Michael Sweerts (1618-1664): shaping the artist and the academy in Rome and Brussels
This book examines the career of the Brussels artist Michael Sweerts through an examination of the artistic, intellectual and cultural contexts that shaped his work and academy in the Netherlands and Italy in the seventeenth century. The Flemish artist Michael Sweerts has long been considered one of...
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| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Turnhout
Brepols
[2015]
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| Schriftenreihe: | Pictura nova
21 |
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| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This book examines the career of the Brussels artist Michael Sweerts through an examination of the artistic, intellectual and cultural contexts that shaped his work and academy in the Netherlands and Italy in the seventeenth century. The Flemish artist Michael Sweerts has long been considered one of the most fascinating and enigmatic painters of the seventeenth century. His peripatetic career, which stretched from his native Brussels to Rome, and later Amsterdam and the Far East, included work for the papal family and the foundation of a drawing academy in the Southern Netherlands. Despite this rich and varied career, Sweerts has yet to be fully examined within the artistic, intellectual and cultural contexts of Brussels and Rome in the seventeenth century. This book aims to retrace the artistic traditions that shaped Sweerts' development and evolution as a painter, etcher and teacher, firmly situating him at the crossroads of artistic exchange between the Netherlands and Italy. The author demonstrates how Sweerts responded to contemporary notions of artistic practice and pedagogy in his work, and how he played a critical role in the formation of a Netherlandish academic tradition |
| Beschreibung: | 340 Seiten Illustrationen 29 cm |
| ISBN: | 9782503555300 |
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| adam_text | MICHAEL SWEERTS (1618-1664)
Shaping the Artist and the Academy
in Rome and Brussels
Lara Yeager-Crasselt
BREPOLS
Table of Contents
ACKNOWLEDGEMENTS 11
INTRODUCTION 13
An Overview of Sweerts’ Career and his Paintings of Artists at Work 15
The Emergence of the Academy in Italy 20
Karel van Mander and the Early Netherlandish Academic Tradition 21
Sweerts and the Academy in the Second Half of the Seventeenth Century 23
Sweerts in Art Historical Scholarship 24
Sweerts in the Southern Netherlands 26
Early Modern Academic Traditions and Classicism in the Netherlands 26
Chapters 27
CHAPTER 1:
SWEERTS AND A BRUSSELS ARTISTIC TRADITION 29
Brussels in Perspective: a Brief History 30
The Artistic Fabric of the Brussels Court 32
Wenzel Coebergher and the Italian Tradition 33
The Classical Tradition in the Sixteenth-Century Netherlands 35
Theodoor van Loon: a Brussels Apelles’ 37
Beyond Brussels: Sweerts and Jacob van Oost the Elder 41
The Tradition of Brussels Tapestry: its Artistic and Economic Importance 43
Sweerts and the Deutz Family: Textiles, Art and Patronage 46
Sweerts’ Merchant Patrons 49
CHAPTER 2:
ROMAN BEGINNINGS 53
Sweerts’ Arrival in Rome 54
The Italian Academic Tradition and the First Academies of Art 56
The Carracci Academy and Fialetti’s Didactic Drawing Book 59
TABLE OF CONTENTS 7
The Founding of the Accademia di San Luca and the Role of Federico Zuccaro 61
The Pedagogical Program at the Accademia di San Luca 64
Sweerts and the Accademia di San Luca 67
CHAPTER 3:
FRANÇOIS DUQUESNOY, NICHOLAS POUSSIN AND
THE PATRONAGE OF THE PAMPHILJ 71
Duquesnoy’s Pursuit of the Antique and his Friendship with Poussin 72
Sweerts’ Representation of Duquesnoy’s Sculpture in the Studio 75
Sweerts and the Circle of Artists around Camillo Pamphilj 79
Sweerts and Poussin: Images of Plague 82
Sweerts and a Pamphilj Academy 87
CHAPTER 4:
SWEERTS’ DRAWING ACADEMY, TAPESTRY AND BRUSSELS
IN THE 1650s 91
‘Een accademie van die teeckeninge naer het leven’ 92
Netherlandish Academic Models 94
Sweerts’ Academic Paintings and Etchings in Brussels 98
Sweerts’ Drawing Book: ‘Diverse faces for the use by the young and others’ 102
The Academy at Mid-Century 106
Brussels and the Southern Netherlands in the Second Half of the
Seventeenth Century 107
Leopold Wilhelm as Patron and David Teniers II’s Role at Court 109
Sweerts’ Academy and Brussels Tapestry in the 1650s 110
David Teniers II and the Beginnings of an Academy of Art in Antwerp 112
The Rise of Academicism in the Netherlands in the Late Seventeenth and Early
Eighteenth Centuries 113
CONCLUSION 117
APPENDICES 121
NOTES 125
8
TABLE OF CONTENTS
CHRONOLOGY
189
BIBLIOGRAPHY 193
LIST OF PLATES AND FIGURES 221
PLATES 229
COMPARATIVE FIGURES 275
PHOTOGRAPHIC CREDITS 333
INDEX OF COLLECTIONS 335
INDEX OF NAMES 337
TABLE OF CONTENTS 9
|
| any_adam_object | 1 |
| author | Yeager-Crasselt, Lara 1983- |
| author_GND | (DE-588)1071510975 |
| author_facet | Yeager-Crasselt, Lara 1983- |
| author_role | aut |
| author_sort | Yeager-Crasselt, Lara 1983- |
