Politics and aesthetics in electronic music: a study of EMS - Elektronmusikstudion Stockholm, 1964 - 1979
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Heidelberg ; Berlin
Kehrer
[2014]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltstext Inhaltsverzeichnis |
| Beschreibung: | Literaturverzeichnis Seite 262 - 267 |
| Beschreibung: | 270 S. Illustrationen 240 mm x 170 mm CD (12 cm) |
| ISBN: | 9783868285826 |
Internformat
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Datensatz im Suchindex
| _version_ | 1806331924083376128 |
|---|---|
| adam_text |
Mus.
MM □ . Booklet □ . Handbuch
2015. 20 □ . Freischaltcode □ . Installationshinweise 1 □ . . II Historical Retrospective: The First European Studios
8 Preface 39 Introduction
Peter Weibel 40 Musique concrète vs.
16 Acknowledgments elektronische Musik
43 Paris
43 The response to Pierre Schaeffer
I Presentation of the Issues and 44 Institutional issues
Literature Review 45 Working practice, radio collage and musique concrète
19 Historical resumé 46 Theories
48 Schaeffer and phenomenology
20 My pre-history 49 PROGREMU
51 Works, practice and theory
20 Definition of the empirical field 52 Conclusion: Paris
21 The science position
22 The text-sound position 52 Cologne
53 Werner Meyer-Eppler and the
23 Thesis, explanation of concepts beginning of the Cologne studio
and theoretical background 55 From experiment to serialism
25 Modernism 57 Digression: IRC AM
27 The avant-garde 59 The misuse of science?
28 Aesthetic strategies 61 Conclusion: Cologne
30 Intermedia 62 The Swedish reception of musique
31 Historiographic considerations concrète and elektronische Musik
32 Presentation of sources
33 Between past and present 65 Conclusion
35 Chapter Outline
Baysrische '
StaatsbiUiothek
Mùnchan J
69
69
71
73
76
77
77
81
85
85
86
88
89
91
93
95
95
96
97
100
101
102
102
103
105
III Institutional and
Cultural-Political Considerations
Introduction
Post-war cultural-political tendencies
French cultural politics and
the establishment of IRCAM
An outline of Swedish cultural
politics in the 1960s-1970s
The organization and
institutionalization of EMS
The period leading up to EMS (1959-1964)
Wiggen, Blomdahl and the Monday Group
Wiggen at Fylkingen
Fylkingen and social-
democratic cultural politics
Sweden’s first electronic music
studio: the ABF studio
Sveriges Radio's
Elektronmusikstudio (1964-1969)
Staff relations between EMS
and Sveriges Radio
First financial problems
Financing the computer
Stiftelsen Elektronmusikstudion
(1969-1975)
The institution's positions and
positionings in the early 1970s
- External collaborations
- Internal relations and balance of power
-Staff
Increased pressure on EMS’s
management and profile
Wiggeris departure
Post-Wiggen (1975-1979)
A passing American
EMS’s future under the government's eye
A new beginning
IV Science at EMS
111 Introduction
112 Fylkingeris Theory Group
113 The Monday Group
114 First applications: 1957,1958 and 1962
117 The project’s international hearing
119 Summary
119 Academization of the
composers' works
120 Fylkingeris debate over goals, 1967
120 Two cultures
121 Lesche and Wiggeris two cultures
126 Opposition from composers
127 Research at EMS
127 Schaeffer in Stockholm
128 The research project
130 Collaborating with GRM
131 The takeover by the natural sciences
133 The local seminar on the research
project, 1970
135 Criticial voices
136 Summary and discussion:
Misuse of science?
105
Summary and discussion
V A Description oï the EMS studios;
141 Introduction
144 Design
144 Interior: Visual design
and propaganda
153 Stories about electronic music
154 Technical issues
154 From analog to digital
155 The hybrid studio
158 Discussion of the D/A-converter
159 Function
159 The console
160 Working patterns
164 Software
165 Working practices in
the workshop studio
167 Summary
VI Productions in. the Main Studio
171 Introduction
172 Productions in EMS's main studio
173 Miklôs Maros and Tamas Ungvary
175 Jon Appleton
176 Knut Wiggen
177 Other works
177 Per Norgard’s Kaldendermusik (1970)
and the collaboration with the Danish
Broadcasting Corporation
VII The Workshop Studio: Text-Sound
Compositions as Case Study.
Defining the Field and Concepts
Introduction
The institutional perspective
Fylkingen's language group
The first concert
The establishment of the
text-sound concept, 1967
The text-sound festivals, 1968-1974
Text-sound composition in
the context of genre
Electro-acoustic music
Performance
Aesthetics
Sound poetry
Sound poetry and poésie sonore
Dissolution of the genre?
