Polychrome sculpture: meaning, form, conservation
This book features a masterwork in the field of conservation published in English for the first time. In the decades since its initial publication in German in 1978, Polychrome Sculpture has come to be widely regarded as a watershed text on the making and meaning of European medieval and Baroque pai...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Los Angeles
Getty Conservation Institute
[2015]
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| Schlagworte: | |
| Zusammenfassung: | This book features a masterwork in the field of conservation published in English for the first time. In the decades since its initial publication in German in 1978, Polychrome Sculpture has come to be widely regarded as a watershed text on the making and meaning of European medieval and Baroque painted wood sculpture. An early proponent of interdisciplinary research, Johannes Taubert played a pioneering role in combining the rigorous scientific analysis of materials with a fuller understanding of form and function, an approach that has led to the development of technical art history as practiced today. Many of the essays in this volume apply such scientific techniques as microscopic analysis to an art-historical understanding of Romanesque and late Gothic wood sculpture, revealing that, far from serving a merely decorative function, the painted surface of these works was intricately connected to their meaning. The paint layers on the sculptures, for example, which the author spent years documenting through close examination and analysis, were intended to impart a heightened sense of reality to the life-sized sculptures, thereby enhancing the viewer's experience of worship.0Taubert believed it was crucial for conservators to understand this context before undertaking any treatments. No other book offers such a focused, subtle, and interdisciplinary examination of the subject as Polychrome Sculpture. This influential work is now available in English for the first time, in a meticulous translation enhanced and updated by new color illustrations, annotations to the original text, and a new introduction |
| Beschreibung: | XIV, 234 Seiten Illustrationen |
| ISBN: | 9781606064337 |
Internformat
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| 520 | |a This book features a masterwork in the field of conservation published in English for the first time. In the decades since its initial publication in German in 1978, Polychrome Sculpture has come to be widely regarded as a watershed text on the making and meaning of European medieval and Baroque painted wood sculpture. An early proponent of interdisciplinary research, Johannes Taubert played a pioneering role in combining the rigorous scientific analysis of materials with a fuller understanding of form and function, an approach that has led to the development of technical art history as practiced today. Many of the essays in this volume apply such scientific techniques as microscopic analysis to an art-historical understanding of Romanesque and late Gothic wood sculpture, revealing that, far from serving a merely decorative function, the painted surface of these works was intricately connected to their meaning. The paint layers on the sculptures, for example, which the author spent years documenting through close examination and analysis, were intended to impart a heightened sense of reality to the life-sized sculptures, thereby enhancing the viewer's experience of worship.0Taubert believed it was crucial for conservators to understand this context before undertaking any treatments. No other book offers such a focused, subtle, and interdisciplinary examination of the subject as Polychrome Sculpture. This influential work is now available in English for the first time, in a meticulous translation enhanced and updated by new color illustrations, annotations to the original text, and a new introduction | ||
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Datensatz im Suchindex
| _version_ | 1804174975500812288 |
|---|---|
| any_adam_object | |
| author | Taubert, Johannes 1922-1975 |
| author_GND | (DE-588)128447273 |
| author_facet | Taubert, Johannes 1922-1975 |
| author_role | aut |
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| building | Verbundindex |
| bvnumber | BV042757644 |
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| ctrlnum | (OCoLC)953882989 (DE-599)BVBBV042757644 |
| discipline | Kunstgeschichte |
| era | Geschichte 1000-1800 gnd Geschichte 1900-2000 gnd Geschichte 700-1500 gnd Geschichte 1100-1800 gnd |
| era_facet | Geschichte 1000-1800 Geschichte 1900-2000 Geschichte 700-1500 Geschichte 1100-1800 |
| format | Book |
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| geographic_facet | Deutschland |
| id | DE-604.BV042757644 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:08:56Z |
| institution | BVB |
| isbn | 9781606064337 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028188233 |
| oclc_num | 953882989 |
| open_access_boolean | |
| owner | DE-Y3 DE-11 DE-Y2 |
| owner_facet | DE-Y3 DE-11 DE-Y2 |
| physical | XIV, 234 Seiten Illustrationen |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Getty Conservation Institute |
| record_format | marc |
