Reading Robin Hood: content, form and reception in the outlaw myth
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Manchester
Manchester Univ. Press
2015
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| Ausgabe: | 1. publ. |
| Schriftenreihe: | Manchester medieval literature and culture
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | VIII, 285 S. Ill. |
| ISBN: | 9780719095269 0719095263 |
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Datensatz im Suchindex
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| adam_text | Titel: Reading Robin Hood
Autor: Knight, Stephen Thomas
Jahr: 2015
Contents List of figures page vii Acknowledgements ix Note on sources x Introduction: drawing an academic bow 1 1 Interfacing orality and literacy: the case of Robin Hood 14 2 Rabbie Hood: the development of the English outlaw myth in Scotland 36 3 Robin Fitz Warren: the formation of The Gest of Robin Hood 55 4 Revisiting the broadside ballads 83 5 Romantic Robin Hood 103 6 Robin Hood and nineteenth-century fiction 143 7 The making and re-making of Maid Marian 187 8 Rhizomatic Robin Hood 224 Appendix A 258 Appendix B 263 Bibliography 268 Index 279
Reading Robin Hood explores and explains stories about
the mythic outlaw - a figure who always represents the
values of natural law and stands up for true justice - from
the Middle Ages to the present.
While a few books have described the outlaw myth, usually
in its earlier forms, and occasional academic essays have
commented on elements of the Robin Hood story, this
is the first in-depth analysis of the whole sequence and
the varying elements of the adventures of Robin Hood.
First, it explores the medieval tradition from early poems
into the long-surviving sung ballads - and also two major
early developments: the Scottish version of the outlaw
hero, here called Rabbie Hood, and then around 1600 the
gentrified Robin, the exiled Earl of Huntington, created by
socially aspirationai writers and partnered by Lady Marian.
Medievalism passed into memory, and early nineteenth-
century Romantic authors re-imagined Robin as strongly
involved with nature, deeply in love with Marian, definitely
English - not Norman or French - and representing in
the time of reform the rights of the ordinary man. That
fitted Robin for the modern world, but he did not stop
developing.
In film, he has stood up for international Western values -
even those of a crusader -while the modern Marian plays
a much more substantial role: here for the first time she
has a chapter to herself. The multiple Robin Hood myth
continues to flourish, producing new forms of the hero’s
story, and new understandings of his meaning.
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| discipline | Anglistik / Amerikanistik |
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| title | Reading Robin Hood content, form and reception in the outlaw myth |
| title_auth | Reading Robin Hood content, form and reception in the outlaw myth |
| title_exact_search | Reading Robin Hood content, form and reception in the outlaw myth |
| title_full | Reading Robin Hood content, form and reception in the outlaw myth Stephen Knight |
| title_fullStr | Reading Robin Hood content, form and reception in the outlaw myth Stephen Knight |
| title_full_unstemmed | Reading Robin Hood content, form and reception in the outlaw myth Stephen Knight |
| title_short | Reading Robin Hood |
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| title_sub | content, form and reception in the outlaw myth |
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| topic_facet | Robin Hood ca. um 1400 Robin Hood (Legendary character) Literatur |
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