Composing for moving pictures: the essential guide
Part I. A brief history of film ; The digital audio workstation ; Recording and editing audio ; Recording and editing MIDI ; To loop or not to loop : an exploration of loops, beds and foley ; Working with videos; Music creation on mobile devices and an introduction to basic mixing ; Delivery, collab...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2014
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Part I. A brief history of film ; The digital audio workstation ; Recording and editing audio ; Recording and editing MIDI ; To loop or not to loop : an exploration of loops, beds and foley ; Working with videos; Music creation on mobile devices and an introduction to basic mixing ; Delivery, collaboration and archiving ; Best practices and troubleshooting -- Part II. Terence Blanchard ; Marc Shaiman ; Steve Horowitz ; Nathan Barr ; Trevor Morris |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XV, 287 S. Ill. |
| ISBN: | 9780199754779 0199754772 9780190240929 019024092X |
Internformat
MARC
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| 245 | 1 | 0 | |a Composing for moving pictures |b the essential guide |c Jason M. Gaines |
| 264 | 1 | |a Oxford [u.a.] |b Oxford Univ. Press |c 2014 | |
| 300 | |a XV, 287 S. |b Ill. | ||
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| 500 | |a Includes bibliographical references and index | ||
| 520 | |a Part I. A brief history of film ; The digital audio workstation ; Recording and editing audio ; Recording and editing MIDI ; To loop or not to loop : an exploration of loops, beds and foley ; Working with videos; Music creation on mobile devices and an introduction to basic mixing ; Delivery, collaboration and archiving ; Best practices and troubleshooting -- Part II. Terence Blanchard ; Marc Shaiman ; Steve Horowitz ; Nathan Barr ; Trevor Morris | ||
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| 650 | 4 | |a Composition (Music) | |
| 650 | 4 | |a Film composers | |
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Datensatz im Suchindex
| _version_ | 1804174743343988736 |
|---|---|
| adam_text | CONTENTS
Acknowledgments xiii
About the Companion Website xv
PART I HISTORY, THEORY, AND PRACTICE
1 A Brief History of Film 3
The Importance of Film Music 3
Music and Silent Film 5
Music and Early Sound with Film 7
The Advent of Recorded Music and Talkies 10
Classic Hollywood 12
Postclassic Film 15
References 18
2 The Digital Audio Workstation 19
Introduction to Logic Pro X 20
Project Templates 22
Exploring Logic Pro X’s User Interface 23
Customizing the Control Bar 23
Control Bar Components 24
Editing Tools 27
Tracks and Track Components 29
Adding Additional Tracks 31
Reordering Tracks 32
Renaming Tracks 32
Changing Track Size 33
Deleting Tracks 34
The Browsers Area 35
Contents
The Project Area 36
Apple Loops Area 37
The Library 38
All Files Section of the Browsers Area 47
Adding Files to the Project Section of the Browsers Area 48
Adding Files to the Tracks Area 50
Zooming Individual Regions 51
Zooming Project View 52
3 Recording and Editing Audio 54
Sample Rates 54
Changing Sample Rates in Logic Pro X 55
Resampling Audio Files 56
Recording File Types 57
Recording Settings 58
Frame Rate Settings 59
Utilizing Secondary Drives for Recording 60
Recording Single Tracks 62
Recording Multiple Tracks 63
Recording in Groups 64
Cycle Recording 67
Dynamically Editing Audio 70
Time Stretching and Digital Audio Manipulation 70
Quantizing Audio Regions 73
Exporting to AAF Formats 75
AAF Export 75
4 Recording and Editing MIDI 77
MIDI Controllers 78
Recording MIDI 79
Copying MIDI Data to Create Layered Instruments 83
Recording Multiple Layered Instruments 85
Programming MIDI Regions 87
Creating Drum Sets in Cycle Record Mode 89
Separating MIDI Regions by Note Pitch 92
Humanizing MIDI Playback 95
5 To Loop or Not to Loop—An Exploration of Loops,
Beds, and Foley 99
The Loop Browser Revisited 100
Creating Audio Apple Loops 106
Creating MIDI Apple Loops 113
Backing Up and Restoring Loops Libraries 117
6 Working with Videos 122
Proxy Video Files 122
Video Frame Rates 123
Frame Rate Synchronization Settings 124
Changing Project Sample Rates 125
Opening Video Files in Logic Pro X 126
SMPTE Timecode 128
Adding Musical Tracks to Video Projects 129
Using Foley in Musical Projects 131
Spotting Foley 132
Scene Cuts and Scene Markers 134
Renaming and Coloring Markers 136
Exporting Musical Projects to Video 136
7 Music Creation on Mobile Devices and an Introduction
to Basic Mixing 139
Creating Music and Mixing with Mobile Devices 139
Exporting and Importing GarageBand for iOS Projects 142
