From the "chanson française" to the "canzone d'autore" in the 1960s and 1970s: authenticity, authority, influence
The similarities between the chanson française and the canzone d'autore have been often noted but never fully explored. Both genres are national forms which involve the figure of the singer-songwriter, both experienced their golden age of production in the post-World War II period and both are...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham, Surrey ; Burlington, VT
Ashgate
[2015]
|
| Schriftenreihe: | Ashgate popular and folk music series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The similarities between the chanson française and the canzone d'autore have been often noted but never fully explored. Both genres are national forms which involve the figure of the singer-songwriter, both experienced their golden age of production in the post-World War II period and both are enduringly popular, still accounting for a large proportion of record sales in their respective countries. Rachel Haworth looks beyond these superficial similarities, and investigates the nature of the relationship between the two genres. Taking a multidisciplinary approach, encompassing textual analysis of song lyrics, cultural history and popular music studies, Haworth considers the different ways in which French and Italian song is thought about, written about and constructed. Through an in-depth study of the discourse surrounding chanson and the canzone d'autore, the volume analyses the development of the genres' rules and rhetoric, identifying the key themes of Authority, Authenticity and Influence. The book finally considers the legacy of major artists, looking at modern perspectives on Georges Brassens, Jacques Brel, Leo Ferre, Fabrizio De Andre and Giorgio Gaber, ultimately affording a deeper understanding of the notions of quality and value in the context of chanson française and the canzone d'autore. - Rachel Haworth is Lecturer in Italian at the University of Hull. She has published work on various aspects of French and Italian popular music from the 1950s and 1960s. Her research explores questions of gender, performance, stardom, legitimation, and value in post-war Italian and French popular music. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 201 Seiten |
| ISBN: | 9781409441731 |
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| 600 | 1 | 4 | |a Brassens, Georges |x Criticism and interpretation |
| 600 | 1 | 4 | |a Ferré, Léo |x Criticism and interpretation |
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Datensatz im Suchindex
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Contents
General Editors * Preface vii
Preface and Acknowledgements ix
Introduction 1
1 Thinking the chanson française and the canzone d’autore 9
2 Writing about chanson in the 1950s and 1960s 25
3 Brassens, Brel and Ferré as Paradigms of chanson 47
4 Brassens, Brel and Ferré in Their Own Words 65
5 Italian Popular Music Prior to 1960: The Sanremo Festival
and the Cantacronache 81
6 Italian Popular Music Discourse in the 1960s and 1970s 95
7 Relationships and Influences between the cantautore and the
auteur-compositeur-interprète: Fabrizio De André and
Georges Brassens 119
8 Relationships and Influences between the cantautore and the
auteur-compositeur-interprète: Giorgio Gaber and Jacques Brel 143
9 Contemporary Perceptions of the chanson française and the
canzone d ’autore 161
Conclusion: Authenticity, Authority and Influence in the Context of the
chanson française and the canzone d’autore 183
Bibliography 187
Index 197 |
| any_adam_object | 1 |
| author | Haworth, Rachel |
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| building | Verbundindex |
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| dewey-full | 782.421640944 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.421640944 |
| dewey-search | 782.421640944 |
| dewey-sort | 3782.421640944 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1960-1980 gnd |
| era_facet | Geschichte 1960-1980 |
| format | Book |
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| spelling | Haworth, Rachel Verfasser (DE-588)1058429248 aut From the "chanson française" to the "canzone d'autore" in the 1960s and 1970s authenticity, authority, influence Rachel Haworth (University of Hull, UK) Farnham, Surrey ; Burlington, VT Ashgate [2015] © 2015 201 Seiten txt rdacontent n rdamedia nc rdacarrier Ashgate popular and folk music series Includes bibliographical references and index The similarities between the chanson française and the canzone d'autore have been often noted but never fully explored. Both genres are national forms which involve the figure of the singer-songwriter, both experienced their golden age of production in the post-World War II period and both are enduringly