Berlioz on music: selected criticism 1824 - 1837
The quintessential Romantic artist of his century, Hector Berlioz impressed Paganini and Liszt as "Beethoven's only heir" and dazzled the young Wagner as a composer, orchestra conductor, and critic. To Paris and all Europe, Berlioz was known as much for his writings as for his music,...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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New York, NY
Oxford University Press
[2015]
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| Online-Zugang: | BSB01 UBT01 Volltext |
| Zusammenfassung: | The quintessential Romantic artist of his century, Hector Berlioz impressed Paganini and Liszt as "Beethoven's only heir" and dazzled the young Wagner as a composer, orchestra conductor, and critic. To Paris and all Europe, Berlioz was known as much for his writings as for his music, yet there has been no English-language anthology of his criticism available until now. Berlioz on Music plunges us into the Parisian music world during one of its most vibrant periods, the revolutionary years surrounding 1830, still resonant with memories of Napoleon and the French Revolution of only a few decades before. We follow Berlioz as he confronts the transition to a modern, commerce-driven society where music as high art has yet to find a place, using his pen to praise or scold, rouse or cajole performers, composers, managers, and the general public. The articles presented here-given in chronological order and, with a few exceptions, in their entirety-are accompanied by an introductory paragraph and notes that explain Berlioz's references to persons, musical and literary works, historical events, and more. The result is an engaging collection of Berlioz's lively prose, presented with scholarly rigor and rendered in accessible, graceful English. Scholars, lovers of Berlioz's music, history enthusiasts, and Francophiles will delight in this compelling introduction to one of the richest periods of French culture. Katherine Kolb is Professor Emerita of French and German at Southeastern Louisiana University. She also founded and directed the Kolb-Proust Archive at the University of Illinois-Urbana, where she collaborated on the first anthology of Marcel Proust's correspondence (Marcel Proust, Lettres, Plon 2004). Samuel N. Rosenberg is Professor Emeritus of French and Italian at Indiana University, where he taught language and linguistics -- including translation -- and literature of the Middle Ages. His translations, like his philological scholarship, have appeared in a wide variety of publications both American and French. |
| Beschreibung: | 1 Online-Ressource (XVII, 300 Seiten) 1 Porträt |
| ISBN: | 9780199391981 |
| DOI: | 10.1093/acprof:oso/9780199391950.001.0001 |
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| 520 | |a The quintessential Romantic artist of his century, Hector Berlioz impressed Paganini and Liszt as "Beethoven's only heir" and dazzled the young Wagner as a composer, orchestra conductor, and critic. To Paris and all Europe, Berlioz was known as much for his writings as for his music, yet there has been no English-language anthology of his criticism available until now. Berlioz on Music plunges us into the Parisian music world during one of its most vibrant periods, the revolutionary years surrounding 1830, still resonant with memories of Napoleon and the French Revolution of only a few decades before. We follow Berlioz as he confronts the transition to a modern, commerce-driven society where music as high art has yet to find a place, using his pen to praise or scold, rouse or cajole performers, composers, managers, and the general public. The articles presented here-given in chronological order and, with a few exceptions, in their entirety-are accompanied by an introductory paragraph and notes that explain Berlioz's references to persons, musical and literary works, historical events, and more. The result is an engaging collection of Berlioz's lively prose, presented with scholarly rigor and rendered in accessible, graceful English. Scholars, lovers of Berlioz's music, history enthusiasts, and Francophiles will delight in this compelling introduction to one of the richest periods of French culture. | ||
| 520 | |a Katherine Kolb is Professor Emerita of French and German at Southeastern Louisiana University. She also founded and directed the Kolb-Proust Archive at the University of Illinois-Urbana, where she collaborated on the first anthology of Marcel Proust's correspondence (Marcel Proust, Lettres, Plon 2004). Samuel N. Rosenberg is Professor Emeritus of French and Italian at Indiana University, where he taught language and linguistics -- including translation -- and literature of the Middle Ages. His translations, like his philological scholarship, have appeared in a wide variety of publications both American and French. | ||
