Modernism and science fiction:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Basingstoke [u.a.]
Palgrave Macmillan
2015
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Modernism and ...
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| Schlagworte: | |
| Online-Zugang: | http://scans.hebis.de/HEBCGI/show.pl?35807342_toc.pdf Inhaltsverzeichnis Klappentext |
| Beschreibung: | XII, 193 S. |
| ISBN: | 9780230273481 0230273483 |
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Datensatz im Suchindex
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| adam_text | MODERNISM
AND
SCIENCE FICTION
Paul March-Russell
Lecturer in Liberal Arts ami Specialist Associate Lecturer in Comparative Literature,
University of Kent, UK
r na c mi llan
CONTENTS
Series Editor s Preface vii
Acknowledgements xii
Introduction: Modernism and Science Fiction? i
1 Scientific Romance and the Culture of Modernism n
Scientific romance and scientific naturalism 12
Deep time and lost worlds 16
Visions of the future: Flammarion and Wells 20
The eternal moment 23
Higher dimensions: Abbott Wells and Jarry 28
Hyperspace and the sublimi nal self 31
The man-machine 40
2 Utopia in the Time of Apocalypse 49
This is the way the world ends 50
H G Wells: Between Apocalypse and Utopia 51
The Wellsian legacy in the interwar period 54
Feminist dystopias 65
Wells and the Russia n avant-garde 69
Man as machine: Machine as ghost 76
3 Pulp Modernism: (,enre SF 85
Engineering Utopia 86
The rise of the pulps 89
Weird modernism 93
The road to Amazing Stories 94
The beginnings of Fi rst Fandom 97
The road to Astounding Science Fiction 99
The Futurians and the Technocracy Movement 104
Into the Unknown 107
The legacy of pulp moderni sm 110
V
Vi CONTENTS
4 New Worlds and the Many Deaths of Modernism 117
New Worlds in context 118
The cybernetic convergence 122
This Is Tomorrow: New Waves in art and literature 124
Cybernetic fictions: Burroughs, Wolfe, Ballard 127
Cybernetic counter-cultures: Olson, Delany,
Duncan, Dick 132
Death factory 138
What remains: The new (feminist) sf 147
Coda: In and Out of the G ernsback Continuum 153
Notes 158
Select Bibliography 186
Index 188
To what extent can the future-oriented narratives of science fiction, emerging
alongside modernism during the last years of the nineteenth century, be
described as ‘modernist ? To what extent did modernism, responding to the
scientific and technological breakthroughs of Darwin, Edison and Einstein, draw
upon a grammar of ideas and images that we would call ‘science fiction ? This
book pursues these questions through a wide-ranging series of examples, drawn
from literature, film and the visual arts in Britain, Eastern and Western Europe,
and the Americas, from Edward Bulwer-Lytton s The Coming Race (1871) toj.
G. Ballard’s Crash (1973). Individual chapters examine key topics from within
this period, including scientific romance, utopia, pulp science fiction and the
New Wave. A coda brings the story up to date by examining the work of writers
such as William Gibson, China Mieville and Kim Stanley Robinson. The book
challenges how high and low culture has been mapped in the twentieth century.
|
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