Kinoto v Bălgarija: 2 1956 - 1969
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| Format: | Book |
| Language: | Bulgarian |
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VelikoTărnovo
Izdat. "Faber"
2015
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis Register // Personenregister Register // Sachregister Abstract |
| Item Description: | Zsfassung in engl. Sprache u.d.T.: Cinema in Bulgaria |
| Physical Description: | 493 S. Ill. |
| ISBN: | 9786190001997 |
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MARC
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| 500 | |a Zsfassung in engl. Sprache u.d.T.: Cinema in Bulgaria | ||
| 648 | 7 | |a Geschichte 1956-1969 |2 gnd |9 rswk-swf | |
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Record in the Search Index
| _version_ | 1806960855705714688 |
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| adam_text |
Вместо увод. 3 Промяната, надеждите, разочарованията. 1956-1962 . 9 Драмата на българския преход. . 10 Отложената промяна.
1962-1969. 75 Часът на дебатите. 162 Анжел .
. 178 Валери Петров . . 197 Павел
Вежинов. . 213 Богомил Райнов. 228 Христо Ганев и Бинка
Желязкова. 237 Рангел Вълчанов. 264 Христо Писков и Ирина
Акташева. 290 Никола Корабов. 308 Борислав Шаралиев. 327 Въло
Радев. Методи Андонов. 348 367 Димо
Коларов. 390 Атанас Тасев. 404 Апостол Карамитев. . 416 Георги Калоянчев. .'. 430 Невена Коканова. 444 Тодор Динов. 458 Христо . . Заключение. 469 477 Cinema in Bulgaria. Part 2 (1956-1969) (Summary). 480 Показалец на филмите и сценариите. 485 Показалец на имената. 490
Показалец* на илъената _ л Айзенщайн, Сергей - 385 Akmateßa, Ирина - 27, 56, 57, 61, 69,164,175, 290-307, 396 Алурков, Георги - 65, 144, 145, 351 Ангелов Димитър -190 Ангелушев, Борис-437 Андонов, Иван - 141, 225, 282, 322 Андонов, Методи - 111, 167, 230, 233, 235, 367-89,397, 424, 426 Андрейков,
Тодор -170 Антов, Георги -152 Арнаудов. IOpu - 127, 152 Б Барух, Арман - 13 Берберов, Христо - 92,170 Бинев, Николай - 237 Богданов, Пенчо - 141, 465 Божанова, Корнелия - 269 Борис Трети, цар - 358, 360 Ботев, Христо -131 Бояджиева, Лада -115 Бранев, Георги - 340 Бранев, Веселин - 340, 361 Братанов,
Иван - 244 Бруно, Джордано - 441 Буйнозов, Димитър - 244 Бъчварова, Радка - 140, 141, 465 Бъчварова, Свобода - 82, 150, 216 В Вазов, Януш -115 Василев, Орлин - 179, 181 Василев, Петър -132,216,225,391, 392,420,433 Василиев, Сергей -127 Вачев, Васил - 353 Вачков, Григор -160 490 Вежинов, Павел - 51,
83, 104, 109, 160, 198, 213-27, 456 Вагенщайн, Анжел - 51, 81, 113, 132, 178-96, 345, 456 Вагенщайн, Емил - 65 Вайда, Аджей - 58 Вапцаров, Никола - 380 Велев, Любен - 84 Веселинов Иван - 140, 464 Видински, Кирил - 116 Волф, Конрад - 183,186,188 Вълчанов, Рангел - 31, 31, 35, 38, 42, 58, 61, 66, 69,
70, 71, 86,113,121,132,150, 206, 210, 231, 235, 264-89, 391, 392, 393, 394, 396, 435, 438, 440, 449 Г Ганев, Христо - 23, 24, 27, 36, 39, 42, 61, 94, 118,119,150, 237-63 Генов, Антоний - 342 Генчев, Генчо -182 Георгиев, Георги - 366 Георгиев-Гец, Георги - 237, 344 Герасимов, Сергей - 58 Геринска,
Веселина - 150, 158 Гетов, Милен - 230 Гиндева, Виолета - 366 Горанов, Кръстьо -174 Горчев, Антон -
322, 387 Гоя, Франциско - 188, 189 Григориев, Константин -152 Григоров, Митко -124 Грозев, Александър -17 Гръбчева, Иванка -168 Гръбчева, Митка - 362 Гуляшки, Андрей -104 Гяуров, Николай - 323
Поко^алеи^ на имената A И Даковски, Дако - 46,127 Данаилов, Георги - 346 Данаилов, Стефан - 160, 277, 322, 366 Дановски, Боян - 264 Даскалов, Ст. Ц. - 46,104 Джагаров, Георги - 103,112, 372 Джидров, Константин - 98 Димитрова, Блага - 35, 69,104,106, 300, 304, 456 Димов, Димитър - 96, 311, 349, 363,
456 Дишлиев, Радко - 342 Добчев, Иван - 436 Динов, Тодор - 104, 136, 137, 138, 139, 167, 458-68, 469, 471, 472 Дисни, Уолт - 136, 460 Дойчева, Зденка - 140,141 Донев, Доньо - 140, 141, 464 Донев, Петър - 290, 405 Дончев, Антон - 35 Дудов, Славчо - 301 Дуков, Стоян - 140, 141, 464 Дюлгеров, Георги
-168 Игнатовски, Владимир - 161 икономов, Владислав - 146,163,167, 225 Е Енчев, Бурян - 309 Ж Жандов, Захари - 77, 79,117,118,143,144,181, 182,225 Желязкова, Бинка - 23, 24, 27, 36, 39, 42, 61, 66, 69, 71,105,118,122,150,175, 237-63 Живков, Тодор - 24, 75,125,126,172,174, 346 3 Загорчинов, Стоян
