Politics of erasure: from "Damnatio memoriae" to alluring void
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| Format: | Book |
| Language: | English |
| Published: |
Warsaw
Polish Institute of World Art Studies
2014
Toruń Tako Publishing House 2014 |
| Series: | Conferences and studies of the Polish Institute of World Art Studies
Vol. 13 |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Inhaltsverzeichnis Literaturverzeichnis |
| Physical Description: | 345 Seiten Illustrationen |
| ISBN: | 9788362737666 |
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| adam_text | POUSH INSTITUTE OF WORLD ART STUDIES
POLITICS OF ERASURE
FROM DAMNATIO MEMORIAE
TO ALLURING VOID
Edited by
Anna Markowska
Polish Institute of World Art Studies amp;Tako Publishing House
Warsaw-Toruri 2014
TABLE OF CONTENTS
Anna Markowska
Introduction 9
Damnatio memoriae
- oblivion as condemnation to death
Agata Kubala
Damnatio memoriae and Roman imperial art 15
Anna Gut
The condemnation of memory in the modern epitaphs of Central Pomerania 25
Joanna Filipczyk
Fine arts in the context of the degermanization in the region of Opolian Silesia after 1945 35
Piotr Bernatowicz
Removal of Communist monuments: obliteration of the past or healing the memory? 47
Forgetting Holocaust?
Agnieszka Klos
The disappearing memory of Birkenau A story of the power of nature 59
Eleonora Jedlinska
A nook at Wolborska Street, or expunged remains of Jewish culture in Lodz 73
Anna Markowska
Conspicuously absent Jews, alien environments: Polish artists Miroslaw Balka
and Rafal Jakubowicz on the Holocaust 81
6 Table of Contents
Fight for the reassessment of representation
as administering justice
Hadara Scheflan Katzav
Re-representation - critical art and the return of the repressed 91
Anna Zigbinska-Witek
Historical museums: between representation and illusion 97
Xanthi Tsifisi
Void, the art of erasure Representing absence in the Jewish Museum Berlin 107
Marta Smolinska
Jan Berdyszak Between paradigms of modernity or nowhere? Subjective remarks across
the post-war history of art in Poland 115
Lucia Popa
Removing Romania: the Western art world colonized by the East 125
Agne Narusyte
Memory of erased time in The Soldier s Diary by Lithuanian artist Gintaras Zinkevicius 131
Andrzej Jarosz
The absent ones - placing the post-war Wroclaw painting in the context of Polish art 143
Agata Soczynska
Marek Oberländer - a painter undesired by the time 157
Alicja Palgcka
Visualizing the other: ethnographic film as thick description 165
Jed Speare
Washing up memories: some strategies of Milan Kohout s performance activism 171
Tyranny of the visible
and the tyranny of the idea
Camelia Gradinaru
Visual tyranny as autopoiesis 183
Rafal Eysymontt
The town as a palimpsest Erasing and recovering the medieval town 191
Michal Zawada
Imaging iconoclasm 205
Jakub Zarzycki
Polish history painting in the second half of the nineteenth Century as a quasi-metanarrative
Visible tyranny of Idea? 213
Table of Contents 7
Zuzanna Ilnicka
Gerhard Richter s failing memory The October 18, 1977 and the need to allow doubt 221
Ma lgorza ta Ksenia Krzyzanowska
„Nothing is getting as old as modernity -ie why the trend for Nine Graphic Artists Group
has passed 225
Agnieszka Sinicka
Wilhem Sasnal s photophobia 235
Anna Stec
Anish Kapoor, Memory 241
Anna Sikora-Sabat
Romantic creation and socialist erasure: representation of Vincent van Gogh
in the printed media of the Peoples Republic of Poland 247
Ethos of deprivation or irrevocable ambivalence
Magdalena Zifba
Authenticity (aura) recycled Erasing originality in appropriation art 253
Rafalllnicki
Digital Lethe of transhumanism: weak mind uploading as erasure of individual
and collective memory 265
Agnieszka Bandura
Politics of replacing in New Romanticism 271
Katarzyna Bojarska
Spectrality and the possibility of seeing (loss)
Photography against the referentiality of history 281
Barbara Szczepaniak
Strategy of erasing, manipulation and destruction in photography
- interpretation Aneta Grzeszykowska s Album 287
Alicja Klimczak-Dobrzaniecka, Patrycja Sikora
Erasure Memory Exercises 301
TABLE OF CONTENTS Anna Markowska Introduction........................................................................................................................................ 9 Damnatio memoriae - oblivion as condemnation to death Agata Kubala Damnatio memoriae and Roman imperial art................................................................................... 15 Anna Gut The condemnation of memory in the modern epitaphs of Central Pomerania.............................. 25 Joanna Filipczyk Fine arts in the context of the “degermanization” in the region of Opolian Silesia after 1945.... 35 Piotr Bernatowicz Removal of Communist monuments: obliteration of the past or healing the memory?................ 47 Forgetting Holocaust? Agnieszka Kłos The disappearing memory of Birkenau. A story of the power of nature........................................ 59 Eleonora Jedlińska A nook at Wolborska Street, or expunged remains ofJewish culture in Łódź................................ 73 Anna Markowska Conspicuously absent Jews, alien environments: Polish artists Mirosław Balka and Rafał Jakubowicz on the Holocaust............................................................................................ 81
