Equivocation in the theatre of the absurd: discourse analysis
Gespeichert in:
1. Verfasser: | |
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Format: | Abschlussarbeit Buch |
Sprache: | English |
Veröffentlicht: |
Berlin
Logos
2015
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Schlagworte: | |
Online-Zugang: | Inhaltstext Inhaltsverzeichnis |
Beschreibung: | XIII, 263 S. 210 mm x 145 mm |
ISBN: | 9783832534639 3832534636 |
Internformat
MARC
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Datensatz im Suchindex
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adam_text |
CONTENTS
DEDICATION
III
INTRODUCTION
V
CONTENTS
VII
LIST OF DIAGRAMS
XI
LIST OF FIGURES
XN
LIST OF TABLES
XM
CHAPTER ONE
THE THEATRE OF THE ABSURD AND LANGUAGE EQUIVOCATION
1.1 PRELIMINARIES
L
1.2 EQUIVOCATION OF THE ABSURD THEATRE
8
1.2.1 DEFINITION OF EQUIVOCATION
8
1.2.2 USES OF EQUIVOCATION
12
1.2.2.1 EVASION
13
1.2.2.2 RHETORICAL EFFECTS
15
1.2.2.3 IMPLICATION
15
1.2.3 TYPES OF EQUIVOCATION
16
1.2.3.1 LEXICAL EQUIVOCATION
17
1.2.3.2 STRUCTURAL EQUIVOCATION
18
1.2.3.3 NON-VERBAL EQUIVOCATION
18
1.3 HYPOTHESES
19
1.4 OBJECTIVES OF THE STUDY
19
1.5 SIGNIFICANCE OF THE STUDY
19
1.6 PEDAGOGICAL IMPLICATION OF THE STUDY
20
1.7 DATA OF THE STUDY
20
CHAPTER TWO
LEXICAL EQUIVOCATION
2.1 PRELIMINARIES
22
2.2 WHAT IS 'LEXICAL EQUIVOCATION'?
22
2.3 HOMONYMY
25
2.3.1 NOTION OF HOMONYMY
25
2.3.2 NOTION OF POLYSEMY
26
2.3.3 HOMONYMY AND POLYSEMY
27
HTTP://D-NB.INFO/1073938220
VIII | CONTENTS
2.3.4 CLASSIFICATION OF HOMONYMS 29
2.3.5 SOURCES OF HOMONYMOUS FORMS 30
2.3.5.1 PHONETIC CONVERGENCE 30
2.3.5.2 SEMANTIC DIVERGENCE 31
2.3.5.3 FOREIGN INFLUENCE 33
2.4 SYNONYMY 34
2.5 SYNECDOCHE AND METONYMY 37
2.6 PUNNING 40
2.7 LEXICAL INTERPRETATION OF EQUIVOCATION 43
2.7.1 SEMANTIC INTERPRETATION OF EQUIVOCATION 43
2.7.2 PRAGMATIC INTERPRETATION OF EQUIVOCATION 49
2.7.3 PHONETIC INTERPRETATION OF EQUIVOCATION 54
2.7.4 PHONOLOGICAL INTERPRETATION OF EQUIVOCATION 55
2.7.5 MORPHOLOGICAL INTERPRETATION OF EQUIVOCATION 56
CHAPTER THREE
CO-OPERATIVE PRINCIPLE AND STRUCTURAL EQUIVOCATION
3.1 PRELIMINARIES 59
3.2 WHAT IS 'STRUCTURAL EQUIVOCATION
1
? 59
3.3 CO-OPERATIVE PRINCIPLE 61
3.3.1 MAXIM OF QUANTITY 64
3.3.1.1 TAUTOLOGIES AND REPETITIONS 66
3.3.1.2 ELLIPSIS 74
3.3.2 MAXIM OF QUALITY 81
3.3.2.1 IRONY 82
3.3.2.2 HYPERBOLE 90
3.3.2.3 METAPHOR 93
3.3.3 MAXIM OF RELATION 94
3.3.3.1 EVASION 95
3.3.3.2 DIVERSION 99
3.3.4 MAXIM OF MANNER 101
3.3.4.1 ALLUSION 102
3.3.4.2 EUPHEMISM 111
3.3.4.3 LENGTHINESS 118
3.3.4.4 DOUBLE NEGATION 121
3.3.4.5 EQUIVOCATED THEMES OF THE ABSURD PLAYS 121
CONTENTS | IX
3.3.4.5.1 BOREDOM 121
3.3.4.5.2 LACK OF COMMUNICATION 125
