The scientist and the forger: insights into the scientific detection of forgery in paintings
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Imperial College Press
2015
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XXVI, 258 S. Ill., graph. Darst. |
| ISBN: | 9781783267392 9781783267408 |
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| 020 | |a 9781783267408 |c pbk |9 978-1-78326-740-8 | ||
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| 100 | 1 | |a Ragai, Jehane |d 19XX- |e Verfasser |0 (DE-588)107751154X |4 aut | |
| 245 | 1 | 0 | |a The scientist and the forger |b insights into the scientific detection of forgery in paintings |c Jehane Ragai |
| 264 | 1 | |a London |b Imperial College Press |c 2015 | |
| 300 | |a XXVI, 258 S. |b Ill., graph. Darst. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 650 | 4 | |a Painting / Forgeries | |
| 650 | 4 | |a Art / Psychology | |
| 650 | 7 | |a Art / Psychology |2 fast | |
| 650 | 7 | |a Painting / Forgeries |2 fast | |
| 650 | 4 | |a Kunst | |
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| 999 | |a oai:aleph.bib-bvb.de:BVB01-028149974 | ||
Datensatz im Suchindex
| _version_ | 1804174923017486336 |
|---|---|
| adam_text | CONTENTS
FOREWORD J
X
ACKNOWLEDGEMENTS XIII
PREFACE
XVII
ACRONYMS
XXV
INTRODUCTION 1
SCIENTIFIC TOOLS OF THE ART DETECTIVE 6
WHAT MOTIVATES FRAUD? WHY DO WE CARE SO MUCH
ABOUT AUTHENTICITY? 9
REFERENCES 9
CHAPTER ONE ESTABLISHING THE FIRST LINK
IN THE ART CHAIN: ATTRIBUTION 13
THE CURATOR AND GALLERY DEALER 13
THE CONNOISSEUR AND THE ART HISTORIAN 19
THE ELY ZAKHAI CASE * CONNOISSEURSHIP S ROLE
IN UNRAVELING A GAUGUIN FORGERY 19
STYLISTIC AND MORELLIAN ANALYSIS 20
THE REMBRANDT RESEARCH PROJECT 23
REMBRANDT S OLD MAN WITH A BEARD AUTHENTICATED 24
REFERENCES 25
XX
THE SCIENTIST AND THE FORGER
CONTENTS
XXI
CHAPTER TWO MICROSCOPY-RELATED TECHNIQUES
OPTICAL MICROSCOPY
STEREOMICROSCOPE AND RAKING LIGHT
OBSERVATION BY OPTICAL MICROSCOPY OF THE CRAQUELURE
AT THE SURFACE OF A PAINTING
CRAQUELURE AND THE HAN VAN MEEGEREN FORGERY
CRAQUELURE AND THE VIRGIN AND CHILD XOITH AN ANGEL
MORE ON CRAQUELURE
CROSS SECTION ANALYSIS
THE CASE OF THE AUTHENTICATED REMBRANDT
POLARISED LIGHT MICROSCOPY
POLARISED LIGHT MICROSCOPY PLAYS A CRUCIAL INITIAL ROLE
IN THE AUTHENTICATION OF A MANET PAINTING
SCANNING ELECTRON MICROSCOPY (SEM)
PORTRAIT GROUP DEPICTING FREDERICO DA MONTEFLETRO
(FORGERY CONFIRMED BY SEM/EDX)
RAMAN SPECTROSCOPY AND MICROSCOPY
RUSSIAN AVANT-GARDE FORGERIES
THE KANDINSKY AND POPOVA CASES
(ANALYSIS BY MICRO-RAMAN SPECTROSCOPY)
THE UNEXPECTEDLY DRAMATIC CASE OF A CHAGALL PAINTING
(MORE TRICKS FROM THE RUSSIAN MARKET, RAMAN
MICROSCOPY UNRAVELS A MYSTERY)