Table of contents 6 Fight for the reassessment of representation as administering justice Hadara Scheflan Katzav Re-representation - critical art and the return of the repressed....................................................... 91 Anna Ziębińska-Witek Historical museums: between representation and illusion.............................................................. 97 Xanthi Tsiftsi Void, the art of erasure. Representing absence in the Jewish Museum Berlin..................................107 Marta Smolińska Jan Berdyszak. Between paradigms of modernity or nowhere? Subjective remarks across the post-war history of art in Poland..................................................................................................115 Lucia Popa Removing Romania·, the Western art world colonized by the “East”.............................................. 125 Agnė Narušytė Memory of erased time in The Soldier’s Diary by Lithuanian artist Gintaras Zinkevičius............ 131 AndrzejJarosz The absent ones - placing the post-war Wroclaw painting in the context of Polish art................ 143 Agata Soczyńska Marek Oberländer - a painter undesired by the time.......................................................................157 Alicja Palęcka Visualizing the other: ethnographic film as thick description....................................................... 165 Jed Speare Washing up memories: some strategies of Milan Kohout s performance activism......................... 171 Tyranny of the visible and the tyranny of the idea Camelia Gradinaru Visual tyranny as
autopoiesis................................................................................................................183 Rafal Eysymontt The town as a palimpsest. Erasing and recovering the medieval town............................................191 Michal Zawada Imaging iconoclasm........................................................................................ 205 Jakub Zarzycki Polish history painting in the second half of the nineteenth century as a “quasi-metanarrative”. Visible tyranny of Idea?........................................................................................................................ 213
Table of contents 7 Zuzanna Unicka Gerhard Richters failing memory. The October 18, 1977and the need to allow doubt................221 Małgorzata Ksenia Krzyżanowska „Nothing is getting as old as modernity” - i.e. why the trend for Nine Graphic Artists Group has passed............................................................................................................................................. 225 Agnieszka Sinička Wilhem Sasnal’s photophobia..............................................................................................................235 Anna Stec Anish Kapoor, Memory........................................................................................................................ 241 Anna Sikora-Sabat Romantic creation and socialist erasure: representation of Vincent van Gogh in the printed media of the People’s Republic of Poland................................................................. 247 Ethos of deprivation or irrevocable ambivalence Magdalena Zięba Authenticity {aura) recycled. Erasing originality in appropriation art..............................................253 Rafał Unicki Digital Lethe of transhumanism: weak mind uploading as erasure of individual and collective memory........................................................................................................................265 Agnieszka Bandura Politics of replacing in New Romanticism.......................................................................................... 271 Katarzyna Bojarska Spectrality and the possibility of seeing (loss). Photography
against the referentiality of history............................................................................... 281 Barbara Szczepaniak Strategy of erasing, manipulation and destruction in photography - interpretation Aneta Grzeszykowskas Album................................................................................. 287 Alicja Klimczak-Dobrzaniecka, Patrycja Sikora Erasure. Memory Exercises ................................................................................................................. 301
