Orientalism and the operatic world:
Western opera is a globalized and globalizing phenomenon and affords us a unique opportunity for exploring the concept of "orientalism", the subject of literary scholar Edward Said's modern classic on the topic. Nicholas Tarling's Orientalism and the Operatic World places opera i...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Rowman & Littlefield
[2015]
|
Ausgabe: | Lanham ; Boulder ; New York ; London |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
Zusammenfassung: | Western opera is a globalized and globalizing phenomenon and affords us a unique opportunity for exploring the concept of "orientalism", the subject of literary scholar Edward Said's modern classic on the topic. Nicholas Tarling's Orientalism and the Operatic World places opera in the context of its steady globalization over the past two centuries. In this important survey, Tarling first considers how the Orient appears on the operatic stage in Britain, France, Germany, Russia, and the United States before exploring individual operas according to the region of the "Orient" in which the work is set. Throughout, Tarling offers key insights into such notable operas as George Frideric Handel's Berenice, Giuseppe Verdi's Aida, Giacomo Puccini's MadamaButterfly, Pietro Mascagni's Iris, and others. Orientalism and the Operatic World argues that any close study of the history of Western opera, in the end, fails to support the notion propounded by Said that Westerners inevitably stereotyped, dehumanized, and ultimately sought only to dominate the East through art. Instead, Tarling argues that opera is a humanizing art, one that emphasizes what humanity has in common by epic depictions of passion through the vehicle of song. Orientalism and the Operatic World is not merely for opera buffs or even first-time listeners. It should also interest historians of both the East and West, scholars of international relations, and cultural theorists. |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | XI, 342 Seiten |
ISBN: | 9781442245433 |
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Datensatz im Suchindex
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adam_text | ORIENTALISM AND THE OPERATIC WORLD
/ TARLING, NICHOLAS.
: 2015
TABLE OF CONTENTS / INHALTSVERZEICHNIS
RECITATIVES. GLOBALISING AND GLOCALISING OPERA ; THE GENRE ;
ORIENTALISMS
ARIAS. BIBLE-BASED OPERAS ; CRUSADERS, ARABS AND TURKS ; EGYPT ; INDIA
AND CEYLON ; CHINA ; JAPAN ; RUSSIA
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
Orientalism and the Operatic World
Nicholas Tarling
»
ROWMAN amp; LITTLEFIELD
Lanham • Boulder • New York • London
Contents
Argument ix
Overture 1
I: Recitatives 19
1 Globalising and Glocalising Opera 21
2 The Genre 47
3 Orientalisms 73
II: Arias 97
4 Bible-Based Operas 99
5 Crusaders, Arabs, and Turks 133
6 Egypt 171
7 India and Ceylon 205
8 China 237
9 Japant 261
10 Russia 291
Finale 309
Index 317
About the Author 341
vii
|
any_adam_object | 1 |
author | Tarling, Nicholas 1931-2017 |
author_GND | (DE-588)12405305X |
author_facet | Tarling, Nicholas 1931-2017 |
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author_sort | Tarling, Nicholas 1931-2017 |
author_variant | n t nt |
building | Verbundindex |
bvnumber | BV042591962 |
callnumber-first | M - Music |
callnumber-label | ML1700 |
callnumber-raw | ML1700 |
callnumber-search | ML1700 |
callnumber-sort | ML 41700 |
callnumber-subject | ML - Literature on Music |
classification_rvk | LR 57106 LR 54171 LR 54178 |
ctrlnum | (OCoLC)910944445 (DE-599)BVBBV042591962 |
dewey-full | 782.109 |
dewey-hundreds | 700 - The arts |
dewey-ones | 782 - Vocal music |
dewey-raw | 782.109 |
dewey-search | 782.109 |
dewey-sort | 3782.109 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
edition | Lanham ; Boulder ; New York ; London |
era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
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spelling | Tarling, Nicholas 1931-2017 Verfasser (DE-588)12405305X aut Orientalism and the operatic world Nicholas Tarling Lanham ; Boulder ; New York ; London Rowman & Littlefield [2015] XI, 342 Seiten txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Western opera is a globalized and globalizing phenomenon and affords us a unique opportunity for exploring the concept of "orientalism", the subject of literary scholar Edward Said's modern classic on the topic. Nicholas Tarling's Orientalism and the Operatic World places opera in the context of its steady globalization over the past two centuries. In this important survey, Tarling first considers how the Orient appears on the operatic stage in Britain, France, Germany, Russia, and the United States before exploring individual operas according to the region of the "Orient" in which the work is set. Throughout, Tarling offers key insights into such notable operas as George Frideric Handel's Berenice, Giuseppe Verdi's Aida, Giacomo Puccini's MadamaButterfly, Pietro Mascagni's Iris, and others. Orientalism and the Operatic World argues that any close study of the history of Western opera, in the end, fails to support the notion propounded by Said that Westerners inevitably stereotyped, dehumanized, and ultimately sought only to dominate the East through art. Instead, Tarling argues that opera is a humanizing art, one that emphasizes what humanity has in common by epic depictions of passion through the vehicle of song. Orientalism and the Operatic World is not merely for opera buffs or even first-time listeners. It should also interest historians of both the East and West, scholars of international relations, and cultural theorists. Geschichte gnd rswk-swf Opera History and criticism Orientalism in opera Oper (DE-588)4043582-9 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Orient (DE-588)4075699-3 gnd rswk-swf Oper (DE-588)4043582-9 s Rezeption (DE-588)4049716-1 s Orient (DE-588)4075699-3 g Geschichte z DE-604 Erscheint auch als Online-Ausgabe 978-1-4422-4544-0 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028025175&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028025175&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Tarling, Nicholas 1931-2017 Orientalism and the operatic world Opera History and criticism Orientalism in opera Oper (DE-588)4043582-9 gnd Rezeption (DE-588)4049716-1 gnd |
subject_GND | (DE-588)4043582-9 (DE-588)4049716-1 (DE-588)4075699-3 |
title | Orientalism and the operatic world |
title_auth | Orientalism and the operatic world |
title_exact_search | Orientalism and the operatic world |
title_full | Orientalism and the operatic world Nicholas Tarling |
title_fullStr | Orientalism and the operatic world Nicholas Tarling |
title_full_unstemmed | Orientalism and the operatic world Nicholas Tarling |
title_short | Orientalism and the operatic world |
title_sort | orientalism and the operatic world |
topic | Opera History and criticism Orientalism in opera Oper (DE-588)4043582-9 gnd Rezeption (DE-588)4049716-1 gnd |
topic_facet | Opera History and criticism Orientalism in opera Oper Rezeption Orient |
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