Culture as capital: selected essays 2011-2014
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berlin
Logos
[2015]
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| Schlagworte: | |
| Online-Zugang: | Inhaltstext Inhaltsverzeichnis |
| Beschreibung: | 383 Seiten Illustrationen, Diagramme, Karte, Pläne |
| ISBN: | 9783832538996 |
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Datensatz im Suchindex
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TABLE OF CONTENTS
PREFACE 7
ACKNOWLEDGMENTS 9
1. INTRODUCTION: CULTURAL TURN AND SPECULATIVE CAPITAL 11
1.1 CORRELATION MATRIX AND SPECULATIVE REASON 14
1.2 TEMPORALITY AND PROCESS 17
PART ONE
ART HISTORY AND ITS THRESHOLD: PROCESS ART 23
2. ROADS TO RECURSION. SOME HISTORIOGRAPHICAL REMARKS ON A
CORE CATEGORY OF PROCESS ART 25
2.1 CLOSED CIRCUIT AS AN OPEN SYSTEM 25
2.2 CLOSED-CIRCUIT RECURSIONS IN THE ROARING NINETIES 28
2.3 CLOSED CIRCUIT BEYOND DIGITAL DOGMA 31
3. REFLECTING THRESHOLDS. UNSEEN IMAGES AND UNTOLD PROCESSES 35
3.1 VIDEO AS MEDIUM OF SPECULATIVE SEEING AND HEARING 35
3.2 VIDEO AS A FUNCTION OF REALITY. PETER CAMPUS 38
3.3 BILL VIOLA'S CLOSED CIRCUIT VIDEO, 1972-76 44
3.4 PATTERNS OF TRANSITION 71
4. PROCESS ART IN EDUCATION, RESEARCH AND ARCHIVING. TWO CASE STUDIES 75
4.1 VIDEO ART AT THE DIISSELDORF ART ACADEMY, 1976-96:
THE EDUCATIONAL AND TECHNOLOGICAL CONTEXT 75
4.2 FINITE TECHNOLOGY AND INFINITE AESTHETICS 87
4.3 CAUGHT WHILE ESCAPING: A PERSONAL RETRO-PERSPECTIVE 93
4.4 PROCESS ART, ARCHIVES AND DATABASES 97
4.5 PROCESS ART IN NETWORKED RESEARCH COMMUNITIES 102
PART TWO
VISUAL CULTURE AND ITS THREEFOLD DELIMITATION:
MIRRORS, FRAMES, IMMEDIACY 115
5. MIRRORING THE INVISIBLE. CULTURE, TECHNOLOGY AND (SELF-)OBSERVATION
117
5.1 MIRROR AND IMAGE: THE EXTENSION OF LIGHT AND MIRROR SPECTRA 121
5.2 LIQUID MIRRORS: ART AND COMMERCE, NATURE AND ARCHITECTURE 125
HTTP://D-NB.INFO/1065680562
6
TABLE OF CONTENTS
6. MARGINS MOVED TO THE MIDDLE. PROCESS ART WITHIN VISUAL STUDIES 133
6.1 VISUAL CULTURE AND VISUAL COMMUNICATION: THEORETICAL FRAMING 133
6.2 PROCESS ART AND THE SYNTAX OF DYNAMISATION 136
6.3 CAMERA. MONITOR. FRAME. TAKAHIKO IIMURA 145
7. ON SPECULATIVE DIFFERENCE 151
7.1 FRAMING FOSSILS: ON ORIGINS, IMAGES AND ACTS 152
7.2 WILL THE IMAGE HAVE THE LAST WORD? 169
PART THREE
TRACKING BACK AND LOOK AHEAD: HERITAGE AND ENVIRONMENT 179
8. CULTURE AS CAPITAL IN MEDIA DEMOCRACY. ENVISIONING THE
POST-VISUAL CONDITION 181
8.1 THE POLITICAL ECONOMY OF THE GAME: ALEATORIC AGONY 181
8.2 MIRRORING THE MASS-MEDIATION: THE DEMOCRATIZATION OF PHOTOGRAPHY 192
8.3 SPECULATIVE DIFFERENCE REVISITED: MAGIC REALISM AND
RATIONAL SYMBOLISM 205
9. GREAT DANE MEETS DALMATIAN. EJNAR DYGGVE AND THE MAPPING OF
CHRISTIAN ARCHAEOLOGY 217
9.1 FRAMES AND FRONTIERS, CROSSROADS AND CONTINUITIES 220
9.2 MAPPING MOTIFS AND METHODOLOGIES 223
9.3 THE BEGINNINGS OF ARCHITECTURAL HISTORIOGRAPHY 226
9.4 PROVINCE, FRONTIER, PERIPHERY: MAPPING THE CULTURES BETWEEN
JELLING AND SALONA 236
9.5 REWIND TO THE FUTURE: RECENT RESEARCH ON DYGGVE IN CONTEXT 260
10. CORELESS. BACTERIA, ART, AND OTHER INCOMMODITIES 263
10.1 BIG BACTERIA: A FUTURE FRAMEWORK FOR THE ARTS, SCIENCES AND
HUMANITIES 263
10.2 LIFE, DEATH AND DUSTY REBIRTH: BACTERIAL CIRCUITS AND INFINITESIMAL
AESTHETICS 271
LIST OF ILLUSTRATIONS 295
REFERENCES BY CHAPTER 303
BIBLIOGRAPHY BY CHAPTER 339
AUTHOR'S REFERENCES 374
INDEX 377 |
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| dewey-ones | 000 - Computer science, information, general works |
| dewey-raw | 000 |
| dewey-search | 000 |
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| discipline | Kunstgeschichte Allgemeines |
| format | Book |
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| title | Culture as capital selected essays 2011-2014 |
| title_auth | Culture as capital selected essays 2011-2014 |
| title_exact_search | Culture as capital selected essays 2011-2014 |
| title_full | Culture as capital selected essays 2011-2014 Slavko Kacunko |
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| title_short | Culture as capital |
| title_sort | culture as capital selected essays 2011 2014 |
| title_sub | selected essays 2011-2014 |
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