Lautpoesie
Concrete poetry and concrete music
Reduction and Fahlstrom’s reception
of musique concrète
Preliminary conclusion
181
181
183
183
184
185
188
198
190
191
194
194
196
196
198
200
202
178 Conclusion
VIII Four Perspectives on Text-Sound IX Research Results
Composition and Perspectives
205 Introduction 239 Political and institutional aspects
207 1. Concrete poetry and text-sound composition 240 The science position
207 Bengt Emil Johnson: 1/1969 Genom Törstspegeln 242 The text-sound position
(förstå passeringen) (1969) 210 Åke Hodell: Igevär (1963,1965) + 244 Avant-garde/modernism
Présentezarmes (1972) 213 Summary 246 Reception
214 2. Extreme reductionism 214 Semantic reduction— microscoping the body and voice 217 François Dufrêne: Triptycrirythme (1966) 218 Sten Hanson: fnarpie) (1970), OIPS (1971) and Ouhm (1973) 220 Spontaneity and sensing 221 Rhythm as the central parameter 222 Charles Amirkhanian: Dzarim Bess Ga Khorim (1972) 225 Scant text and technical manipulation 225 Sten Hanson: How Are You? (1970) 227 Summary 246 Perspectives
227 3. Technology and science in text-sound 248 Appendix 1
228 Digression: Speech synthesis and the Royal Technical College 252 Appendix 2
229 Tamas Ungvary: Annons (1973) 262 Bibliography
231 Technology as a theme 232 Lars-Gunnar Bodin: Cybo II (1967) 269 Summary
270 Photo credits
233 4. Explicitly political text-sound works 234 Åke Hodell: Mr. Smith in Rhodesia (1970) 271 Imprint
236 Preliminary conclusion
272 Tracklist |
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| spelling | Groth, Sanne Krogh Verfasser (DE-588)1047327716 aut Politics and aesthetics in electronic music a study of EMS - Elektronmusikstudion Stockholm, 1964 - 1979 Sanne Krogh Groth ; Translated by Juliana Hodkinson and Isabel Thomson Heidelberg ; Berlin Kehrer [2014] © 2014 270 S. Illustrationen 240 mm x 170 mm CD (12 cm) txt rdacontent n rdamedia nc rdacarrier Literaturverzeichnis Seite 262 - 267 Elektronmusikstudion EMS (DE-588)16153663-3 gnd rswk-swf Geschichte 1964-1979 gnd rswk-swf Forschungsinstitut (DE-588)4155045-6 gnd rswk-swf Klangkunst (DE-588)4430771-8 gnd rswk-swf Elektronische Musik (DE-588)4014355-7 gnd rswk-swf Schweden (DE-588)4077258-5 gnd rswk-swf Elektronmusikstudion EMS (DE-588)16153663-3 b Geschichte 1964-1979 z DE-604 Schweden (DE-588)4077258-5 g Elektronische Musik (DE-588)4014355-7 s Klangkunst (DE-588)4430771-8 s Forschungsinstitut (DE-588)4155045-6 s text/html http://deposit.dnb.de/cgi-bin/dokserv?id=4692144&prov=M&dok_var=1&dok_ext=htm Inhaltstext Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028132218&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Groth, Sanne Krogh Politics and aesthetics in electronic music a study of EMS - Elektronmusikstudion Stockholm, 1964 - 1979 Elektronmusikstudion EMS (DE-588)16153663-3 gnd Forschungsinstitut (DE-588)4155045-6 gnd Klangkunst (DE-588)4430771-8 gnd Elektronische Musik (DE-588)4014355-7 gnd |
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| title | Politics and aesthetics in electronic music a study of EMS - Elektronmusikstudion Stockholm, 1964 - 1979 |
| title_auth | Politics and aesthetics in electronic music a study of EMS - Elektronmusikstudion Stockholm, 1964 - 1979 |
| title_exact_search | Politics and aesthetics in electronic music a study of EMS - Elektronmusikstudion Stockholm, 1964 - 1979 |
| title_full | Politics and aesthetics in electronic music a study of EMS - Elektronmusikstudion Stockholm, 1964 - 1979 Sanne Krogh Groth ; Translated by Juliana Hodkinson and Isabel Thomson |
| title_fullStr | Politics and aesthetics in electronic music a study of EMS - Elektronmusikstudion Stockholm, 1964 - 1979 Sanne Krogh Groth ; Translated by Juliana Hodkinson and Isabel Thomson |
| title_full_unstemmed | Politics and aesthetics in electronic music a study of EMS - Elektronmusikstudion Stockholm, 1964 - 1979 Sanne Krogh Groth ; Translated by Juliana Hodkinson and Isabel Thomson |
| title_short | Politics and aesthetics in electronic music |
| title_sort | politics and aesthetics in electronic music a study of ems elektronmusikstudion stockholm 1964 1979 |
| title_sub | a study of EMS - Elektronmusikstudion Stockholm, 1964 - 1979 |
| topic | Elektronmusikstudion EMS (DE-588)16153663-3 gnd Forschungsinstitut (DE-588)4155045-6 gnd Klangkunst (DE-588)4430771-8 gnd Elektronische Musik (DE-588)4014355-7 gnd |
| topic_facet | Elektronmusikstudion EMS Forschungsinstitut Klangkunst Elektronische Musik Schweden |
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