Painting the modernization of China: the symbolic uses of the color red in Chinese cinema of the 1980s
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Artikel |
Sprache: | English |
Veröffentlicht: |
2013
|
Beschreibung: | Kapitel. National/Transnational ? Methodology -- "Misty socialist" film: color aesthetics in cinema from an art historical perspective -- Sadness between red land and grey city -- "The group in Red": social surveillance and individualization -- Suppression of regulation and enlightenment of the human mind -- In the name of gender: gender identities in color |
Beschreibung: | S. 107-117 |
ISBN: | 978-3-89472-763-5 |
Internformat
MARC
LEADER | 00000naa a2200000 c 4500 | ||
---|---|---|---|
001 | BV042617555 | ||
003 | DE-604 | ||
005 | 20250122 | ||
007 | t| | ||
008 | 150615s2013 xx |||| 00||| eng d | ||
035 | |a (DE-599)BVBBV042617555 | ||
040 | |a DE-604 |b ger |e rakwb | ||
041 | 0 | |a eng | |
049 | |a DE-M472 | ||
100 | 1 | |a Yu, Wan-Ting |d 1983- |0 (DE-588)105215803X |4 aut | |
245 | 1 | 0 | |a Painting the modernization of China |b the symbolic uses of the color red in Chinese cinema of the 1980s |c Wan-Ting Yu |
264 | 1 | |c 2013 | |
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a Kapitel. National/Transnational ? | ||
500 | |a Methodology -- "Misty socialist" film: color aesthetics in cinema from an art historical perspective -- Sadness between red land and grey city -- "The group in Red": social surveillance and individualization -- Suppression of regulation and enlightenment of the human mind -- In the name of gender: gender identities in color | ||
773 | 1 | 8 | |g pages:107-117 |
773 | 0 | 8 | |t Film- und Fernsichten / Katharina Klung ... (Hg.) |d Marburg, 2013 |g Seite 107-117 |k Film- und Fernsehwissenschaftliches Kolloquium ; 24 |w (DE-604)BV041118404 |z 978-3-89472-763-5 |
941 | |s 107-117 | ||
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-028050334 |
Datensatz im Suchindex
_version_ | 1821961682834948096 |
---|---|
adam_text | |
any_adam_object | |
article_link | (DE-604)BV041118404 |
author | Yu, Wan-Ting 1983- |
author_GND | (DE-588)105215803X |
author_facet | Yu, Wan-Ting 1983- |
author_role | aut |
author_sort | Yu, Wan-Ting 1983- |
author_variant | w t y wty |
building | Verbundindex |
bvnumber | BV042617555 |
ctrlnum | (DE-599)BVBBV042617555 |
format | Article |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000naa a2200000 c 4500</leader><controlfield tag="001">BV042617555</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20250122</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">150615s2013 xx |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV042617555</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-M472</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Yu, Wan-Ting</subfield><subfield code="d">1983-</subfield><subfield code="0">(DE-588)105215803X</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Painting the modernization of China</subfield><subfield code="b">the symbolic uses of the color red in Chinese cinema of the 1980s</subfield><subfield code="c">Wan-Ting Yu</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2013</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Kapitel. National/Transnational ?</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Methodology -- "Misty socialist" film: color aesthetics in cinema from an art historical perspective -- Sadness between red land and grey city -- "The group in Red": social surveillance and individualization -- Suppression of regulation and enlightenment of the human mind -- In the name of gender: gender identities in color</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">pages:107-117</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Film- und Fernsichten / Katharina Klung ... (Hg.)</subfield><subfield code="d">Marburg, 2013</subfield><subfield code="g">Seite 107-117</subfield><subfield code="k">Film- und Fernsehwissenschaftliches Kolloquium ; 24</subfield><subfield code="w">(DE-604)BV041118404</subfield><subfield code="z">978-3-89472-763-5</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="s">107-117</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028050334</subfield></datafield></record></collection> |
id | DE-604.BV042617555 |
illustrated | Not Illustrated |
indexdate | 2025-01-22T15:01:02Z |
institution | BVB |
isbn | 978-3-89472-763-5 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028050334 |
open_access_boolean | |
owner | DE-M472 |
owner_facet | DE-M472 |
physical | S. 107-117 |
publishDate | 2013 |
publishDateSearch | 2013 |
publishDateSort | 2013 |
record_format | marc |
spelling | Yu, Wan-Ting 1983- (DE-588)105215803X aut Painting the modernization of China the symbolic uses of the color red in Chinese cinema of the 1980s Wan-Ting Yu 2013 txt rdacontent n rdamedia nc rdacarrier Kapitel. National/Transnational ? Methodology -- "Misty socialist" film: color aesthetics in cinema from an art historical perspective -- Sadness between red land and grey city -- "The group in Red": social surveillance and individualization -- Suppression of regulation and enlightenment of the human mind -- In the name of gender: gender identities in color pages:107-117 Film- und Fernsichten / Katharina Klung ... (Hg.) Marburg, 2013 Seite 107-117 Film- und Fernsehwissenschaftliches Kolloquium ; 24 (DE-604)BV041118404 978-3-89472-763-5 |
spellingShingle | Yu, Wan-Ting 1983- Painting the modernization of China the symbolic uses of the color red in Chinese cinema of the 1980s |
title | Painting the modernization of China the symbolic uses of the color red in Chinese cinema of the 1980s |
title_auth | Painting the modernization of China the symbolic uses of the color red in Chinese cinema of the 1980s |
title_exact_search | Painting the modernization of China the symbolic uses of the color red in Chinese cinema of the 1980s |
title_full | Painting the modernization of China the symbolic uses of the color red in Chinese cinema of the 1980s Wan-Ting Yu |
title_fullStr | Painting the modernization of China the symbolic uses of the color red in Chinese cinema of the 1980s Wan-Ting Yu |
title_full_unstemmed | Painting the modernization of China the symbolic uses of the color red in Chinese cinema of the 1980s Wan-Ting Yu |
title_short | Painting the modernization of China |
title_sort | painting the modernization of china the symbolic uses of the color red in chinese cinema of the 1980s |
title_sub | the symbolic uses of the color red in Chinese cinema of the 1980s |
work_keys_str_mv | AT yuwanting paintingthemodernizationofchinathesymbolicusesofthecolorredinchinesecinemaofthe1980s |