Rethinking Renaissance drawings: essays in honour of David McTavish
"The study of Renaissance drawings allows for an intensive exploration of how artists constructed their works and how they thought, often by revealing the artists' ideas through the examination of private images that were deemed inappropriate for more public viewing. Rethinking Renaissance...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Montreal ; Kingston ; London ; Chicago
McGill-Queen's University Press
[2015]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The study of Renaissance drawings allows for an intensive exploration of how artists constructed their works and how they thought, often by revealing the artists' ideas through the examination of private images that were deemed inappropriate for more public viewing. Rethinking Renaissance Drawings presents new and original research from art historians and curators from leading universities and museums across North America and Europe. Previous studies on drawings tend to focus on the work of one artist or a small regional group of artists. The essays in this collection address larger issues of the forms and functions of drawing in the Renaissance by exploring a variety of perspectives, including discussions of the process of drawing, the often unorthodox imagery of Renaissance drawings, the collecting and copying of Renaissance drawings, and the works of artists such as Michelangelo, Raphael, Bosch, Parmigianino, Annibale Carracci, Guercino, and Rembrandt. Some of the drawings discussed are exciting new discoveries, published here for the first time, whereas others are familiar works, but shown in a new light. Collectively, these studies offer alternate views of Renaissance art and show more intimate aspects of a period that is often remembered for its paintings and large-scale public monuments."-- |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | vi, 409 Seiten Illustrationen 27 cm |
| ISBN: | 9780773546363 |
Internformat
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| 245 | 1 | 0 | |a Rethinking Renaissance drawings |b essays in honour of David McTavish |c edited by Una Roman D'Elia |
| 264 | 1 | |a Montreal ; Kingston ; London ; Chicago |b McGill-Queen's University Press |c [2015] | |
| 264 | 4 | |c © 2015 | |
| 300 | |a vi, 409 Seiten |b Illustrationen |c 27 cm | ||
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| 337 | |b n |2 rdamedia | ||
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| 500 | |a Includes bibliographical references and index | ||
| 505 | 8 | |a Part One: New Discoveries:<br>1 A New Drawing for National Gallery No. 1 / 19 - Paul Joannides<br>2 Drawings, Attribution, and Evidence: Giulio Campagnola, Giorgione, and Early Titian / 27 - Charles Hope<br>3 Apples to Apples: Toward Standardized Photographic Documentation of Drawings from the Hieronymus Bosch Group / 52 - Ron Spronk, with Casey Lee<br>4 For Agnolo di Donnino del Mazziere, the Maestro di Santo Spirito / 64 - Catherine Monbeig Goguel<br>5 Italy and the North in the Late Sixteenth Century: Two New Drawings by the Master of the Egmont Albums in Ottawa / 70 - David Franklin<br><br>Part Two: The Imagery of Renaissance Drawings - Sacred and Secular<br>6 Drawing Spirit and Truth: Michelangelo's Christ and the Woman of Samaria for Vittoria Colonna / 81 - Sally Hickson<br>7 Federico Zuccaro's Fascination with Fame / 95 James Mundy<br>8 A Baptism of Drawing: Coming of Age as an Artist in Giorgio Vasari's Lives / 107 - Steven Stowell<br><br>Part Three: The Process of Drawing in the Renaissance - Theory and Practice<br>9 Learning to Draw in Venice: The Role of Drawing Manuals / 121 - Catherine Whistler<br>10 Drawing as a Method of Replication in Late-Cinquecento Venetian Workshops / 137 - Michel Hochmann<br>11 "Contal'arte ridotti alla sua dolce maniera": Perino del Vaga's Drawings and German Prints / 147 - Sharon Gregory<br>12 Thinking in Reverse: The Effect of Printmaking on the Drawings of Parmigianino / 162 - Aimee Ng<br>13 "Buona circonscrizione": Alberti's Art Theory Reflected in Perugino's Use of Cartoons / 182 - Franziska Gottwald | |
