Shakespearean Representation: :Mimesis and Modernity in Elizabethan Tragedy
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Princeton, N.J.
Princeton University Press
[2015]
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Schlagworte: | |
Online-Zugang: | Volltext |
Beschreibung: | We are often told that Shakespeare is our contemporary, yet we insist just as often on the Elizabethan quality of his work as it reflects a culture remote from our own. Beginning with this paradox, Howard Felperin explores the question of modernity in literature. He directs his attention toward several older poets and examines Shakespeare in particular to show how literary modernity depends, not on chronological considerations, but on the process of mimesis, or imitation, that art has traditionally claimed for itself. In analyzing Shakespeare's major tragedies, Professor Felperin notes that each carries within it a model of its dramatic prototypes, and therefore requires a conservative response from its interpreters. In the interest of being truer to life than its model, however, each play departs from that model and so requires a Romantic or modernist response as well. The author contends that Shakespeare's meaning arises from this ambivalent relation to the forms of the past.Originally published in 1978.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 |
Beschreibung: | 1 Online-Ressource (216p.) |
ISBN: | 9781400868292 |
DOI: | 10.1515/9781400868292 |
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500 | |a We are often told that Shakespeare is our contemporary, yet we insist just as often on the Elizabethan quality of his work as it reflects a culture remote from our own. Beginning with this paradox, Howard Felperin explores the question of modernity in literature. He directs his attention toward several older poets and examines Shakespeare in particular to show how literary modernity depends, not on chronological considerations, but on the process of mimesis, or imitation, that art has traditionally claimed for itself. In analyzing Shakespeare's major tragedies, Professor Felperin notes that each carries within it a model of its dramatic prototypes, and therefore requires a conservative response from its interpreters. In the interest of being truer to life than its model, however, each play departs from that model and so requires a Romantic or modernist response as well. The author contends that Shakespeare's meaning arises from this ambivalent relation to the forms of the past.Originally published in 1978.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 | ||
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Datensatz im Suchindex
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author | Felperin, Howard |
author_facet | Felperin, Howard |
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spelling | Felperin, Howard Verfasser aut Shakespearean Representation :Mimesis and Modernity in Elizabethan Tragedy Howard Felperin Princeton, N.J. Princeton University Press [2015] 1 Online-Ressource (216p.) txt rdacontent c rdamedia cr rdacarrier We are often told that Shakespeare is our contemporary, yet we insist just as often on the Elizabethan quality of his work as it reflects a culture remote from our own. Beginning with this paradox, Howard Felperin explores the question of modernity in literature. He directs his attention toward several older poets and examines Shakespeare in particular to show how literary modernity depends, not on chronological considerations, but on the process of mimesis, or imitation, that art has traditionally claimed for itself. In analyzing Shakespeare's major tragedies, Professor Felperin notes that each carries within it a model of its dramatic prototypes, and therefore requires a conservative response from its interpreters. In the interest of being truer to life than its model, however, each play departs from that model and so requires a Romantic or modernist response as well. The author contends that Shakespeare's meaning arises from this ambivalent relation to the forms of the past.Originally published in 1978.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 In English Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Aufklärung (DE-588)4003524-4 gnd rswk-swf Modernität (DE-588)4139842-7 gnd rswk-swf Tragödie (DE-588)4060591-7 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Drama (DE-588)4012899-4 s Rezeption (DE-588)4049716-1 s Modernität (DE-588)4139842-7 s 1\p DE-604 Tragödie (DE-588)4060591-7 s Aufklärung (DE-588)4003524-4 s 2\p DE-604 3\p DE-604 https://doi.org/10.1515/9781400868292 Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Felperin, Howard Shakespearean Representation :Mimesis and Modernity in Elizabethan Tragedy Shakespeare, William 1564-1616 (DE-588)118613723 gnd Aufklärung (DE-588)4003524-4 gnd Modernität (DE-588)4139842-7 gnd Tragödie (DE-588)4060591-7 gnd Rezeption (DE-588)4049716-1 gnd Drama (DE-588)4012899-4 gnd |
subject_GND | (DE-588)118613723 (DE-588)4003524-4 (DE-588)4139842-7 (DE-588)4060591-7 (DE-588)4049716-1 (DE-588)4012899-4 |
title | Shakespearean Representation :Mimesis and Modernity in Elizabethan Tragedy |
title_auth | Shakespearean Representation :Mimesis and Modernity in Elizabethan Tragedy |
title_exact_search | Shakespearean Representation :Mimesis and Modernity in Elizabethan Tragedy |
title_full | Shakespearean Representation :Mimesis and Modernity in Elizabethan Tragedy Howard Felperin |
title_fullStr | Shakespearean Representation :Mimesis and Modernity in Elizabethan Tragedy Howard Felperin |
title_full_unstemmed | Shakespearean Representation :Mimesis and Modernity in Elizabethan Tragedy Howard Felperin |
title_short | Shakespearean Representation |
title_sort | shakespearean representation mimesis and modernity in elizabethan tragedy |
title_sub | :Mimesis and Modernity in Elizabethan Tragedy |
topic | Shakespeare, William 1564-1616 (DE-588)118613723 gnd Aufklärung (DE-588)4003524-4 gnd Modernität (DE-588)4139842-7 gnd Tragödie (DE-588)4060591-7 gnd Rezeption (DE-588)4049716-1 gnd Drama (DE-588)4012899-4 gnd |
topic_facet | Shakespeare, William 1564-1616 Aufklärung Modernität Tragödie Rezeption Drama |
url | https://doi.org/10.1515/9781400868292 |
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