8 Table of contents Alluring void Maria Magdalena Morawiecka Terra incognita. On cartographic silence on old maps (Middle Ages and the beginning of the Early Modern Period).......................................................317 Magdalena Worlowska “Let self-effacement be my way of blazing” - erasure in the vegetal works of Philippe Jaccottet and Bob Verschueren.......................................................................................................................... 323 Konrad Niemira Isolation / Erasure / Oblivion. An artwork in Marcel Proust s A la recherche de temps perdu.......329 Malgorzata Nieszczerzewska Erasure of time. Photographs of abandoned places................................ ..........................................337 Conferences and Studies of the Polish Institute of World Art Studies............................................... 346
344 Małgorzata Nieszczerzewska like a synonym of the Unknown and the Mystery, are captured and recorded for eternity by the use of a camera lens. Abandoned places in photographs “are” anew (“And there was light”), they move from non-existence to existence, the passing of time is symbolically stopped. This complementary contrast between light and shadow intensifies also, often intended, the effect of inscenization or theatralization of place. The “that has been” in the context of the photographs collected in the album Beauty in Decay makes place to the “that has been performed”. As a result of different aesthetic and technical measures these pictures I contrast to those mentioned above, lose their documentary dimension, their neutrality, nat ural character, impersonality and simplicity. Image undergoes a certain manipulation in this way. A photograph of an abandoned place is in this case, according to Pete Turner, not only an inscenization and a play, but also invention.59 In contrast to the former examples, photographs in the album Beauty in Decay are not signed. If we do not read the last page with the list of places and the names of au thors, we can be contended with the aesthetic re ception of the anonymous photograph. Therefore, we do not know the localisation and the history of the place. It is a universalized archive, an imagery of inconcrete and unnamed ruins. A singular image of a degraded place becomes in this case a pretext to creation of one’s own alternative history, an al ternative memory of a place, its past, present and even future. As Ian Douglas-Jones
writes, this kind of image reminds us that every place can become a ruin in the future. Therefore, it generates memory of inevitable evanescence.60 The photo archives of abandoned architecture are places where time has stopped. They are dis tinguished, like other archetypal archives (rooms with hundreds of shelves and drawers), by a spe cific quiescence, motionlessness and the accumu lation of many “asynchronic moments”. One may paraphrase the words of Marianne Hirsch and say that in these photographies we see buildings look ing ahead towards a future theye will never have. And the photograph’s temporal irony elicts here mourning and empathy.61 For Dylan Trigg aban doned places function both out-of-time, and out- 59 Soulages (2007: 85). 60 Douglas-Jones (2009). 61 Grant (2003: 64). of-place as well.62 In the above-mentioned context, the collections of photographs resemble a derelict place. Understanding both “that has been” and “that is actually being” as well, may be here only fragmentary, similar to a memory as a field where different times coexist - the time of the subject, of the photographer and of the viewer.63 Bibliography Buczyńska-Garewicz 2006 = Buczyńska-Garewicz, Hanna: Miejsca, strony, okolice. Przyczynek do fe nomenologii przestrzeni (Places, sides, areas. Intro duction to phenomenology of space), Universitas, Kraków 2006. Davidov 2003 = Davidov, Judith F.: “Narratives of Place: History and Memory and the Evidential Force of Photography in Work by Meridel Rubenstein and Joan Myers”, in: Phototextualities. Intersections ofPho tography and Narrative,
Alex Hughes, Andrea Noble (eds.), UNM Press, Albuquerque 2003: 41-62. Douglas-Jones 2009 = Douglas-Jones, Ian: “Urban Ex ploration and the Search for the Sublime”, 2009, http://www.i-n-d-j.eom/9.Writing/07-03-09_ SUBLIME/Urban%20Exploration%20and%20 the%20search%20for%20the%20sublime.pdf, viewed on 08 August 2013. Edensor 2005 = Edensor, Tim: Industrial Ruins. Spaces, Aesthetics and Materiality, Berg, Oxford - New York 2005. Edensor 2007 = Edensor, Tim: “Social Practices, Sen sual Excess and Aesthetic Transgression in Industrial Ruins”, in: Loose Space. Diversity and Possibility in Urban Life, Karen A. Franck, Quentin Stevens (eds.), Routledge, London - New York 2007: 234-252· Glinkowski 2008 = Glinkowski, Witold P.: Transcen dencje codzienności. Miejsca, spotkania, obsesje (Tran scendences of everyday life. Places, Meetings, Obses sions), Fundacja Anima Tygiel Kultury, Lodź 2008. Gliwicka 2012 = Gliwicka, Aneta: Urban exploration według blondynki (Urban exploration according to a blonde), 2012, http://www.babskasiiesia.pl/kariera-i-edukacja/urban-exploration-wedlug-blondynki.html, viewed on 08 August 2013. Grant 2003 = Grant, Catherine: “Still Moving Images: Photographs of the Disappeared in Films about the ‘Dirty War’ in Argentina”, in: Phototextualities. Inter sections ofPhotography and Narrative, Alex Hughes, 62 RomanyWG (2011). 63 Davidov (2003: 41).
