Performative analysis: reimagining music theory for performance
This book proposes a model for understanding the musical work in which both analysis-based and performance-based modes of interpretation are integral to the work. Jeffrey Swinkin explores the important role that performance plays in elucidating a work and argues for the performative nature of music...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Rochester, NY
University of Rochester Press
2016
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| Schriftenreihe: | Eastman studies in music
132 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This book proposes a model for understanding the musical work in which both analysis-based and performance-based modes of interpretation are integral to the work. Jeffrey Swinkin explores the important role that performance plays in elucidating a work and argues for the performative nature of music analysis itself, focusing in particular on Schenkerian analysis. Swinkin's aim is to show that music analysis is grounded in the same kinds of physical and emotional experiences that performers are necessarily concerned to project. Analysis and performance are thus deeply compatible and can enjoy an equitable, fruitful relationship. The first three chapters theorize this stance; the last three apply it to works by Chopin, Beethoven, and Schumann, respectively. - Jeffrey Swinkin is assistant professor of music theory at the University of Oklahoma. (Klappentext) |
| Beschreibung: | 263 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781580465267 |
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| 505 | 8 | |a A theory of musical interpretation. Analysis in the musical work ; Two interpretive roles -- Analytical essays. Schenkerian analysis as metaphor : Chopin, Nocturne in C minor, op. 48, no. 1 ; An analytical dialogue : Beethoven, String quartet in C minor, op. 18, no. 4, First movement ; Musical structure(s) as subtext : resisting Schumann's "Ring" | |
| 520 | |a This book proposes a model for understanding the musical work in which both analysis-based and performance-based modes of interpretation are integral to the work. Jeffrey Swinkin explores the important role that performance plays in elucidating a work and argues for the performative nature of music analysis itself, focusing in particular on Schenkerian analysis. Swinkin's aim is to show that music analysis is grounded in the same kinds of physical and emotional experiences that performers are necessarily concerned to project. Analysis and performance are thus deeply compatible and can enjoy an equitable, fruitful relationship. The first three chapters theorize this stance; the last three apply it to works by Chopin, Beethoven, and Schumann, respectively. - Jeffrey Swinkin is assistant professor of music theory at the University of Oklahoma. (Klappentext) | ||
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Datensatz im Suchindex
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| adam_text | Contents
Acknowledgments vii
Introduction 1
Part One: A Theory of Musical Interpretation
1 Analysis in the Musical Work 21
2 Two Interpretive Roles 42
Part Two: Analytical Essays
3 Schenkerian Analysis as Metaphor: Chopin, Nocturne in
C Minor, Op. 48, No. 1 75
4 An Analytical Dialogue: Beethoven, String Quartet in
C Minor, Op. 18, No. 4, First Movement 96
5 Musical Su-ucture(s) as Subtext: Resisting Schumann’s ‘‘Ring” 167
Notes 219
Bibliography 247
Index 261
|
| any_adam_object | 1 |
| author | Swinkin, Jeffrey ca. 20./21. Jh |
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| spelling | Swinkin, Jeffrey ca. 20./21. Jh. Verfasser (DE-588)1037771834 aut Performative analysis reimagining music theory for performance Jeffrey Swinkin Rochester, NY University of Rochester Press 2016 ©2016 263 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Eastman studies in music 132 A theory of musical interpretation. Analysis in the musical work ; Two interpretive roles -- Analytical essays. Schenkerian analysis as metaphor : Chopin, Nocturne in C minor, op. 48, no. 1 ; An analytical dialogue : Beethoven, String quartet in C minor, op. 18, no. 4, First movement ; Musical structure(s) as subtext : resisting Schumann's "Ring" This book proposes a model for understanding the musical work in which both analysis-based and performance-based modes of interpretation are integral to the work. Jeffrey Swinkin explores the important role that performance plays in elucidating a work and argues for the performative nature of music analysis itself, focusing in particular on Schenkerian analysis. Swinkin's aim is to show that music analysis is grounded in the same kinds of physical and emotional experiences that performers are necessarily concerned to project. Analysis and performance are thus deeply compatible and can enjoy an equitable, fruitful relationship. The first three chapters theorize this stance; the last three apply it to works by Chopin, Beethoven, and Schumann, respectively. - Jeffrey Swinkin is assistant professor of music theory at the University of Oklahoma. (Klappentext) Interpretation (DE-588)4072905-9 gnd rswk-swf Musikalische Aufführungspraxis (DE-588)4170800-3 gnd rswk-swf Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Musikalische Analyse (DE-588)4040814-0 s Interpretation (DE-588)4072905-9 s Musikalische Aufführungspraxis (DE-588)4170800-3 s DE-604 Eastman studies in music 132 (DE-604)BV010127859 132 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028227565&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Performative analysis reimagining music theory for performance |
| title_auth | Performative analysis reimagining music theory for performance |
| title_exact_search | Performative analysis reimagining music theory for performance |
| title_full | Performative analysis reimagining music theory for performance Jeffrey Swinkin |
| title_fullStr | Performative analysis reimagining music theory for performance Jeffrey Swinkin |
| title_full_unstemmed | Performative analysis reimagining music theory for performance Jeffrey Swinkin |
| title_short | Performative analysis |
| title_sort | performative analysis reimagining music theory for performance |
| title_sub | reimagining music theory for performance |
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