The transatlantic zombie: slavery, rebellion, and living death
"Our most modern monster and perhaps our most American, the zombie that is so prevalent in popular culture today has its roots in African soul capture mythologies. The Transatlantic Zombie provides a more complete history of the zombie than has ever been told, explaining how the myth's mig...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New Brunswick, NJ [u.a.]
Rutgers Univ. Press
2015
|
| Schriftenreihe: | American literatures initiative
|
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Zusammenfassung: | "Our most modern monster and perhaps our most American, the zombie that is so prevalent in popular culture today has its roots in African soul capture mythologies. The Transatlantic Zombie provides a more complete history of the zombie than has ever been told, explaining how the myth's migration to the New World was facilitated by the transatlantic slave trade, and reveals the real-world import of storytelling, reminding us of the power of myths and mythmaking, and the high stakes of appropriation and homage. Beginning with an account of a probable ancestor of the zombie found in the Kongolese and Angolan regions of seventeenth-century Africa and ending with a description of the way, in contemporary culture, new media are used to facilitate zombie-themed events, Sarah Juliet Lauro plots the zombie's cultural significance through Caribbean literature, Haitian folklore, and American literature, film, and the visual arts. The zombie entered US consciousness through the American occupation of Haiti, the site of an eighteenth-century slave rebellion that became a war for independence, thus making the figuration of living death inseparable from its resonances with both slavery and rebellion. Lauro bridges African mythology and US mainstream culture by articulating the ethical complications of the zombie's invocation as a cultural conquest that was rebranded for the American cinema. As The Transatlantic Zombie shows, the zombie is not merely a bogeyman representing the ills of modern society, but a battleground over which a cultural war has been fought between the imperial urge to absorb exotic, threatening elements, and the originary, Afro-disaporic culture's preservation through a strategy of mythic combat".. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XIII, 263 S. Ill. |
| ISBN: | 9780813568836 9780813568843 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Our most modern monster and perhaps our most American,
the zombie that is so prevalent in popular culture today has its
roots in African soul capture mythologies. Transatlantic Zom-
bie provides a more complete history of the zombie than has ever
been told, explaining how the myth’s migration to the New World
was facilitated by the transatlantic slave trade, and reveals the real-
world import of storytelling, reminding us of the power of myths and
mythmaking, and the high stakes of appropriation and homage.
Beginning with an account of a probable ancestor of the zombie
found in the Kongolese and Angolan regions of seventeenth-century
Africa and ending with a description of the way new media are used
to facilitate zombie-themed events, Sarah Juliet Lauro plots the
zombie’s cultural significance through Caribbean literature, Haitian
folklore, and American literature, film, and the visual arts. The zom-
bie entered US consciousness through the American occupation of
Haiti, the site of an eighteenth-century slave rebellion that became
a war for independence, thus making the figuration of living death
inseparable from its resonances with both slavery and rebellion.
As The Transatlantic Zombie shows, the zombie is not merely a
bogeyman representing the ills of modern society, but a battleground
over which a cultural war has been fought between the imperial urge to
absorb exotic, threatening elements, and the originary, Afro-diasporic
culture’s preservation through a strategy of mythic combat.
