The performance studies reader:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Routledge
2016
|
| Ausgabe: | 3. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XVI, 420 S. graph. Darst. |
| ISBN: | 9781138023352 9781138023369 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS Acknowledgements xii Introduction 1 HENRY BIAL WITH SARA BRADY PART I What is performance studies? 5 1 7 Performance studies: the broad spectrum approach RICHARD SCHECHNER 2 The liminal-norm 10 JON MCKENZIE 3 Professing performances: disciplinary genealogies 15 SHANNON JACKSON 4 Performance studies 25 BARBARA KIRSHENBLATT-GIMBLETT 5 Performance studies: interventions and radical research 37 DWIGHT CONQUERGOOD 6 Social performance studies: discipline vs. freedom 48 FAYE C. FEI AND WILLIAM H. SUN PART II What is performance? 59 7 61 Performances: belief in the part one is playing ERVING GOFFMAN vii
CONTENTS 8 Blurred genres: the refiguration of social thought 66 CLIFFORD GEERTZ 9 Excerpt from “Restoration of Behavior” 69 RICHARD SCHECHNER 10 What is performance? 72 MARVIN CARLSON 11 Marina Abramović: witnessing shadows 77 PEGGY PHELAN 12 Performance: the blunders of Orpheus 85 JOSEPH ROACH PART III Ritual 95 13 Liminality and communitas 97 VICTOR TURNER 14 “Performance” and other analogies 105 CATHERINE BELL 15 “The blood that runs through the veins”: the creation of identity and a client’s experience of Cuban-American Santería Dilogún divination 113 MICHAEL ATWOOD MASON 16 Saint Orlan: ritual as violent spectacle and cultural criticism 123 ALYDA FABER 17 Performative commemoratives, the personal, and the public: spontaneous shrines, emergent ritual 129 JACK SANTINO 18 Reenactment and relative pain 138 REBECCA SCHNEIDER PART IV Play 153 19 The nature and significance of play as a cultural phenomenon 155 JOHAN HUIZINGA viii
CON T І:N TS 20 A theory of play and fantasy 159 GREGORY BATESON 21 The ambiguity of play: rhetorics of fate 170 BRIAN SUTTON-SMITU 22 Just doing 177 ALLAN KAPRÓW 23 An evolutionary perspective on play, performance, and ritual 182 BRUCE MCCONACHIE 24 The soldier cycle: Harun Farocki’s Images of War (at a Distance) 193 SARA BRADY PART V Pcrformativity 203 25 How to do things with words: lecture Π 205 J.L. AUSTIN 26 Excerpt from “Signature Event Context” 211 JACQUES DERRIDA 27 Performative acts and gender constitution: an essay in phenomenology and feminist theory 214 JUDITH BUTLER 28 Introduction to Performativity and Performance 226 ANDREW PARKER AND EVE KOSOFSKY SEDGWICK 29 Theater and anthropology, theatricality and culture 233 JOHANNES FABIAN 240 30 Utopian performatives JILL DOLAN PART VI Performing 251 31 A dialogue about acting 253 BERTOLT BRECHT IX
CONTENTS 256 32 The actor’s technique JERZY GROTOWSKI 262 33 A dream of passion LEE STRASBERG 264 34 Excerpt from The Rainbow Of Desire AUGUSTO BOAL 35 Reconsidering Stanislavsky: feeling, feminism, and the actor 267 RHONDA BLAIR 36 Addenda, phenomenology, embodiment: cyborgs and disability performance 279 PETRA KUPPERS PART VII Performance processes 289 37 First attempts at a stylized theatre 291 VSEVOLOD MEYERHOLD 38 The oral artist: training and preparation 299 ISIDORE OKPEWHO 39 The deep order caUed turbulence: the three faces of dramaturgy 304 EUGENIO BARBA 313 40 The archaeology of performance MARY ZIMMERMAN 322 41 Excerpt from Postdramatic Theatre HANS-THIES LEHMANN 42 Excerpt from The Emancipated Spectator 336 JACQUES RANCIÈRE 43 From page to stage: the making of Sweet Tea E. PATRICK JOHNSON x 340
CONTHNTS PART VIII Global and intercultural performances 347 44 Performing ethnography 349 VICTOR TURNER WITH EDIE TURNER 45 Of mimicry and man 362 HOMI K. DHABHA 46 Translating performance 369 DIANA TAYLOR 47 Interweaving cultures in performance: different states of being in-between 375 ERIKA FISCHER-LICHTE 48 Hemispheric America in deep time 387 JILL LANE 49 Orature and cyberturc 395 NGÙGÏ WATIIIONG’O 50 Performance studies 3.0 402 HENRY BIAL 413 Index XI
Since its first publication in 2004, The Performance Studies Reader has become the leading anthology of key writings on performance studies. Now in its third edition, it continues to offer an unparalleled selection of work by the foremost scholars in this continually evolving field. These critical and theoretical contributions are joined in this edition by 16 new chapters, bringing the collection up to date with current discourse and ideas, and cross referencing exactly with Richard Schechner’s Performance Studies: An Introduction. The two volumes combine perfectly to offer a unique and complete teaching resource. The Performance Studies Reader is also widely used by students and scholars around the world as a stand-alone text, offering a stimulating introduction to the crucial debates of performance studies. Each essay now includes new contextual headnotes from the editors, to introduce students to the writer and their impact on the field. Newly added to this edition are contributions from: Augusto Boal, Jill Dolan, Faye C. Fei and William H. Sun, Erika Fischer-Lichte, E. Patrick Johnson, Petra Kuppers, Hans-Thies Lehmann, Bruce McConachie, Jacques Rancière, Joseph Roach, Rebecca Schneider, and NgugTwa Thiong’o. The Reader provides an overview of the full range of performance theory for undergraduates at all levels, and beginning graduate students in performance studies, theatre, performing arts, and cultural studies. Henry Bial is Professor of Theatre and Director of the School of the Arts at the University of Kansas. Sara Brady is Assistant Professor at Bronx Community
College of the City University of New York.
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| dewey-full | 791 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791 |
| dewey-search | 791 |
| dewey-sort | 3791 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| edition | 3. ed. |
| format | Book |
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