-127 Заимов, Владимир - 83, 357, 358, 359, 360 Зарева, Весела -150 Захариев, Едуард - 116, 146, 163, 164, 167, 168, 370 Зафирова, Илка - 87, 277 Зидаров, Камен -104 Й Йовков, Йордан -104 Йорданов, Руденко - 306 К Калатозов, Михаил - 58 Калик, Михаил - 91 Калоянчев, Георги - 66, 87,113, 277, 280,309,
430-43 Калчев, Камен - 69 Караиванов Илия - 342 Карамитев, Апопстол - 66, 111, 374, 375, 416-29, 433, 434 Караславов, Георги - 103,104 Карастоянов, Бончо - 349 Кирков, Людмил - 215, 370, 394, 449, 456 Ковачев, Олег - 425 Ковачев, Христо - 144,145,146,150 Коканова, Невена - 66, 97, 100, 277, 314,
353, 366, 444-57 Коларов, Димо - 35, 65, 351, 390-403 Константинов, Алеко - 437 Константинов, Евгени - 160,
216, 428 Константинов, Константин - 325 Конфорти, Лео - 274 Корабов, Никола - 14, 66, 73, 84, 96, 97, 130, 131,175,308-26, 456 Коцев, Венелин - 76,124 Коцев, Константин - 374, 375 Кристанов, Оскар - 146,150 Кюлюмов, Костадин - 160, 316 Кюркчийски, Красимир - 342 Л Лангхоф, Волфганг - 96 Любомиров, Никола - 208, 210 491
Atekcangbp Грошев ^^ Киното в България. Част II (1956-1969) Μ Манов, Емил - 42, 54 Маринович, Антон - 77,182, 237 Марков, Георги - 103, 104, 160, 216, 240 Маркович, Раде - 100, 353 Матев, Йордан - 97 Матев, Павел -175 Мейцов, Роман -142 Милев, Неделчо - 170 Мирчев, Васил - 146, 150,163, 167
Михайлов, Михаил - 100, 353, 366 Мишев, Георги - 35,168, 456 Молхов, 1ко-169,172 Монов, Тодор - 51, 56, 394 Мундров, Дучо - 42, 309, 394 Мунк, Анджей - 58 Н Найденова, Вера -170 Наумов, Георги -269 Никифоров, Николай - 345 Николов, Маргарит - 168, 218, 225 Николов, Милен -168 Николова, Пепа - 247
Ничсв, Иван - 150,168, 225, 406, 436, 441 О Обрешков, Александър -152 Обрешков, Константин -152 Оливер, Хаим - 87 Остриков, Иван - 339 Островски, Гриша - 106,167, 370, 449, 456 П Павлов, Иван - 208, 210 Павлов, Константин - 35, 389, 456 Павлов, Тодор - 83 Панов, Аспарух - 472 Папазов, Боян - 344
Паскалева, Катя - 322, 387 Пасков, Виктор - 346 Пауновски, Иван - 92 Пейчев, Стефан — 98 492 Пенев, Пеньо - 51 Пенчева, Аня - 366 Петелски, Чеслав - 58 Петков, Найден - 65 Петров, Валери - 31, 33, 34, 35, 38, 42, 51, 52, 58, 61, 69, 88,138,156,159,191-212, 260, 267, 271, 271, 273, 282, 334, 335,
395, 407, 424, 425, 461 Петров Димитър - 175, 406 Петров, Емил -172 Петров, Ивайло - 96 Пиронков, Симеон - 66 Писарев, Павел-124 Писков, Христо - 27, 56, 57, 61, 66, 69, 77, 164,175, 290-307, 396 Пламенов, Валентин - 326 Попов, Васил - 130,132, 317 Попов, Джон - 64 Пройков, Пройко - 140, 465 Пунчев,
Борислав - 145,146 Р Радев, Въло -14, 65, 66, 73, 83, 84, 98, 99,100, 101,102, 324, 348-66, 406, 449, 456 Радева,
Емилия - 244 Радичков, Йордан - 35, 71, 103, 104, 106, 252, 466 Райнов, Богомил - 35, 103, 109, 111, 228-36, 276, 371, 374, 378, 379, 380, 424 Ралин, Радой - 148,149,150,151 Рашев, Емил - 79, 349 Рене, Ален - 274 Ром, Михаил - 58, 329 Русев, Никола -157 Русева, Мария - 340 С Сантов, Христо - 76,172 Санча, Хосе - 65 Светослав Тертер -135 Свиленов, Атанас -170 Симеонов, Богомил - 244 Слабаков, Петър - 56, 66, 295 Смоктуновски, Инокентий - 361
noknjateit на имената Сотиров, Николай - 366 Сталин, Йосиф - 9 Стайков, Людмил - 456 Станев, Емилиян - 42, 96, 98, 99, 101, 102, 320,331,351,353,456 Станев, Любен - 14, 51, 83,198, 309, 357 Станимирова, Недка - 119,170 Стефанов, Иван - 69,170 Стоев, Стоян - 342 Стоянов, Георги - 146, 150, 163, 164,
165, 166, 167,168, 225 Стоянов, Захари - 340, 341 Стоянов, Тодор - 65,106, 354 Стоянов, Юли - 146, 150 Стоянович, Иван - 274 Странджев, Коста - 51, 54 Сърчаджиев, Йосиф - 366 Сърчаджиев, Стефан - 416 Т Талев, Димитър - 103, 104,105,127, 465 Тасев, Атахас - 342, 404-15 Терзиев, Иван - 150,167, 230
Тирлова, Хермина - 472 Томова, Райна - 363 Тончева, Доротея - 366 Топузанов, Христо - 140, 465, 469-76 Тошева, Невена -146 Трнка, Иржи - 472 Тургенев, Иван - 348 Ф фелини, Федерико - 288 Филип, Жерар - 418 Филипов, Филип -116 Финци, Ицхак- 279 Фейхтвангер, Леон -188 фоков, Кристиян - 322 Фучеджиев,
Дико - 103,116 X Хайтов, Николай - 35,155, 324, 365, 381, 466 Ханчев, Веселин - 198, 467 Хеския, Зако - 209, 210, 216, 218, 225, 226 Холиолчев, Васил - 65, 79, 349, 351 Хофман, Е. Т. - 262 Христов, Христо - 104, 167, 175, 225, 226, 406, 413, 465, 465 Хрушчов, Никита - 9, 75 Хуциев, Марлен -19 ц
Цанев, Стрфан - 69 Цанков, Вили - 82 Ценев, Атанас - 339 Цолов, Любен -152 Цонев, Коста - 236, 279 Ч Червенков, Вълко - 11, ПО Черкелов, Георги -160 Чернев, Григор -170 Чернев, Неделчо - 155,157,160, 215, 402 Чилингиров, Стилиян -127 Чухрай, Григорий - 19, 58 Ш Шаралиев, Борислав-42, 77,
