejzovič, Jusuf 534
Hajdinjak, Aijana 536
Hanžek, Matjaž 67,510
Harten, Jürgen 520, 521, 524
Heartfield, John 184, 186, 258, 303,
304, 512
Heartney, Eleanor 520
Hegedűs, Zinka 536
Herceg, Lidija 536
Hitler, Adolf 17, 64, 69, 103,158,189,
270, 282, 303, 304, 398, 465
Hostnik, Tomaž 11, 78,295,304, 306,
507,507, 508, 512, 514, 518, 530, 531
Hranitelj, Alan 514,528,534,535
542 Index
Hribar, Samo 162
Hribar, Tine 160,518
Huzjan, Zdenko 534
I
lies, Chrissie 149,507,517, 529, 534
IRWIN v, xviii—xxi, xxxvi-xxxix, xli, 8,
17-25,92-95, 94, 116, 117, 117, 129,
133, 135, 136, 137-140, 139, 140, 146,
147,150-152,158,166,183, 184, 185,
186-190, 188, 189,196-200, 217, 217,
218, 224, 225, 230-232, 246, 248,
249, 251, 252-257, 253, 257,258, 262,
264, 269, 270, 280, 287, 299, 301, 302,
307-310, 312-314, 314-315,316-326,
321-323, 326, 328, 329, 329, 230,231,
232,233, 234,235,236,337,355,357,
358, 358, 359, 361,362, 369-371,370,
373, 376, 381, 390, 399, 405-407,
408, 409-413,415,418,418,421-423,
425, 427-429,431,436,439,440,
442-445,468-470,471,472,473,
498,499, 501, 510-525, 510, 511,
514, 515,519, 524, 527-529,532-534,
536, 537
Ivančič, Aldo 129
J
Jablanovec, Bojan 528,534
Jacoby, Roberto 428,429,429
Jadran 534
Jakac, Božidar 514
Janjatovič, Ana 511
Janša, Janez 343,365, 519
Jaruzelski, Wojciech 11,514,538
Jenček, Renato 528, 534
Jenney, Neil 19,84, 309,311
Jensterle, Marko 518
Jeraj, Minka 535
Jetelova, Magdalena 523
Johnny, Janez Habič 129
Jovanovič, Dušan 80,81,85,90,
145, 376
K
Kabakov, Ilya 262,267,268,411, 439
Kacjan, Olga 528, 534,535
Kajtna, Stanko 454
Kajuh, Karel Destovnik 142
Kalar, Mojca 536
Kalogjera, Dami! 343,535
Kandinsky, Wassily 240,242,244, 330
Kardelj, Edvard 83,109,169,284,
292,467
Kavčič, Bojan 510
Kermauner, Aleš 67
Kermauner,Taras 11,143,150, 160,
296, 297,508
Kesič, Vesna 407,517, 518,524, 525
Kharms, Daniil 271,272
Kholmogorova, Olga 200,524
Kiefer, Anselm 129,444
Kipke, Željko 511,518,522,534
Kirn, Srečo 280,507
Klasič, Helena 536
Klein, Richard 17, 214,271,282, 287,
390, 398,516
Klein, Yves 184,186,213
Knez, Dejan 30, 149,180, 381,443,
454, 507, 508,529
Knez, Janez 184, 303,513,526, 454,
534
Kobal, Aleksij 534
Kobilca, Ivana 304, 508
Kocbek, Edvard 142, 143
Kolenc, Aljoša 454,517, 518,527
Komar, Vitaly 200,262,411,432,518
Ko melj, Milček 524
Konstantin, Kristian 536
Korbar, Mirjam 528, 534
Kori, Olga 536
Korun, Mile 234
Koseski, Jovan Vesel 142
Kosovel, Srečko 79, 81,147
Koščevič, Želimir 521
Košir, Milan 528,534
Kovacs, Adrian 522,534
Kovacs, Attila 523
Kovač - Chubby, Vojin 67
Kovačič, Marko 92-94, 94,129,135,
300,301,308-312, 314, 509, 510,512,
527, 533, 534
Kovič, Brane 510,513,518,520,522
Kozik, K. K. 521
Kozmokinetično gledališče Rdeči
pilot see Cos mo kinetic Theatre
Rdeči pilot
Kozole, Damjan 317,516,529
Kožarje, Ivan 534
Koželj, Marinela 301,506,511
Koželj, Staša 536
Kralj, Breda 225,338, 528,535,536
Kranjc, Aleš 528,534
Krašovec, Metka 317,512
Kreft, Lev 283, 507, 510, 518
Križaj, Regina 536
Kršič, Dejan 15,17,360,365,518,
522,523
Kruger, Barbara 309,437,438
Krumpak, Breda 129
Ksaver, Franc Anton 28, 31,32,506
Kumerdej, Mojca 522, 525
Kurjanceva, Lena 408
Kurlandzeva, Elena 198, 200,407,524
Kushner, Robert 19,116, 309,311
L
Lacan, Jacques 13,14,36, 39,42,
60-62, 64, 71,100,109,113 169,170,
173, 174, 204-2Ю, 212, 225, 368, 377,
428, 429,448, 449
Lah, Nika 525
Laibach xiv-xvii, xxxii-xxxiii, xxxvi-xli,
8-14, 18, 21-24, 29-31, Зі, 38, 41,
44,48,58, 66-70, 7Լ 72, 73-75, 74,
76-80, 78, 82-86, 82, 94, 96,97,100,
101, ЮЗ, 114,116, 129,135,138-141,
150-152, 155,158, 159,160, 16Լ 162,
162-164, 164, 166, 167, 172-174, 177,
183, 186, 196-198, 202, 203, 205,207,
210-212, 210, 218, 224, 226, 227,231,
248-253, 255-260, 26J, 262,263, 264,
267,269, 270,270, 275,276, 280,281,
284, 287, 288, 290, 292, 293,293-296,
295-299, 301-304,303-306, 306,
308, 309, 312-314, 316-318, 320, 321,
325, 334, 347, 355-358, 356, 362-365,
369-370,370, 376-378, 380, 381,
388, 389, 392, 399,406,407,416,
417, 428,429, 431,434, 435, 435, 436,
439, 440, 441,442,443,445, 450,
457-462,463,464-467,470, 494,
495-499, 506-534, 507,508,513,516,
518, 536, 537,539
La kovni k, Tanja 129
Lampret, Igor 90,534
Landin, Daniel 153, 370,434,435, 528,
531,532
Lapajne, Samo 338,348,454,519, 529,
534,535
Larionov, Mikhail 330, 328
Lasan, Suzana 529, 534, 536
Last Few Days 162, 303, 306,508,509,
530, 531,
Lavrič, Darinka 536
Lawler, Louise 437
Leigh, Christian 130,520
Lenard, Aleks 508
Lešnik, Bogdan 129,300,361, 510
Levin, Kim 20, 21,520,523,
Levstik, Fran 142
Linije sile 135,528,534
Lippard, Lucy 19
Litichevsky, Georgy 200, 524
Lopojda, Siniša 293, 300,510,
529-531,533
Lorenčič, Teodor 58, 296, 509,534
Lupine, Andrej 301, 308, 317, 510, 511
Luthar, Damjana 280, 528, 534
M
Maček, Uroš 528, 534, 535
Mahoney, Robert 520
Majcen, Goran 535
Malečkar, Nela 280,512
Maleševič, Jurij 517
Malevich from Вею rade 408,439,
528
Malevich, Kazimir 521,524, 528,
Mandič, Dušan 21, 92-95, 94, 102,
129, 135, 135, 138-141, 149,285, 300,
301, 307-314, 319, 381, 399, 440,
454, 498, 506, 507, 509-513, 510,