Buses and Auxiliary Tracks 144
Creating Stem Tracks to Transport Audio 146
Automating Tracks 149
Automating Groups 156
8 Delivery, Collaboration, and Archiving 159
Bouncing Audio 159
Creating Archives 163
File Transfer Protocol 165
FTP Client Installation 166
FTP Client Configuration 167
Placing Files on FTP Servers 169
Creating Directories on FTP Servers 170
Local Area Network (LAN) Sharing 171
Mounting SMB and AFP Sharing Points in the Finder 174
Create Network Shares for Collaborative Use 176
Enable the SMB Protocol on Share Points 177
Collaborative Cloud Storage 178
Contents
178
181
182
183
184
186
186
188
191
195
195
198
201
201
202
204
206
208
208
210
211
216
217
218
220
222
223
224
224
229
247
Dropbox as a Syncing Solution
Off-site Project Archiving
File Versioning and Restoration
Collaborative Folder Sharing
Share Large Files via Public Links
Automated Archiving and Backup of Local Files
and Folders
Introduction to Automator
Creation of a File Backup Workflow
Scheduling Automator Workflows
9 Best Practices and Troubleshooting
Flard Drive Configuration and Setup
Writing Zeroes to Hard Drives to Remap Bad Sectors
Repairing Disk Permissions via Disk Utility
Resetting Parameter Random Access Memory
Troubleshooting via System Profiler
Troubleshooting via Audio MIDI Setup
Creation of an Aggregate Audio Interface
Utilizing Aggregate Devices in the Digital Audio
Workstation
Troubleshooting Audio Interfaces via the Digital Audio
Workstation
Troubleshooting Audio Interfaces via System Sound
Troubleshooting MIDI Controllers in Logic Pro X
Archive and Restoration of Preference and Property
List Files
Archive and Restoration of Key Commands
Reset the Audio Units Cache
Rebuilding Corrupt Project Files
Understanding Random Access Memory
Evaluating RAM Usage and Need
Identifying Unsaved Changes Made in RAM
Hardware Drivers
PART II DISCUSSION OF PROFESSIONAL PRACTICE
10 Terence Blanchard
11 Marc Shaiman
Contents
12 Steve Horowitz 263
13 Nathan Barr 274
14 Trevor Morris 279
Index 285
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| spelling | Composing for moving pictures the essential guide Jason M. Gaines Oxford [u.a.] Oxford Univ. Press 2014 XV, 287 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Part I. A brief history of film ; The digital audio workstation ; Recording and editing audio ; Recording and editing MIDI ; To loop or not to loop : an exploration of loops, beds and foley ; Working with videos; Music creation on mobile devices and an introduction to basic mixing ; Delivery, collaboration and archiving ; Best practices and troubleshooting -- Part II. Terence Blanchard ; Marc Shaiman ; Steve Horowitz ; Nathan Barr ; Trevor Morris Motion picture music / Instruction and study Composition (Music) Film composers Komposition Musik (DE-588)4133320-2 gnd rswk-swf Filmmusik (DE-588)4017129-2 gnd rswk-swf Computerunterstütztes Verfahren (DE-588)4139030-1 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Filmmusik (DE-588)4017129-2 s Komposition Musik (DE-588)4133320-2 s Computerunterstütztes Verfahren (DE-588)4139030-1 s DE-604 Gaines, Jason Sonstige (DE-588)134820452 oth Digitalisierung BSB Muenchen 22 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028018047&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Composing for moving pictures the essential guide Motion picture music / Instruction and study Composition (Music) Film composers Komposition Musik (DE-588)4133320-2 gnd Filmmusik (DE-588)4017129-2 gnd Computerunterstütztes Verfahren (DE-588)4139030-1 gnd |
| subject_GND | (DE-588)4133320-2 (DE-588)4017129-2 (DE-588)4139030-1 (DE-588)4151278-9 |
| title | Composing for moving pictures the essential guide |
| title_auth | Composing for moving pictures the essential guide |
| title_exact_search | Composing for moving pictures the essential guide |
| title_full | Composing for moving pictures the essential guide Jason M. Gaines |
| title_fullStr | Composing for moving pictures the essential guide Jason M. Gaines |
| title_full_unstemmed | Composing for moving pictures the essential guide Jason M. Gaines |
| title_short | Composing for moving pictures |
| title_sort | composing for moving pictures the essential guide |
| title_sub | the essential guide |
| topic | Motion picture music / Instruction and study Composition (Music) Film composers Komposition Musik (DE-588)4133320-2 gnd Filmmusik (DE-588)4017129-2 gnd Computerunterstütztes Verfahren (DE-588)4139030-1 gnd |
| topic_facet | Motion picture music / Instruction and study Composition (Music) Film composers Komposition Musik Filmmusik Computerunterstütztes Verfahren Einführung |
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