88,150,155,156, 159,182,195, 210, 327-47, 406, 424 Шарланджиев, Любомир - 55, 81, 112,160, 213, 223,225,
372,406,419,406,419,446,449,456 Шиндо, Кането - 91 Шишкова, Людмила -146 Шопов, HayM - 66, 236, 353, 358, 360, 366 Ю Юсов, Вадим - 322 Я Явашев, Анани - 249 Якимов, Яким - 175, 223, 225 Янакиев, Александър -130 Янков, Янко - 54, 55, 79, 82 Янчев, Владимир - 79,149,175, 420 493
Показалец на филмите и сценариите А А бяхме млади - 24, 39-42, 45, 58-60, 63-66, 69-71, 91, 228, 244-247, 249, 251, 290, 292, 351,477 А днес накъде? - 282, 288 А сега накъде? - 282, 288 Адаптация - 363, 364 A3 не живея един живот - 322, 323 Ако не иде влак -163,164, 370 Апостолите - 340, 406, 412
Анкета - 51, 60, 77,104 Антонивановци -143 Везни - 216 Веселякът - 264 · Веселяци -141 Вестник-герой -179 Веригата - 77, 81,187,188, 191 Внимателното ангелче - 460 Всичко е любов - 343, 344, 345 Всичко от нула - 203, 208 Втора рота - 216 Вула - 73, 84, 93, 315, 316, 324 Вълчицата - 71, 86, 87, 277,
278, 282, 391, 396,440 Вятърната мелница - 21 Б Г База на мъртвите - 59 Бай Ганьо - 436 Бай Ганьо тръгва из Европа - 436 Балада 3а войника - 19, 59 Бариерата - 216, 226, 227, 406, 411, 412 Барутен буквар - 466 Басейнът - 260, 261, 262 Бедната улица -24, 42, 45, 58, 63, 65, 72, 250, 292, 293, 301,477
Бон шанс, инспекторе! - 441 Борис Първи - 192,195, 345 Боянският майстор (док) - 470 Букет звезди -141 Бъди щастлива, Ани! - 21, 42, 445, 446 Бягство в Ропотамо - 284 Бялата стая - 111-15,167, 229, 233-36, 269-78, 380, 381, 398, 424-28 Г. С. Раковски - 470 Гайда - 262 Галилео Галилей - 441 Гео Милев
-143 Гераците - 20, 95 Героите на Шипка - 21, 417 Главата горе, Командоре! - 69, 211 Гневно пътуване - 319 Г-н Никой - 109,167, 229, 230, 236 Години 3а любов - 348, 444, 445, 446 Големанов - 20, 95 Голият остров - 91 Голямата скука - 230, 369, 379 Голямото нощно къпане - 261, 262 Горещо пладне -104
Гоя -188,195 Грехът на Малтица - 466 Гръмоотводът - 138, 462, 463 В В навечерието - 20, 348 В тиха
вечер - 48, 45, 331, 445, 446 Вар -146 Васката - 155-57, 203, 206, 334, 335 Д Данка - 21 Двама в новия град - 69 Двама под небето - 53, 65,187,188, 332, 422 485
Александър Грошев ^^ Киното ß България. Част II (1956-1969) Две победи - 182, 237, 264, 331, 444 Двойна примка - 406 Девет - цифра на кобрата - 406 Делюнът на империята - 401 Денят не си личи по заранта - 235 Дервишово семе - 324, 365 Десетият кръг - 262 Джеси Джейлш срещу Локум Шекеров - 282
Димитровградци - 21, 46, 309, 348, 431 Дни -146 До града е близо - 81 Допълнение към ЗЗД -190,195, 455 Другарска среща -146 Дрямка - 146, 163 Дупката - 141 Дърво без корен - 406, 412, 413, 456 /\яволът в църквата - 262 Е Един ден в София - 144 Един забулен свят - 144 Един наивник на средна възраст -
230, 235 Един снил\ачен ден - 159, 203, 208, 334, 335, 336, 406, 410, 242, 425 Една българка - 20, 95 Една жена на 33 - 406, 414 Е3оп - 113-15,132,189,190, 279, 280, 282, 435 Екипажът на „Надежда“ - 264 Еоломея -188 Епиграма - 462 Есен - 405 Есперанца - 282 Етюд -146 Ж Женски батальон - 69 Животът
си тече тихо. - 23-25, 36, 58, 63, 85,117-20, 238, 241-47, 251, 477 3 За къде пътувате? - 282, 288, 441 Завръщане -116,122 Записки по българските въстания - 340, 341, 342 486 Зарево над Драва - 216, 225, 441 Звезди - 24, 45,183-87,191, 290, 477 Звезди в косите, сълзи в очите -192,194, 195 Зелени
звезди - 60 Зелш - 95 Златният зъб - 21, 48, 77, 86 И И ще идвам в съня ти - 69, 301 Ивайло-77,129,130 Иван Кондарев - 319-24 Изгори, за да светиш - 402 Изгонен от рая - 402 Икар и гравитацията - 476 Иконостасът - 105,167, 406, 410, 413, 465, 466 Инкогнита - 227 Инспекторът и нощта - 71, 77, 86,
229-36, 276-78, 282, 391, 396, 438, 440, 449, 450, 451 Й Йо-хо-хо - 203, 208 К Калоян - 21,127-30 Камионът -
406, 412, 413 Капитан Петко Войвода - 402 Като песен - 301, 302, 304 Капитанът - 77 Киностършел -137, 460 Кит - 435, 436 Князът -139,130,133 Козият рог - 369, 380-88, 399, 400 Командирът на отряда - 394 Коминът -146 Конникът - 51 Концерт 3а флейта и момиче -191 Копнежи по белия път - 326 Корените на изгряващото слънце - 364 Кравата, която. - 475
Показалец на филмите и сценариите Крадецът на праскови - 73, 96, 98,100-03, 351-55,441,451,452 Крадци на велосипеди -199 Краят на пътя - 21, 48, 86 Куче в чекмедже - 406 Къщи-крепости -141 Л Лабакан - 20 Лавина-300, 305, 306 Ламята - 465 Лачените обувки на незнайния войн - 69, 273-75,278-79, 286-88