| author_variant | l y c lyc |
| building | Verbundindex |
| bvnumber | BV042597993 |
| classification_rvk | LI 87430 |
| ctrlnum | (OCoLC)952940600 (DE-599)BVBBV042597993 |
| discipline | Kunstgeschichte |
| era | Geschichte 1600-1700 Geschichte 1630-1670 gnd |
| era_facet | Geschichte 1600-1700 Geschichte 1630-1670 |
| format | Thesis Book |
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| spelling | Yeager-Crasselt, Lara 1983- Verfasser (DE-588)1071510975 aut Michael Sweerts (1618-1664) shaping the artist and the academy in Rome and Brussels Lara Yeager-Crasselt Turnhout Brepols [2015] © 2015 340 Seiten Illustrationen 29 cm txt rdacontent n rdamedia nc rdacarrier Pictura nova 21 Dissertation University of Maryland 2013 This book examines the career of the Brussels artist Michael Sweerts through an examination of the artistic, intellectual and cultural contexts that shaped his work and academy in the Netherlands and Italy in the seventeenth century. The Flemish artist Michael Sweerts has long been considered one of the most fascinating and enigmatic painters of the seventeenth century. His peripatetic career, which stretched from his native Brussels to Rome, and later Amsterdam and the Far East, included work for the papal family and the foundation of a drawing academy in the Southern Netherlands. Despite this rich and varied career, Sweerts has yet to be fully examined within the artistic, intellectual and cultural contexts of Brussels and Rome in the seventeenth century. This book aims to retrace the artistic traditions that shaped Sweerts' development and evolution as a painter, etcher and teacher, firmly situating him at the crossroads of artistic exchange between the Netherlands and Italy. The author demonstrates how Sweerts responded to contemporary notions of artistic practice and pedagogy in his work, and how he played a critical role in the formation of a Netherlandish academic tradition Sweerts, Michiel 1618-1664 Duquesnoy, François 1597-1643 (DE-588)122968840 gnd rswk-swf Poussin, Nicolas 1594-1665 (DE-588)118596047 gnd rswk-swf Sweerts, Michiel 1618-1664 (DE-588)119373742 gnd rswk-swf Geschichte 1600-1700 Geschichte 1630-1670 gnd rswk-swf Painters / Biography / Belgium Painting, Flemish / 17th century Malerei (DE-588)4037220-0 gnd rswk-swf Bildteppich (DE-588)4006648-4 gnd rswk-swf Belgien Rom (DE-588)4050471-2 gnd rswk-swf Brüssel (DE-588)4008460-7 gnd rswk-swf (DE-588)4006804-3 Biografie gnd-content (DE-588)4113937-9 Hochschulschrift gnd-content Sweerts, Michiel 1618-1664 (DE-588)119373742 p DE-604 Brüssel (DE-588)4008460-7 g Rom (DE-588)4050471-2 g Malerei (DE-588)4037220-0 s Bildteppich (DE-588)4006648-4 s Geschichte 1630-1670 z Poussin, Nicolas 1594-1665 (DE-588)118596047 p Duquesnoy, François 1597-1643 (DE-588)122968840 p Pictura nova 21 (DE-604)BV037479432 21 KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028031114&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Yeager-Crasselt, Lara 1983- Michael Sweerts (1618-1664) shaping the artist and the academy in Rome and Brussels Pictura nova Sweerts, Michiel 1618-1664 Duquesnoy, François 1597-1643 (DE-588)122968840 gnd Poussin, Nicolas 1594-1665 (DE-588)118596047 gnd Sweerts, Michiel 1618-1664 (DE-588)119373742 gnd Painters / Biography / Belgium Painting, Flemish / 17th century Malerei (DE-588)4037220-0 gnd Bildteppich (DE-588)4006648-4 gnd |
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| title | Michael Sweerts (1618-1664) shaping the artist and the academy in Rome and Brussels |
| title_auth | Michael Sweerts (1618-1664) shaping the artist and the academy in Rome and Brussels |
| title_exact_search | Michael Sweerts (1618-1664) shaping the artist and the academy in Rome and Brussels |
| title_full | Michael Sweerts (1618-1664) shaping the artist and the academy in Rome and Brussels Lara Yeager-Crasselt |
| title_fullStr | Michael Sweerts (1618-1664) shaping the artist and the academy in Rome and Brussels Lara Yeager-Crasselt |
| title_full_unstemmed | Michael Sweerts (1618-1664) shaping the artist and the academy in Rome and Brussels Lara Yeager-Crasselt |
| title_short | Michael Sweerts (1618-1664) |
| title_sort | michael sweerts 1618 1664 shaping the artist and the academy in rome and brussels |
| title_sub | shaping the artist and the academy in Rome and Brussels |
| topic | Sweerts, Michiel 1618-1664 Duquesnoy, François 1597-1643 (DE-588)122968840 gnd Poussin, Nicolas 1594-1665 (DE-588)118596047 gnd Sweerts, Michiel 1618-1664 (DE-588)119373742 gnd Painters / Biography / Belgium Painting, Flemish / 17th century Malerei (DE-588)4037220-0 gnd Bildteppich (DE-588)4006648-4 gnd |
| topic_facet | Sweerts, Michiel 1618-1664 Duquesnoy, François 1597-1643 Poussin, Nicolas 1594-1665 Painters / Biography / Belgium Painting, Flemish / 17th century Malerei Bildteppich Belgien Rom Brüssel Biografie Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028031114&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV037479432 |
| work_keys_str_mv | AT yeagercrasseltlara michaelsweerts16181664shapingtheartistandtheacademyinromeandbrussels |