| 505 | 8 | |a <br>Part Four: The Collecting of Renaissance Drawings:<br>14 The Afterlife of Raphael's Drawings before 1600 / 193 - David Ekserdjian<br>15 The Appreciation of the Early Italian Masters in French Collections of Drawings before 1815 / 209 - Cathleen Hoeniger<br>16 Benno Geiger: Connoisseur, Collector and Marchand-Amateur of Old Master Drawings / 225 - Sebastian Schütze<br><br>Part Five: Drawing from Renaissance to Baroque<br>17 Variations on a Theme: Three Newly Discovered Half-lengths of the Penitent Magdalen by Guercino from His Mature Period and Some Related Drawings / 245 - Nicholas Turner<br>18 Contentione perfectus: Rembrandt and Annibale Carracci / 262 - Stephanie S. Dickey<br>19 A Genre Drawing from Rembrandt's Circle / 278 - David de Witt<br>20 William Chambers, John Yenn, and the Boboli Gardens Transported to England's Shores / 286 - Pierre de la Ruffinière du Prey<br>Postscript: Scholarship on Drawings by David McTavish / 296 - Allison Sherman | |
| 520 | |a "The study of Renaissance drawings allows for an intensive exploration of how artists constructed their works and how they thought, often by revealing the artists' ideas through the examination of private images that were deemed inappropriate for more public viewing. Rethinking Renaissance Drawings presents new and original research from art historians and curators from leading universities and museums across North America and Europe. Previous studies on drawings tend to focus on the work of one artist or a small regional group of artists. The essays in this collection address larger issues of the forms and functions of drawing in the Renaissance by exploring a variety of perspectives, including discussions of the process of drawing, the often unorthodox imagery of Renaissance drawings, the collecting and copying of Renaissance drawings, and the works of artists such as Michelangelo, Raphael, Bosch, Parmigianino, Annibale Carracci, Guercino, and Rembrandt. Some of the drawings discussed are exciting new discoveries, published here for the first time, whereas others are familiar works, but shown in a new light. Collectively, these studies offer alternate views of Renaissance art and show more intimate aspects of a period that is often remembered for its paintings and large-scale public monuments."-- | ||
| 648 | 4 | |a Geschichte 1600-1700 | |
| 648 | 4 | |a Geschichte 1500-1600 | |
| 650 | 4 | |a Drawing, Renaissance | |
| 650 | 4 | |a Drawing, Italian / 16th century | |
| 650 | 4 | |a Drawing, Italian / 17th century | |
| 650 | 0 | 7 | |a Renaissance |0 (DE-588)4049450-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Zeichnung |0 (DE-588)4127900-1 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4016928-5 |a Festschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Renaissance |0 (DE-588)4049450-0 |D s |
| 689 | 0 | 1 | |a Zeichnung |0 (DE-588)4127900-1 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a D'Elia, Una Roman |d 1973- |0 (DE-588)188351922 |4 edt | |
| 700 | 1 | |a McTavish, David |d 1943-2014 |0 (DE-588)133368513 |4 hnr | |
| 856 | 4 | 2 | |m SWB Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028216253&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-028216253 | ||
Datensatz im Suchindex
| _version_ | 1804175017790930944 |
|---|---|
| adam_text | CONTENTS
INTRODUCTION: NEW DIRECTIONS IN
SCHOLARSHIP ON RENAISSANCE DRAWINGS / 3
UNA ROMAN 1) EUA
1 A NEW