Легенда 3а любовта - 20, 25, 417 Легенда 3а Паисий - 77,129,130 Летят жерави - 19, 59 Лице - 301 Лице-опако - 262 Лице под маска - 280 Любимец 13-20, 48, 420, 421 Люпилня -146 Μ Магарето -146,163 Малката - 309-11, 324, 431 Малки тайни -188 Малкият - 262 Малкият принц -188 Малкото Анче - 460
Маргаритка - 51, 60 Маргаритка (ан) -138, 462, 463 Масичката - 476 Матриархат - 455 Между релсите - 77, 81, 82 Меко казано - 208 Миналата година в Мариенбад -274 Момчето си отива - 450 Мъже -104,167 Мъже в командировка - 450 Мълчаливите пътеки -167 Н На всеки километър - 94,159-61, 215-16, 225 На
живот и смърт - 190,191, 402 На малкия остров - 24, 25, 30-38, 45, 58,59, 63, 65, 70, 91,121, 203, 228, 264-69, 290, 292,310, 391-94, 477 На малкото летище - 52, 69, 211, 268 На тихия бряг - 48, 77, 86 Наковалня или чук - 406, 413 Най-добрият човек, когото познавам - 452, 453 Най-дългата нощ - 73,
361, 364 450 Нани-на - 262 Наука и техника -152 Наша земя - 182, 431 Не си отивай! - 450 Небето на Велека - 116,122 Невероятна история - 149, 282, 435 Незавършени игри - 77, 81 Немирната птица любов - 283, 288 Необходимият грешник - 339 Непримиримите - 63, 77, 81, 82, 89 Неспокоен дом - 104,109,
214, 222, 223 Неспокоен път - 17, 46 Никола Вапцаров - 308, 323 Новости от селското стопанство - 152 Ножичка и
момченце - 474, 475 Нощем по покривите - 262 Нощем с белите коне - 216, 226, 227 Нощта срещу 13-ти - 21, 48, 421 Няма нищо по-хубаво от лошото време 236, 369, 378-80, 384 О От едно до десет - 476 От 1 до 8-146 Обич-452, 453, 456 Опасен полет - 48 Опашката на славея - 472 Орисия - 324, 325 Осъдени души - 363 Отклонение -106,107,167, 370, 449, 451, 452,456 Откъде се знаем? - 203, 208 Отровни цветя - 365 Очакване - 339 . 487
Агександър Fpojeß ^^ Киното в България. Част II (1956-1969) П Р Разходка с ангела - 203, 208 Паиза -199 Ребро Адамово -17,182,183, 237, 431 Парад-473, 474, 475 Ревност - 132, 462, 463 11арижки дъжд - 467 Реквием 3а една мръсница - 230 Паролата - 81 Релси в небето -146,163 1 Iapmuzanu (виж „Животът
си тече Рицар без броня - 88, 89, 203, 207, 211, тихо.“) - 237 334-35, 406, 407, 424, 425 11арцалът - 262 Русият и Гугутката - 156,157, 435 Песен За човека - 31, 237, 264, 330, 331, 457 1 Iemuama от РМС - 143 С 11етльова пара - 141 11лснено ято - 24, 42, 45, 60, 63, 65, 290, 351 С дъх на бадеми -
109, 214, 222, 223, 406, 407, 11льонтек - 345, 346, 347 449, 455 1Говерие 3а белия вятър - 326 С любов и нежност - 203, 208, 284 11овест 3а Родината - 143 Само ти, сърце - 306 1 log игото - 21, 95, 127, 417, 441 Сафари - 262 1 loom и Пегас - 262 Сбогом, приятели! - 337, 338, 339, 406 11околение - 59
Сватбите на Йоан Асен - 426, 429 1юнсделник сутрин - 57, 72, 85,122,124,164, Свобода или смърт - 73, 93,131-32, 317, 318 296-303, 306, 396 Светлини и хора - 144,145 Последната дул\а - 257, 258, 261 Светлините на София - 146 11оследни желания - 285, 288 Седмичен кинопреглед - 148,149 11оследният рунд
- 21, 48, 51, 60, 394 Село край завод -104 11разник на надеждата - 252 Селцето - 389 Привързаният балон - 71,105,106,122-24, Семейство Калинкови -155 244,252-56, 435. Септемврийци - 21, 31,182,190,195 Призованият не се яви -167 Симфониета -146 Призори-53 Сиромашка радост - 20, 95 Приказка 3а
боровото клонче - 461, 462 Сламеният човек - 262 Приключение - 462 След края на света - 192-95, 441
Приключение в полунощ-48, 77,104 Следователят и гората - 284 Произшествие на сляпата улица - 215, 225 Следите остават - 213, 216, 220, 221 Прокурорът - 112-15,122, 372 Случаен концерт - 20, 60 Пролет на улица „Крайречна“ - 19 Случаят Пенлеве -164,165 IIpoxemeü -137, 463 Слънцето и сянката - 60, 63, 65, 70, 89, 91, Просешко трио - 262 203, 205. 206, 228, 268-73, 351, 391, 395, 477 Процесът - 104, 214, 222, 223 Слънчев удар - 304, 305 Птици и хрътки -164,165 Смирненски -143 Първи урок - 24, 42, 45, 63, 65, 70, 203, 204, Смърт няма - 53-57, 65, 77, 293, 294, 296, 268, 269, 272, 276, 391, 395, 438 299 Първият куриер -129 Снаха - 95 Пътешествие между два бряга - 279, 286, Снежният човек -141 391 Сол-146,147,163 488
/lokajiLteu на филиите и сценариите Специалист по всичко - 21, 48, 217, 225, 420, 421,433,435 Спомен За близначката - 452, 453, 455 Среднощна среща - 51, 77, 445 Старинната люнета - 48, 282 Стихове - 216 Стръмната пътека - 54, 299, 445 Събеседник по желание - 406 Сърце човешко - 406 Т Тайната вечеря