Erasure of time. Photographs of abandoned places Andrea Noble (eds.), UNM Press, Albuquerque 2003: 63-88. Jasionowicz 2009 = Jasionowicz, Stanislaw: Pustka we współczesnym doświadczeniu poetyckim (Emptiness in contemporary poetic experience), Wydawnictwo Naukowe Uniwersytetu Pedagogicznego, Kraków 2009. Margaine, Margaine 2009 = Margaine, Sylvain; Mar game, David: Forbidden Places: Exploring our Aban doned Heritage, Jonglez Edition, 2009. Moss 2008 = Moss, Michael: “Opening Pandoras Box: What is an Archive in the Digital Environment ?” in: What are Archives? Cultural and Theoretical Perspec tives: A Reader, Louise Craven (ed.), Ashgate, Burl ington 2008: 71-87. Nieszczerzewska 2011 = Nieszczerzewska, Małgorzata: “Archiwum opuszczonych miejsc” (The archive of abandoned places). Kultura Współczesna, 2011, No. 4: 160-170. Riceour 2007 = Ricoeur, Paul: Pamięć, historia, za pomnienie (Memory, history, oblivion), transi, by Janusz Margański, Universitas, Kraków 2007. RomanyWG 2011 = RomanyWG : Beauty in Decay. The Art of Urban Exploration, Carpet Bombing Culture, 2011. Seamon, Sowers 2008 = Seamon, David; Sowers, Jacob: “Place and Placelessness, Edward Relph”, in: Key Texts in Human Geography: A Reader Guide, Phil Hubbard, Rob Kitchen, Gill Vallentine (eds.), Sage, London 2008: 43-51. 345 Simmel 2006 = Simmel, Georg; “Ruina. Próba este tyczna” (A ruin), in: Georg Simmel, Most i drzwi. Wybór esejów (Bridge and door. The Essays), transi, by Malgorzata Lukasiewicz, Oficyna Naukowa, War szawa 2006: 169-176. Sławek 2007 = Sławek, Tadeusz: “Genius loci jako doświadczenie.
Prolegomena” (Genius loci as an experience. Prolegomena), in: Genius loci. Stu dia o człowieku w przestrzeni (Genius loci. Studies about man in space), Zbigniew Kadłubek (ed.), Wydawnictwo FA-Art, Katowice 2007. Soulages 2007 = Soulages, François: Estetyka fotografii. Strata i zysk (Aesthetics of photography. Loss and profit), transi, by Beata Mytych-Forajter, Universi tas, Kraków 2007. Stiegler 2009 = Stiegler, Bernd: Obrazyfotografii. Album metaforfotograficznych (Images of photographs. The album of photographic metaphors), transi, by Joan na Czudec, Universitas, Kraków 2009. Tuan 1977 = Tuan, Yi-Fu: Space and Place. The Per spective ofExperience, Edward Arnold Ltd., London 1977. Żmudzińska-Nowak 2010 = Żmudzińska-Nowak, Mar ta: Miejsce. Tożsamość i zmiana (Place. Identity and change), Wydawnictwo Politechniki Śląskiej, Gli wice 2010. i
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| genre | (DE-588)4145395-5 Bildband gnd-content |
| genre_facet | Bildband |
| geographic | Polen (DE-588)4046496-9 gnd |
| geographic_facet | Polen |
| id | DE-604.BV042617485 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:06:00Z |
| institution | BVB |
| institution_GND | (DE-588)1026073936 |
| isbn | 9788362737666 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028050265 |
| oclc_num | 915465602 |
| open_access_boolean | |
| owner | DE-11 DE-255 DE-473 DE-BY-UBG DE-355 DE-BY-UBR DE-12 |
| owner_facet | DE-11 DE-255 DE-473 DE-BY-UBG DE-355 DE-BY-UBR DE-12 |
| physical | 345 Seiten Illustrationen |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Polish Institute of World Art Studies Tako Publishing House |
| record_format | marc |
| series | Conferences and studies of the Polish Institute of World Art Studies |
| series2 | Conferences and studies of the Polish Institute of World Art Studies |
