Two centuries of British symphonism: from the beginnings to 1945 : a preliminary survey 2
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Hildesheim ; Zürich ; New York
Georg Olms Verlag
2015
|
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Literaturverzeichnis Seite 1019-1141 |
| Beschreibung: | VIII Seiten, Seite 591 - 1201 Illustrationen, Notenbeispiele 25 cm |
| ISBN: | 9783487152288 |
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| 245 | 1 | 0 | |a Two centuries of British symphonism |b from the beginnings to 1945 : a preliminary survey |n 2 |c Jürgen Schaarwächter ; with a foreword by Lewis Foreman |
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Datensatz im Suchindex
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| adam_text | Contents
Volume I
Foreword, by Lewis Foreman.................................................. ix
Preliminary note and acknowledgements.........................................xi
Abbreviations................................................................xix
Part I: Creating an identity
1. British symphonies? An introduction............................................3
a) The reception of the British symphony. Comparison with the evolution of the
creation of symphonies on the European continent...........................3
b) On the choice of subject and material. Definition of terms and methodological
considerations. What makes a composer British?.............................8
2. Early beginnings in the eighteenth century....................................19
a) From Arne to Clementi: London and international influences.................21
b) Provincial musical life...................................................61
3. ‘Post-Classical5 symphonism, with special emphasis on the Royal Academy of
Music. First inklings of a British Musical renaissance........................81
4. The influence of the ‘great German tradition5 and the foundation of the Royal
College of Music........................................................... 163
5. Brian, Harty, Elgar and the end of the Victorian era....................... 273
Part II: Uniqueness in diversity
6. Traditional form and expansion of the ‘academically feasible5................355
vi
Contents
a) Traditionalists. Works by teachers and pupils......................357
b) Attempts of expansion.....................................................417
c) Sibelius’s reception in Great Britain.....................................447
7. The programme symphony after 1914.............................................487
a) Exotic’ subjects. Irish, Celtic, Scottish, English, Greek, Swiss, South African
etc. symphonies............................................................490
b) Other programmes’........................................................548
Volume II
8. The tradition of the choral symphony, with a few remarks on the solo vocal
symphony......................................................................591
Excursus: Solo vocal symphonies...............................................685
9. New directions of twentieth-century British symphonism in the twenties,
thirties and early forties....................................................693
a) Jazz influences and livelier accents.................................... 694
b) The teacher Hindemith. New simplicity’ and the counter-movement against
Straussian bombast.........................................................731
c) Symphonies for strings or brass......................................... 750
d) Schoenberg, Stravinsky and new music’. Stretching of tonality and other
progressive techniques. Possibilities for younger generations..............761
10. The particularly British in the evolution of the British symphony. Final and
summarizing remarks...........................................................795
Appendices
I. Alphabetic catalogue of British symphonies up to 1945......................801
II. Bibliography.............................................................1019
List of illustrations........................................................1143
Index........................................................................1147
|
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| spelling | Schaarwächter, Jürgen 1967- (DE-588)113883730 aut Two centuries of British symphonism from the beginnings to 1945 : a preliminary survey 2 Jürgen Schaarwächter ; with a foreword by Lewis Foreman Hildesheim ; Zürich ; New York Georg Olms Verlag 2015 VIII Seiten, Seite 591 - 1201 Illustrationen, Notenbeispiele 25 cm txt rdacontent n rdamedia nc rdacarrier Literaturverzeichnis Seite 1019-1141 (DE-604)BV042623469 2 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028056186&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Schaarwächter, Jürgen 1967- Two centuries of British symphonism from the beginnings to 1945 : a preliminary survey |
| title | Two centuries of British symphonism from the beginnings to 1945 : a preliminary survey |
| title_auth | Two centuries of British symphonism from the beginnings to 1945 : a preliminary survey |
| title_exact_search | Two centuries of British symphonism from the beginnings to 1945 : a preliminary survey |
| title_full | Two centuries of British symphonism from the beginnings to 1945 : a preliminary survey 2 Jürgen Schaarwächter ; with a foreword by Lewis Foreman |
| title_fullStr | Two centuries of British symphonism from the beginnings to 1945 : a preliminary survey 2 Jürgen Schaarwächter ; with a foreword by Lewis Foreman |
| title_full_unstemmed | Two centuries of British symphonism from the beginnings to 1945 : a preliminary survey 2 Jürgen Schaarwächter ; with a foreword by Lewis Foreman |
| title_short | Two centuries of British symphonism |
| title_sort | two centuries of british symphonism from the beginnings to 1945 a preliminary survey |
| title_sub | from the beginnings to 1945 : a preliminary survey |
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