Geschichte der venezianischen Malerei:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | German |
| Veröffentlicht: |
[s.l.]
Böhlau
2013
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Beschreibung: | Giorgione remains the central figure in the scientific discussion dealing with Venetian painting of the age, and accordingly the amount of literature on him is exuberant. The state of scientific discussion which harks back well into the 19th century, proves to be very heterogeneous, a selection of statements proves to be inapt as to serve as a basis for a further critical discussion. The outcome of all this is a general dissent, caused by the poor state of sources and the comparatively small number of secured works. In consequence, we are confronted with a constant struggle of attributions, increasing and decreasing in number, and a host of dates, often contradictory.<p>Es gibt kaum einen anderen italienischen Maler, der die kunstgeschichtliche Forschung so entzweit hat wie Giorgione. Die Ursachen dieser Uneinigkeit beruhen auf einer dürftigen Quellenlage sowie auf dem Umstand, dass nur wenige Werke des Künstlers als gesichert gelten |
| Beschreibung: | 1 Online-Ressource (402 Seiten) |
| ISBN: | 9783205788898 |
Internformat
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| 500 | |a Giorgione remains the central figure in the scientific discussion dealing with Venetian painting of the age, and accordingly the amount of literature on him is exuberant. The state of scientific discussion which harks back well into the 19th century, proves to be very heterogeneous, a selection of statements proves to be inapt as to serve as a basis for a further critical discussion. The outcome of all this is a general dissent, caused by the poor state of sources and the comparatively small number of secured works. In consequence, we are confronted with a constant struggle of attributions, increasing and decreasing in number, and a host of dates, often contradictory.<p>Es gibt kaum einen anderen italienischen Maler, der die kunstgeschichtliche Forschung so entzweit hat wie Giorgione. Die Ursachen dieser Uneinigkeit beruhen auf einer dürftigen Quellenlage sowie auf dem Umstand, dass nur wenige Werke des Künstlers als gesichert gelten | ||
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Datensatz im Suchindex
| _version_ | 1819742359822270464 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Brucher, Günter 1941- |
| author_GND | (DE-588)122030672 |
| author_facet | Brucher, Günter 1941- |
| author_role | aut |
| author_sort | Brucher, Günter 1941- |
| author_variant | g b gb |
| building | Verbundindex |
| bvnumber | BV042565883 |
| callnumber-first | N - Fine Arts |
| callnumber-label | ND621 |
| callnumber-raw | ND621.V5 |
| callnumber-search | ND621.V5 |
| callnumber-sort | ND 3621 V5 |
| callnumber-subject | ND - Painting |
| classification_rvk | LN 75810 LN 84550 |
| collection | ZDB-94-OAB |
| ctrlnum | (OCoLC)910982009 (DE-599)BVBBV042565883 |
| dewey-full | 759.531 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 759 - History, geographic treatment, biography |
| dewey-raw | 759.531 |
| dewey-search | 759.531 |
| dewey-sort | 3759.531 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
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| id | DE-604.BV042565883 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-29T04:05:50Z |
| institution | BVB |
| isbn | 9783205788898 |
| language | German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027999509 |
| oclc_num | 910982009 |
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| physical | 1 Online-Ressource (402 Seiten) |
| psigel | ZDB-94-OAB |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Böhlau |
| record_format | marc |
| spellingShingle | Brucher, Günter 1941- Geschichte der venezianischen Malerei Tintoretto 1518-1594 (DE-588)118622854 gnd Basilica di San Marco (Venice, Italy) Giorgione, Sebastiano del Piombo, Titian, Palma il Vecchio, Catena, Venice, Renaissance-Painting, Gestalt theory, analysis of the works, criticism of style, iconography, Giorgionismo, colour research Giorgione, Sebastiano del Piombo, Tizian, Palma il Vecchio, Catena, Venedig, Renaissance-Malerei, Gestalttheorie, Werkanalysen, Stilkritik, Ikonographie, Giorgionismo, Koloritforschung Visual arts History of the arts Mosaics, Italian Italy Venice Painting, Italian Italy Venice Malerei (DE-588)4037220-0 gnd |
| subject_GND | (DE-588)118622854 (DE-588)4037220-0 (DE-588)4062501-1 |
| title | Geschichte der venezianischen Malerei |
| title_auth | Geschichte der venezianischen Malerei |
| title_exact_search | Geschichte der venezianischen Malerei |
| title_full | Geschichte der venezianischen Malerei |
| title_fullStr | Geschichte der venezianischen Malerei |
| title_full_unstemmed | Geschichte der venezianischen Malerei |
| title_short | Geschichte der venezianischen Malerei |
| title_sort | geschichte der venezianischen malerei |
| topic | Tintoretto 1518-1594 (DE-588)118622854 gnd Basilica di San Marco (Venice, Italy) Giorgione, Sebastiano del Piombo, Titian, Palma il Vecchio, Catena, Venice, Renaissance-Painting, Gestalt theory, analysis of the works, criticism of style, iconography, Giorgionismo, colour research Giorgione, Sebastiano del Piombo, Tizian, Palma il Vecchio, Catena, Venedig, Renaissance-Malerei, Gestalttheorie, Werkanalysen, Stilkritik, Ikonographie, Giorgionismo, Koloritforschung Visual arts History of the arts Mosaics, Italian Italy Venice Painting, Italian Italy Venice Malerei (DE-588)4037220-0 gnd |
| topic_facet | Tintoretto 1518-1594 Basilica di San Marco (Venice, Italy) Giorgione, Sebastiano del Piombo, Titian, Palma il Vecchio, Catena, Venice, Renaissance-Painting, Gestalt theory, analysis of the works, criticism of style, iconography, Giorgionismo, colour research Giorgione, Sebastiano del Piombo, Tizian, Palma il Vecchio, Catena, Venedig, Renaissance-Malerei, Gestalttheorie, Werkanalysen, Stilkritik, Ikonographie, Giorgionismo, Koloritforschung Visual arts History of the arts Mosaics, Italian Italy Venice Painting, Italian Italy Venice Malerei Italien Venedig |
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