| spelling | Politics of erasure from "Damnatio memoriae" to alluring void Polish Institute of World Art Studies ; edited by Anna Markowska Warsaw Polish Institute of World Art Studies 2014 Toruń Tako Publishing House 2014 345 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Conferences and studies of the Polish Institute of World Art Studies Vol. 13 Geschichte 1900-2000 Memory in art Art and state Art / Political aspects Art, Polish / 20th century / Themes, motives Art, Polish / 21st century / Themes, motives Art and state fast Art, Polish / Themes, motives fast Art / Political aspects fast Memory in art fast Kunst Politik Erinnerung (DE-588)4015272-8 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Kollektives Gedächtnis (DE-588)4200793-8 gnd rswk-swf Politik (DE-588)4046514-7 gnd rswk-swf Polen (DE-588)4046496-9 gnd rswk-swf (DE-588)4145395-5 Bildband gnd-content Kunst (DE-588)4114333-4 s Politik (DE-588)4046514-7 s Erinnerung (DE-588)4015272-8 s DE-604 Polen (DE-588)4046496-9 g Kollektives Gedächtnis (DE-588)4200793-8 s Markowska, Anna 1962- (DE-588)1140245562 edt Polski Instytut Studiów nad Sztuką Świata (DE-588)1026073936 isb Conferences and studies of the Polish Institute of World Art Studies Vol. 13 (DE-604)BV042617471 13 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028050265&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München 25 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028050265&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München 25 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028050265&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis |
| spellingShingle | Politics of erasure from "Damnatio memoriae" to alluring void Conferences and studies of the Polish Institute of World Art Studies Memory in art Art and state Art / Political aspects Art, Polish / 20th century / Themes, motives Art, Polish / 21st century / Themes, motives Art and state fast Art, Polish / Themes, motives fast Art / Political aspects fast Memory in art fast Kunst Politik Erinnerung (DE-588)4015272-8 gnd Kunst (DE-588)4114333-4 gnd Kollektives Gedächtnis (DE-588)4200793-8 gnd Politik (DE-588)4046514-7 gnd |
| subject_GND | (DE-588)4015272-8 (DE-588)4114333-4 (DE-588)4200793-8 (DE-588)4046514-7 (DE-588)4046496-9 (DE-588)4145395-5 |
| title | Politics of erasure from "Damnatio memoriae" to alluring void |
| title_auth | Politics of erasure from "Damnatio memoriae" to alluring void |
| title_exact_search | Politics of erasure from "Damnatio memoriae" to alluring void |
| title_full | Politics of erasure from "Damnatio memoriae" to alluring void Polish Institute of World Art Studies ; edited by Anna Markowska |
| title_fullStr | Politics of erasure from "Damnatio memoriae" to alluring void Polish Institute of World Art Studies ; edited by Anna Markowska |
| title_full_unstemmed | Politics of erasure from "Damnatio memoriae" to alluring void Polish Institute of World Art Studies ; edited by Anna Markowska |
| title_short | Politics of erasure |
| title_sort | politics of erasure from damnatio memoriae to alluring void |
| title_sub | from "Damnatio memoriae" to alluring void |
| topic | Memory in art Art and state Art / Political aspects Art, Polish / 20th century / Themes, motives Art, Polish / 21st century / Themes, motives Art and state fast Art, Polish / Themes, motives fast Art / Political aspects fast Memory in art fast Kunst Politik Erinnerung (DE-588)4015272-8 gnd Kunst (DE-588)4114333-4 gnd Kollektives Gedächtnis (DE-588)4200793-8 gnd Politik (DE-588)4046514-7 gnd |
| topic_facet | Memory in art Art and state Art / Political aspects Art, Polish / 20th century / Themes, motives Art, Polish / 21st century / Themes, motives Art, Polish / Themes, motives Kunst Politik Erinnerung Kollektives Gedächtnis Polen Bildband |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028050265&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028050265&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028050265&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV042617471 |
| work_keys_str_mv | AT markowskaanna politicsoferasurefromdamnatiomemoriaetoalluringvoid AT polskiinstytutstudiownadsztukaswiata politicsoferasurefromdamnatiomemoriaetoalluringvoid |
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