524, 526, 527, 529, 533
Mantese, Eleonora 316,515,529,
Marc, Davorin 30, 31, 300, 308
Marcus 5 510
Ma rendié, Eleonora 507, 529
Marendič, Sanja 507, 529
Marinčič, Vesna 518
Marinetti, FilippoTommaso 147,366
Markosé k, Ervin 149,520
Martek, Vlado 301, 522, 534
Marušič, Živko 534
Maruško, Mitja 507
Marx, Karl / Marxism xli, 9,10,23,35,
37, 38,40, 42, 45,46, 50-53, 56, 64,
71, 72, 98, 101, 104, 105, 107, 127, 132,
137, 151, 153, 154,156, 168-170, 172-
174, 177-182,189,223, 259, 284-286,
289, 292, 294, 304, 366,408,420,
428,450, 451,453,498, 537,538
Mastnak, Tomaž xl, 10, 17,18,150,
283-288, 498,507, 510,512, 516
Matanovič, Milenko 67, 321
McCartney, Paul 117
Medved, Andrej 510
Medvedič, Andreja 454,517, 518,527
Megla, Maja 314,516,522
Meje kontrole 4 93, 94,135, 301, 307
Melamid, Alexander 200,262,411,
432
Mežnarič, irma 308,310,533
Mihelčič, Matej 338,348,353,454,519,
522, 527, 529, 535
Miklavc, Saša 528
Miklič, Marko 536
Mikuž, Jure 219,313,510,518
Milinovič, Drago 129
Miljkovič, Boris 520
Miller, Daniel 516,529
Millet, Catherine 506
Millet, Jean-François 21
Miloševič, Slobodan xxxix, 18,270,
380, 382, 386,498, 539
Minks, Wilfried 518
Mirt, Branko 535
Misiano, Viktor 197,198, 200,326,
406,407, 408, 521, 524, 528
Mitič, Ksenja 53, 528,534
Mlačnik, Marko 246, 338,528,
534-536
Mlakar, Iztok 528, 534
Mlakar, Peter xxxix, 18,270,293, 302,
371, 454, 489,494, 498, 499, 506-510,
512, 513, 516-519,519, 520-529, 536
Mlinarič, Maša 536
Močnik, Rastko 140, 150,219, 317,
320, 356, 359, 386, 407, 512, 516, 521,
524-526
Modic, Marko 149,236,241,243,245,
339, 341, 515, 529, 534, 535
Mohar, Miran 139, 146, 149, 176, 180,
232, 234,236, 244, 314, 316, 326, 338,
355, 358, 381, 408, 409,411,442, 454,
509, 512-514, 512, 514, 516, 520,523,
524, 527-529, 534-536
Molek, Ivan 371, 522, 523
Monroe, Alexei 25, 399,406,413,509,
521,525
Mrzeljema 534
Muchomory 267,268
Müller, Heiner 512
Mullican, Matt 19,309,311,319,
Muse, John H. 534
N
Nakrasova, Ekatarina 536
Nasica, Scipio 14,355,509
Nesbitt, Lois E. 521
Nest (Gnezdo) 268
Neškovič, Sanja 536
Neue Kunsthandlung see New
Collectivism
New Collectivism xxxii-xxxv, xxxvi,
xl, 8, 13-15, 17, 18,48, 114, 144, 147,
158, 174, 175, 180,186, 197, 213, 214,
215, 216-220,221, 231,249, 269, 271,
276, 280-282, 287, 288, 302, 316,
334, 346,347,356,357, 369,376,378,
379, 380-382, 383, 384, 384, 385,
385, 386, 387, 388,389, 390, 391, 392,
392, 393, 398,407, 423,431,439,444,
476, 477, 478, 479, 511-514, 516-519,
519, 520-522, 522, 523, 524,524, 525,
527-529, 532-538
Nez, David 67
Niet 512
Njatin, Lela B. 129, 146, 529
NK see New Collectivism
Noordung Biomechanics 344, 347,
348, 528, 535
Noordung see also:
Cosmokinetic Cabinet Noordung
Potočnik, Herman
Novak, Dušan 528, 529, 534
Novak, Ivan (Jani) 129, 149, 280, 287,
293, 338,454, 507, 516,519, 520, 526,
529, 534, 536
Novi kolektivizem see New
Collectivism
Novkovič, Aleksandar 88, 534
Novoa, Glexis 431,432
O
Oberiu 271,272,276
Oblak, Maruša 535
Ocvirk, Matjaž 129
Ocvirk, Mojmir 217,286
Oddelek za čisto in praktično
filozofijo see Department of Pure
and Applied Philosophy
Odpadki civilizacije 510
Ogrinc, Marjan 178,507,512
OHO xxxix, 67,132, 183, 314, 315, 321,
321, 341,362, 513, 514, 516, 533,
Orange Alternative 267,267, 269,272
Oražem, Vito 129
Oražen, Suzana 507,529
Osojnik, Goro 129
Osote - Max, Marjan 176,301, 306,
510, 530, 532, 533, 535
Index 543
P
Pankrti 31,291-293,539
Papič, Srečo 506
Paripovič, Neša 506
Partljič, Mojca 528,534
Pavlin, Sandi 535
Pavlovič, Radmila 512
Pejič, Bojana 320, 522
Pelko, Stojan 350
Pengov, Jure 12,317,442,465,508,
509
Perica, Blaženka 525
Peršak, Tone 16,364,510
Petrič, Mirko 520
Pirjevec, Dušan 70,142, 143
Plamen, Iztok Geister 67
Plečnik, Jože 59,129, 133, 174, 516,
536
Podnar, Gregor 315, 361, 528,532,
533
Podoroga, Valeri 525
Pogačar, Tadej 534
Pogačnik, Marko 67, 314,533
Pograjc, Matjaž 535
Pokorn, Darko 146, 149, 180,371, 381,
439, 454,512,515-517, 519, 521, 522,
524, 527,529, 535
Pokorn, Igor 516
Poniž, Denis 165
Popovič, Ivana 528
Popovič, Predrag 508
Popovič, Zoran 34
Potočnik, Herman 23,192, 339, 342,
343, 523,528
Potočnjak, Draga 528, 534, 535
Potokar, Andrea 512
Potrč, Matjaž 510,513
Praznik, Katja 14
Prebil, Robert 258,534
Prešeren, France xxxviii, 14,16,
47-49, 142, 143, 147, 235,238, 239,
244, 246, 308, 357, 361-363, 372,
514,515, 524
Pribišič, Milan 520
Prig o v, Dmitri 200,408, 524
Prijon, Aleš 527, 528, 534, 149, 514,
517,518
Profili Profili 506, 507
Pungartnik, Marjan 71, 72
Pungerčar, Marija-Mojca 514, 528,
534,
Purgar, Krešimir 522
Q
Quiles, Daniel R. 13,20,438,444
R
R IRWIN S 61,129,308,312,512,527
Ramsden, Mel 34,436,443
Randelovič - Jole, Jordan 338,408,
523, 524, 528, 536
Ravnohrib, Pavle 535
Rdeči pilot see Cosmokinetic Theatre
Rdeči pilot
Rebolj, Mateja 246, 338,528,
534-536
Red Pilot see Cosmokinetic Theatre
Rdeči pilot
Rekar, Aleksandra 408,528, 536
Repnik, Vlado 514,528,534
Retrovision (Retrovizija) xxviii, xxxvi,
8,480, 481, 518-522, 527, 537
Ribič, Marinka 536
Ristič, Ljubiša 88, 90,382