INFRARED SPECTROSCOPY (IR) AND FOURIER TRANSFORM
INFRARED MICRO-SPECTROSCOPY (MICRO-FTIR)
THE JACKSON POLLOCK CASE (REVISITED)
REFERENCES
CHAPTER THREE SCIENTIFIC TECHNIQUES RELIANT ON MASS
SPECTROMETRY
INTRODUCTION
PRINCIPLE OF MASS SPECTROMETRY
29
29
30
31
33
36
36
37
39
40
42
43
45
47
49
50
51
53
55
57
63
63
64
PYROLYSIS GAS CHROMATOGRAPHY MASS SPECTROMETRY
(PY-GC-MS)
HIGH-PERFORMANCE LIQUID CHROMATOGRAPHY MASS
SPECTROMETRY (HPLC-MS)
STUDY BY HPLC-MS OF THE VIRGIN AND CHILD
WITH AN ANGEL
LASER DESORPTION IONISATION TIME-OF-FLIGHT MASS
SPECTROMETRY (LD-TOF-MS)
THE TROTTER AFFAIR
THE JACKSON POLLOCK AFFAIR
LASER ABLATION INDUCTIVELY COUPLED PLASMA MASS
SPECTROMETRY (LA-ICP-MS)
DETERMINATION OF THE RADIOACTIVE ISOTOPES
M7
CS AND SR BY LA-ICP-MS AND THE ELENA
BASNER AFFAIR
STUDY OF THE PROVENANCE OF PIGMENTS
MAHMOUD SAID S GIRL WITH GREEN EYES
MULTIPLE COLLECTOR INDUCTIVELY COUPLED PLASMA
MASS SPECTROMETRY (MC-ICP-MS)
AUTHENTICATION OF PAINTINGS BY LEAD ISOTOPIC RATIO
DETERMINATION USING MC-ICP-MS
AUTHENTICATION OF VERMEER S SAINT PRAXCDIS
ACCELERATOR MASS SPECTROMETRY (AMS)
THE BOMB PEAK EFFECT
THE FERNAND LEGER FORGERY
REFERENCES
CHAPTER FOUR SOME X-RAY-BASED TECHNIQUES
INTRODUCTION
X-RAY FLUORESCENCE (XRF)
VINCENT VAN GOGH S SUNSET AT MONTINAJOUR
PROTON INDUCED X-RAV EMISSION (P1XE)
64
65
66
66
67
68
69
69
72
73
74
74
76
79
81
81
82
87
87
89
90
91
XXII THE SCIENTIST NMI THE I- ORGER
ELECTRON PROBE MICROANALYSER 92
X-RAY RADIOGRAPHY (XRR) 92
PORTRAIT OF A WOMAN 93
IMAGE ALLEGED TO HAVE BEEN CREATED BY ANTONELLO
DA MESSINA 98
X-RAY FLUORESCENCE RECORDED USING SYNCHROTRON RADIATION 100
VAN GOGH S PREVIOUSLY UNKNOWN FLORAL STILL LIFE 101
X-RAY COMPUTER TOMOGRAPHY 103
X-RAY DIFFRACTION 105
X-RAY MICRO-DIFFRACTION USING SYNCHROTRON RADIATION 106
REFERENCES 107
CHAPTER FIVE INFRARED REFLECTOGRAPHY 111
PRINCIPLE AND RECENT DEVELOPMENTS 112
THE VIRGIN AND CHILD WITH AN ANGEL 116
PORTRAIT OF ANNA ZBOROWSKA 117
SALVATOR MUNDI BY LEONARDO DA VINCA 118
THE PRADO MONA LISA 120
REFERENCES 122
CHAPTER SIX DIGITAL TECHNIQUES IN ART AUTHENTICATION 125
PRINCIPLES OF WEAVE ANALYSIS 125
LUMINOSITY HISTOGRAMS AND THE ARTIST S HAND 129
MULTISPECTRAL IMAGING AND THE LAYER AMPLIFICATION
METHOD (LAM) 130
HOW DOES COTTE S MULTISPECTRAL IMAGING WORK? 131
LADY WITH AN ERMINE 132
REFERENCES 137
CHAPTER SEVEN DENDROCHRONOLGY 139
THE BELTRACCHI AFFAIR (REVISITED) 140
REFERENCES 142
CONTENT*
XX1U
CHAPTER EIGHT THE BEGUILING ODALISQUE *
IS THE COURTROOM THE PROPER VENUE
FOR AUTHENTICATION?
CHALLENGES TO AUTHENTICATION
CONNOISSEURS DIVERGE * AN INFERIOR PAINTING?
WORTH FORGING?
ARCHIVAL REFERENCES AND PROVENANCE?
SCIENTIFIC EXPERTS VIE FOR THE TRUTH
IS THE COURTROOM THE PROPER VENUE FOR AUTHENTICATION?