на Седмаците - 46 Танго -104,167 Тайфуни с нежни имена - 230, 235 Тест’88-406 Това се случи на улицата - 17,19, 213, 220, 419 Той не умира - 143 Точка първа (от дневния ред) - 17, 199-202, 206, 207, 431 Тревога - 31,117,118,179,180,181 Трета след слънцето - 225 13 дни - 81, 83,129 Тримата глупаци
-141 Тримата от запаса - 216, 225 Трите смъртни гряха - 455 Толкова ли съм лош? - 146 Тъпанът - 467 Търси се спомен - 274, 275, 282 Тютюн - 65, 73, 77, 89, 96-103, 311, 313, 315, 324, 349,355, 447-49, 465 У Ударът - 345 Умирай само в краен случай - 230, 235 Урокът на историята - 431 Урок по цигулка
- 476 Утро над Родината - 21, 46, 416, 431 Ф фалшификаторът от „Черния кос“ - 402 фатална нежност - 285, 288 Филмова орис - 323 Фокус - 147-151,172, 282 X Хаим Боаз -179 Хайдушка клетва - 20, 21, 24, 391, 392, 417 Характеристика - 406 Хипотеза - 262 Хитър Петър - 20, 48 Хора без Костюми - 69 Хора и
бури - 146 Хора сред облаците - 144 Хроника на едно убийство - 188 Хроника на чувствата - 53, 54, 55, 65, 299 ц Цар и генерал - 73, 83, 89, 356-59, 364 Цар Иван Шишман - 104,129,130 Царска милост - 83 Цахес - 262 Циклопът - 456 Ч Черната река - 51, 53, 65, 77 Черните ангели - 73, 362, 364, 406, 411,
412 Четиридесет и първият - 19 Човекът в сянка - 48 Човек върви след слънцето - 91 Човек на релсите
- 59 Човекът с летните кънки - 211 Чуй петела - 452, 453 Ш Шанс - 280 Шатрите горят -144 Шведските крале - 370 Шибил -104 Щ Щъркелите -146,163 Ю Юлия Вревская - 319, 322 Юнак Марко - 459, 460 Я Ябълката - 138, 462, 463 489
Cinema in Bulgaria. Part 2 (1956-1969)_ _ Summary he watershed period of the recent past marked by sharp the late fifties and the ear ideological and class conflicts, as ly sixties was one of the most to dy provoke the consciousness of namic stages in the development the members of the audience by of the Bulgarian cinema. In the raising topical (pestions about the span of only a few years it made a moral integrity and determination great qualitative leap forward and of the individual and the belief in established its artistic identity and the ideal. The characters of those originality of thinking. The peri films rebel against the erosive ef od saw a series of frank and bold fects of alienation, suspiciousness films which adopted a new ap and the consumerist attitude to proach to the anti-fascist resistance life. In this sense, those films per of the people - one that changed formed a healthy ethical function the subject with topical moral and and filled in their own way the ethical messages. The monumental void created by lack of films deal and ornamental style of the previ ing convincingly with the prob ous years was replaced by a more lems of contemporary life. It is true that the Bulgarian down-to-earth approach which brought to the fore ordinary peo film industry was turning out ap ple who had assumed the responsi proximately equal numbers of bility of class warfare in the name anti-fascist films and films about of their ideals. Such films as ON A contemporary life, but the latter SMALL ISLAND (dir. Rangel Val- had to get rid of the
moralizing chanov, scr. Valeri Petrov), STARS tone, the schematic approach and (dir. Konrad Wolf, scr. Angel Wa the one-dimensional conflicts, and genstein), POOR MAN’S STREET seek closer contacts with reality (dir. Hristo Piskov, scr. Peter Don- and the people, as well as estab ev), WE WERE YOUNG (dir. Bin- lish a cinematic style of their own. ka Zhelyaskova, scr. Hristo Ganev) Strange as it may seem, in their and CAPTURED SQUADRON approach and way of thinking (dir. Ducho Mundrov, scr. Emil the films about contemporary life Manov) were not so much intend made during the second half of ed to recreate events and images of the fifties and the early sixties were T 480
Cinema in Bulgaria. Part 2 (1956-1969) closer to the films of the preceding period as some of them still bore the mark of primitive formulas of dogmatism. Another aspect of change that was taking place in the Bulgarian cinema was the greater attention to problems of artistic form and style. The thematic breakthrough achieved by the abovementioned films was accompanied by inno vative explorations in the field of cinematic expression. The erro neous belief that form was of sec ondary importance and that the aesthetic significance of a film depended above all on its content was abandoned. The new artistic thinking was inextricably linked to the search for individual style and the use of a wider range of means of