Rodtschenko, Alexander M. 523
Rosič, Marin 107
Rotar, Braco 130,510,516
Rozman ֊ Roza, Andrej 129
Rozman, Maja 534
Rozman, Matija 528,534
Rožanc, Antonija 536
Rrose IRWIN Sélavy xxxviii, 19,92,
94, 302, 307, 308, 310,321-323, 324,
510, 527,533
Rupnik, Ivan 528, 534, 535
S
Saksida, Žiga 129
Sambolec, Duba 300,317
Sasse, Sylvia 14
Savski, Andrej 19, 93,139, 149,225,
308, 309, 311, 312, 319, 381, 409, 411,
454, 509-513, 511, 524, 527, 533, 536
Schillinger, Joseph 19,129, 309,469
Schlingensief, Christoph 266,267,
273,273,274
Schmidt, Goran 16,145,235,361-
363,433, 509,510,514, 534
Scipion Nasice Sisters Theatre xxii—
xxiii, xxxvî-xxxix, 8, 14,15, 16,17, 18,
23,87, 88, 89, 90, 116, 129, 133, 138,
140, 141, 144, 146, 146, 147, 148, 149,
150, 158, 166, 176, 218, 224, 234, 235,
236,239,241,243,245,249, 253, 258,
269,314, 316,21,338,339, 341,343,
347, 354, 355, 356, 357, 358, 359, 360,
361, 362, 363, 364,365, 369, 372,
373, 376, 381, 382,407,437,439,444,
470,474,475, 509, 511, 512, 513, 514,
515, 516, 523, 527, 528, 529, 534
Selan, Matej 246, 528, 534
Selan, Sabina 536
Sever, Maja 534
Sever, Slavko 528
Sherman, Cindy 309
Shukaitis, Stevphen 18,22
Slak, Jože 512,534
Sloterdijk, Peter 104-107, 226, 270,
440
Smith, Terry 442,443
Smole, Dominik 147,238, 357, 514,
515
SN5T see Scipion Nas/се Sisters
Theatre
Sokov, Leonid 411
Soldo, Martina 149,529
Sorokin, Vladimir 267,268
Sovre, Klavdija 529, 534
Stančič, Zora 534
Stanislavski, Constantin 16,239
Starič, Sebastjan 129
Stein, David 534
Stepančič, Lilijana 17,431,516
Stepančič, Igor 534
Ste pa n o va, Wa r wa ra F. 523
Stephens, Charles 521
Stevens, Andrew 536
Stilinovič, Mladen 262, 301,407, 408,
439, 522, 523, 528, 534
Stilinovič, Sven 529
Stojko, Tone 173, 180,282,342, 529,
534, 535
Stojsavljevič, Vladimir 515, 535
Stranic, Lane 536
Strehovec, Janez 352, 510, 522
Stuart, Meg 517, 535
Suhadolnik, Jože 145, 197,225,295,
300, 408, 509,528, 532, 534
Sundell, Margaret 521
Sylvestre, Henri 520
Š
Šalamun, Andraž 67,317,512
Šalamun, Tomaž 31,80,81,85,88,
142
Šali, Franc 510
Šedlbauer, Zvone 90
Šeligo, Rudi 80, 81
Selih, Mario 528
Še peta ve c, Iva n 517
Šetinc, Zlatko 507
Škerlep, Andrej 516
Školč, Jožef 217
Šlibar, Tomo 520
Šmid, Aina 129, 230, 307, 507,522,
529, 534
Šmid, Igor 510
Šoškič, Mija 521,522,534
Štefe, Milan 534,535
Štokelj, Bojan 92, 310, 311,314, 511,
513, 527, 533
Štrajn, Darko 506
Štravs, Jane 135,300,318,509,510,
529-531, 533
Štrucelj, Tomaž 454, 535
Štrucl, Tomaž 528, 534, 535
Sušnik, Tugo 317,512,534
Šuštar, Msgr. Alojzij 145, 534
Švara, Danila 536
T
Tarabukin, Nikolai 330
Tatlin, Vladimir 147, 149, 188,247, 326,
328-330, 332, 334, 350, 529
Taufer, Veno 80, 88,170
Test Dept. 347, 529
Tisnikar, Jože 534
Tito, Josip Broz xxxíx, 8, 9,11,14,16,
18, 25, 83, 172, 186, 216, 218, 220,
227,238, 248, 251, 271, 280-282,
292, 297, 302, 378, 380, 398,427,
428,439,440, 443, 508, 516, 526,
538
Toadstools (Muchomory) 267,268
Todosijevič, Dragoljub Rasa 21,34,
141,307, 301,506,511,534
Toller, Ernst 90,510,534
Tomažič, Jadranka 535
Tomc, Gregor 358,361,365,507,512
Tomič, Violeta 507, 528, 529, 534
Tomlje, Tina 532
Torkar, Andraž 517,518, 527
Tot Art 411
Traven, P. 520,521, 536
Tribušon, Matjaž 528, 535
Troitsky, Artiom 525
Tronche, Anne 520
Turšič, Miha 338,344,351,373
U
Ura nje k, Roman 19,92-94, 94,129,
139, 149, 180,225, 308-312, 319, 320,
381,399,454, 507, 509-513,511,512,
516, 519, 524, 526, 527, 529, 533
V
Vajt, Slavo 370
van Gogh, Vincent 21,121
Vassiliev, Oleg 411
Veberič, Vesna 30
Vertov, Dziga 421
Vesel, Gregor 535
Veselko, Borut 528, 534
Veš slikar svoj dolg 534
Vezjak, Peter 270,416,454,481,494,
516, 518, 519, 520, 521,527-529, 531,
532, 536, 537
Viculin, Marina 522
Vidmar, Igor 180, 217, 280,281,293,
507-512, 529-531,539
Vidmar, Urša 536
Vidmar, Vojko 528, 534,536
Vignjevič, Tomislav 118,119,317,
511,512
Vipotnik, Matjaž 140, 382, 385,408,
512,572,520, 529,534
Vipotnik, Miha 512
Virant, Franci 529, 535
Vodušek, Božo 81
Vogelnik, Borut 92, 94, 94,139, 149,
280, 308, 310, 313, 316, 319, 320,
326, 358, 381, 408,409, 411, 416,
454, 510, 511, 57 7, 513, 523, 524, 527,
529, 533
Vogrine, Jože 122, 507
von Rydingsvard, Ursula 523
Vovk, Urban 515
Vranič, Meta 534
VSSD 522,523
Vvedensky, Alexander 271
W
Wagner, Richard xxxvii, 242, 244,
355,518
Warhol, Andy 132,252
Warshaw, Randy 517, 535
Watten, Barrett 524, 528
Wegman, William 19, 309
Wood, Catherine 20,511
World Champions (Chempiony
mira) 267,268
Wruss, Tomislav 183, 376, 518
X
Xaver, Franz 28,31,32,506
Y
Yakimovich, Aleksandr 525
Yes Men, The 266,275,400,401,402
Yurchak, Alexei 14
Z
Zagoričnik, Franci 67
Zajc, Dane 81
Zajc, Srečo 507
Zapiatil, Boris 30,534
Završan, Branko 534
Zhigalov, Anatoly 267, 268, 274,274
Zidar, Judita 534
Ziherl, Boris 169
Zupančič, Alenka 343, 349, 364
Zupančič, Dunja 338, 343, 344, 347,
350-352, 373
Zupančič, Matjaž 513
Zupančič, Milena 535
Zupančič, Staša 517, 518, 527
Zupanc ič, Tadej 518
Zupe, Igor 407, 483, 512, 514, 575, 527,
529, 536
Zupet, Franc Krištof 534
Zvezdochiotov, Konstantin 198, 200,
268,407, 524
Ž
Žerko, Bine 30