DRAWING FOR NATIONAL GALLERY
NO.I /
19
PAUL 1OANNIDES
2
DRAWINGS, ATTRIBUTION, AND EVIDENCE:
GMLIO CAMPAGNOLA, GIORGIONE, AND
EARLY TITIAN / 27
CHARLES HOPE
3 APPLES TO APPLES: TOWARD STANDARDIZED
PHOTOGRAPHIC DOCUMENTATION OF
DRAWINGS FROM THE HIERONYMUS
BOSCH GROUP / 52
RON SPRONK, WI
CASEY LELI
17
4 FOR A
GNOLO DI DONNINO DEL MAZZIERE,
THE MAESTRO DI SANTO SPIRITO / 64
CAI
HHU,NE MONBEIG GOGUHL
5 ITALY AND THE NORTH IN THE LATE SIXTEENTH
CENTURY: TWO NEW DRAWINGS BY THE
MASTER OF THE EGMONT ALBUMS
IN OTTAWA /
70
AVID FRANKLIN
:**,.*. *!*:* :; .**. : W .** ,-, U / 79
6 DRAWING SPIRIT AND TRUTH: MICHELANGELO S
CHRIST AMI THE WOMAN OF SAMARIA FOR
VITTORIA COLONNA / 81
SALLY HICK SON
7 FEDERICO ZUCCARO S FASCINATION WITH FAME / C
JAMES MUNDY
8 A BAPTISM OF DRAWING: COMING OF AGE
AS AN ARTIST IN GIORGIO VASARI S LIVES I 107
S T E V E N S T O W F. L L
I A RT I LL R K I-: I LL I- L ROC I.SS () I-
DRAWINC IX TILL-; RLINAISSANCI:
I II I; O R V AND I LTACT I CM / 119
9 LEARNING TO DRAW IN VENICE: THE ROLE
OF DRAWING MANUALS / 121
CAT H E R I N E W H I S I I. E R
10 DRAWING AS A METHOD OF REPLICATION IN
LATE-CINQUECENTO VENETIAN WORKSHOPS / 137
MICHEL H O C HMANN
11 CON TAL ARTE RIDOTTI ALIA SUA DOLCE MANIERA :
PERINO DEL VAGA S DRAWINGS
AND GERMAN PRINTS / 147
S LI A R O N G R F. G O R Y
95
12 THINKING IN REVERSE: THE EFFECT OF
PRINTMAKING ON THE DRAWINGS
OF PARMIGIANINO / 162
A I M I- LI N G
13 BUONA CIRCONSCRIZIONE : ALBERTI S ART
THEORY REFLECTED IN PERUGINO S USE
OF CARTOONS / 182
ERA NZ1SKA CIOTTWA I.I)
** **** *. I., -:- : I - ;*..** UR-.Y
K
/ 243
17 VARIATIONS ON A THEME: THREE NEWLY
DISCOVERED HALF-LENGTHS OF THE PENITENT
MAGDALEN BY GUERCINO FROM HIS MATURE
PERIOD AND SOME RELATED DRAWINGS / 245
N I CHOI. AS TU RNER
18 CONTENTIONE PERJECTUS: REMBRANDT AND
ANNIBALE CARRACCI / 262
STEPH ANILI S. DICKEY
* * *;:*..* 1 :.*****.-**. ** I R /* W T ^ *,:, I 191
14 THE AFTERLIFE OF RAPHAEL S DRAWINGS
BEFORE 1600 / 193
DAVID IIKSL-RDJIAN
15 THE APPRECIATION OF THE EARLY ITALIAN
MASTERS IN FRENCH COLLECTIONS OF
DRAWINGS BEFORE 1815 / 209
CATHLEEN HOENIGER
16 BENNO GEIGER: CONNOISSEUR, COLLECTOR
AND MARCHAND-AMATEUR OF OLD MASTER
DRAWINGS / 225
SEBASTIAN S C H U T Z E
19 A GENRE DRAWING FROM REMBRANDT S
CIRCLE / 278
DAV I I) 1)E W ITT
20 WILLIAM CHAMBERS, JOHN YENN, AND
THE BOBOLI GARDENS TRANSPORTED TO
ENGLAND S SHORES / 286
LMI RRII 11 LI L.A RUFF1NIERE DU PREY
POSTSCRIPT: SCHOLARSHIP ON DRAWINGS
BY DAVID MCTAVISH / 296
A I. I.I SON SHERMAN
ACKNOWLEDGMENTS / 309
ILLUSTRATION CREDITS / 311
NOTES / 325
BIBLIOGRAPHY / 373
CONTRIBUTORS / 397
INDEX / 401
ON L I.NT:
|
| any_adam_object | 1 |
| author2 | D'Elia, Una Roman 1973- |
| author2_role | edt |
| author2_variant | u r d ur urd |
| author_GND | (DE-588)188351922 (DE-588)133368513 |
| author_facet | D'Elia, Una Roman 1973- |
| building | Verbundindex |
| bvnumber | BV042786325 |
| classification_rvk | LH 71330 |
| contents | Part One: New Discoveries:<br>1 A New Drawing for National Gallery No. 1 / 19 - Paul Joannides<br>2 Drawings, Attribution, and Evidence: Giulio Campagnola, Giorgione, and Early Titian / 27 - Charles Hope<br>3 Apples to Apples: Toward Standardized Photographic Documentation of Drawings from the Hieronymus Bosch Group / 52 - Ron Spronk, with Casey Lee<br>4 For Agnolo di Donnino del Mazziere, the Maestro di Santo Spirito / 64 - Catherine Monbeig Goguel<br>5 Italy and the North in the Late Sixteenth Century: Two New Drawings by the Master of the Egmont Albums in Ottawa / 70 - David Franklin<br><br>Part Two: The Imagery of Renaissance Drawings - Sacred and Secular<br>6 Drawing Spirit and Truth: Michelangelo's Christ and the Woman of Samaria for Vittoria Colonna / 81 - Sally Hickson<br>7 Federico Zuccaro's Fascination with Fame / 95 James Mundy<br>8 A Baptism of Drawing: