The visible and the invisible: on seventeenth-century Dutch painting
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berlin ; Boston
De Gruyter
[2015]
|
| Schriftenreihe: | Edition Angewandte
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Beschreibung: | The book addresses the debates on Rembrandt, Metsu, Vermeer, and Hoogstraten that are currently taking place in art history and cultural studies. These focus mainly on the representation of gender difference, the relationship between text and image, and the emotional discourse. They are also an appeal for art history as a form of cultural studies that analyses the semantic potential of art within discursive and social contemporary practices |
| Beschreibung: | 1 Online-Ressource (340 Seiten) |
| ISBN: | 9783110423013 9783110423020 9783110426908 |
| DOI: | 10.1515/9783110423013 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV042694243 | ||
| 003 | DE-604 | ||
| 005 | 20230131 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 150715s2015 |||| o||u| ||||||eng d | ||
| 020 | |a 9783110423013 |9 978-3-11-042301-3 | ||
| 020 | |a 9783110423020 |c Print+Online |9 978-3-11-042302-0 | ||
| 020 | |a 9783110426908 |c Print |9 978-3-11-042690-8 | ||
| 024 | 7 | |a 10.1515/9783110423013 |2 doi | |
| 035 | |a (OCoLC)908074387 | ||
| 035 | |a (DE-599)BVBBV042694243 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-859 |a DE-860 |a DE-473 |a DE-898 |a DE-188 |a DE-Aug4 |a DE-739 |a DE-1046 |a DE-1043 |a DE-858 | ||
| 082 | 0 | |a 700 |2 23 | |
| 100 | 1 | |a Hammer-Tugendhat, Daniela |d 1946- |e Verfasser |0 (DE-588)120560143 |4 aut | |
| 245 | 1 | 0 | |a The visible and the invisible |b on seventeenth-century Dutch painting |c Daniela Hammer-Tugendhat |
| 264 | 1 | |a Berlin ; Boston |b De Gruyter |c [2015] | |
| 300 | |a 1 Online-Ressource (340 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Edition Angewandte | |
| 500 | |a The book addresses the debates on Rembrandt, Metsu, Vermeer, and Hoogstraten that are currently taking place in art history and cultural studies. These focus mainly on the representation of gender difference, the relationship between text and image, and the emotional discourse. They are also an appeal for art history as a form of cultural studies that analyses the semantic potential of art within discursive and social contemporary practices | ||
| 546 | |a In English | ||
| 648 | 7 | |a Geschichte 1600-1700 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Künste, Bildende Kunst allgemein | |
| 650 | 4 | |a Arts |x Art Theory | |
| 650 | 4 | |a Arts |x Genres |x Painting | |
| 650 | 4 | |a Arts |x Periods |x 16th-17th Century | |
| 650 | 0 | 7 | |a Genremalerei |0 (DE-588)4020173-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Barock |0 (DE-588)4004541-9 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Niederlande |0 (DE-588)4042203-3 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Barock |0 (DE-588)4004541-9 |D s |
| 689 | 0 | 1 | |a Genremalerei |0 (DE-588)4020173-9 |D s |
| 689 | 0 | 2 | |a Niederlande |0 (DE-588)4042203-3 |D g |
| 689 | 0 | 3 | |a Geschichte 1600-1700 |A z |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9783110423013 |x Verlag |3 Volltext |
| 912 | |a ZDB-23-DGG |a ZDB-30-PAD | ||
| 940 | 1 | |q FKE_PDA_DGG | |
| 940 | 1 | |q FLA_PDA_DGG | |
| 940 | 1 | |q UBG_PDA_DGG | |
| 940 | 1 | |q FHA_PDA_DGG | |
| 940 | 1 | |q UPA_PDA_DGG | |
| 940 | 1 | |q FAW_PDA_DGG | |
| 940 | 1 | |q FCO_PDA_DGG | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-028125863 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
Datensatz im Suchindex
| _version_ | 1804174890763288576 |
|---|---|
| any_adam_object | |
| author | Hammer-Tugendhat, Daniela 1946- |
| author_GND | (DE-588)120560143 |
| author_facet | Hammer-Tugendhat, Daniela 1946- |
| author_role | aut |
| author_sort | Hammer-Tugendhat, Daniela 1946- |
| author_variant | d h t dht |
| building | Verbundindex |
| bvnumber | BV042694243 |
| collection | ZDB-23-DGG ZDB-30-PAD |
| ctrlnum | (OCoLC)908074387 (DE-599)BVBBV042694243 |
| dewey-full | 700 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 700 - The arts |
| dewey-raw | 700 |
| dewey-search | 700 |
| dewey-sort | 3700 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| doi_str_mv | 10.1515/9783110423013 |
| era | Geschichte 1600-1700 gnd |
| era_facet | Geschichte 1600-1700 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02615nmm a2200613zc 4500</leader><controlfield tag="001">BV042694243</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230131 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">150715s2015 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783110423013</subfield><subfield code="9">978-3-11-042301-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783110423020</subfield><subfield code="c">Print+Online</subfield><subfield code="9">978-3-11-042302-0</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783110426908</subfield><subfield code="c">Print</subfield><subfield code="9">978-3-11-042690-8</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9783110423013</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)908074387</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV042694243</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-898</subfield><subfield code="a">DE-188</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-858</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">700</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Hammer-Tugendhat, Daniela</subfield><subfield code="d">1946-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)120560143</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The visible and the invisible</subfield><subfield code="b">on seventeenth-century Dutch painting</subfield><subfield code="c">Daniela Hammer-Tugendhat</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Berlin ; Boston</subfield><subfield code="b">De Gruyter</subfield><subfield code="c">[2015]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (340 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Edition Angewandte</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">The