Embodied cognition and cinema:
The embodied cognition thesis claims that cognitive functions cannot be understood without making reference to the interactions between the brain, the body, and the environment. The meaning of abstract concepts is grounded in concrete experiences. This book is the first edited volume to explore the...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Leuven
Leuven University Press
[2015]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | The embodied cognition thesis claims that cognitive functions cannot be understood without making reference to the interactions between the brain, the body, and the environment. The meaning of abstract concepts is grounded in concrete experiences. This book is the first edited volume to explore the impact of the embodied cognition thesis on the scientific study of film. A team of scholars analyse the main aspects of film (narrative, style, music, sound, time, the viewer, emotion, perception, ethics, the frame, etc.) from an embodied perspective. By combining insights from various disciplines such as cognitive film theory, conceptual metaphor theory, and cognitive neuroscience, they show how the process of meaning-making in film is embodied and how empathy and embodied simulation play a role in understanding the way in which the viewer interacts with the film.0 |
| Beschreibung: | 381 Seiten Illustrationen, Notenbeispiele, Diagramme |
| ISBN: | 9789462700284 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV042776892 | ||
| 003 | DE-604 | ||
| 005 | 20161024 | ||
| 007 | t | ||
| 008 | 150825s2015 agl| |||| 00||| eng d | ||
| 020 | |a 9789462700284 |9 978-94-6270-028-4 | ||
| 035 | |a (OCoLC)928747746 | ||
| 035 | |a (DE-599)BVBBV042776892 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-703 |a DE-521 |a DE-12 |a DE-B170 |a DE-355 |a DE-188 |a DE-M472 |a DE-20 | ||
| 084 | |a AP 45100 |0 (DE-625)7519: |2 rvk | ||
| 245 | 1 | 0 | |a Embodied cognition and cinema |c edited by Maarten Coëgnarts and Peter Kravanja ; with a foreword by Mark Johnson |
| 264 | 1 | |a Leuven |b Leuven University Press |c [2015] | |
| 264 | 4 | |c © 2015 | |
| 300 | |a 381 Seiten |b Illustrationen, Notenbeispiele, Diagramme | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | |a The embodied cognition thesis claims that cognitive functions cannot be understood without making reference to the interactions between the brain, the body, and the environment. The meaning of abstract concepts is grounded in concrete experiences. This book is the first edited volume to explore the impact of the embodied cognition thesis on the scientific study of film. A team of scholars analyse the main aspects of film (narrative, style, music, sound, time, the viewer, emotion, perception, ethics, the frame, etc.) from an embodied perspective. By combining insights from various disciplines such as cognitive film theory, conceptual metaphor theory, and cognitive neuroscience, they show how the process of meaning-making in film is embodied and how empathy and embodied simulation play a role in understanding the way in which the viewer interacts with the film.0 | ||
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Embodiment |0 (DE-588)7627636-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Wahrnehmung |0 (DE-588)4064317-7 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 0 | 1 | |a Embodiment |0 (DE-588)7627636-3 |D s |
| 689 | 0 | 2 | |a Wahrnehmung |0 (DE-588)4064317-7 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Coëgnarts, Maarten |0 (DE-588)1078384711 |4 edt | |
| 700 | 1 | |a Kravanja, Peter |d 1971- |0 (DE-588)121766926 |4 edt | |
| 700 | 1 | |a Johnson, Mark |4 wpr | |
| 856 | 4 | 2 | |m Digitalisierung UB Bayreuth - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028207030&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 856 | 4 | 2 | |m Digitalisierung UB Regensburg - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028207030&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |3 Klappentext |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-028207030 | ||
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |
Datensatz im Suchindex
| _version_ | 1804175004030468096 |
|---|---|
| adam_text | TABLE OF CONTENTS
fi
FOREWORD 9
Mark Johnson
ACKNOWLEDGEMENTS 15
FILM AS AN EXEMPLAR OF BODILY MEANING-MAKING 17
Maarten Coegnarts and Peter Kravanja
PARTI
FILM FORM AND EMBODIED COGNITION
FILM NARRATIVE AND EMBODIED COGNITION:
THE IMPACT OF IMAGE SCHEMAS ON NARRATIVE FORM 43
Miklos Kiss
EMBODIED VISUAL MEANING IN FILM 63
Maarten Coegnarts and Peter Kravanja
FILM MUSIC AS EMBODIMENT 81
Juan Chattah
PART II
CINEMATIC EMPATHY: ON EMBODIED SIMULATION MECHANISMS AND THE VIEWER
THE FLOATING WORLD: FILM NARRATIVE AND VIEWER DIAKRISIS 115
Hannah Chapelle Wojciehowski
MODES OF ACTION AT THE MOVIES, OR RE-THINKING
FILM STYLE FROM THE EMBODIED PERSPECTIVE 139
Michele Guerra
ART IN NOISE: AN EMBODIED SIMULATION ACCOUNT OF CINEMATIC SOUND DESIGN 155
MarkS. Ward
6
THE CHARACTER’S BODY AND THE VIEWER:
CINEMATIC EMPATHY AND EMBODIED SIMULATION
IN THE FILM EXPERIENCE 187
Adriano DAloia
PARTIN
FROM EMBODIED MEANING TO ABSTRACT THOUGHT
FILMS AND EMBODIED METAPHORS OF EMOTION 203
Maria J. Ortiz
EMBODIED CINEMATIC SUBJECTIVITY: METAPHORICAL AND METONYMICAL MODES OF CHARACTER PERCEPTION IN FILM 221
Maarten Coegnarts and Peter Kravanja
ON THE EMBODIMENT OFTEMPORAL MEANING IN CINEMA:
PERCEIVING TIME THROUGH THE CHARACTER’S EYES 245
Maarten Coegnarts and Peter Kravanja
EMBODIED ETHICS AND CINEMA: MORAL ATTITUDES FACILITATED BY CHARACTER PERCEPTION 271
Maarten Coëgnarts and Peter Kravanja
COGNITIVE SEMIOTICS REVISITED: REFRAMING THE FRAME 295
Warren Buckland
NOTES 309
BIBLIOGRAPHY 325
FILMOGRAPHY 357
LIST OF CONTRIBUTORS 359
ILLUSTRATION CREDITS 363
INDEX 365
7
An exciting volume because it utilizes
the tools of embodied cognition to explain the
power of cinema to enact
to realize value, and to transform our
— Mark Johnson
The embodied cognition thesis claims that cognitive functions cannot be understood without
making reference to the interactions between the brain, the body, and the environment. The
meaning of abstract concepts is grounded in concrete experiences. This book is the first edited
volume to explore the impact of the embodied cognition thesis on the scientific study of film.
A team of scholars analyse the main aspects of film (narrative, style, music, sound, time, the
viewer, emotion, perception, ethics, the frame, etc.) from an embodied perspective. By combining
insights from various disciplines such as cognitive film theory, conceptual metaphor theory, and
cognitive neuroscience, they show how the process of meaning-making in film is embodied and
how empathy and embodied simulation play a role in understanding the way in which the viewer
interacts with the film.
Foreword by Mark Johnson, Knight Professor of Liberal Arts and Sciences, Department of
Philosophy, University of Oregon.
Maarten Coegnarts holds a PhD in Film Studies and Visual Culture (University of Antwerp).
Peter Kravanja is a Research Fellow at KU Leuven.
Contributors
Warren Buckland (Oxford Brookes University), Juan Chattah (University of Miami),
Maarten Coegnarts (University of Antwerp), Adriano D Aloia (Umversita Cattolica del Sacro
Cuore. Milam. Michele Guerra (University of Parma), Miklos Kiss (University of Groningen),
Peter Kravanja (KU Leuven), Maria J. Ortiz ¡University of Alicante!, Mark $ Ward (University
of Technology, Sydney). Hannah Chapelle Wojciehowski (University of Texas)
|
| any_adam_object | 1 |
| author2 | Coëgnarts, Maarten Kravanja, Peter 1971- |
| author2_role | edt edt |
| author2_variant | m c mc p k pk |
| author_GND | (DE-588)1078384711 (DE-588)121766926 |
| author_facet | Coëgnarts, Maarten Kravanja, Peter 1971- |
| building | Verbundindex |
| bvnumber | BV042776892 |
| classification_rvk | AP 45100 |
| ctrlnum | (OCoLC)928747746 (DE-599)BVBBV042776892 |
| discipline | Allgemeines |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02933nam a2200445 c 4500</leader><controlfield tag="001">BV042776892</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20161024 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">150825s2015 agl| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789462700284</subfield><subfield code="9">978-94-6270-028-4</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)928747746</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV042776892</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-703</subfield><subfield code="a">DE-521</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-B170</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-188</subfield><subfield code="a">DE-M472</subfield><subfield code="a">DE-20</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 45100</subfield><subfield code="0">(DE-625)7519:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Embodied cognition and cinema</subfield><subfield code="c">edited by Maarten Coëgnarts and Peter Kravanja ; with a foreword by Mark Johnson</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Leuven</subfield><subfield code="b">Leuven University Press</subfield><subfield code="c">[2015]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">381 Seiten</subfield><subfield code="b">Illustrationen, Notenbeispiele, Diagramme</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The embodied cognition thesis claims that cognitive functions cannot be understood without making reference to the interactions between the brain, the body, and the environment. The meaning of abstract concepts is grounded in concrete experiences. This book is the first edited volume to explore the impact of the embodied cognition thesis on the scientific study of film. A team of scholars analyse the main aspects of film (narrative, style, music, sound, time, the viewer, emotion, perception, ethics, the frame, etc.) from an embodied perspective. By combining insights from various disciplines such as cognitive film theory, conceptual metaphor theory, and cognitive