Contents
Acknowledgments xi
A Note on Orthography xv
Introduction: Zombie Dialectics—“Ki sa sa ye?”(What is that?) 1
1 Slavery and Slave Rebellion: The (Pre)History of the Zombi/e 27
2 “American” Zombies: Love and Theft on the Silver Screen 64
3 Haitian Zombis: Symbolic Revolutions, Metaphoric
Conquests, and the Mythic Occupation of History 108
4 Textual Zombies in the Visual Arts 146
Epilogue: The Occupation of Metaphor 187
Notes 203
Filmography 225
Works Cited 229
Index 257
|
| any_adam_object | 1 |
| author | Lauro, Sarah Juliet |
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| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| spelling | Lauro, Sarah Juliet Verfasser (DE-588)1075024250 aut The transatlantic zombie slavery, rebellion, and living death Sarah Juliet Lauro New Brunswick, NJ [u.a.] Rutgers Univ. Press 2015 XIII, 263 S. Ill. txt rdacontent n rdamedia nc rdacarrier American literatures initiative Includes bibliographical references and index "Our most modern monster and perhaps our most American, the zombie that is so prevalent in popular culture today has its roots in African soul capture mythologies. The Transatlantic Zombie provides a more complete history of the zombie than has ever been told, explaining how the myth's migration to the New World was facilitated by the transatlantic slave trade, and reveals the real-world import of storytelling, reminding us of the power of myths and mythmaking, and the high stakes of appropriation and homage. Beginning with an account of a probable ancestor of the zombie found in the Kongolese and Angolan regions of seventeenth-century Africa and ending with a description of the way, in contemporary culture, new media are used to facilitate zombie-themed events, Sarah Juliet Lauro plots the zombie's cultural significance through Caribbean literature, Haitian folklore, and American literature, film, and the visual arts. The zombie entered US consciousness through the American occupation of Haiti, the site of an eighteenth-century slave rebellion that became a war for independence, thus making the figuration of living death inseparable from its resonances with both slavery and rebellion. Lauro bridges African mythology and US mainstream culture by articulating the ethical complications of the zombie's invocation as a cultural conquest that was rebranded for the American cinema. As The Transatlantic Zombie shows, the zombie is not merely a bogeyman representing the ills of modern society, but a battleground over which a cultural war has been fought between the imperial urge to absorb exotic, threatening elements, and the originary, Afro-disaporic culture's preservation through a strategy of mythic combat".. Geschichte gnd rswk-swf PERFORMING ARTS / Film & Video / History & Criticism bisacsh LITERARY CRITICISM / General bisacsh SOCIAL SCIENCE / Popular Culture bisacsh HISTORY / Caribbean & West Indies / General bisacsh Geschichte Zombies History Zombies United States History PERFORMING ARTS / Film & Video / History & Criticism LITERARY CRITICISM / General SOCIAL SCIENCE / Popular Culture HISTORY / Caribbean & West Indies / General Zombie (DE-588)4407180-2 gnd rswk-swf USA Zombie (DE-588)4407180-2 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe 978-0-8135-6885-0 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028107819&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028107819&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Lauro, Sarah Juliet The transatlantic zombie slavery, rebellion, and living death PERFORMING ARTS / Film & Video / History & Criticism bisacsh LITERARY CRITICISM / General bisacsh SOCIAL SCIENCE / Popular Culture bisacsh HISTORY / Caribbean & West Indies / General bisacsh Geschichte Zombies History Zombies United States History PERFORMING ARTS / Film & Video / History & Criticism LITERARY CRITICISM / General SOCIAL SCIENCE / Popular Culture HISTORY / Caribbean & West Indies / General Zombie (DE-588)4407180-2 gnd |
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| title | The transatlantic zombie slavery, rebellion, and living death |
| title_auth | The transatlantic zombie slavery, rebellion, and living death |
| title_exact_search | The transatlantic zombie slavery, rebellion, and living death |
| title_full | The transatlantic zombie slavery, rebellion, and living death Sarah Juliet Lauro |
| title_fullStr | The transatlantic zombie slavery, rebellion, and living death Sarah Juliet Lauro |
| title_full_unstemmed | The transatlantic zombie slavery, rebellion, and living death Sarah Juliet Lauro |
| title_short | The transatlantic zombie |
| title_sort | the transatlantic zombie slavery rebellion and living death |
| title_sub | slavery, rebellion, and living death |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh LITERARY CRITICISM / General bisacsh SOCIAL SCIENCE / Popular Culture bisacsh HISTORY / Caribbean & West Indies / General bisacsh Geschichte Zombies History Zombies United States History PERFORMING ARTS / Film & Video / History & Criticism LITERARY CRITICISM / General SOCIAL SCIENCE / Popular Culture HISTORY / Caribbean & West Indies / General Zombie (DE-588)4407180-2 gnd |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism LITERARY CRITICISM / General SOCIAL SCIENCE / Popular Culture HISTORY / Caribbean & West Indies / General Geschichte Zombies History Zombies United States History Zombie USA |
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