book addresses the debates on Rembrandt, Metsu, Vermeer, and Hoogstraten that are currently taking place in art history and cultural studies. These focus mainly on the representation of gender difference, the relationship between text and image, and the emotional discourse. They are also an appeal for art history as a form of cultural studies that analyses the semantic potential of art within discursive and social contemporary practices</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1600-1700</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Künste, Bildende Kunst allgemein</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Arts</subfield><subfield code="x">Art Theory</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Arts</subfield><subfield code="x">Genres</subfield><subfield code="x">Painting</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Arts</subfield><subfield code="x">Periods</subfield><subfield code="x">16th-17th Century</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Genremalerei</subfield><subfield code="0">(DE-588)4020173-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Barock</subfield><subfield code="0">(DE-588)4004541-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Niederlande</subfield><subfield code="0">(DE-588)4042203-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Barock</subfield><subfield code="0">(DE-588)4004541-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Genremalerei</subfield><subfield code="0">(DE-588)4020173-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Niederlande</subfield><subfield code="0">(DE-588)4042203-3</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1600-1700</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9783110423013</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield><subfield code="a">ZDB-30-PAD</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">FKE_PDA_DGG</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">FLA_PDA_DGG</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">UBG_PDA_DGG</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">FHA_PDA_DGG</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">UPA_PDA_DGG</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">FAW_PDA_DGG</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">FCO_PDA_DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028125863</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield></record></collection> |
| geographic | Niederlande (DE-588)4042203-3 gnd |
| geographic_facet | Niederlande |
| id | DE-604.BV042694243 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:07:35Z |
| institution | BVB |
| isbn | 9783110423013 9783110423020 9783110426908 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028125863 |
| oclc_num | 908074387 |
| open_access_boolean | |
| owner | DE-859 DE-860 DE-473 DE-BY-UBG DE-898 DE-BY-UBR DE-188 DE-Aug4 DE-739 DE-1046 DE-1043 DE-858 |
| owner_facet | DE-859 DE-860 DE-473 DE-BY-UBG DE-898 DE-BY-UBR DE-188 DE-Aug4 DE-739 DE-1046 DE-1043 DE-858 |
| physical | 1 Online-Ressource (340 Seiten) |
| psigel | ZDB-23-DGG ZDB-30-PAD FKE_PDA_DGG FLA_PDA_DGG UBG_PDA_DGG FHA_PDA_DGG UPA_PDA_DGG FAW_PDA_DGG FCO_PDA_DGG |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | De Gruyter |
| record_format | marc |
| series2 | Edition Angewandte |
| spelling | Hammer-Tugendhat, Daniela 1946- Verfasser (DE-588)120560143 aut The visible and the invisible on seventeenth-century Dutch painting Daniela Hammer-Tugendhat Berlin ; Boston De Gruyter [2015] 1 Online-Ressource (340 Seiten) txt rdacontent c rdamedia cr rdacarrier Edition Angewandte The book addresses the debates on Rembrandt, Metsu, Vermeer, and Hoogstraten that are currently taking place in art history and cultural studies. These focus mainly on the representation of gender difference, the relationship between text and image, and the emotional discourse. They are also an appeal for art history as a form of cultural studies that analyses the semantic potential of art within discursive and social contemporary practices In English Geschichte 1600-1700 gnd rswk-swf Künste, Bildende Kunst allgemein Arts Art Theory Arts Genres Painting Arts Periods 16th-17th Century Genremalerei (DE-588)4020173-9 gnd rswk-swf Barock (DE-588)4004541-9 gnd rswk-swf Niederlande (DE-588)4042203-3 gnd rswk-swf Barock (DE-588)4004541-9 s Genremalerei (DE-588)4020173-9 s Niederlande (DE-588)4042203-3 g Geschichte 1600-1700 z 1\p DE-604 https://doi.org/10.1515/9783110423013 Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Hammer-Tugendhat, Daniela 1946- The visible and the invisible on seventeenth-century Dutch painting Künste, Bildende Kunst allgemein Arts Art Theory Arts Genres Painting Arts Periods 16th-17th Century Genremalerei (DE-588)4020173-9 gnd Barock (DE-588)4004541-9 gnd |
| subject_GND | (DE-588)4020173-9 (DE-588)4004541-9 (DE-588)4042203-3 |
| title | The visible and the invisible on seventeenth-century Dutch painting |
| title_auth | The visible and the invisible on seventeenth-century Dutch painting |
| title_exact_search | The visible and the invisible on seventeenth-century Dutch painting |
| title_full | The visible and the invisible on seventeenth-century Dutch painting Daniela Hammer-Tugendhat |
| title_fullStr | The visible and the invisible on seventeenth-century Dutch painting Daniela Hammer-Tugendhat |
| title_full_unstemmed | The visible and the invisible on seventeenth-century Dutch painting Daniela Hammer-Tugendhat |
| title_short | The visible and the invisible |
| title_sort | the visible and the invisible on seventeenth century dutch painting |
| title_sub | on seventeenth-century Dutch painting |
| topic | Künste, Bildende Kunst allgemein Arts Art Theory Arts Genres Painting Arts Periods 16th-17th Century Genremalerei (DE-588)4020173-9 gnd Barock (DE-588)4004541-9 gnd |
| topic_facet | Künste, Bildende Kunst allgemein Arts Art Theory Arts Genres Painting Arts Periods 16th-17th Century Genremalerei Barock Niederlande |
| url | https://doi.org/10.1515/9783110423013 |
| work_keys_str_mv | AT hammertugendhatdaniela thevisibleandtheinvisibleonseventeenthcenturydutchpainting |