expression. Greater associative wealth of expression, a more fre quent use of metaphor in imagery and editing, the use of several nar rative levels, diversity in the use of rhythm and montage became the order of the day. The ascetism and stilted style of the past were gradu ally replaced by more sophisticated messages and complex psychologi cal portraits; the nonlinear narra tive was giving way to wealth and variety in the treatment of subject matter. The film-makers showed greater trust in the members of the audience as potential со-au- * thors who were not only capable of following the narrative with con centration and understanding, but could also discover hidden mean ings and relations for themselves. There is no doubt that all this raised the artistic level of the Bul garian cinema, and brought it into line with similar trends in the Bul garian
literature and art of that time. Bulgarian films managed to come out of their isolation, ap pear the international screen as an original artistic phenomenon and find a place in world cinema. Along the pioneers Zahari Zhandov, Anton Marinovich, Boncho Karastoyanov, Emil Rashev and Vassil Holiolchev, a new genera tion of film-makers such as Dako Dakovski, Rangel Valchanov, Binka Zhelyazkova, Borislav Sharaliev, Nikola Korabov, Hristo Piskov, Angel Wagenstein, Valeri Petrov, Hristo Ganev, Dimo Kolarov and others got established and contrib uted to the artistic evolution and maturity of our national cinema. This defining period was re markably rich in artistic develop ments. It proved that our young film industry could do more than just turn out films. The best films of that period made meaningful artistic discoveries using the rich imagery of the art of film. They sought to establish a rapport with the film-going public on the basis of intellectual empathy and com munity of views in dealing with complex narrative structures. This rapport between the film-makers and their audience did not de pend so much on the subject and the theme, as had been the case 181
Александър Ipojeß ^^ Киното в България. Част II (1956-1969) during the fifties, as on the style of expression and ideas requiring greater intellectual effort. The greater sophistication of the artistic message, attention to universally valid conflicts and problems, and the introduction of more adequate characteriza tion bolstered the public authority of the young Bulgarian cinema. Certain films began a dialog with other areas of our national culture and thus carved a niche for them selves in the nation’s cultural life as a whole, intertwining into its rich tapestry. The cinema was no longer on the fringes of cultural life but had found its place in the growth and evolution of the national cul ture. While these artistic progresses were under way, Bulgarian Cine matography was being equipped with modern production facilities. The Film City near Sofia opened at the beginning of the sixties. Its production capacity - about ten feature films a year - correspond ed to the artistic potential of our cinema at the time and satisfied’ the demands of film distribution. Given these better production conditions, coupled with increased artistic potential, Bulgarian film-makers began to extend their range in an attempt to change the existing genre and thematic struc ture of the output and open up new artistic horizons. Of course the results did not always live up to expectations, but it was obvious that our cinema was moving in 482 the right direction. That made it possible to avoid the harmful con sequences of stagnation and self repetition, and enabled film-mak ers of each new
generation to ex press their attitude to reality. In view of the artistic amorphousness, schematics and underdevelopment of contemporary theme, Bulgari an Cinematography took particu lar care to encourage the making of films dealing with contempo rary subjects. Established authors were drawn into screenwriting, films featuring contemporary he roes were expected to meet high er standards, and inspiration and ideas were drawn from celebrated works of literature. In spite of some ups and downs, and the doubtful quality of some of the results, the con temporary theme began to get out of its rut, to shed the self-im posed stereotypes and artistic cli chés. Such films as THE STEEP PATH (dir. Yanko Yankov, scr. Kosta Strandzhev), TWO UNDER THE SKY (dir. Borislav Sharaliev, scr. Angel Wagenstein), THE INSPECTOR AND THE NIGHT (dir. Rangel Valchanov, scr. Bogo mil Raynov), SUN AND SHADOW (dir. Rangel Valchanov, scr. Valeri Petrov), THE SHE-WOLF (dir. Rangel Valchanov, scr. Hail Oli ver), THERE IS NO DEATH (dir. Hristo Piskov, scr. Todor Monov), and CHRONICLE OF THE SENTIMENTS (dir. Lyubomir Sharlandzhiev, scr. Todor Monov)
