Fashion and cultural studies:
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London [u.a.]
Bloomsbury Academic
2014
|
Ausgabe: | English ed., 1. publ., repr. |
Schlagworte: | |
Online-Zugang: | Klappentext Inhaltsverzeichnis |
Beschreibung: | XII, 227 S. Ill. |
ISBN: | 9781847885647 9781847885654 |
Internformat
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Datensatz im Suchindex
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adam_text | Bridging theory and practice, this accessible text explores fashion
from both cultural studies and fashion studies perspectives, and
addresses the growing interaction between the two fields.
Cultural studies relies on fashion to exemplify time and space,
change and continuity, identity and difference, agency and structure,
and production and consumption. Fashion, meanwhile, benefits
from the interpretative lens of cultural studies: its key concepts,
contextual flexibility, and attention to bridging high and popular
culture, and contemporary and historicai perspectives alike.
Organized thematically, the book uses a wide range of cross-cultural
case studies to explore ethnicity, class, gender, sexuality and nation
through fashion, and explains the ways in which these subject
positions interact and overlap. Drawing on intersectionality theory
in feminist theory and cultural studies, Fashion and Cultural Studies
is essential reading for students and scholars.
Contents
List of Illustrations ix
Acknowledgments xi
1 Fashion and Culture: Cultural Studies, Fashion Studies 1
Articulation: Style-Fashion-Dress 6
The Fields of Fashion Studies and Cultural Studies 7
Conceptualizing Culture and Fashion 12
Circuit of Style-Fashion-Dress Model 13
2 Intersectional, Transnational Fashion Subjects 28
Assumption 1: Inevitably, People Appear 30
Assumption 2: Fashion Is Transnational—Not Merely
Western or “Euromodern” 32
Assumption 3: Subject Formation through Style-
Fashion-Dress Is a Personal Process of Navigating
Intersectionalities 35
Assumption 4: Entanglements: From Identity
Not to Identity (K)nots 38
Assumption 5: Structures of Feeling—Expressed through
Subject Formation and the Fashion Process Alike—Articulate
between Everyday Life and Culture through the Circuit of
Style-Fashion-Dress 40
Assumption 6: The Process of Negotiating Ambiguity Is Not
a Level Playing Field, and It Is a Material Process—Especially
in a Transnational Context 45
3 Fashioning the National Subject 52
Nation / Essence 52
National and Transnational Subject Formation 54
Re presenting Nationalism 56
Globalization 57
Rethinking National Histories, Mapping the World 60
- v -
vi CONTENTS
European Expansion: Textile Trade and National
Symbolism
Nation-State and Style-Fashion-Dress:
Working the Hyphen
intersectionalities and Entanglements
4 Ethnicities and “Racial” Rearticulations
Roots of Racial and Ethnic Concepts
Racial Rearticulations
Ethnicity: Belonging-in-Difference
Religious Rearticulations
5 Class Matters
Conceptualizing Class
Metaphors of Class Structure
Historical Hegemonies: Renegotiating
and Regulating Class Boundaries
Status Claims and Status Demurrals
Fashionable Hegemony
6 Gendering Fashion, Fashioning Gender: Beyond Binaries
Soft Assemblages
Marking, Unmarking, and Remarking Gender
Sex, Gender, and Style-Fashion-Dress:
Feminist Deconstructions
Theorizing the Body and Style-Fashion-Dress
Transgender Studies through Bodies
and Style-Fashion-Dress
Menswear Out of the Academic Closet
Multiple Masculinities
7 Sexuality and Style-Fashion-Dress
Binary “Beginnings” and Reversals
Homophobic Discourse
Protracted Coming Out of Heterosexuality
1960s and 1970s: Social Movements
and Sexual Fashions
1980s and Beyond: Queering Fashion
Sexualizing and Gendering Ambiguity
Gazing Subjects: Positionalities
Sexuality through Intersectionalities
62
64
72
75
76
79
87
90
98
101
103
106
115
118
121
124
125
127
130
131
135
137
148
151
153
157
158
160
165
167
170
CONTENTS vii
8 Bodies in Motion through Time and Space:
Age/Generation and Place
Time and Space
Age/Generation and Place
Open Intersectionalities: Further Subject Positions
Closing/Opening Thoughts
172
172
178
191
193
References 195
Index 213
|
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author | Kaiser, Susan B. |
author_GND | (DE-588)17073658X |
author_facet | Kaiser, Susan B. |
author_role | aut |
author_sort | Kaiser, Susan B. |
author_variant | s b k sb sbk |
building | Verbundindex |
bvnumber | BV042659123 |
classification_rvk | LH 78990 MS 8020 |
ctrlnum | (OCoLC)912559114 (DE-599)BVBBV042659123 |
discipline | Kunstgeschichte Soziologie |
edition | English ed., 1. publ., repr. |
era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
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id | DE-604.BV042659123 |
illustrated | Illustrated |
indexdate | 2024-07-10T07:06:51Z |
institution | BVB |
isbn | 9781847885647 9781847885654 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028091401 |
oclc_num | 912559114 |
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physical | XII, 227 S. Ill. |
publishDate | 2014 |
publishDateSearch | 2014 |
publishDateSort | 2014 |
publisher | Bloomsbury Academic |
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spellingShingle | Kaiser, Susan B. Fashion and cultural studies Mode (DE-588)4039792-0 gnd Kultur (DE-588)4125698-0 gnd Gesellschaft (DE-588)4020588-5 gnd |
subject_GND | (DE-588)4039792-0 (DE-588)4125698-0 (DE-588)4020588-5 |
title | Fashion and cultural studies |
title_auth | Fashion and cultural studies |
title_exact_search | Fashion and cultural studies |
title_full | Fashion and cultural studies Susan B. Kaiser |
title_fullStr | Fashion and cultural studies Susan B. Kaiser |
title_full_unstemmed | Fashion and cultural studies Susan B. Kaiser |
title_short | Fashion and cultural studies |
title_sort | fashion and cultural studies |
topic | Mode (DE-588)4039792-0 gnd Kultur (DE-588)4125698-0 gnd Gesellschaft (DE-588)4020588-5 gnd |
topic_facet | Mode Kultur Gesellschaft |
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