Michael Moore and the rhetoric of documentary:
Gespeichert in:
Weitere Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Carbondale
Southern Illinois Univ. Press
2015
|
Schlagworte: | |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | VI, 232 S. Ill. |
ISBN: | 9780809334070 9780809334087 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV042635437 | ||
003 | DE-604 | ||
005 | 20170927 | ||
007 | t | ||
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020 | |a 9780809334070 |9 978-0-8093-3407-0 | ||
020 | |a 9780809334087 |9 978-0-8093-3408-7 | ||
035 | |a (OCoLC)914692691 | ||
035 | |a (DE-599)BVBBV042635437 | ||
040 | |a DE-604 |b ger |e rakwb | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-188 |a DE-20 | ||
050 | 0 | |a PN1998.3.M665M525 | |
082 | 0 | |a 791.430233092 | |
084 | |a AP 51400 |0 (DE-625)7700: |2 rvk | ||
245 | 1 | 0 | |a Michael Moore and the rhetoric of documentary |c ed. by Thomas W. Benson ... |
264 | 1 | |a Carbondale |b Southern Illinois Univ. Press |c 2015 | |
300 | |a VI, 232 S. |b Ill. | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a Includes bibliographical references and index | ||
505 | 0 | |a Michael Moore and the rhetoric of documentary: art, argument, affect 1 / Thomas W. Benson and Brian J. Snee -- Laughing through our tears: rhetorical tensions in Roger & me / Jennifer L. Borda -- The big one that got away / Christine Harold -- The many moods of Michael Moore: aesthetics and affect in Bowling for Columbine / Brian L. Ott and Susan A. Sci -- The conversion of Lila Lipscomb in Fahrenheit 9/11 / Thomas Rosteck and Thomas S. Frentz -- The phenomenal text of Michael Moore's Sicko / Edward Schiappa, Daniel Ladislau Horvath, and Peter B. Gregg -- The ghosts of Michael Moore's future-Past: or, the many failures of Slacker uprising / Davis W. Houck and Joseph Delbert Davenport -- "I'm sorry to see it go": nostalgic rhetoric in Michael Moore's Capitalism: a love story / Kendall R. Phillips | |
600 | 1 | 4 | |a Moore, Michael / 1954 April 23- / Criticism and interpretation |
600 | 1 | 7 | |a Moore, Michael / 1954 April 23- |2 fast |
600 | 1 | 7 | |a Moore, Michael |d 1954- |0 (DE-588)124123317 |2 gnd |9 rswk-swf |
650 | 4 | |a Documentary films / Political aspects / History and criticism | |
650 | 4 | |a Motion pictures / Political aspects / United States | |
650 | 7 | |a Documentary films / Political aspects |2 fast | |
650 | 7 | |a Motion pictures / Political aspects |2 fast | |
650 | 4 | |a Film | |
650 | 4 | |a Politik | |
650 | 0 | 7 | |a Rhetorik |0 (DE-588)4076704-8 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Dokumentarfilm |0 (DE-588)4012653-5 |2 gnd |9 rswk-swf |
651 | 7 | |a United States |2 fast | |
651 | 4 | |a USA | |
655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
689 | 0 | 0 | |a Moore, Michael |d 1954- |0 (DE-588)124123317 |D p |
689 | 0 | 1 | |a Dokumentarfilm |0 (DE-588)4012653-5 |D s |
689 | 0 | 2 | |a Rhetorik |0 (DE-588)4076704-8 |D s |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Benson, Thomas W. |d 1937- |0 (DE-588)138129673 |4 edt | |
999 | |a oai:aleph.bib-bvb.de:BVB01-028067929 | ||
942 | 1 | 1 | |c 791.409 |e 22/bsb |f 09048 |g 73 |
942 | 1 | 1 | |c 791.409 |e 22/bsb |f 09049 |g 73 |
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Datensatz im Suchindex
_version_ | 1804174816983384064 |
---|---|
any_adam_object | |
author2 | Benson, Thomas W. 1937- |
author2_role | edt |
author2_variant | t w b tw twb |
author_GND | (DE-588)138129673 |
author_facet | Benson, Thomas W. 1937- |
building | Verbundindex |
bvnumber | BV042635437 |
callnumber-first | P - Language and Literature |
callnumber-label | PN1998 |
callnumber-raw | PN1998.3.M665M525 |
callnumber-search | PN1998.3.M665M525 |
callnumber-sort | PN 41998.3 M665 M525 |
callnumber-subject | PN - General Literature |
classification_rvk | AP 51400 |
contents | Michael Moore and the rhetoric of documentary: art, argument, affect 1 / Thomas W. Benson and Brian J. Snee -- Laughing through our tears: rhetorical tensions in Roger & me / Jennifer L. Borda -- The big one that got away / Christine Harold -- The many moods of Michael Moore: aesthetics and affect in Bowling for Columbine / Brian L. Ott and Susan A. Sci -- The conversion of Lila Lipscomb in Fahrenheit 9/11 / Thomas Rosteck and Thomas S. Frentz -- The phenomenal text of Michael Moore's Sicko / Edward Schiappa, Daniel Ladislau Horvath, and Peter B. Gregg -- The ghosts of Michael Moore's future-Past: or, the many failures of Slacker uprising / Davis W. Houck and Joseph Delbert Davenport -- "I'm sorry to see it go": nostalgic rhetoric in Michael Moore's Capitalism: a love story / Kendall R. Phillips |
ctrlnum | (OCoLC)914692691 (DE-599)BVBBV042635437 |
dewey-full | 791.430233092 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.430233092 |