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Datensatz im Suchindex
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| spelling | Berlioz, Hector 1803-1869 Verfasser (DE-588)118509675 aut Berlioz on music selected criticism 1824 - 1837 edited by Katherine Kolb ; translated by Samuel N. Rosenberg New York, NY Oxford University Press [2015] 1 Online-Ressource (XVII, 300 Seiten) 1 Porträt txt rdacontent c rdamedia cr rdacarrier The quintessential Romantic artist of his century, Hector Berlioz impressed Paganini and Liszt as "Beethoven's only heir" and dazzled the young Wagner as a composer, orchestra conductor, and critic. To Paris and all Europe, Berlioz was known as much for his writings as for his music, yet there has been no English-language anthology of his criticism available until now. Berlioz on Music plunges us into the Parisian music world during one of its most vibrant periods, the revolutionary years surrounding 1830, still resonant with memories of Napoleon and the French Revolution of only a few decades before. We follow Berlioz as he confronts the transition to a modern, commerce-driven society where music as high art has yet to find a place, using his pen to praise or scold, rouse or cajole performers, composers, managers, and the general public. The articles presented here-given in chronological order and, with a few exceptions, in their entirety-are accompanied by an introductory paragraph and notes that explain Berlioz's references to persons, musical and literary works, historical events, and more. The result is an engaging collection of Berlioz's lively prose, presented with scholarly rigor and rendered in accessible, graceful English. Scholars, lovers of Berlioz's music, history enthusiasts, and Francophiles will delight in this compelling introduction to one of the richest periods of French culture. Katherine Kolb is Professor Emerita of French and German at Southeastern Louisiana University. She also founded and directed the Kolb-Proust Archive at the University of Illinois-Urbana, where she collaborated on the first anthology of Marcel Proust's correspondence (Marcel Proust, Lettres, Plon 2004). Samuel N. Rosenberg is Professor Emeritus of French and Italian at Indiana University, where he taught language and linguistics -- including translation -- and literature of the Middle Ages. His translations, like his philological scholarship, have appeared in a wide variety of publications both American and French. Berlioz, Hector 1803-1869 (DE-588)118509675 gnd rswk-swf Geschichte 1800-1900 Geschichte 1824-1837 gnd rswk-swf Musical criticism France 19th century Musikkritik (DE-588)4139777-0 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Frankreich Paris (DE-588)4044660-8 gnd rswk-swf (DE-588)4175662-9 Pressestimme gnd-content (DE-588)4135952-5 Quelle gnd-content Paris (DE-588)4044660-8 g Musikleben (DE-588)4075128-4 s Musikkritik (DE-588)4139777-0 s Geschichte 1824-1837 z DE-604 Berlioz, Hector 1803-1869 (DE-588)118509675 p Kolb, Katherine 1946- (DE-588)1070955272 edt Rosenberg, Samuel N. 1936- (DE-588)138637423 trl Erscheint auch als Druck-Ausgabe, Festeinband 978-0-19-939195-0 https://doi.org/10.1093/acprof:oso/9780199391950.001.0001 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Berlioz, Hector 1803-1869 Berlioz on music selected criticism 1824 - 1837 Berlioz, Hector 1803-1869 (DE-588)118509675 gnd Musical criticism France 19th century Musikkritik (DE-588)4139777-0 gnd Musikleben (DE-588)4075128-4 gnd |
| subject_GND | (DE-588)118509675 (DE-588)4139777-0 (DE-588)4075128-4 (DE-588)4044660-8 (DE-588)4175662-9 (DE-588)4135952-5 |
| title | Berlioz on music selected criticism 1824 - 1837 |
| title_auth | Berlioz on music selected criticism 1824 - 1837 |
| title_exact_search | Berlioz on music selected criticism 1824 - 1837 |
| title_full | Berlioz on music selected criticism 1824 - 1837 edited by Katherine Kolb ; translated by Samuel N. Rosenberg |
| title_fullStr | Berlioz on music selected criticism 1824 - 1837 edited by Katherine Kolb ; translated by Samuel N. Rosenberg |
| title_full_unstemmed | Berlioz on music selected criticism 1824 - 1837 edited by Katherine Kolb ; translated by Samuel N. Rosenberg |
| title_short | Berlioz on music |
| title_sort | berlioz on music selected criticism 1824 1837 |
| title_sub | selected criticism 1824 - 1837 |
| topic | Berlioz, Hector 1803-1869 (DE-588)118509675 gnd Musical criticism France 19th century Musikkritik (DE-588)4139777-0 gnd Musikleben (DE-588)4075128-4 gnd |
| topic_facet | Berlioz, Hector 1803-1869 Musical criticism France 19th century Musikkritik Musikleben Frankreich Paris Pressestimme Quelle |
| url | https://doi.org/10.1093/acprof:oso/9780199391950.001.0001 |
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