Words in action: forms and techniques of film dialogue
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Bern
Peter Lang
[2015]
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Einführung/Vorwort Inhaltstext Inhaltsverzeichnis |
Beschreibung: | vii, 223 Seiten |
ISBN: | 9783034316620 |
Internformat
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Datensatz im Suchindex
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---|---|
adam_text |
CONTENTS
INTRODUCTION: THE PERFECT DIALOGUE 1
THE DIFFERENT ROLE OF DIALOGUE IN THEATRE AND IN CINEMA 6
SIGHT IS FAST AND RELIABLE 8
STAGE-TO-FILM ADAPTATIONS PROVE THE IMPORTANCE OF TERSENESS 8
THREE FUNCTIONS OF DIALOGUE IN FILM 13
THE AIM OF THIS BOOK 17
ACKNOWLEDGEMENTS 17
CHAPTER 1: DIALOGUE AND CONFLICT 19
DRAMATIC DIALOGUE AND ITS FEATURES 20
DIALOGUE IS ACTION 20
DIALOGUE PUSHES THE STORY FORWARD 21
DIALOGUE IS DYNAMIC 21
DIALOGUE HAS DEEP IMPLICATIONS 22
DIALOGUE HAS STRUCTURE 23
DIALOGUE IS SUCCINCT 24
DIALOGUE HAS A CLIMAX 25
DIALOGUE CHANGES THE FATE OF THE CHARACTER 26
DIALOGUE SURPRISES 27
DIALOGUE TENDS TO FOLLOW A SET PATTERN 27
THREE SCENES 29
MUNICH. "MAZELTOV" 30
LETHAL WEAPON. "YOU REALLY LIKE MY WIFE'S COOKING?" 35
THE BEST OF YOUTH. "THEN LET'S GET YOU SIGNED OUT!" 40
DIRECT ATTACK AND SUDDEN BACKLASH 45
THE COUNTERATTACK 54
DIALOGUE, CONFLICT AND VALUES 70
JOHN ADAMS. "MY SONS. 82
V
HTTP://D-NB.INFO/1071247247
CHAPTER 2: DIALOGUE AND SUBTEXT 91
DRAMATIC SUBTEXT 97
WHY USE SUBTEXT 99
REASON ONE: IT REFLECTS REAL LIFE 99
REASON TWO: SUBTEXT CREATES TENSION 99
REASON THREE: SUBTEXT HOLDS AN AUDIENCE'S INTEREST 101
REASON FOUR: SUBTEXT CAN BE ACTED OUT 102
TWO KINDS OF SUBTEXT 103
DEEP SUBTEXT 104
THE NEXT THREE DAYS. "GOODBYE " 106
STRATEGIC SUBTEXT 109
THE WEST WING. "WE
'RE GONNA GET THE NAMES
OF THE DAMN COMMANDMENTS RIGHT." 116
NON-SHARED SUBTEXT 125
MANIPULATION 125
THE IRONY OF FATE 127
CRASH. "IS THERE A PROBLEM, CAM? " 129
THE LIVES OF OTHERS. "I AM YOUR AUDIENCE" 134
CHAPTER 3: DIALOGUE AND EXPOSITION 141
THE PROBLEM OF EXPOSITION 143
THE SCREENWRITING TECHNIQUES TO SOLVE THE PROBLEM
OF EXPOSITION 144
DRAMATIZATION OF EXPOSITION 145
USE OF IRONY 153
USE OF EXAMPLES 160
THE RIGHT MOMENT FOR EXPOSITION 170
HOW TO REVEAL THEMES IN DIALOGUE 180
VERBAL SETUPS AND PAYOFFS, TAGLINES, KEY WORDS
AND METAPHORICAL TEXTURE 182
BATMAN BEGINS. "JUSTICE IS ABOUT HARMONY" 188
THEME IN DIALOGUE 189
METAPHORICAL TEXTURE 193
VI
MUNICH. "BREAK BREAD WITH ME" 195
THEME THROUGH VISUAL METAPHORS 196
SUBTHEME IN DIALOGUE 196
SUBTHEME THROUGH VERBAL METAPHORS 198
METAPHORICAL TEXTURE 199
DIALOGUE AND REVEALING METAPHORS 200
COLLATERAL. "GUY. GETS ON A SUBWAY. DIES" 200
THE REVEALING METAPHOR 205
THE DARK KNIGHT. "BECAUSE HE CAN TAKE IT." 208
THE REVEALING METAPHOR 210
FILMOGRAPHY 215
REFERENCES 219
VII |
any_adam_object | 1 |
author | Braga, Paolo |
author_GND | (DE-588)1076142818 |
author_facet | Braga, Paolo |
author_role | aut |
author_sort | Braga, Paolo |
author_variant | p b pb |
building | Verbundindex |
bvnumber | BV042606775 |
classification_rvk | AP 50600 |
ctrlnum | (OCoLC)910328133 (DE-599)DNB1071247247 |
dewey-full | 770 809.23 |
dewey-hundreds | 700 - The arts 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 770 - Photography, computer art, cinematography 809 - History, description & criticism |
dewey-raw | 770 809.23 |
dewey-search | 770 809.23 |
dewey-sort | 3770 |
dewey-tens | 770 - Photography, computer art, cinematography 800 - Literature (Belles-lettres) and rhetoric |
discipline | Kunstgeschichte Allgemeines Literaturwissenschaft |
format | Book |
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institution | BVB |
isbn | 9783034316620 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028039731 |
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physical | vii, 223 Seiten |
publishDate | 2015 |
publishDateSearch | 2015 |
publishDateSort | 2015 |
publisher | Peter Lang |
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spellingShingle | Braga, Paolo Words in action forms and techniques of film dialogue Film (DE-588)4017102-4 gnd Drehbuch (DE-588)4127976-1 gnd Dialog (DE-588)4012061-2 gnd Filmtechnik (DE-588)4017144-9 gnd |
subject_GND | (DE-588)4017102-4 (DE-588)4127976-1 (DE-588)4012061-2 (DE-588)4017144-9 |
title | Words in action forms and techniques of film dialogue |
title_alt | Parole in azione |
title_auth | Words in action forms and techniques of film dialogue |
title_exact_search | Words in action forms and techniques of film dialogue |
title_full | Words in action forms and techniques of film dialogue Paolo Braga |
title_fullStr | Words in action forms and techniques of film dialogue Paolo Braga |
title_full_unstemmed | Words in action forms and techniques of film dialogue Paolo Braga |
title_short | Words in action |
title_sort | words in action forms and techniques of film dialogue |
title_sub | forms and techniques of film dialogue |
topic | Film (DE-588)4017102-4 gnd Drehbuch (DE-588)4127976-1 gnd Dialog (DE-588)4012061-2 gnd Filmtechnik (DE-588)4017144-9 gnd |
topic_facet | Film Drehbuch Dialog Filmtechnik |
url | http://www.peterlang.com/exportdatas/exportfiles/onix/toc/9783034316620_toc.pdf http://www.peterlang.com/exportdatas/exportfiles/onix/intro/9783034316620_leseprobe01.pdf http://deposit.dnb.de/cgi-bin/dokserv?id=5266181&prov=M&dok_var=1&dok_ext=htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028039731&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT bragapaolo paroleinazione AT bragapaolo wordsinactionformsandtechniquesoffilmdialogue |
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