Coming of Age as an Artist in Giorgio Vasari's Lives / 107 - Steven Stowell<br><br>Part Three: The Process of Drawing in the Renaissance - Theory and Practice<br>9 Learning to Draw in Venice: The Role of Drawing Manuals / 121 - Catherine Whistler<br>10 Drawing as a Method of Replication in Late-Cinquecento Venetian Workshops / 137 - Michel Hochmann<br>11 "Contal'arte ridotti alla sua dolce maniera": Perino del Vaga's Drawings and German Prints / 147 - Sharon Gregory<br>12 Thinking in Reverse: The Effect of Printmaking on the Drawings of Parmigianino / 162 - Aimee Ng<br>13 "Buona circonscrizione": Alberti's Art Theory Reflected in Perugino's Use of Cartoons / 182 - Franziska Gottwald <br>Part Four: The Collecting of Renaissance Drawings:<br>14 The Afterlife of Raphael's Drawings before 1600 / 193 - David Ekserdjian<br>15 The Appreciation of the Early Italian Masters in French Collections of Drawings before 1815 / 209 - Cathleen Hoeniger<br>16 Benno Geiger: Connoisseur, Collector and Marchand-Amateur of Old Master Drawings / 225 - Sebastian Schütze<br><br>Part Five: Drawing from Renaissance to Baroque<br>17 Variations on a Theme: Three Newly Discovered Half-lengths of the Penitent Magdalen by Guercino from His Mature Period and Some Related Drawings / 245 - Nicholas Turner<br>18 Contentione perfectus: Rembrandt and Annibale Carracci / 262 - Stephanie S. Dickey<br>19 A Genre Drawing from Rembrandt's Circle / 278 - David de Witt<br>20 William Chambers, John Yenn, and the Boboli Gardens Transported to England's Shores / 286 - Pierre de la Ruffinière du Prey<br>Postscript: Scholarship on Drawings by David McTavish / 296 - Allison Sherman |
| ctrlnum | (OCoLC)950026152 (DE-599)BVBBV042786325 |
| discipline | Kunstgeschichte |
| era | Geschichte 1600-1700 Geschichte 1500-1600 |
| era_facet | Geschichte 1600-1700 Geschichte 1500-1600 |
| format | Book |
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| genre | (DE-588)4016928-5 Festschrift gnd-content |
| genre_facet | Festschrift |
| id | DE-604.BV042786325 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:09:36Z |
| institution | BVB |
| isbn | 9780773546363 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028216253 |
| oclc_num | 950026152 |
| open_access_boolean | |
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| owner_facet | DE-29 DE-19 DE-BY-UBM DE-20 DE-Y3 DE-12 DE-188 DE-255 DE-Y2 |
| physical | vi, 409 Seiten Illustrationen 27 cm |
| publishDate | 2015 |
| publishDateSearch | 2015 |
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| publisher | McGill-Queen's University Press |
| record_format | marc |
| spelling | Rethinking Renaissance drawings essays in honour of David McTavish edited by Una Roman D'Elia Montreal ; Kingston ; London ; Chicago McGill-Queen's University Press [2015] © 2015 vi, 409 Seiten Illustrationen 27 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Part One: New Discoveries:<br>1 A New Drawing for National Gallery No. 1 / 19 - Paul Joannides<br>2 Drawings, Attribution, and Evidence: Giulio Campagnola, Giorgione, and Early Titian / 27 - Charles Hope<br>3 Apples to Apples: Toward Standardized Photographic Documentation of Drawings from the Hieronymus Bosch Group / 52 - Ron Spronk, with Casey Lee<br>4 For Agnolo di Donnino del Mazziere, the Maestro di Santo Spirito / 64 - Catherine Monbeig Goguel<br>5 Italy and the North in the Late Sixteenth Century: Two New Drawings by the Master of the Egmont Albums in Ottawa / 70 - David Franklin<br><br>Part Two: The Imagery of Renaissance Drawings - Sacred and Secular<br>6 Drawing Spirit and Truth: Michelangelo's Christ and the Woman of Samaria for Vittoria Colonna / 81 - Sally Hickson<br>7 Federico Zuccaro's Fascination with Fame / 95 James Mundy<br>8 A Baptism of Drawing: Coming of