The musicality of narrative film:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Basingstoke
Palgrave Macmillan
2015
|
| Ausgabe: | First published |
| Schriftenreihe: | Palgrave studies in audio-visual culture
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | X, 218 Seiten Illustrationen |
| ISBN: | 9781137489982 |
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Datensatz im Suchindex
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|---|---|
| adam_text | The Musicality of Narrative
Film
Danijela Kulezic-Wilson
University College Cork, Ireland
palgrave
macmitlan
Contents
List of Figures ix
Acknowledgements x
Part I The Topography of Film Musicality
1 Introduction 3
What is musical(ity)? 5
The musicality of film as metaphor 10
Musical poetics of film 12
2 Music as Model and Metaphor 18
Tracing the origins of contemporary film/music analogies 18
Film s musical potential and contemporary film music
practice 24
The influence of MTV 29
Part II Comparative Analysis of Music and Film
3 The Musicality of Film Rhythm 37
Music rhythm and its reflection in aspects of film rhythm 38
Rhythm, metre and Gestalt laws of perception 40
Rhythm of the shot and the cut 44
4 The Rhythm of Rhythms 52
Macro-rhythm and issues of perception 52
The immersive power of form 55
Repetition as a structural and a musical device 57
The power of patterns 65
The musicality of narrative and editing patterns 69
5 Musical and Film Kines 73
The illusion of movement 74
Musical movement within a shot 77
Musical movement of editing 80
Audio-visual motion and emotion 82
The kinesis of audio-visual interaction 86
The musicality of cinema action 88
vii
viii Contents
6 The Symbolic Nature of Musical and Film Time 93
Time in music and film 94
Philosophical and spiritual dimensions of linear
and nonlinear time in music and film 97
Multiple temporalities in music and film 102
Time as a symbol 105
Music as a portal into the multiple temporalities
of the Lynchian universe 107
Part III Case Studies
7 Jim Jarmusch s Dead Man and the Rhythm of
Musical Form 117
From cool to political, spiritual and musical 118
Structural rhythm 121
Rhythm of silence and sound 124
Micro-rhythm 126
Rhythm of time, space and motion 128
Affective rhythm 131
8 Hip Hop and Techno Composing Techniques and
Models of Structuring in Darren Aronofsky s n 137
Paranoid filmmaking as an inspiration for paranoid analysis 137
The patterns 140
Hip hop editing 142
Audio-visual kinesis and musical patterning 148
Techno flow 155
9 Audio-Visual Musicality and Reflexivity in Joe Wright s
Anna Karenina 158
Love and lust 160
Opposites, gaps and the porous borders between them 162
Flowing movement, morphing desires 165
Nuts, bolts and invisible joints 171
The powers of fate 174
Conclusion 179
Notes 186
Bibliography 197
Filmography 209
Index 212
Film is often compared to music, explained using musical terms and even conceived and structurée
with music as a model, The Musicality of Narrative film is the first book to offer an in-depth
examination of the film/music analogy through comparative analysis of both arts common
denominators: time, rhythm and movement, Drawing on a number of examples from
contemporary art-house and mainstream cinema, Kulezic-Wilson argues that film s musical
potential can be realized through various cinematic devices, with or without music, The book s
final part contains detailed case studies of Darren Aronofsky s n, Jim Jarmusch s Dead Man and
oe Wright s Anna Karenina, which demonstrate how various factors contribute to achieving the
effect of musicality in a large-scale form and how contrasting approaches to film time, rhythm anc
movement can create very different examples of film musicality/
|
| any_adam_object | 1 |
| author | Kulezic-Wilson, Danijela ca. 20./21. Jh |
| author_GND | (DE-588)1029344159 |
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| author_role | aut |
| author_sort | Kulezic-Wilson, Danijela ca. 20./21. Jh |
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| dewey-full | 781.542 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.542 |
| dewey-search | 781.542 |
| dewey-sort | 3781.542 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| edition | First published |
| format | Book |
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| isbn | 9781137489982 |
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| spelling | Kulezic-Wilson, Danijela ca. 20./21. Jh. Verfasser (DE-588)1029344159 aut The musicality of narrative film Danijela Kulezic-Wilson First published Basingstoke Palgrave Macmillan 2015 X, 218 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Palgrave studies in audio-visual culture Film (DE-588)4017102-4 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Erzähltechnik (DE-588)4124854-5 gnd rswk-swf Film (DE-588)4017102-4 s Musik (DE-588)4040802-4 s Erzähltechnik (DE-588)4124854-5 s DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027997084&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027997084&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Kulezic-Wilson, Danijela ca. 20./21. Jh The musicality of narrative film Film (DE-588)4017102-4 gnd Musik (DE-588)4040802-4 gnd Erzähltechnik (DE-588)4124854-5 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4040802-4 (DE-588)4124854-5 |
| title | The musicality of narrative film |
| title_auth | The musicality of narrative film |
| title_exact_search | The musicality of narrative film |
| title_full | The musicality of narrative film Danijela Kulezic-Wilson |
| title_fullStr | The musicality of narrative film Danijela Kulezic-Wilson |
| title_full_unstemmed | The musicality of narrative film Danijela Kulezic-Wilson |
| title_short | The musicality of narrative film |
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| topic_facet | Film Musik Erzähltechnik |
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