Žilavec, Gorazd 129
Živadinov, Dragan xli, 23,146, 149,
176, 191, 192,225,234, 235,280, 316,
338-344, 346-355, 371, 373, 382,
408, 454,507, 509, 572, 514, 519, 520,
522-525, 527-529, 534, 535, 536
Žlvkovič, Antonio 207,210, 296, 532
Žižek, Slavoj 11-13,18,138,139,150,
151, 165,177-182, 199, 225, 226,
228, 231, 232, 248, 254, 260, 270,
290, 291, 293, 294, 297, 320, 356,
364, 378, 380, 399, 403,408, 427,
428, 429,435,440,442, 448, 507,
508, 510, 512,516, 518, 520, 521, 526
Žnidaršič, Jonas 246, 528, 534
544 Index
Translators
Una Bauer
Dejan Kršić: Fragments on thè Matter of New
Collectivism
Borut Cajnko
Barbara Borčič: The ŠKUC Gallery, Alternative Cul-
ture, and Neue Slowenische Kunst in the 1980s
Rastko Močnik: Postmodernism and the Alternative
First published (in Slovenian) as Postmodernizem
in alternativa . Extravagantia. Ljubljana: ŠKUC/
Znanstveni inštitut Filozofske fakultete, 1993. The
text was revised by the author on the basis of the
English translation.
Marko Jenko
Slavoj Žižek: History and Repetition: How Truth
Arises Out of Misrecognition
First published (in Slovenian) as lil. Zgodovina in
ponavljanje I.: Kako resnica vznikne iz sprevida .
Zgodovina in nezavedno. Ljubljana: Cankarjeva
založba, 1982.
Slavoj Žižek: Ideology, Cynicism, Punk
First published (in Slovenian) as V. Ideologija, ci-
nizem, punk . Filozofija skozi psihoanalizo. Ljubljana:
Univerzum, 1984.
Ljubica Klančar
Željko Kipke: Organic Eclectics
First published (in Croatian) as Organski eklek-
tici . Start, September 25,1984.
Tone Peršak: The Retrogarde as Alternative
Avant-Garde?
First published (in Slovenian) as Retrogarda kot
alternativa avantgardi? . Sodobnost 32, no. 5 (1984).
Darko Strajn: Black-and-White Shock in Trbovlje
First published (in Slovenian) as Črno-beli šok v
Trbovljah . Mladina, November 20,1980.
Polona Mesec
Bojan Anđelković:The Genealogy of the Spectator s
View in Dragan Živadinov sTheatre
Breda Mišja
Peter Mlakar: The thoughts expressed at the Lai-
bach concert at Deutsches Schauspielhaus, Ham-
burg, October 1987
First published (in German) in NSK. Neue Slowenis-
che Kunst. Zagreb/Los Angeles: AMOK Books, 1991.
Tamara Soban
Zdenka Badovinac: An Exhibition About the
NSK Commons: NSKfrom Kapital to Capital. Neue
Slowenische Kunst - An Event ofthe Final Decade of
Yugoslavia
Goran Oordevič: A Letter to the Theoria Editorial
Board
Marina Gržinič: Graffiti as a Subversion of Slovenian
Cultural Space
First published (in Slovenian) as Graffizmi, graf-
fito slikarstvo, zidni graffiti ljubljanske subkulturne
scene, kot subverzija slovenskega kulturnega
prostora . Mladina, April 19,1984.
Marina Gržinič: Was ist Kunst
First published (in Slovenian) as Was ist
Kunst . Ekran 22, no. 3-4 (1985).
Jana Intihar Ferjan: Chronology of Neue Slowenis-
che Kunst and its Groups 1980-1992
Igor Vidmar: In the Name of an Idea: The Birth of
Action from the Spirit of Music
Olga Vukovič
Jela Krečič: NSK Manifestos and Programmes
Jana Renée Wilcoxen
Dušan Mandič: Harbingers ofthe Apocalypse:
An Exhibition of Works by Belgrade Artist Goran
Dordevič
First published (in Slovenian) as Glasniki apoka-
lipse . Dnevnik, March 16,1981.
Tomaž Mastnak: On the Soul of Social Movements:
A Few Remarks from Up Close on Žižek s Letter
from Afar
First published (in Slovenian) as O duši družbenih
gibanj: Nekaj pripomb od blizu na Žižkovo pismo
od daleč . Mladina, April 17 and 24, 1987.
Peter Mlakar: Love Object; The Beginning; The
Robopath and the Redeemer; and The Supernatural
First published (in Slovenian) as Objekt ljubezni ;
Začetek ; O nadnaravnem ; and Robopat in
zveličar . Spisi o nadnaravnem. Ljubljana: Analecta,
1992.
Peter Mlakar: Cypresses; and The Glorification of
the Flesh
First published (in Slovenian) as Ciprese ; and
Poveličanje mesa . Mera in cut Ljubljana: ŠKUC,
1988.
Katja Zakrajšek
Mladen Dolar: Fascism through Psychoanalysis
First published (in Slovenian) as IV. Fašizem skozi
psihoanalizo . Struktura fašističnega gospostva:
Marksistične analize fašizma in problemi teorije
ideologije. Ljubljana: Univerzum, 1982.
Mladen Dolar: Psychoanalysis in Power: On Fascism,
Marxism and the Poster Scandal
First published (in Slovenian) as Mladen Dolar. Psi-
hoanaliza na oblasti . Mladina, March 13,1987.
Stojan Pelko: Dragan Živadinov - Prayer Machine
Noordung
First published (in Slovenian) as Dragan Živadinov:
Molitveni stroj Noordung . Maska 3, no. 2/3 (1993).
Dimitrij Rupel: Retrogardism
First published (in Slovenian) as Retrogardizem .
Nova revija 5, no. 48/49 (1986).
Jaša L. Zlobec: A Sterile Baptism in a Hollow Temple
First published (in Slovenian) as Sterilni krst v
votlem hramu . Mladina, February 14,1986.
Translators 545
Sources
Inke Arns: Mobile States / Shifting Borders /
Moving Entities: The Slovenian Artists Collective
Neue Slowenísche Kunst (NSK)
First published (in German) as Mobile Staaten /
Bewegíiche Grenzen / Wandernde Einheiten. Das
slowenische KünstlerkolJektiv Neue Slowenische
Kunst (NSK) in Netzkritik:Materialenzurlnternet-
Debatte, Berlin, 1997.