popular, still accounting for a large proportion of record sales in their respective countries. Rachel Haworth looks beyond these superficial similarities, and investigates the nature of the relationship between the two genres. Taking a multidisciplinary approach, encompassing textual analysis of song lyrics, cultural history and popular music studies, Haworth considers the different ways in which French and Italian song is thought about, written about and constructed. Through an in-depth study of the discourse surrounding chanson and the canzone d'autore, the volume analyses the development of the genres' rules and rhetoric, identifying the key themes of Authority, Authenticity and Influence. The book finally considers the legacy of major artists, looking at modern perspectives on Georges Brassens, Jacques Brel, Leo Ferre, Fabrizio De Andre and Giorgio Gaber, ultimately affording a deeper understanding of the notions of quality and value in the context of chanson française and the canzone d'autore. - Rachel Haworth is Lecturer in Italian at the University of Hull. She has published work on various aspects of French and Italian popular music from the 1950s and 1960s. Her research explores questions of gender, performance, stardom, legitimation, and value in post-war Italian and French popular music. Brel, Jacques Criticism and interpretation Brassens, Georges Criticism and interpretation Ferré, Léo Criticism and interpretation Geschichte 1960-1980 gnd rswk-swf Popular music France 1961-1970 History and criticism Popular music France 1971-1980 History and criticism Popular music Italy History and criticism Schlager (DE-588)4179673-1 gnd rswk-swf Chanson (DE-588)4009744-4 gnd rswk-swf Frankreich Italien Frankreich (DE-588)4018145-5 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Frankreich (DE-588)4018145-5 g Italien (DE-588)4027833-5 g Chanson (DE-588)4009744-4 s Schlager (DE-588)4179673-1 s Geschichte 1960-1980 z DE-604 Erscheint auch als Online-Ausgabe 978-1-4094-4174-8 Erscheint auch als Online-Ausgabe, EPUB 978-1-4724-0592-0 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028179670&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Haworth, Rachel From the "chanson française" to the "canzone d'autore" in the 1960s and 1970s authenticity, authority, influence Brel, Jacques Criticism and interpretation Brassens, Georges Criticism and interpretation Ferré, Léo Criticism and interpretation Popular music France 1961-1970 History and criticism Popular music France 1971-1980 History and criticism Popular music Italy History and criticism Schlager (DE-588)4179673-1 gnd Chanson (DE-588)4009744-4 gnd |
| subject_GND | (DE-588)4179673-1 (DE-588)4009744-4 (DE-588)4018145-5 (DE-588)4027833-5 |
| title | From the "chanson française" to the "canzone d'autore" in the 1960s and 1970s authenticity, authority, influence |
| title_auth | From the "chanson française" to the "canzone d'autore" in the 1960s and 1970s authenticity, authority, influence |
| title_exact_search | From the "chanson française" to the "canzone d'autore" in the 1960s and 1970s authenticity, authority, influence |
| title_full | From the "chanson française" to the "canzone d'autore" in the 1960s and 1970s authenticity, authority, influence Rachel Haworth (University of Hull, UK) |
| title_fullStr | From the "chanson française" to the "canzone d'autore" in the 1960s and 1970s authenticity, authority, influence Rachel Haworth (University of Hull, UK) |
| title_full_unstemmed | From the "chanson française" to the "canzone d'autore" in the 1960s and 1970s authenticity, authority, influence Rachel Haworth (University of Hull, UK) |
| title_short | From the "chanson française" to the "canzone d'autore" in the 1960s and 1970s |
| title_sort | from the chanson francaise to the canzone d autore in the 1960s and 1970s authenticity authority influence |
| title_sub | authenticity, authority, influence |
| topic | Brel, Jacques Criticism and interpretation Brassens, Georges Criticism and interpretation Ferré, Léo Criticism and interpretation Popular music France 1961-1970 History and criticism Popular music France 1971-1980 History and criticism Popular music Italy History and criticism Schlager (DE-588)4179673-1 gnd Chanson (DE-588)4009744-4 gnd |
| topic_facet | Brel, Jacques Criticism and interpretation Brassens, Georges Criticism and interpretation Ferré, Léo Criticism and interpretation Popular music France 1961-1970 History and criticism Popular music France 1971-1980 History and criticism Popular music Italy History and criticism Schlager Chanson Frankreich Italien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028179670&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT haworthrachel fromthechansonfrancaisetothecanzonedautoreinthe1960sand1970sauthenticityauthorityinfluence |