3.3.4.5.2.1 LOSS OF MEMORY 125
3.3.4.5.2.2 LACK OF UNDERSTANDING 129
3.3.4.5.3 WAITING 136
3.3.4.5.4 THE WILL TO CONTINUE 142
3.3.4.5.5 FEAR 144
3.3.4.5.6 DEATH 149
3.3.4.5.7 ALIENATION 152
3.3.4.5.8 UNCERTAINTY 153
3.3.4.5.9 POWER AND EQUALITY 156
3.3.4.5.10 MENACE AND FRAUD 159
3.3.4.5.11 FRAILTY 165
3.3.4.5.12 BINARY OPPOSITIONS 166
3.3.4.5.13 CHANCE AND FATE 168
CHAPTER FOUR
CONTEXT AND STRUCTURAL EQUIVOCATION
4.1 PRELIMINARIES 170
4.2 CONTEXT 170
4.3 FEATURES OF CONTEXT 172
4.4 ROLE OF CONTEXT 173
4.5 TYPES OF CONTEXT 174
4.5.1 STENNING'S CLASSIFICATION 174
4.5.1.1 NORMAL CONTEXT 174
4.5.1.2 ABNORMAL CONTEXT 174
4.5.2 YULE'S CLASSIFICATION 175
4.5.2.1 LINGUISTIC CONTEXT 175
4.5.2.2 PHYSICAL CONTEXT 175
4.5.3 CUTTING'S CLASSIFICATION 175
4.5.3.1 SITUATIONAL CONTEXT 176
4.5.3.2 BACKGROUND KNOWLEDGE CONTEXT 182
4.5.3.2.1 THE CULTURAL KNOWLEDGE 182
4.5.3.2.2 THE INTERPERSONAL KNOWLEDGE 185
4.5.3.3 CO-TEXTUAL CONTEXT 187
4.6 CONTEXT AND CONSTRUCTION OF IDENTITY 194
X | CONTENTS
4.6.1 RELIGIOUS IDENTITY
194
4.6.2 PERSONAL IDENTITY 199
4.6.3 GENDER IDENTITY 200
4.6.4 RACIAL IDENTITY 202
4.6.5 POLITICAL IDENTITY
205
4.6.6 NATIONAL IDENTITY 207
CHAPTER FIVE
NON-VERBAL COMMUNICATION AND EQUIVOCATION
5.1 PRELIMINARIES 209
5.2 SETTING 210
5.2.1 PLACE 210
5.2.2 TIME 212
5.3 MOVEMENTS 215
5.4 COSTUMES 228
5.5 DRAMATIC OBJECTS 230
5.6 SOUND/MUSIC 236
5.7 LIGHTING 241
CHAPTER SIX
CONCLUSION 246
BIBLIOGRAPHY
WEBLIOGRAPHY
251
262 |
any_adam_object | 1 |
author | Abedi, Haidar K. al- |
author_facet | Abedi, Haidar K. al- |
author_role | aut |
author_sort | Abedi, Haidar K. al- |
author_variant | h k a a hka hkaa |
building | Verbundindex |
bvnumber | BV042791126 |
classification_rvk | EC 7805 |
ctrlnum | (OCoLC)921629668 (DE-599)DNB1073938220 |
dewey-full | 809.2911 400 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric 400 - Language |
dewey-ones | 809 - History, description & criticism 400 - Language |
dewey-raw | 809.2911 400 |
dewey-search | 809.2911 400 |
dewey-sort | 3809.2911 |
dewey-tens | 800 - Literature (Belles-lettres) and rhetoric 400 - Language |
discipline | Sprachwissenschaft Literaturwissenschaft |
format | Thesis Book |
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spelling | Abedi, Haidar K. al- Verfasser aut Equivocation in the theatre of the absurd discourse analysis Haidar K. Al-Abedi Berlin Logos 2015 XIII, 263 S. 210 mm x 145 mm txt rdacontent n rdamedia nc rdacarrier Zugl.: Aurangabad, Dr. Babasaheb Ambedkar Marathwada Univ., Diss. Beckett, Samuel 1906-1989 En attendant Godot (DE-588)4201228-4 gnd rswk-swf Polysemie (DE-588)4199267-2 gnd rswk-swf Absurdes Drama (DE-588)4141169-9 gnd rswk-swf