dewey-search | 791.430233092 |
dewey-sort | 3791.430233092 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Book |
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isbn | 9780809334070 9780809334087 |
language | English |
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spelling | Michael Moore and the rhetoric of documentary ed. by Thomas W. Benson ... Carbondale Southern Illinois Univ. Press 2015 VI, 232 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Michael Moore and the rhetoric of documentary: art, argument, affect 1 / Thomas W. Benson and Brian J. Snee -- Laughing through our tears: rhetorical tensions in Roger & me / Jennifer L. Borda -- The big one that got away / Christine Harold -- The many moods of Michael Moore: aesthetics and affect in Bowling for Columbine / Brian L. Ott and Susan A. Sci -- The conversion of Lila Lipscomb in Fahrenheit 9/11 / Thomas Rosteck and Thomas S. Frentz -- The phenomenal text of Michael Moore's Sicko / Edward Schiappa, Daniel Ladislau Horvath, and Peter B. Gregg -- The ghosts of Michael Moore's future-Past: or, the many failures of Slacker uprising / Davis W. Houck and Joseph Delbert Davenport -- "I'm sorry to see it go": nostalgic rhetoric in Michael Moore's Capitalism: a love story / Kendall R. Phillips Moore, Michael / 1954 April 23- / Criticism and interpretation Moore, Michael / 1954 April 23- fast Moore, Michael 1954- (DE-588)124123317 gnd rswk-swf Documentary films / Political aspects / History and criticism Motion pictures / Political aspects / United States Documentary films / Political aspects fast Motion pictures / Political aspects fast Film Politik Rhetorik (DE-588)4076704-8 gnd rswk-swf Dokumentarfilm (DE-588)4012653-5 gnd rswk-swf United States fast USA (DE-588)4143413-4 Aufsatzsammlung gnd-content Moore, Michael 1954- (DE-588)124123317 p Dokumentarfilm (DE-588)4012653-5 s Rhetorik (DE-588)4076704-8 s DE-604 Benson, Thomas W. 1937- (DE-588)138129673 edt |
spellingShingle | Michael Moore and the rhetoric of documentary Michael Moore and the rhetoric of documentary: art, argument, affect 1 / Thomas W. Benson and Brian J. Snee -- Laughing through our tears: rhetorical tensions in Roger & me / Jennifer L. Borda -- The big one that got away / Christine Harold -- The many moods of Michael Moore: aesthetics and affect in Bowling for Columbine / Brian L. Ott and Susan A. Sci -- The conversion of Lila Lipscomb in Fahrenheit 9/11 / Thomas Rosteck and Thomas S. Frentz -- The phenomenal text of Michael Moore's Sicko / Edward Schiappa, Daniel Ladislau Horvath, and Peter B. Gregg -- The ghosts of Michael Moore's future-Past: or, the many failures of Slacker uprising / Davis W. Houck and Joseph Delbert Davenport -- "I'm sorry to see it go": nostalgic rhetoric in Michael Moore's Capitalism: a love story / Kendall R. Phillips Moore, Michael / 1954 April 23- / Criticism and interpretation Moore, Michael / 1954 April 23- fast Moore, Michael 1954- (DE-588)124123317 gnd Documentary films / Political aspects / History and criticism Motion pictures / Political aspects / United States Documentary films / Political aspects fast Motion pictures / Political aspects fast Film Politik Rhetorik (DE-588)4076704-8 gnd Dokumentarfilm (DE-588)4012653-5 gnd |
subject_GND | (DE-588)124123317 (DE-588)4076704-8 (DE-588)4012653-5 (DE-588)4143413-4 |
title | Michael Moore and the rhetoric of documentary |
title_auth | Michael Moore and the rhetoric of documentary |
title_exact_search | Michael Moore and the rhetoric of documentary |
title_full | Michael Moore and the rhetoric of documentary ed. by Thomas W. Benson ... |
title_fullStr | Michael Moore and the rhetoric of documentary ed. by Thomas W. Benson ... |
title_full_unstemmed | Michael Moore and the rhetoric of documentary ed. by Thomas W. Benson ... |
title_short | Michael Moore and the rhetoric of documentary |
title_sort | michael moore and the rhetoric of documentary |
topic | Moore, Michael / 1954 April 23- / Criticism and interpretation Moore, Michael / 1954 April 23- fast Moore, Michael 1954- (DE-588)124123317 gnd Documentary films / Political aspects / History and criticism Motion pictures / Political aspects / United States Documentary films / Political aspects fast Motion pictures / Political aspects fast Film Politik Rhetorik (DE-588)4076704-8 gnd Dokumentarfilm (DE-588)4012653-5 gnd |
topic_facet | Moore, Michael / 1954 April 23- / Criticism and interpretation Moore, Michael / 1954 April 23- Moore, Michael 1954- Documentary films / Political aspects / History and criticism Motion pictures / Political aspects / United States Documentary films / Political aspects Motion pictures / Political aspects Film Politik Rhetorik Dokumentarfilm United States USA Aufsatzsammlung |
work_keys_str_mv | AT bensonthomasw michaelmooreandtherhetoricofdocumentary |