neuroscience, they show how the process of meaning-making in film is embodied and how empathy and embodied simulation play a role in understanding the way in which the viewer interacts with the film.0</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Embodiment</subfield><subfield code="0">(DE-588)7627636-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Wahrnehmung</subfield><subfield code="0">(DE-588)4064317-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Embodiment</subfield><subfield code="0">(DE-588)7627636-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Wahrnehmung</subfield><subfield code="0">(DE-588)4064317-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Coëgnarts, Maarten</subfield><subfield code="0">(DE-588)1078384711</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Kravanja, Peter</subfield><subfield code="d">1971-</subfield><subfield code="0">(DE-588)121766926</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Johnson, Mark</subfield><subfield code="4">wpr</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Bayreuth - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028207030&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Regensburg - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028207030&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Klappentext</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028207030</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV042776892 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:09:23Z |
| institution | BVB |
| isbn | 9789462700284 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028207030 |
| oclc_num | 928747746 |
| open_access_boolean | |
| owner | DE-703 DE-521 DE-12 DE-B170 DE-355 DE-BY-UBR DE-188 DE-M472 DE-20 |
| owner_facet | DE-703 DE-521 DE-12 DE-B170 DE-355 DE-BY-UBR DE-188 DE-M472 DE-20 |
| physical | 381 Seiten Illustrationen, Notenbeispiele, Diagramme |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Leuven University Press |
| record_format | marc |
| spelling | Embodied cognition and cinema edited by Maarten Coëgnarts and Peter Kravanja ; with a foreword by Mark Johnson Leuven Leuven University Press [2015] © 2015 381 Seiten Illustrationen, Notenbeispiele, Diagramme txt rdacontent n rdamedia nc rdacarrier The embodied cognition thesis claims that cognitive functions cannot be understood without making reference to the interactions between the brain, the body, and the environment. The meaning of abstract concepts is grounded in concrete experiences. This book is the first edited volume to explore the impact of the embodied cognition thesis on the scientific study of film. A team of scholars analyse the main aspects of film (narrative, style, music, sound, time, the viewer, emotion, perception, ethics, the frame, etc.) from an embodied perspective. By combining insights from various disciplines such as cognitive film theory, conceptual metaphor theory, and cognitive neuroscience, they show how the process of meaning-making in film is embodied and how empathy and embodied simulation play a role in understanding the way in which the viewer interacts with the film.0 Film (DE-588)4017102-4 gnd rswk-swf Embodiment (DE-588)7627636-3 gnd rswk-swf Wahrnehmung (DE-588)4064317-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Film (DE-588)4017102-4 s Embodiment (DE-588)7627636-3 s Wahrnehmung (DE-588)4064317-7 s DE-604 Coëgnarts, Maarten (DE-588)1078384711 edt Kravanja, Peter 1971- (DE-588)121766926 edt Johnson, Mark wpr Digitalisierung UB Bayreuth - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028207030&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028207030&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Embodied cognition and cinema Film (DE-588)4017102-4 gnd Embodiment (DE-588)7627636-3 gnd Wahrnehmung (DE-588)4064317-7 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)7627636-3 (DE-588)4064317-7 (DE-588)4143413-4 |
| title | Embodied cognition and cinema |
| title_auth | Embodied cognition and cinema |
| title_exact_search | Embodied cognition and cinema |
| title_full | Embodied cognition and cinema edited by Maarten Coëgnarts and Peter Kravanja ; with a foreword by Mark Johnson |
| title_fullStr | Embodied cognition and cinema edited by Maarten Coëgnarts and Peter Kravanja ; with a foreword by Mark Johnson |
| title_full_unstemmed | Embodied cognition and cinema edited by Maarten Coëgnarts and Peter Kravanja ; with a foreword by Mark Johnson |
| title_short | Embodied cognition and cinema |
| title_sort | embodied cognition and cinema |
| topic | Film (DE-588)4017102-4 gnd Embodiment (DE-588)7627636-3 gnd Wahrnehmung (DE-588)4064317-7 gnd |
| topic_facet | Film Embodiment Wahrnehmung Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028207030&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028207030&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT coegnartsmaarten embodiedcognitionandcinema AT kravanjapeter embodiedcognitionandcinema AT johnsonmark embodiedcognitionandcinema |