A feast for the eyes: art, performance, and the late medieval banquet
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago
University of Chicago Press
[2015]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | viii, 261 Seiten, 4 ungezählte Seiten Illustrationen |
| ISBN: | 9780226242200 022624220X |
Internformat
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Datensatz im Suchindex
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| adam_text | CONTENTS
Acknowledgments fl
vii
Introduction: Setting the Table i
I. Between the Dishes 21
2. Spectator- Spectacle 44
3 Efficacy and Hypocrisy 74
4- Dining Well 102
5- Stranger at the Table 131
6. Wedding Reception 164
Notes 195
Bibliography ^33
Index 253
Gallery follows page J2.
v
mm
^TTt:
w w w w w
/f /f /f /f *
A FEAST FOR
THE EYES
i .¿V •
perception, thereby forging a court cul
ture that delighted in the exercise of fine
aesthetic judgment.
Challenging modern assumptions about
the nature of artistic production and re
eeption, A Feast for the Eyes yields fresh
insight into the long history of multime
dia work and the complex relationships
between spectacle and spectators.
To read accounts of late medieval ban-
quets is to enter a fantastical world where
live lions guard nude statues, gilded stags
burst into song, and musicians play from
within pies. We can almost hear the clock
sound from within a glass castle, taste
the fire-breathing roast boar, and smell
the rose water cascading in a miniature
fountain. Such vivid works of art and per-
formance required collaboration among
artists in many fields, as well as the par-
ticipation of the audience.
/! Feast for the Eyes is the first book-
length study of the court banquets of
northwestern Europe in the fourteenth
and fifteenth centuries, Christina Nor-
more draws on an array of artworks, ar-
chival documents, chroniclers accounts,
and cookbooks to re-create these events
and reassess the late medieval visual cul-
ture in which banquets were staged. Feast
participants, she shows, developed sophis-
ticated ways of appreciating artistic skill
and attending to their own processes of
CHRISTINA NORMORE
is assistant pro
fessor of art history at Northwestern Uni
For information on books of related interest or
for a catalog of new publications, please write
Marketing Department
The University of Chicago Press
1427 East 60th Street
Chicago, IL 60637-2954
|
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