Age as an Artist in Giorgio Vasari's Lives / 107 - Steven Stowell<br><br>Part Three: The Process of Drawing in the Renaissance - Theory and Practice<br>9 Learning to Draw in Venice: The Role of Drawing Manuals / 121 - Catherine Whistler<br>10 Drawing as a Method of Replication in Late-Cinquecento Venetian Workshops / 137 - Michel Hochmann<br>11 "Contal'arte ridotti alla sua dolce maniera": Perino del Vaga's Drawings and German Prints / 147 - Sharon Gregory<br>12 Thinking in Reverse: The Effect of Printmaking on the Drawings of Parmigianino / 162 - Aimee Ng<br>13 "Buona circonscrizione": Alberti's Art Theory Reflected in Perugino's Use of Cartoons / 182 - Franziska Gottwald <br>Part Four: The Collecting of Renaissance Drawings:<br>14 The Afterlife of Raphael's Drawings before 1600 / 193 - David Ekserdjian<br>15 The Appreciation of the Early Italian Masters in French Collections of Drawings before 1815 / 209 - Cathleen Hoeniger<br>16 Benno Geiger: Connoisseur, Collector and Marchand-Amateur of Old Master Drawings / 225 - Sebastian Schütze<br><br>Part Five: Drawing from Renaissance to Baroque<br>17 Variations on a Theme: Three Newly Discovered Half-lengths of the Penitent Magdalen by Guercino from His Mature Period and Some Related Drawings / 245 - Nicholas Turner<br>18 Contentione perfectus: Rembrandt and Annibale Carracci / 262 - Stephanie S. Dickey<br>19 A Genre Drawing from Rembrandt's Circle / 278 - David de Witt<br>20 William Chambers, John Yenn, and the Boboli Gardens Transported to England's Shores / 286 - Pierre de la Ruffinière du Prey<br>Postscript: Scholarship on Drawings by David McTavish / 296 - Allison Sherman "The study of Renaissance drawings allows for an intensive exploration of how artists constructed their works and how they thought, often by revealing the artists' ideas through the examination of private images that were deemed inappropriate for more public viewing. Rethinking Renaissance Drawings presents new and original research from art historians and curators from leading universities and museums across North America and Europe. Previous studies on drawings tend to focus on the work of one artist or a small regional group of artists. The essays in this collection address larger issues of the forms and functions of drawing in the Renaissance by exploring a variety of perspectives, including discussions of the process of drawing, the often unorthodox imagery of Renaissance drawings, the collecting and copying of Renaissance drawings, and the works of artists such as Michelangelo, Raphael, Bosch, Parmigianino, Annibale Carracci, Guercino, and Rembrandt. Some of the drawings discussed are exciting new discoveries, published here for the first time, whereas others are familiar works, but shown in a new light. Collectively, these studies offer alternate views of Renaissance art and show more intimate aspects of a period that is often remembered for its paintings and large-scale public monuments."-- Geschichte 1600-1700 Geschichte 1500-1600 Drawing, Renaissance Drawing, Italian / 16th century Drawing, Italian / 17th century Renaissance (DE-588)4049450-0 gnd rswk-swf Zeichnung (DE-588)4127900-1 gnd rswk-swf (DE-588)4016928-5 Festschrift gnd-content Renaissance (DE-588)4049450-0 s Zeichnung (DE-588)4127900-1 s DE-604 D'Elia, Una Roman 1973- (DE-588)188351922 edt McTavish, David 1943-2014 (DE-588)133368513 hnr SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028216253&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Rethinking Renaissance drawings essays in honour of David McTavish Part One: New Discoveries:<br>1 A New Drawing for National Gallery No. 1 / 19 - Paul Joannides<br>2 Drawings, Attribution, and Evidence: Giulio Campagnola, Giorgione, and Early Titian / 27 - Charles Hope<br>3 Apples to