Cinema in Bulgaria. Part 2 (1956-1969) introduced into the Bulgarian cin ema the breath of life in the row, as well as the hopes and conflicts of ordinary people. Though hesitant ly, with artistic imperfections and a certain immaturity, the screen began to show authentic and de void of adornment contemporary life by portraying ordinary people in whose thoughts and actions the audience could recognize elements of their own existence. Though they possessed some of the char acteristics of thesis films, and their conflicts did not always seems suf ficiently convincing, without those films the Bulgarian cinema would not have been able to put across some of its subsequently move ar tistic powerful artistic messages and revelations so convincingly. Those films were in fact a stepping stone towards acute observations and deep discoveries that crystal lized into real achievements years later. MODAY MORNING (dir. Hristo Piskov and Irina Aktasheva, scr. Nikola Tiholov), A KNIGHT WITHOUT ARMOUR (dir. Bo rislav Sharaliev, scr. Valeri Petrov), THE WHITE ROOM (dir. Metodi Andonov, scr. Bogomil Raynov), SIDETRACK (dir. Grisha Ostro vski, scr. Blaga Dimitrova) and SWEDISH KINGS (dir. Lyudmil Kirkov, scr. Nikolay Nikiforov) were milestones in the efforts of the Bulgarian cinema to recreate contemporary reality. Apart from the photographic reproduction of reality, those films were concerned with the meaning of life and its honest and unmasked representa tion of reality. They contained not simply observations, but meaning ful conclusions about society and its evolution. The
imitation of life was replaced by full-blooded char acters and conflicts involving some of the essential problems of exist ence, and the system of human moral values. The makers of those films had managed to identify sig nificant conflicts reflecting the real contradictions in life: they probed into the inner world of our human ity to better comprehend the ways of thinking and the moral views of the characters. It is this kind of ap proach that is responsible for the poignancy of those films, their so cially committed attitude against consumerism, misconceptions of maturity and cold egoism. Most of the films adopt a confessional tone which at times evolves into a mer ciless reexamination of the past. They owe their success to bold ar tistic ideas, the depth and maturi ty of cinematic thinking of their makers, and the significance of the problems they deal with. Along with the successful evolution of the contemporary theme, Bulgarian film-makers continued to take a keen interest in anti-fascist subjects. Their ar tistic approach to those themes also underwent interesting trans formations. Such films as Vaio Radev’s THE PEACH THIEF, TSAR AND GENERAL and THE 483
Агександър Ipojeß ^ Киното в България. Част П (1956-1969) LONGEST NIGHT, Georgi Stojanov’s THE PENLEVE CASE and BIRDS AND GREYHOUNDS, and Lyubomir Sharlandzhiev’s THE CHAIN are notable for their more philosophical treatment of the historical material and the use of stylistic means that were new to our cinema. They included frank philosophical dialogues about the means and ends of political strug gle (TSAR AND GENERAL). They revealed, by means of grotesque, the deformity and spiritual desti tution of militarism (BIRDS AND GREYHOUNDS), and examined the existential implications of he roic deeds (THE CHAIN). These developments were expanding the traditional artistic range of the Bulgarian Cinema. They gave ev idence of the scope and depth of its processes and self evolution, and proved its ability to discover new horizons. At that time several generations of film-makers such Vaio Radev, Georgi Stoyanov, Ed ward Zhachariev, Metodi Andonov, Atanas Tassev, Todor Stojanov, Bo rislav Punchev, Emil Wagenstein and others were in the process of establishing their individual styles, thus helping to demonstrate the wealth of the artistic potential of the Bulgarian cinema and expand ing its stylistic range. In light of those indisputable achievements, the sixties may ap pear to be an uneventfully calm yet quite fruitful period. A closer 484 look at the film industry, however, reveals the complexity of the pro cess, the painful and contradictory artistic endeavours, and the vicissi tudes and failures in the realization of certain projects. Furthermore, during that decade, the