First published (in English) as Irwin: Three projects:
Transnacionala, IRWIN Live, Icons, Warsaw, 1998.
Inke Arns and Sylvia Sasse: Subversive Affirma-
tion: On Mimesis as a Strategy of Resistance
First published in East Art Map: Contemporary Art and
Eastern Europe. Irwin, ed. London: Afterall/Central
Saint Martins College of Art and Design/University
of the Arts London, 2006.
Dominic Boyer and Alexei Yurchak: American
Stiob: Or, What Late-Socialist Aesthetics of Parody
Reveal about Contemporary Political Culture in
the West
First published in Cultural Anthropology 25, no. 2
(2010).
Edą Čufer: Athletics of the Eye: Baptism and the
Problem of Writing and Reading Contemporary
Performance
First published in Slovenian as Atletika očesa: Krst
pod Triglavom ֊ vprašanje zapisovanja in branja
sodobnih scenskih praks , and in English (translated
by Polona Petek) in Maska 17, no. 74-75 (2002),
15-25 and 81-88. The text in this volume has been
thoroughly revised by the author.
Edą Čufer and IRWIN: NSK State in Time
First published in IRWIN:Zemljopis Vremena/Geog-
raphy of Time. Umag: Dante Galerie Marino Cettina,
1994. (Catalogue.)
Gediminas Gasparavičius: Promises and Premises
of Art as a State: NSK Embassy Moscow and its
Contexts
First published as How the East Saw the East in
1992: IRWIN s NSK Embassy Moscow and Relational-
ity in Eastern Europe , Public Art Dialogue 3, no. 2
(2013), 220-141.
Boris Groys: The IRWIN Group: More Total than
Totalitarianism
First published in Irwin: Kapital. Edinburgh/Ljubljana:
Co-Laborator/lnstitut - NSK, 1991.
Marina Gržinič: Neue Slowenische Kunst (NSK):
The Art Groups Laibach, Irwin, and Noordung
Cosmokinetical Theater Cabinet - New Strategies
in the Nineties
First published in Slovene Studies 15, no. 1/2 (1993).
Chrissie lies: Perpetual Present
First published in Irwin. London: Riverside Studios
Gallery London/Air Gallery London, 1988.
Taras Kermauner: X + (-) 11 = ?
First published (in Slovenian) as X + (-) 11 = ?:
Premišljevanje ob mlajši slovenski poeziji . Nova
revija 2, no. 13/14 (1983).
First published (in English) in Ausstellung Laibach
Kunst:Recapitulation. Łódź: Muzeum Sztuki, 2009.
Translated by Mike Smith, translation edited by Jana
Renée Wilcoxen.
Lev Kreft: Avant-Garde, Retro-Garde and Progress
First published (in Slovenian) as Avantgarda, retrog-
arda in napredek . Teorija in praksa 24, no. 8/9 (1987).
First published (in English) in Ausstellung Laibach
Kunst: Recapitulation. Łódź: Muzeum Sztuki, 2009.
Translated by Mike Smith, translation edited by Jana
Renée Wilcoxen.
Rastko Močnik: East!
First published in East Art Map: Contemporary Art and
Eastern Europe, irwin, ed. London: Afterall/Central
Saint Martins College of Art and Design/University
of the Arts London, 2006.
Alexei Monroe: Philosophy, Literature and Rheto-
ric: God - Enjoyment - The Absolute
First published in Interrogation Machine: Laibach and
NSK. Cambridge (Mass.) / London: MIT Press, 2005.
Alexei Monroe: Was ist Kunst? (Actually Existing
Retrogardism)
First published in Interrogation Machine: Laibach and
NSK. Cambridge (Mass.) / London: MIT Press, 2005.
Lilijana Stepančič: The Poster Scandal: New Col-
lectivism and the 1987 Youth Day
First published (in German) as Die Plakat-Affaire.
Novi Kolektivizem (NK) und der Tag der Jugend .
Otto Staininger, ed. Die geheimen Aufklärer. Cat.
Vienna, 1994.
First published (in English) in Irwin Retroprincip,
1983-2003. Inke Arns, ed. Frankfurt am Main: Re-
volver, 2003.
Slavoj Žižek: A Letter from Afar
First published (in Slovenian) as Pismo od
daleč . Mladina, April 3,1987.
First published (in English) in Irwin Retroprincip,
1983-2003, Inke Arns, ed. Frankfurt am Main:
Revolver, 2003. Translated from the Slovenian by
Rawley Grau
Slavoj Žižek: The Enlightenment in Laibach
First published in New Art from Eastern Europe:
Identity and Conflict. Art Design 35 (1994).
Slavoj Žižek: Why Are Laibach and NSK not
Fascists?
First published in M ars - Časopis Moderne galerije 5,
no. 3/4 (1993).
Primary documents
NSK: From the Internal Book of Laws: Constitution of
Membership and Basic Duties of NSK Members
Laibach: 10 Items of the Covenant
Laibach: Art and Totalitarianism
Laibach: XY - Unsolved
IRWIN: The Programme of IRWIN Group
IRWIN: Retro Principle: The Principle of Manipulation
with the Memory of the Visible. Emphasized Eclecti-
cism - the Platform for National Authenticity
IRWIN: Interview, Bill Furlong and Mike Archer
Scipion Nasice Sisters Theatre: The Founding Act
Scipion Nasice Sisters Theatre: The First Sisters
Letter
Scipion Nasice Sisters Theatre: The Second Sisters
Letter
Cosmokinetic Theatre Rdeci pilot: The Founding
Document
Cosmokinetic Cabinet Noordung: Prayer Machine
New Collectivism: Proclamation
Retrovision: Retrovision
Film: Beauty and the Nation: A Heimat film
Builders: Builders
Builders: Constructions J
Builders: Constructions II
Department of Pure and Applied Philosophy:
Goldhorn
Peter Mlakar: The address at the Laibach concert,
held at Tivoli Hall, Ljubljana, 1987
Peter Mlakar: The address at the Laibach concert at
Slovenian grammar school, Klagenfurt, 1988
Peter Mlakar: The address at the Laibach concert in
Belgrade in 1989
Peter Mlakar: Two addresses at the Laibach concert
at Kaiser Franz Josef Reitschule, Vienna, 1988
Published in English in NSK. Neue Slowenische Kunst.