REFERENCES
CHAPTER NINE THREE PORTRAITS, TWO WOMEN *
CAN SCIENCE DECIDE?
THE FIRST PAINTING: THE LOUVRE MONA LISA
MULTISPECTRAL IMAGING AND X-RAY FLUORESCENCE
SHED LIGHT ON SFUMATO
X-RAY FLUORESCENCE
THE SECOND PAINTING: THE ISLEWORTH MONA LISA
MULTISPECTRAL IMAGING
DATING OF THE CANVAS BY ACCELERATOR MASS
SPECTROSCOPY (AMS)
GEOMETRIC ANALYSIS AND THE VITNNNMI MAN
COMPUTER IMAGE PROCESSING
LA BELLA PRINCIPESSA
MULTISPECTRAL IMAGING
C DATING USING AMS
AUTHENTIC OR COPY? CAN SCIENCE DECIDE?
REFERENCES
CHAPTER TEN PSYCHOLOGY OF THE VIEWER
BEYOND AESTHETICS
BELIEF AND THE HUMAN MIND
REFERENCES
145
145
147
147
148
149
152
155
157
158
159
161
162
164
165
166
167
167
170
170
171
174
177
180
181
187
XXIV THE SCIENTIST MID THE FORGER
CHAPTER ELEVEN PSYCHOLOGY OF THE FORGER 189
THE PSYCHOLOGY OF THE FORGER 189
RACKED BY TURMOIL 190
THE ART ESTABLISHMENT: THE ULTIMATE TARGET? 194
ENTIRELY DEVOID OF CREATIVITY? 197
REFERENCES 198
CHAPTER TWELVE REFLECTIONS ON THE TURBULENT WORLD
OF AUTHENTICATION 201
REFERENCES 211
PICTURE CREDITS 215
GLOSSARY 219
INDEX 251
|
| any_adam_object | 1 |
| author | Ragai, Jehane 19XX- |
| author_GND | (DE-588)107751154X |
| author_facet | Ragai, Jehane 19XX- |
| author_role | aut |
| author_sort | Ragai, Jehane 19XX- |
| author_variant | j r jr |
| building | Verbundindex |
| bvnumber | BV042718737 |
| ctrlnum | (OCoLC)907147818 (DE-599)BVBBV042718737 |
| dewey-full | 751.58 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 751 - Techniques, equipment, materials & forms |
| dewey-raw | 751.58 |
| dewey-search | 751.58 |
| dewey-sort | 3751.58 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| format | Book |
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| language | English |
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| physical | XXVI, 258 S. Ill., graph. Darst. |
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| spelling | Ragai, Jehane 19XX- Verfasser (DE-588)107751154X aut The scientist and the forger insights into the scientific detection of forgery in paintings Jehane Ragai London Imperial College Press 2015 XXVI, 258 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Painting / Forgeries Art / Psychology Art / Psychology fast Painting / Forgeries fast Kunst Kunstfälschung (DE-588)4166027-4 gnd rswk-swf Kunstfälschung (DE-588)4166027-4 s DE-604 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028149974&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Ragai, Jehane 19XX- The scientist and the forger insights into the scientific detection of forgery in paintings Painting / Forgeries Art / Psychology Art / Psychology fast Painting / Forgeries fast Kunst Kunstfälschung (DE-588)4166027-4 gnd |
| subject_GND | (DE-588)4166027-4 |
| title | The scientist and the forger insights into the scientific detection of forgery in paintings |
| title_auth | The scientist and the forger insights into the scientific detection of forgery in paintings |
| title_exact_search | The scientist and the forger insights into the scientific detection of forgery in paintings |
| title_full | The scientist and the forger insights into the scientific detection of forgery in paintings Jehane Ragai |
| title_fullStr | The scientist and the forger insights into the scientific detection of forgery in paintings Jehane Ragai |
| title_full_unstemmed | The scientist and the forger insights into the scientific detection of forgery in paintings Jehane Ragai |
| title_short | The scientist and the forger |
| title_sort | the scientist and the forger insights into the scientific detection of forgery in paintings |
| title_sub | insights into the scientific detection of forgery in paintings |
| topic | Painting / Forgeries Art / Psychology Art / Psychology fast Painting / Forgeries fast Kunst Kunstfälschung (DE-588)4166027-4 gnd |
| topic_facet | Painting / Forgeries Art / Psychology Kunst Kunstfälschung |
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