| spelling | Taubert, Johannes 1922-1975 Verfasser (DE-588)128447273 aut Farbige Skulpturen Polychrome sculpture meaning, form, conservation Johannes Taubert ; edited with an introduction by Michele D. Marincola Los Angeles Getty Conservation Institute [2015] © 2015 XIV, 234 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier This book features a masterwork in the field of conservation published in English for the first time. In the decades since its initial publication in German in 1978, Polychrome Sculpture has come to be widely regarded as a watershed text on the making and meaning of European medieval and Baroque painted wood sculpture. An early proponent of interdisciplinary research, Johannes Taubert played a pioneering role in combining the rigorous scientific analysis of materials with a fuller understanding of form and function, an approach that has led to the development of technical art history as practiced today. Many of the essays in this volume apply such scientific techniques as microscopic analysis to an art-historical understanding of Romanesque and late Gothic wood sculpture, revealing that, far from serving a merely decorative function, the painted surface of these works was intricately connected to their meaning. The paint layers on the sculptures, for example, which the author spent years documenting through close examination and analysis, were intended to impart a heightened sense of reality to the life-sized sculptures, thereby enhancing the viewer's experience of worship.0Taubert believed it was crucial for conservators to understand this context before undertaking any treatments. No other book offers such a focused, subtle, and interdisciplinary examination of the subject as Polychrome Sculpture. This influential work is now available in English for the first time, in a meticulous translation enhanced and updated by new color illustrations, annotations to the original text, and a new introduction Herlin, Friedrich 1435-1500 (DE-588)118549650 gnd rswk-swf Günther, Ignaz 1725-1775 (DE-588)118543261 gnd rswk-swf Leinberger, Hans 1480-1536 (DE-588)118571311 gnd rswk-swf Stoß, Veit 1447-1533 (DE-588)118618768 gnd rswk-swf Geschichte 1000-1800 gnd rswk-swf Geschichte 1900-2000 gnd rswk-swf Geschichte 700-1500 gnd rswk-swf Geschichte 1100-1800 gnd rswk-swf Fassmalerei (DE-588)4153775-0 gnd rswk-swf Plastik (DE-588)4046277-8 gnd rswk-swf Liturgie (DE-588)4036050-7 gnd rswk-swf Farbe (DE-588)4016443-3 gnd rswk-swf Restaurierung (DE-588)4049600-4 gnd rswk-swf Kreuzigungsdarstellung (DE-588)4125610-4 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf Deutschland (DE-588)4011882-4 g Restaurierung (DE-588)4049600-4 s Plastik (DE-588)4046277-8 s Geschichte 1100-1800 z DE-604 Farbe (DE-588)4016443-3 s Geschichte 1000-1800 z Günther, Ignaz 1725-1775 (DE-588)118543261 p Herlin, Friedrich 1435-1500 (DE-588)118549650 p Leinberger, Hans 1480-1536 (DE-588)118571311 p Stoß, Veit 1447-1533 (DE-588)118618768 p Geschichte 1900-2000 z 1\p DE-604 Fassmalerei (DE-588)4153775-0 s 2\p DE-604 Liturgie (DE-588)4036050-7 s Geschichte 700-1500 z 3\p DE-604 Kreuzigungsdarstellung (DE-588)4125610-4 s 4\p DE-604 Marincola, Michele D. win wac Übersetzung von Farbige Skulpturen (DE-604)BV042946547 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Taubert, Johannes 1922-1975 Polychrome sculpture meaning, form, conservation Herlin, Friedrich 1435-1500 (DE-588)118549650 gnd Günther, Ignaz 1725-1775 (DE-588)118543261 gnd Leinberger, Hans 1480-1536 (DE-588)118571311 gnd Stoß, Veit 1447-1533 (DE-588)118618768 gnd Fassmalerei (DE-588)4153775-0 gnd Plastik (DE-588)4046277-8 gnd Liturgie (DE-588)4036050-7 gnd Farbe (DE-588)4016443-3 gnd Restaurierung (DE-588)4049600-4 gnd Kreuzigungsdarstellung (DE-588)4125610-4 gnd |
| subject_GND | (DE-588)118549650 (DE-588)118543261 (DE-588)118571311 (DE-588)118618768 (DE-588)4153775-0 (DE-588)4046277-8 (DE-588)4036050-7 (DE-588)4016443-3 (DE-588)4049600-4 (DE-588)4125610-4 (DE-588)4011882-4 |
| title | Polychrome sculpture meaning, form, conservation |
| title_alt | Farbige Skulpturen |
| title_auth | Polychrome sculpture meaning, form, conservation |
| title_exact_search | Polychrome sculpture meaning, form, conservation |
| title_full | Polychrome sculpture meaning, form, conservation Johannes Taubert ; edited with an introduction by Michele D. Marincola |
| title_fullStr | Polychrome sculpture meaning, form, conservation Johannes Taubert ; edited with an introduction by Michele D. Marincola |
| title_full_unstemmed | Polychrome sculpture meaning, form, conservation Johannes Taubert ; edited with an introduction by Michele D. Marincola |
| title_short | Polychrome sculpture |
| title_sort | polychrome sculpture meaning form conservation |
| title_sub | meaning, form, conservation |
| topic | Herlin, Friedrich 1435-1500 (DE-588)118549650 gnd Günther, Ignaz 1725-1775 (DE-588)118543261 gnd Leinberger, Hans 1480-1536 (DE-588)118571311 gnd Stoß, Veit 1447-1533 (DE-588)118618768 gnd Fassmalerei (DE-588)4153775-0 gnd Plastik (DE-588)4046277-8 gnd Liturgie (DE-588)4036050-7 gnd Farbe (DE-588)4016443-3 gnd Restaurierung (DE-588)4049600-4 gnd Kreuzigungsdarstellung (DE-588)4125610-4 gnd |
| topic_facet | Herlin, Friedrich 1435-1500 Günther, Ignaz 1725-1775 Leinberger, Hans 1480-1536 Stoß, Veit 1447-1533 Fassmalerei Plastik Liturgie Farbe Restaurierung Kreuzigungsdarstellung Deutschland |
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