Los Angeles/AMOK Books, 1991. Translated by Mar֊
jan Golobic. Some texts have been slightly revised.
f Bayerische i
Staatsbibliothek J
L München J
546 Sources
|
any_adam_object | 1 |
author2 | Badovinac, Zdenka 1958- Čufer, Eda Gardner, Anthony 1976- |
author2_role | edt edt edt |
author2_variant | z b zb e č eč a g ag |
author_GND | (DE-588)129838284 (DE-588)188472533 |
author_corporate | Neue Slowenische Kunst (Künstlervereinigung) |
author_corporate_role | aut |
author_facet | Badovinac, Zdenka 1958- Čufer, Eda Gardner, Anthony 1976- Neue Slowenische Kunst (Künstlervereinigung) |
author_sort | Neue Slowenische Kunst (Künstlervereinigung) |
building | Verbundindex |
bvnumber | BV042833014 |
classification_rvk | LO 85030 |
contents | 1 Initiation: The Early 1980s and the Emergence of the NSK Groups<br> Darko Štrajn, Black -and -White Shock in Trbovlje<br> Goran Đorđević, A Letter to the Theoria Editorial Board<br> Dušan Mandič, Harbingers of the Apocalypse: An Exhibition of Works by Belgrade Artist Goran Đorđević<br> Slavoj Žižek, History and Repetition: How "Truth Arises Out of Misrecognition"<br> Mladen Dolar, Fascism through Psychoanalysis<br> Taras Kermauner, X + (–) 11 = ?<br> Tone Peršak, The Retrogarde as Alternative Avant-Garde?<br> Marina Gržinić, Graffiti as a Subversion of Slovenian Cultural Space<br> Slavoj Žižek, Ideology, Cynicism, Punk 2 Formative Stage: From Neue Slowenische Kunst (1984) to NSK State in Time (1992)<br> Željko Kipke, Organic Eclectics<br> Rastko Močnik, Postmodernism and the Alternative<br> Marina Gržinić, Was ist Kunst<br> Dimitrij Rupel, Retrogardism<br> Jaša L. Zlobec, A Sterile Baptism in a Hollow Temple<br> Lev Kreft, Avant-Garde, Retro-Garde and Progress<br> Mladen Dolar, Psychoanalysis in Power: On Fascism, Marxism and the Poster Scandal<br> Slavoj Žižek, A Letter from Afar<br> Tomaž Mastnak, On the Soul of Social Movements: A Few Remarks from Up Close on Žižek’s Letter from Afar<br> Chrissie Iles, Perpetual Present<br> Boris Groys, The IRWIN Group: More Total Than Totalitarianism<br> Stojan Pelko, Dragan Živadinov – Noordung Prayer Machine 3 Codification: Selected Critical Essays on NSK during Its First Decade<br>Marina Gržinić, Neue Slowenische Kunst (NSK): The Art Groups Laibach, IRWIN, and Noordung<br> Cosmokinetical Theatre Cabinet-New Strategies in the Nineties<br>Slavoj Žižek, Why Are Laibach and NSK not Fascists?<br>Slavoj Žižek, The Enlightenment in Laibach<br>Lilijana Stepančič, The Poster Scandal: New Collectivism and the 1987 Youth Day<br> Inke Arns, Mobile States/Shifting Borders/Moving Entities: The Slovenian Artists’ Collective Neue Slowenische Kunst (NSK)<br> Eda Čufer, Athletics of the Eye: Baptism and the Problem of Writing and Reading Contemporary Performance<br>Alexei Monroe, Was ist Kunst?<br>Inke Arns & Sylvia Sasse, Subversive Affirmation: On Mimesis as a Strategy of Resistance 4 Historicization: Art- Historical and Intercultural Contextualization from a Contemporary Perspective<br> Tomaž Mastnak, Civil Society and Fascism<br> Igor Vidmar, In the Name of Idea: The Birth of Action from the Spirit of Music<br> Barbara Borčić, The ŠKUC Gallery, Alternative Culture, and Neue Slowenische Kunst in the 1980s<br> Catherine Wood, Back to USA, Replayed<br> Stevphen Shukaitis, Icons of Futures Past: IRWIN, Neue Slowenische Kunst, and the Spiritual Politics of Artistic Provocation<br> Bojan Anđelković, The Genealogy of the Spectator’s View in the Dragan Živadinov Theatre<br> Katja Praznik, Ideological Subversion vs. Cultural Policy of Late Socialism: The Case of the Scipion Nasice Sisters Theatre (SNST) Jela Krečič, Manifestos and Programmes<br> Dejan Kršić, Fragments on the Matter of New Collectivism<br> Dominic Boyer & Alexei Yurchak, American Stiob: Or, What Late-Socialist Aesthetics of Parody Reveal about Contemporary Political Culture in the West<br> Gediminas Gasparavičius, Promises and Premises of Art as a State: NSK Embassy Moscow and its Contexts<br> Rastko Močnik, East!<br> Daniel R. Quiles, S(h)ifters: Over-identification in Latin America, 1966–1989<br> Anthony Gardner, Neue Slowenische Kunst 1984–1992: From the Critique of Institutions to the Pursuit of Independence<br> Mladen Dolar, State of the Art<br><br> Primary documents |
ctrlnum | (OCoLC)927809487 (DE-599)BVBBV042833014 |
discipline | Kunstgeschichte |
era | Geschichte 1900-2000 Geschichte 1980-1992 gnd |
era_facet | Geschichte 1900-2000 Geschichte 1980-1992 |
format | Book |
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Quiles, S(h)ifters: Over-identification in Latin America, 1966–1989<br> Anthony Gardner, Neue Slowenische Kunst 1984–1992: From the Critique of Institutions to the Pursuit of Independence<br> Mladen Dolar, State of the Art<br><br> Primary documents</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In 1984, three groups of artists in post-Tito Yugoslavia—the music and multimedia group Laibach, the visual arts group Irwin, and the theater group Scipion Nasice Sisters Theater—came together to form the Neue Slowenische Kunst (NSK) art collective. Adopting the symbols, codes, appearances, and discourses of fascism, nationalism, state power, socialist-realist, and avant-garde art, and pushing the strategies of overidentification and subversive affirmation to their limits, NSK exposed the common foundations of various regimes, systems, and ideologies, while affirming that "art and totalitarianism are not mutually exclusive." Employing music, video, film, exhibitions, writing, graphic design, architecture, theater, and public relations to probe the aesthetic possibilities of declining socialism and proliferating capitalism, NSK introduced an idiosyncratic version of postmodernism (the Retro-Avant-Garde) into the globalizing cultural sphere. Combining primary documents, period artifacts, critical essays, and contextual notes, NSK from Kapital to Capital documents NSK’s collective practice during the final decade of Yugoslavia—from the first (and banned) Laibach concert (1980) in a small proletarian mining town in Slovenia to the series of projects launched by individual NSK groups entitled Kapital (1991-92). This illuminating chronicle of NSK’s work and its reception is produced in conjunction with the first major museum exhibition devoted to NSK. 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genre | (DE-588)4135467-9 Ausstellungskatalog gnd-content (DE-588)4135467-9 Ausstellungskatalog Moderna Galerija 11.05.2015-16.08.2015 Ljubljana gnd-content (DE-588)1071861417 Konferenzschrift 2015 Ljubljana gnd-content |
