Blake and the Assimilation of Chaos:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, N.J.
Princeton University Press
[2015]
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Beschreibung: | In all of his works Blake struggled with the question of how chaos can be assimilated into imaginative order. Blake's own answer changed in the course of his poetic career. Christine Gallant contends that during the ten year period of composition of Blake's first comprehensive epic, The Four Zoas, Blake's myth expanded from a closed, static system to an open, dynamic process. She further argues that it is only through attention to the changing pattern of Jungian archetypes in the poem that one can discern this profound change. Using the depth psychology of Jung, Professor Gallant presents a comprehensive interpretation of Blake's poetry from his early "Lambeth" prophecies to his mature works, The Four Zoas, Milton, and Jerusalem. She offers a Jungian critical approach that respects the work's autonomy, but still suggests how literature is an ongoing imaginative experience in which archetypal symbols affect their literary contexts. What interests the author is the function that the very process of mythmaking had for Blake. Professor Gallant finds that the metaphysical opposition between God and Satan in Blake's earlier work gradually evolves into an interplay of these powers in the later works. The quality of Chaos changes for Blake from something unknown and feared, contrary to Order, to something intimately known and embraced.Originally published in 1979.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 |
| Beschreibung: | 1 Online-Ressource (216p.) |
| ISBN: | 9781400869084 |
| DOI: | 10.1515/9781400869084 |
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| 500 | |a In all of his works Blake struggled with the question of how chaos can be assimilated into imaginative order. Blake's own answer changed in the course of his poetic career. Christine Gallant contends that during the ten year period of composition of Blake's first comprehensive epic, The Four Zoas, Blake's myth expanded from a closed, static system to an open, dynamic process. She further argues that it is only through attention to the changing pattern of Jungian archetypes in the poem that one can discern this profound change. Using the depth psychology of Jung, Professor Gallant presents a comprehensive interpretation of Blake's poetry from his early "Lambeth" prophecies to his mature works, The Four Zoas, Milton, and Jerusalem. She offers a Jungian critical approach that respects the work's autonomy, but still suggests how literature is an ongoing imaginative experience in which archetypal symbols affect their literary contexts. What interests the author is the function that the very process of mythmaking had for Blake. Professor Gallant finds that the metaphysical opposition between God and Satan in Blake's earlier work gradually evolves into an interplay of these powers in the later works. The quality of Chaos changes for Blake from something unknown and feared, contrary to Order, to something intimately known and embraced.Originally published in 1979.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 | ||
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Datensatz im Suchindex
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| ctrlnum | (OCoLC)979624701 (DE-599)BVBBV042693714 |
| doi_str_mv | 10.1515/9781400869084 |
| format | Electronic eBook |
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| id | DE-604.BV042693714 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:07:34Z |
| institution | BVB |
| isbn | 9781400869084 |
| language | English |
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| publishDate | 2015 |
| publishDateSearch | 2015 |
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| publisher | Princeton University Press |
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| spelling | Gallant, Christine 1940- Verfasser (DE-588)115470069 aut Blake and the Assimilation of Chaos Christine Gallant Princeton, N.J. Princeton University Press [2015] 1 Online-Ressource (216p.) txt rdacontent c rdamedia cr rdacarrier In all of his works Blake struggled with the question of how chaos can be assimilated into imaginative order. Blake's own answer changed in the course of his poetic career. Christine Gallant contends that during the ten year period of composition of Blake's first comprehensive epic, The Four Zoas, Blake's myth expanded from a closed, static system to an open, dynamic process. She further argues that it is only through attention to the changing pattern of Jungian archetypes in the poem that one can discern this profound change. Using the depth psychology of Jung, Professor Gallant presents a comprehensive interpretation of Blake's poetry from his early "Lambeth" prophecies to his mature works, The Four Zoas, Milton, and Jerusalem. She offers a Jungian critical approach that respects the work's autonomy, but still suggests how literature is an ongoing imaginative experience in which archetypal symbols affect their literary contexts. What interests the author is the function that the very process of mythmaking had for Blake. Professor Gallant finds that the metaphysical opposition between God and Satan in Blake's earlier work gradually evolves into an interplay of these powers in the later works. The quality of Chaos changes for Blake from something unknown and feared, contrary to Order, to something intimately known and embraced.Originally published in 1979.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 In English Blake, William 1757-1827 (DE-588)118511513 gnd rswk-swf Lyrik (DE-588)4036774-5 gnd rswk-swf Chaos Motiv (DE-588)4147567-7 gnd rswk-swf Blake, William 1757-1827 (DE-588)118511513 p Lyrik (DE-588)4036774-5 s Chaos Motiv (DE-588)4147567-7 s 1\p DE-604 https://doi.org/10.1515/9781400869084 Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Gallant, Christine 1940- Blake and the Assimilation of Chaos Blake, William 1757-1827 (DE-588)118511513 gnd Lyrik (DE-588)4036774-5 gnd Chaos Motiv (DE-588)4147567-7 gnd |
| subject_GND | (DE-588)118511513 (DE-588)4036774-5 (DE-588)4147567-7 |
| title | Blake and the Assimilation of Chaos |
| title_auth | Blake and the Assimilation of Chaos |
| title_exact_search | Blake and the Assimilation of Chaos |
| title_full | Blake and the Assimilation of Chaos Christine Gallant |
| title_fullStr | Blake and the Assimilation of Chaos Christine Gallant |
| title_full_unstemmed | Blake and the Assimilation of Chaos Christine Gallant |
| title_short | Blake and the Assimilation of Chaos |
| title_sort | blake and the assimilation of chaos |
| topic | Blake, William 1757-1827 (DE-588)118511513 gnd Lyrik (DE-588)4036774-5 gnd Chaos Motiv (DE-588)4147567-7 gnd |
| topic_facet | Blake, William 1757-1827 Lyrik Chaos Motiv |
| url | https://doi.org/10.1515/9781400869084 |
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