Bulgarian cinema underwent situations of crisis when it groped to discover an artistic alternative to mediocri ty and simplistic artistic thinking. Some of its setbacks were caused by the slavish imitation of import ed screen models which were alien to the artistic nature and traditions of the Bulgarian cinema. These situations occasionally generated tension and concern, and this was reflected in some of the films made during the period. However, this sort of problem is nat ural in the de velopment of any national cinema that seeks to establish its own iden tity while trying to ride the crest of the wave of world cinema. The young Bulgarian cinema was not immune to such moments of crisis, its own immaturity, the relatively small production capacity (about fifteen films a years in late sixties), and the change of generations and styles. Fortunately these moments of crisis were brief and there were always films which maintained high standards of artistic experi ence. That made even the skeptics realize that despite temporary set backs and difficulties our national cinema would continue to develop towards artistic maturity. |
| any_adam_object | 1 |
| author | Grozev, Aleksandăr Dimitrov 1945- |
| author_GND | (DE-588)1025201566 |
| author_facet | Grozev, Aleksandăr Dimitrov 1945- |
| author_role | aut |
| author_sort | Grozev, Aleksandăr Dimitrov 1945- |
| author_variant | a d g ad adg |
| building | Verbundindex |
| bvnumber | BV042620040 |
| ctrlnum | (OCoLC)913328213 (DE-599)BVBBV042620040 |
| era | Geschichte 1956-1969 gnd |
| era_facet | Geschichte 1956-1969 |
| format | Book |
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| geographic | Bulgarien (DE-588)4008866-2 gnd |
| geographic_facet | Bulgarien |
| id | DE-604.BV042620040 |
| illustrated | Illustrated |
| indexdate | 2024-08-10T01:09:17Z |
| institution | BVB |
| isbn | 9786190001997 |
| language | Bulgarian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028052768 |
| oclc_num | 913328213 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 493 S. Ill. |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Izdat. "Faber" |
| record_format | marc |
| spelling | Grozev, Aleksandăr Dimitrov 1945- Verfasser (DE-588)1025201566 aut Kinoto v Bălgarija 2 1956 - 1969 Aleksandăr Grozev VelikoTărnovo Izdat. "Faber" 2015 493 S. Ill. txt rdacontent n rdamedia nc rdacarrier Zsfassung in engl. Sprache u.d.T.: Cinema in Bulgaria Geschichte 1956-1969 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Bulgarien (DE-588)4008866-2 gnd rswk-swf Bulgarien (DE-588)4008866-2 g Film (DE-588)4017102-4 s Geschichte 1956-1969 z DE-604 (DE-604)BV040368960 2 Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028052768&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028052768&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Register // Personenregister Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028052768&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Register // Sachregister Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028052768&sequence=000007&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Grozev, Aleksandăr Dimitrov 1945- Kinoto v Bălgarija Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4008866-2 |
| title | Kinoto v Bălgarija |
| title_auth | Kinoto v Bălgarija |
| title_exact_search | Kinoto v Bălgarija |
| title_full | Kinoto v Bălgarija 2 1956 - 1969 Aleksandăr Grozev |
| title_fullStr | Kinoto v Bălgarija 2 1956 - 1969 Aleksandăr Grozev |
| title_full_unstemmed | Kinoto v Bălgarija 2 1956 - 1969 Aleksandăr Grozev |
| title_short | Kinoto v Bălgarija |
| title_sort | kinoto v balgarija 1956 1969 |
| topic | Film (DE-588)4017102-4 gnd |
| topic_facet | Film Bulgarien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028052768&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028052768&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028052768&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028052768&sequence=000007&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV040368960 |
| work_keys_str_mv | AT grozevaleksandardimitrov kinotovbalgarija2 |