genre_facet | Ausstellungskatalog Ausstellungskatalog Moderna Galerija 11.05.2015-16.08.2015 Ljubljana Konferenzschrift 2015 Ljubljana |
geographic | Jugoslawien |
geographic_facet | Jugoslawien |
id | DE-604.BV042833014 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:10:42Z |
institution | BVB |
institution_GND | (DE-588)5080028-0 (DE-588)2092559-1 (DE-588)5514960-1 |
isbn | 9780262029957 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028262154 |
oclc_num | 927809487 |
open_access_boolean | |
owner | DE-29 DE-255 DE-11 DE-12 DE-M507 |
owner_facet | DE-29 DE-255 DE-11 DE-12 DE-M507 |
physical | XLII, 546 Seiten 27 cm |
publishDate | 2015 |
publishDateSearch | 2015 |
publishDateSort | 2015 |
publisher | The MIT Press |
record_format | marc |
spelling | Neue Slowenische Kunst (Künstlervereinigung) Verfasser (DE-588)5080028-0 aut NSK - from Kapital to Capital Neue Slowenische Kunst - an event of the final decade of Yugoslavia edited by Zdenka Badovinac, Eda Cufer and Anthony Gardner Cambridge, Massachusetts The MIT Press 2015 XLII, 546 Seiten 27 cm txt rdacontent n rdamedia nc rdacarrier 1 Initiation: The Early 1980s and the Emergence of the NSK Groups<br> Darko Štrajn, Black -and -White Shock in Trbovlje<br> Goran Đorđević, A Letter to the Theoria Editorial Board<br> Dušan Mandič, Harbingers of the Apocalypse: An Exhibition of Works by Belgrade Artist Goran Đorđević<br> Slavoj Žižek, History and Repetition: How "Truth Arises Out of Misrecognition"<br> Mladen Dolar, Fascism through Psychoanalysis<br> Taras Kermauner, X + (–) 11 = ?<br> Tone Peršak, The Retrogarde as Alternative Avant-Garde?<br> Marina Gržinić, Graffiti as a Subversion of Slovenian Cultural Space<br> Slavoj Žižek, Ideology, Cynicism, Punk 2 Formative Stage: From Neue Slowenische Kunst (1984) to NSK State in Time (1992)<br> Željko Kipke, Organic Eclectics<br> Rastko Močnik, Postmodernism and the Alternative<br> Marina Gržinić, Was ist Kunst<br> Dimitrij Rupel, Retrogardism<br> Jaša L. Zlobec, A Sterile Baptism in a Hollow Temple<br> Lev Kreft, Avant-Garde, Retro-Garde and Progress<br> Mladen Dolar, Psychoanalysis in Power: On Fascism, Marxism and the Poster Scandal<br> Slavoj Žižek, A Letter from Afar<br> Tomaž Mastnak, On the Soul of Social Movements: A Few Remarks from Up Close on Žižek’s Letter from Afar<br> Chrissie Iles, Perpetual Present<br> Boris Groys, The IRWIN Group: More Total Than Totalitarianism<br> Stojan Pelko, Dragan Živadinov – Noordung Prayer Machine 3 Codification: Selected Critical Essays on NSK during Its First Decade<br>Marina Gržinić, Neue Slowenische Kunst (NSK): The Art Groups Laibach, IRWIN, and Noordung<br> Cosmokinetical Theatre Cabinet-New Strategies in the Nineties<br>Slavoj Žižek, Why Are Laibach and NSK not Fascists?<br>Slavoj Žižek, The Enlightenment in Laibach<br>Lilijana Stepančič, The Poster Scandal: New Collectivism and the 1987 Youth Day<br> Inke Arns, Mobile States/Shifting Borders/Moving Entities: The Slovenian Artists’ Collective Neue Slowenische Kunst (NSK)<br> Eda Čufer, Athletics of the Eye: Baptism and the Problem of Writing and Reading Contemporary Performance<br>Alexei Monroe, Was ist Kunst?<br>Inke Arns & Sylvia Sasse, Subversive Affirmation: On Mimesis as a Strategy of Resistance 4 Historicization: Art- Historical and Intercultural Contextualization from a Contemporary Perspective<br> Tomaž Mastnak, Civil Society and Fascism<br> Igor Vidmar, In the Name of Idea: The Birth of Action from the Spirit of Music<br> Barbara Borčić, The ŠKUC Gallery, Alternative Culture, and Neue Slowenische Kunst in the 1980s<br> Catherine Wood, Back to USA, Replayed<br> Stevphen Shukaitis, Icons of Futures Past: IRWIN, Neue Slowenische Kunst, and the Spiritual Politics of Artistic Provocation<br> Bojan Anđelković, The Genealogy of the Spectator’s View in the Dragan Živadinov Theatre<br> Katja Praznik, Ideological Subversion vs. Cultural Policy of Late Socialism: The Case of the Scipion Nasice Sisters Theatre (SNST) Jela Krečič, Manifestos and Programmes<br> Dejan Kršić, Fragments on the Matter of New Collectivism<br> Dominic Boyer & Alexei Yurchak, American Stiob: Or, What Late-Socialist Aesthetics of Parody Reveal about Contemporary Political Culture in the West<br> Gediminas Gasparavičius, Promises and Premises of Art as a State: NSK Embassy Moscow and its Contexts<br> Rastko Močnik, East!<br> Daniel R. Quiles, S(h)ifters: Over-identification in Latin America, 1966–1989<br> Anthony Gardner, Neue Slowenische Kunst 1984–1992: From the Critique of Institutions to the Pursuit of Independence<br> Mladen Dolar, State of the Art<br><br> Primary documents In 1984, three groups of artists in post-Tito Yugoslavia—the music and multimedia group Laibach, the visual arts group Irwin, and the theater group Scipion Nasice Sisters Theater—came together to form the Neue Slowenische Kunst (NSK) art collective. Adopting the symbols, codes, appearances, and discourses of fascism, nationalism, state power, socialist-realist, and avant-garde art, and pushing the strategies of overidentification and subversive affirmation to their limits, NSK exposed the common foundations of various regimes, systems, and ideologies, while affirming that "art and totalitarianism are not mutually exclusive." Employing music, video, film, exhibitions, writing, graphic design, architecture, theater, and public relations to probe the aesthetic possibilities of declining socialism and proliferating capitalism, NSK introduced an idiosyncratic version of postmodernism (the Retro-Avant-Garde) into the globalizing cultural sphere. Combining primary documents, period artifacts, critical essays, and contextual notes, NSK from Kapital to Capital documents NSK’s collective practice during the final decade of Yugoslavia—from the first (and banned) Laibach concert (1980) in a small proletarian mining town in Slovenia to the series of projects launched by individual NSK groups entitled Kapital (1991-92). This illuminating chronicle of NSK’s work and its reception is produced in conjunction with the first major museum exhibition devoted to NSK. Designed by Novi Kolektivizem (New Collectivism), the graphic design section of NSK, the cover of each individual copy of the book is printed with a custom detail; no two covers exactly are the same. Neue Slowenische Kunst (Organization) / Exhibitions Neue Slowenische Kunst Künstlervereinigung (DE-588)5080028-0 gnd rswk-swf Laibach Musikgruppe (DE-588)5514960-1 gnd rswk-swf Geschichte 1900-2000 Geschichte 1980-1992 gnd rswk-swf Art / Yugoslavia / 20th century / Exhibitions Art, Slovenian / 20th century / Exhibitions Kunst Jugoslawien (DE-588)4135467-9 Ausstellungskatalog gnd-content (DE-588)4135467-9 Ausstellungskatalog Moderna Galerija 11.05.2015-16.08.2015 Ljubljana gnd-content (DE-588)1071861417 Konferenzschrift 2015 Ljubljana gnd-content Neue Slowenische Kunst Künstlervereinigung (DE-588)5080028-0 b Laibach Musikgruppe (DE-588)5514960-1 b Geschichte 1980-1992 z DE-604 Badovinac, Zdenka 1958- (DE-588)129838284 edt Čufer, Eda edt Gardner, Anthony 1976- (DE-588)188472533 edt Moderna Galerija (Ljubljana) (DE-588)2092559-1 orm Laibach (Musikgruppe) (DE-588)5514960-1 oth V:DE-576;B:DE-14 application/pdf http://swbplus.bsz-bw.de/bsz446238287inh.htm Inhaltsverzeichnis Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028262154&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register |
