Postfeminism and the fatale figure in neo-noir cinema:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Basingstoke [u.a.]
Palgrave Macmillan
2015
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references |
| Beschreibung: | IX, 199 S. Ill. |
| ISBN: | 9781137503589 9781349569403 |
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Datensatz im Suchindex
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| adam_text | Contents
List of Figures ix
Acknowledgements x
Introduction: Beyond the Limits of Noir Scholarship 1
Classic film noir 4
Neo-noir 9
What is postfeminism? 11
Outline of chapters 15
1 What Makes Those Dames So Deadly? 19
Sensual seductresses and human tarantulas 20
The femme fatale and psychoanalytic theory 26
The vamp 29
Post-World War II, American culture, and
the fatale figure 33
Racial anxiety in classic noir 37
The ageing spider woman 41
Conclusion 42
2 The New Fatale: 1980-1999 44
Let s talk about sex 45
Getting away with it (most of the time) 51
Rape-revenge 55
Conclusion 57
3 Mad, Bad, and Queer 59
Postfeminism and heteronormativity in popular culture 60
Mulholland Drive, Carmilla, and the gothic 62
Feminist interpretations of the lesbian vampire 67
Chloé and the deadly lesbian 69
Abjection, rejection, doubles, and insecurity 71
Conclusion 74
4 Con-Artists, Valkyries, and Revenge Seekers 76
Tensions, contradictions, and nostalgia in Derailed 77
Sin City and the new kind of tart 82
vii
viii Contents
Race, class, and revenge in Descent 88
Conclusion 91
5 What Are (Fatal) Little Girls Made of? 93
Sex, lies, and lollipops: girlhood as masquerade 94
The fille fatale and the (much) older man 97
Postfeminism and the deadly girl 99
Conclusion 103
6 Playtime Is Over 104
Stoken coming-of-(killing)-age 104
Hard Candy and the deadly grrrl 113
Tough guys and guilty girls: reclaiming control in Brick 117
Male identity and protest masculinity 119
Conclusion 123
7 Duplicity, Desire, and the Deadly Man 125
The kiomrne fatal and the gothic 126
The female investigator noir 130
Postfeminism and the women s psychothriller 133
Conclusion 140
B Turning the Spotlight on the Homme Fatal 142
Faking (over) lives and undermining feminism 143
Submerging into the subjectivity of Mr Brooks 148
Perverting romance: In the Cut 155
Conclusion 163
Blotes 166
Selected Filmography 174
Works Cited 179
Index 189
While th e femme fatale has attracted considerable scholarly attention over the decades, Samantha
Lindop s timely and engaging study is the first to trace the cinematic history of the character
by also taking into account the spider woman s lesser known counterparts, the fille fatale and
homme fatal. Lindop explores the earliest instances of non, challenging some of the assumptions
attached to the figure of that era, through to the most recent postmillennial phase of neo-noir
production. She considers the multifaceted interactions between the histories, origins, and
conventions of characters and genres, and the way these interweave into contemporary
interpretations. In doing so, Lindop compellingly engages with current critical debates about
dominant postfeminist discourse, particularly in relation to sexuality, nostalgia, aging, race,
girlhood, and the postfeminist man. These themes are considered through close readings of
the films Mulholland Drive, Chloe, Derailed, Sin City, Descent, Stoker, Hard Candy, Brick, Taking
Lives, Mr Brooks, and In the Cut.
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| spelling | Lindop, Samantha 1968- Verfasser (DE-588)107657629X aut Postfeminism and the fatale figure in neo-noir cinema Samantha Lindop 1. publ. Basingstoke [u.a.] Palgrave Macmillan 2015 IX, 199 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references Geschichte gnd rswk-swf Women in motion pictures Feminism and motion pictures Film noir United States History and criticism Feminist film criticism Film noir (DE-588)4116435-0 gnd rswk-swf Femme fatale (DE-588)4209638-8 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Film noir (DE-588)4116435-0 s Femme fatale (DE-588)4209638-8 s Geschichte z DE-604 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028206027&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028206027&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Lindop, Samantha 1968- Postfeminism and the fatale figure in neo-noir cinema Women in motion pictures Feminism and motion pictures Film noir United States History and criticism Feminist film criticism Film noir (DE-588)4116435-0 gnd Femme fatale (DE-588)4209638-8 gnd |
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| title | Postfeminism and the fatale figure in neo-noir cinema |
| title_auth | Postfeminism and the fatale figure in neo-noir cinema |
| title_exact_search | Postfeminism and the fatale figure in neo-noir cinema |
| title_full | Postfeminism and the fatale figure in neo-noir cinema Samantha Lindop |
| title_fullStr | Postfeminism and the fatale figure in neo-noir cinema Samantha Lindop |
| title_full_unstemmed | Postfeminism and the fatale figure in neo-noir cinema Samantha Lindop |
| title_short | Postfeminism and the fatale figure in neo-noir cinema |
| title_sort | postfeminism and the fatale figure in neo noir cinema |
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| topic_facet | Women in motion pictures Feminism and motion pictures Film noir United States History and criticism Feminist film criticism Film noir Femme fatale USA |
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