Apples: Toward Standardized Photographic Documentation of Drawings from the Hieronymus Bosch Group / 52 - Ron Spronk, with Casey Lee<br>4 For Agnolo di Donnino del Mazziere, the Maestro di Santo Spirito / 64 - Catherine Monbeig Goguel<br>5 Italy and the North in the Late Sixteenth Century: Two New Drawings by the Master of the Egmont Albums in Ottawa / 70 - David Franklin<br><br>Part Two: The Imagery of Renaissance Drawings - Sacred and Secular<br>6 Drawing Spirit and Truth: Michelangelo's Christ and the Woman of Samaria for Vittoria Colonna / 81 - Sally Hickson<br>7 Federico Zuccaro's Fascination with Fame / 95 James Mundy<br>8 A Baptism of Drawing: Coming of Age as an Artist in Giorgio Vasari's Lives / 107 - Steven Stowell<br><br>Part Three: The Process of Drawing in the Renaissance - Theory and Practice<br>9 Learning to Draw in Venice: The Role of Drawing Manuals / 121 - Catherine Whistler<br>10 Drawing as a Method of Replication in Late-Cinquecento Venetian Workshops / 137 - Michel Hochmann<br>11 "Contal'arte ridotti alla sua dolce maniera": Perino del Vaga's Drawings and German Prints / 147 - Sharon Gregory<br>12 Thinking in Reverse: The Effect of Printmaking on the Drawings of Parmigianino / 162 - Aimee Ng<br>13 "Buona circonscrizione": Alberti's Art Theory Reflected in Perugino's Use of Cartoons / 182 - Franziska Gottwald <br>Part Four: The Collecting of Renaissance Drawings:<br>14 The Afterlife of Raphael's Drawings before 1600 / 193 - David Ekserdjian<br>15 The Appreciation of the Early Italian Masters in French Collections of Drawings before 1815 / 209 - Cathleen Hoeniger<br>16 Benno Geiger: Connoisseur, Collector and Marchand-Amateur of Old Master Drawings / 225 - Sebastian Schütze<br><br>Part Five: Drawing from Renaissance to Baroque<br>17 Variations on a Theme: Three Newly Discovered Half-lengths of the Penitent Magdalen by Guercino from His Mature Period and Some Related Drawings / 245 - Nicholas Turner<br>18 Contentione perfectus: Rembrandt and Annibale Carracci / 262 - Stephanie S. Dickey<br>19 A Genre Drawing from Rembrandt's Circle / 278 - David de Witt<br>20 William Chambers, John Yenn, and the Boboli Gardens Transported to England's Shores / 286 - Pierre de la Ruffinière du Prey<br>Postscript: Scholarship on Drawings by David McTavish / 296 - Allison Sherman Drawing, Renaissance Drawing, Italian / 16th century Drawing, Italian / 17th century Renaissance (DE-588)4049450-0 gnd Zeichnung (DE-588)4127900-1 gnd |
| subject_GND | (DE-588)4049450-0 (DE-588)4127900-1 (DE-588)4016928-5 |
| title | Rethinking Renaissance drawings essays in honour of David McTavish |
| title_auth | Rethinking Renaissance drawings essays in honour of David McTavish |
| title_exact_search | Rethinking Renaissance drawings essays in honour of David McTavish |
| title_full | Rethinking Renaissance drawings essays in honour of David McTavish edited by Una Roman D'Elia |
| title_fullStr | Rethinking Renaissance drawings essays in honour of David McTavish edited by Una Roman D'Elia |
| title_full_unstemmed | Rethinking Renaissance drawings essays in honour of David McTavish edited by Una Roman D'Elia |
| title_short | Rethinking Renaissance drawings |
| title_sort | rethinking renaissance drawings essays in honour of david mctavish |
| title_sub | essays in honour of David McTavish |
| topic | Drawing, Renaissance Drawing, Italian / 16th century Drawing, Italian / 17th century Renaissance (DE-588)4049450-0 gnd Zeichnung (DE-588)4127900-1 gnd |
| topic_facet | Drawing, Renaissance Drawing, Italian / 16th century Drawing, Italian / 17th century Renaissance Zeichnung Festschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028216253&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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