spellingShingle | NSK - from Kapital to Capital Neue Slowenische Kunst - an event of the final decade of Yugoslavia 1 Initiation: The Early 1980s and the Emergence of the NSK Groups<br> Darko Štrajn, Black -and -White Shock in Trbovlje<br> Goran Đorđević, A Letter to the Theoria Editorial Board<br> Dušan Mandič, Harbingers of the Apocalypse: An Exhibition of Works by Belgrade Artist Goran Đorđević<br> Slavoj Žižek, History and Repetition: How "Truth Arises Out of Misrecognition"<br> Mladen Dolar, Fascism through Psychoanalysis<br> Taras Kermauner, X + (–) 11 = ?<br> Tone Peršak, The Retrogarde as Alternative Avant-Garde?<br> Marina Gržinić, Graffiti as a Subversion of Slovenian Cultural Space<br> Slavoj Žižek, Ideology, Cynicism, Punk 2 Formative Stage: From Neue Slowenische Kunst (1984) to NSK State in Time (1992)<br> Željko Kipke, Organic Eclectics<br> Rastko Močnik, Postmodernism and the Alternative<br> Marina Gržinić, Was ist Kunst<br> Dimitrij Rupel, Retrogardism<br> Jaša L. Zlobec, A Sterile Baptism in a Hollow Temple<br> Lev Kreft, Avant-Garde, Retro-Garde and Progress<br> Mladen Dolar, Psychoanalysis in Power: On Fascism, Marxism and the Poster Scandal<br> Slavoj Žižek, A Letter from Afar<br> Tomaž Mastnak, On the Soul of Social Movements: A Few Remarks from Up Close on Žižek’s Letter from Afar<br> Chrissie Iles, Perpetual Present<br> Boris Groys, The IRWIN Group: More Total Than Totalitarianism<br> Stojan Pelko, Dragan Živadinov – Noordung Prayer Machine 3 Codification: Selected Critical Essays on NSK during Its First Decade<br>Marina Gržinić, Neue Slowenische Kunst (NSK): The Art Groups Laibach, IRWIN, and Noordung<br> Cosmokinetical Theatre Cabinet-New Strategies in the Nineties<br>Slavoj Žižek, Why Are Laibach and NSK not Fascists?<br>Slavoj Žižek, The Enlightenment in Laibach<br>Lilijana Stepančič, The Poster Scandal: New Collectivism and the 1987 Youth Day<br> Inke Arns, Mobile States/Shifting Borders/Moving Entities: The Slovenian Artists’ Collective Neue Slowenische Kunst (NSK)<br> Eda Čufer, Athletics of the Eye: Baptism and the Problem of Writing and Reading Contemporary Performance<br>Alexei Monroe, Was ist Kunst?<br>Inke Arns & Sylvia Sasse, Subversive Affirmation: On Mimesis as a Strategy of Resistance 4 Historicization: Art- Historical and Intercultural Contextualization from a Contemporary Perspective<br> Tomaž Mastnak, Civil Society and Fascism<br> Igor Vidmar, In the Name of Idea: The Birth of Action from the Spirit of Music<br> Barbara Borčić, The ŠKUC Gallery, Alternative Culture, and Neue Slowenische Kunst in the 1980s<br> Catherine Wood, Back to USA, Replayed<br> Stevphen Shukaitis, Icons of Futures Past: IRWIN, Neue Slowenische Kunst, and the Spiritual Politics of Artistic Provocation<br> Bojan Anđelković, The Genealogy of the Spectator’s View in the Dragan Živadinov Theatre<br> Katja Praznik, Ideological Subversion vs. Cultural Policy of Late Socialism: The Case of the Scipion Nasice Sisters Theatre (SNST) Jela Krečič, Manifestos and Programmes<br> Dejan Kršić, Fragments on the Matter of New Collectivism<br> Dominic Boyer & Alexei Yurchak, American Stiob: Or, What Late-Socialist Aesthetics of Parody Reveal about Contemporary Political Culture in the West<br> Gediminas Gasparavičius, Promises and Premises of Art as a State: NSK Embassy Moscow and its Contexts<br> Rastko Močnik, East!<br> Daniel R. Quiles, S(h)ifters: Over-identification in Latin America, 1966–1989<br> Anthony Gardner, Neue Slowenische Kunst 1984–1992: From the Critique of Institutions to the Pursuit of Independence<br> Mladen Dolar, State of the Art<br><br> Primary documents Neue Slowenische Kunst (Organization) / Exhibitions Neue Slowenische Kunst Künstlervereinigung (DE-588)5080028-0 gnd Laibach Musikgruppe (DE-588)5514960-1 gnd Art / Yugoslavia / 20th century / Exhibitions Art, Slovenian / 20th century / Exhibitions Kunst |
subject_GND | (DE-588)5080028-0 (DE-588)5514960-1 (DE-588)4135467-9 (DE-588)1071861417 |
title | NSK - from Kapital to Capital Neue Slowenische Kunst - an event of the final decade of Yugoslavia |
title_auth | NSK - from Kapital to Capital Neue Slowenische Kunst - an event of the final decade of Yugoslavia |
title_exact_search | NSK - from Kapital to Capital Neue Slowenische Kunst - an event of the final decade of Yugoslavia |
title_full | NSK - from Kapital to Capital Neue Slowenische Kunst - an event of the final decade of Yugoslavia edited by Zdenka Badovinac, Eda Cufer and Anthony Gardner |
title_fullStr | NSK - from Kapital to Capital Neue Slowenische Kunst - an event of the final decade of Yugoslavia edited by Zdenka Badovinac, Eda Cufer and Anthony Gardner |
title_full_unstemmed | NSK - from Kapital to Capital Neue Slowenische Kunst - an event of the final decade of Yugoslavia edited by Zdenka Badovinac, Eda Cufer and Anthony Gardner |
title_short | NSK - from Kapital to Capital |
title_sort | nsk from kapital to capital neue slowenische kunst an event of the final decade of yugoslavia |
title_sub | Neue Slowenische Kunst - an event of the final decade of Yugoslavia |
topic | Neue Slowenische Kunst (Organization) / Exhibitions Neue Slowenische Kunst Künstlervereinigung (DE-588)5080028-0 gnd Laibach Musikgruppe (DE-588)5514960-1 gnd Art / Yugoslavia / 20th century / Exhibitions Art, Slovenian / 20th century / Exhibitions Kunst |
topic_facet | Neue Slowenische Kunst (Organization) / Exhibitions Neue Slowenische Kunst Künstlervereinigung Laibach Musikgruppe Art / Yugoslavia / 20th century / Exhibitions Art, Slovenian / 20th century / Exhibitions Kunst Jugoslawien Ausstellungskatalog Ausstellungskatalog Moderna Galerija 11.05.2015-16.08.2015 Ljubljana Konferenzschrift 2015 Ljubljana |
url | http://swbplus.bsz-bw.de/bsz446238287inh.htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028262154&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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