Sprache (DE-588)4056449-6 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Ambiguität (DE-588)4138525-1 gnd rswk-swf Dichtersprache (DE-588)4012112-4 gnd rswk-swf Equivocation Absurd Theatre Discouse Analysis Drama Communication (DE-588)4113937-9 Hochschulschrift gnd-content Absurdes Drama (DE-588)4141169-9 s Dichtersprache (DE-588)4012112-4 s Ambiguität (DE-588)4138525-1 s DE-604 Englisch (DE-588)4014777-0 s Sprache (DE-588)4056449-6 s Polysemie (DE-588)4199267-2 s Beckett, Samuel 1906-1989 En attendant Godot (DE-588)4201228-4 u b DE-604 X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=5306753&prov=M&dok_var=1&dok_ext=htm Inhaltstext DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028220937&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Abedi, Haidar K. al- Equivocation in the theatre of the absurd discourse analysis Beckett, Samuel 1906-1989 En attendant Godot (DE-588)4201228-4 gnd Polysemie (DE-588)4199267-2 gnd Absurdes Drama (DE-588)4141169-9 gnd Sprache (DE-588)4056449-6 gnd Englisch (DE-588)4014777-0 gnd Ambiguität (DE-588)4138525-1 gnd Dichtersprache (DE-588)4012112-4 gnd |
subject_GND | (DE-588)4201228-4 (DE-588)4199267-2 (DE-588)4141169-9 (DE-588)4056449-6 (DE-588)4014777-0 (DE-588)4138525-1 (DE-588)4012112-4 (DE-588)4113937-9 |
title | Equivocation in the theatre of the absurd discourse analysis |
title_auth | Equivocation in the theatre of the absurd discourse analysis |
title_exact_search | Equivocation in the theatre of the absurd discourse analysis |
title_full | Equivocation in the theatre of the absurd discourse analysis Haidar K. Al-Abedi |
title_fullStr | Equivocation in the theatre of the absurd discourse analysis Haidar K. Al-Abedi |
title_full_unstemmed | Equivocation in the theatre of the absurd discourse analysis Haidar K. Al-Abedi |
title_short | Equivocation in the theatre of the absurd |
title_sort | equivocation in the theatre of the absurd discourse analysis |
title_sub | discourse analysis |
topic | Beckett, Samuel 1906-1989 En attendant Godot (DE-588)4201228-4 gnd Polysemie (DE-588)4199267-2 gnd Absurdes Drama (DE-588)4141169-9 gnd Sprache (DE-588)4056449-6 gnd Englisch (DE-588)4014777-0 gnd Ambiguität (DE-588)4138525-1 gnd Dichtersprache (DE-588)4012112-4 gnd |
topic_facet | Beckett, Samuel 1906-1989 En attendant Godot Polysemie Absurdes Drama Sprache Englisch Ambiguität Dichtersprache Hochschulschrift |
url | http://deposit.dnb.de/cgi-bin/dokserv?id=5306753&prov=M&dok_var=1&dok_ext=htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028220937&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT abedihaidarkal equivocationinthetheatreoftheabsurddiscourseanalysis |