Shakespeare and the visual imagination:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge Univ. Press
2015
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Table of contents only Publisher description Contributor biographical information Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XVII, 317 S. Ill. |
| ISBN: | 9781107029958 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Titel: Shakespeare and the visual imagination
Autor: Sillars, Stuart
Jahr: 2015
CONTENTS
List of colour plates page viii
List of illustrations x
Acknowledgments xvi
1 Likeness, device, composition: Shakespeare s visual surroundings i
2 Allusion and idea in The Taming of the Shrew 34
3 Visual exchange in the Poems 55
4 Love s Labour s Lost and visual composition 95
5 Richard II and the politics of perspective 133
6 Visual identities in A Midsummer Night s Dream 163
7 Emblem, tradition and invention 190
8 Imagination beyond image: ethopoeia and metatheatre 234
9 Defining the visual in Shakespeare 257
Notes 273
Select bibliography 298
Index 307
Shakespeare’s knowledge of the practices of visual art, its fundamental concepts
and the surrounding debates is clear from his earliest works. This hook explores
this relationship, showing how key works develop visual compositions as elements
of dramatic movement, construction of ideas, and reflections on the art ¡lice of
theatre and language. The Taming of the Shrew, Love s Labour s Lost, II and
A Midsummer Night’s Dream are explored in detail, offering new insights into their
forms, themes, and place in European traditions. The use of emblems is examined in
Titus Andronicus and /Is You Like It; studies of Venus mid Adonis, some sonnets and The
Rape of Lucrecereveal different but related visual aspects; a later chapter suggests how
the new relation between seeing and soliloquy in The Rape of Lucrece is developed in
other plays. Extensively illustrated, the book explores Shakepeare s assimilation and
exploration of visual traditions in structure, theme and idea throughout the canon.
|
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| author | Sillars, Stuart 1951- |
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| callnumber-first | P - Language and Literature |
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| callnumber-raw | PR3034 |
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| callnumber-subject | PR - English Literature |
| classification_rvk | HI 3323 |
| ctrlnum | (OCoLC)930041343 (DE-599)BVBBV042781236 |
| dewey-full | 822.3/3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.3/3 |
| dewey-search | 822.3/3 |
| dewey-sort | 3822.3 13 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| edition | 1. publ. |
| format | Book |
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| isbn | 9781107029958 |
| language | English |
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| spellingShingle | Sillars, Stuart 1951- Shakespeare and the visual imagination Shakespeare, William, 1564-1616 Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd Visual perception in literature Painting in literature Art and literature Kunst Motiv (DE-588)4128072-6 gnd Visuelle Wahrnehmung Motiv (DE-588)4493482-8 gnd |
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| title | Shakespeare and the visual imagination |
| title_auth | Shakespeare and the visual imagination |
| title_exact_search | Shakespeare and the visual imagination |
| title_full | Shakespeare and the visual imagination Stuart Sillars |
| title_fullStr | Shakespeare and the visual imagination Stuart Sillars |
| title_full_unstemmed | Shakespeare and the visual imagination Stuart Sillars |
| title_short | Shakespeare and the visual imagination |
| title_sort | shakespeare and the visual imagination |
| topic | Shakespeare, William, 1564-1616 Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd Visual perception in literature Painting in literature Art and literature Kunst Motiv (DE-588)4128072-6 gnd Visuelle Wahrnehmung Motiv (DE-588)4493482-8 gnd |
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