Essays on literature and music (1985 - 2013) by Walter Bernhart:
This volume is dedicated to the musico-literary oeuvre of Walter Bernhart, professor of English literature at Karl-Franzens-Universität Graz/Austria and pioneer in the field of intermedial relations between literature and other arts and media. It renders accessible a wide variety of texts which are...
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Leiden [u.a.]
Brill
2015
|
| Schriftenreihe: | Word and music studies
14 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This volume is dedicated to the musico-literary oeuvre of Walter Bernhart, professor of English literature at Karl-Franzens-Universität Graz/Austria and pioneer in the field of intermedial relations between literature and other arts and media. It renders accessible a wide variety of texts which are sometimes no longer easily retrievable. The 37 texts collected here in chronological order span the period from 1985 to 2013 and thematically range from contributions to opera programmes and the discussion of musical aspects of Romantic and modernist poetry to inquiries into individual operas and composers as well as into theoretical aspects of word and music relations (e. g. the ways of setting poetry to music, musico-literary comparative poetics, the concept of genre in music and literature, iconicity in both media, their narrative as well as metareferential and illusionist capacities). The volume is of relevance to literary scholars and musicologists but also to all those with an interest in intermediality studies in general and in the relations between literature and music in particular |
| Beschreibung: | XI, 503 S. Notenbeisp. |
| ISBN: | 9789004302709 |
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| 520 | |a This volume is dedicated to the musico-literary oeuvre of Walter Bernhart, professor of English literature at Karl-Franzens-Universität Graz/Austria and pioneer in the field of intermedial relations between literature and other arts and media. It renders accessible a wide variety of texts which are sometimes no longer easily retrievable. The 37 texts collected here in chronological order span the period from 1985 to 2013 and thematically range from contributions to opera programmes and the discussion of musical aspects of Romantic and modernist poetry to inquiries into individual operas and composers as well as into theoretical aspects of word and music relations (e. g. the ways of setting poetry to music, musico-literary comparative poetics, the concept of genre in music and literature, iconicity in both media, their narrative as well as metareferential and illusionist capacities). The volume is of relevance to literary scholars and musicologists but also to all those with an interest in intermediality studies in general and in the relations between literature and music in particular | ||
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Datensatz im Suchindex
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| adam_text | Contents
Preface (Werner Wolf)........................................................ ix
Theorie und Praxis der Vertonung in den elisabethanischen Airs [1985]........1
The Iconic Quality of Poetic Rhythm [1986]...................................19
Examples of Byrons Impact on 19th-Century
German and Austrian Music [1987]..............................................35
Setting a Poem: The Composers Choice
Бог or Against Interpretation [1988]..........................................53
Zweimal ‘Johnny: Der treulose Herzensbrecher
bei Brecht/Weill und Auden/Britten [1991]....................................75
Prekäre angewandte Opernästhetik: Auden’s ‘sekundäre Welt’
und Hans Werner Henzes Elegiefür junge Liebende [1994].......................99
An Exegetic Composer:
Benjamin Brittens Journey ofthe Magi [1995]..................................115
‘Kalogenetic’ Functions of Prosody:
An Exercise in Comparative Poetics [1995].................................... 129
How Final Can a Theory of Verse Be?
Toward a Pragmatics of Metrics [1996]........................................ 137
‘Proportion’ in Elizabethan Poetry and Music [1996]..........................I55
Cardillac, the Criminal Artist:
A Challenge to Opera as a Musico-Literary Form [1997]........................171
Iconicity and Beyond in “Lullaby for Jumbo”:
Semiotic Functions of Poetic Rhythm [1999].....................................
Some Reflections on Literary Genres and Music [1999]......................... I95
Die Ambivalenz der Unschuld:
Benjamin Britten auf der Suche nach dem kindlichen Sein [1999]...............205
A Profile in Retrospect:
Calvin S. Brown as a Musico-Literary Scholar [2000]............................ j
Typologische Überlegungen zum Melodrama [2000].................................
VI
Three Types of Song Cycles:
The Variety of Britten s ‘Charms [2001].......................................... 235
Parsifal for Our Times:
Young Artists Show the Way from Interpretation to Cyberstaging [2001]..............251
The Turn of the Screw՝.
Ein Glanzstück der Literaturoper [2002]........................................... 259
The ‘Destructiveness of Music :
Functional Intermedia Disharmony in Popular Songs [2002].......................... 265
Peter Grimes՝. Auf George Crabbes Spuren
zwischen Realismus und Romantik [2003]............................................ 275
Masterminding Word and Music Studies:
A Tribute to Steven P. Scher [2002]............................................... 281
The Rake’s Progress: Klassizistische Oper
zwischen Moralität, Märchen, Mythos und Groteske [2004]...........................291
Der postmoderne Rosenkavalier [2005]............................................. 299
‘Die lustigen Weiber proben den Aufstand:
Transzendiertes Biedermeier in Otto Nicolais Oper [2005]..........................307
Narrative Framing in Schumann s Piano Pieces [2006]...............................315
‘Musikalische Verse’:
“Ich weiß nicht, was soll es bedeuten [2006]..................................... 339
Myth-making Opera:
David MalouPs and Michael Berkeley s Jane Eyre [2007]..............................355
Words and Music as Partners in Song:
‘Perfect Marriage — ‘Uneasy Flirtation - ‘Coercive Tension —
‘Shared Indifference ֊ ‘Total Destruction [2007]................................ 369
“Liebling der ganzen Welt”:
Sir Walter Scott als Inspiration für die romantische Oper
und Donizettis Lucia di Lammermoor [2008]......................................... 381
From Novel to Song via Myth:
Wuthering Heights as a Case of Popular Intermediai Adaptation [2008]..............391
What Can Music Do to a Poem?
New Intermediai Perspectives of Literary Studies [2008]...........................405
vii
... pour out forgiveness like a wine”:
Can Music “say an existence is wrong”? [2009].................................... 413
Christoph orus, oder “Die Vision einer Oper
Franz Schreker’s Opera as a Metareferential Work [2010]......................... 431
Metareference in Operatic Performance:
The Case of Katharina Wagnerys Die Meistersinger von Nürnberg [2011]............447
Rhythmical Ambivalence of Poetry Performance:
The Case of Elizabethan Verse [2011] ........................................... 459
Aesthetic Illusion in Instrumental Music? [2013]................................. 475
Sources......................................................................... 491
Index......................................................................... 495
|
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| spelling | Bernhart, Walter 1942- Verfasser (DE-588)132835053 aut Essays on literature and music (1985 - 2013) by Walter Bernhart ed. by Werner Wolf Leiden [u.a.] Brill 2015 XI, 503 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Word and music studies 14 This volume is dedicated to the musico-literary oeuvre of Walter Bernhart, professor of English literature at Karl-Franzens-Universität Graz/Austria and pioneer in the field of intermedial relations between literature and other arts and media. It renders accessible a wide variety of texts which are sometimes no longer easily retrievable. The 37 texts collected here in chronological order span the period from 1985 to 2013 and thematically range from contributions to opera programmes and the discussion of musical aspects of Romantic and modernist poetry to inquiries into individual operas and composers as well as into theoretical aspects of word and music relations (e. g. the ways of setting poetry to music, musico-literary comparative poetics, the concept of genre in music and literature, iconicity in both media, their narrative as well as metareferential and illusionist capacities). The volume is of relevance to literary scholars and musicologists but also to all those with an interest in intermediality studies in general and in the relations between literature and music in particular Musik (DE-588)4040802-4 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Literatur (DE-588)4035964-5 s Musik (DE-588)4040802-4 s DE-604 Wolf, Werner edt Erscheint auch als Online-Ausgabe 978-90-04-30274-7 Word and music studies 14 (DE-604)BV013043030 14 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028138665&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Bernhart, Walter 1942- Essays on literature and music (1985 - 2013) by Walter Bernhart Word and music studies Musik (DE-588)4040802-4 gnd Literatur (DE-588)4035964-5 gnd |
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| title | Essays on literature and music (1985 - 2013) by Walter Bernhart |
| title_auth | Essays on literature and music (1985 - 2013) by Walter Bernhart |
| title_exact_search | Essays on literature and music (1985 - 2013) by Walter Bernhart |
| title_full | Essays on literature and music (1985 - 2013) by Walter Bernhart ed. by Werner Wolf |
| title_fullStr | Essays on literature and music (1985 - 2013) by Walter Bernhart ed. by Werner Wolf |
| title_full_unstemmed | Essays on literature and music (1985 - 2013) by Walter Bernhart ed. by Werner Wolf |
| title_short | Essays on literature and music (1985 - 2013) by Walter Bernhart |
| title_sort | essays on literature and music 1985 2013 by walter bernhart |
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