US independent film after 1989: possible films
"Looking beyond the directors and works that have branded indie discourse in the 1990s and 2000s, US Independent Film After 1989: Possible Films attends to a group of 20 texts that have not been so fully subsumed by existing critical and promotional rhetoric. Through individual studies of films...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
2015
|
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Zusammenfassung: | "Looking beyond the directors and works that have branded indie discourse in the 1990s and 2000s, US Independent Film After 1989: Possible Films attends to a group of 20 texts that have not been so fully subsumed by existing critical and promotional rhetoric. Through individual studies of films including All the Real Girls, The Exploding Girl, Laurel Canyon, Jesus' Son, Old Joy, Primer and You Can Count on Me, leading cinema scholars consider how notions of indie practice, poetics and politics can be opened up to account for a larger body of work than the dominant canon admits. With particular attention to female directors, this innovative and comprehensive book explores the central tenets of indie scholarship while simultaneously emphasising the classifying processes that can limit it."--Back cover |
| Beschreibung: | Includes bibliographical references index |
| Beschreibung: | VI, 230 S. Ill. 24 cm |
| ISBN: | 0748692444 9780748692446 |
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Datensatz im Suchindex
| _version_ | 1804153334612885504 |
|---|---|
| adam_text | The terms ‘independent* and ‘indie* hold instant recognition and considerable
cultural cachet in contemporary film and popular culture. As a brand
of American filmmaking and a keynote of critical film discourse, indie
denotes specific textual, industrial and reception practices that have been
enthusiastically cultivated over the last two decades, underpinned by a canon of
highly visible films such as Juno, Memento and Slacker and by influential figures
like Quentin Tarantino, Wes Anderson, Kevin Smith and Joel and Ethan Coen.
Looking beyond the directors and works that have branded indie discourse
in the 1990s and 2000s, US Independent Film After 1989: Possible Films
attends to a group of 20 texts that have not been so fully subsumed by existing
critical and promotional rhetoric. Through individual studies of films including
All the Real Girls, The Exploding Girl, Laurel Canyon, Jesus Son, OldJoy, Primer
and You Can Counton Me, leading cinema scholars consider how notions of indie
practice, poetics and politics can be opened up to account for a larger body
of work than the dominant canon admits. With particular attention to female
directors, this innovative and comprehensive book explores the central tenets
of indie scholarship while simultaneously emphasising the classifying processes
that can limit it.
Claire Perkins is Lecturer in Film and Screen Studies at Monash University,
Melbourne. Constantine Verevis is Associate Professor in Film and Screen
Studies at Monash University, Melbourne.
Contents
Acknowledgements vii
Introduction: Possible Films i
Claire Perkins and Constantine Verevis
1 All the Real Girls (2003): Indie Love 15
Claire Perkins
2 Bubble (2005): The Network Society 25
Radha O Meara
3 Buffalo *66 (1998): The Radical Conventionality of an Indie Happy
Ending 35
James MacDowell
4 The Exploding Girl (2009): The Everyday and the Occluded Gaze 45
Laura Rascaroli
5 Frozen River (2008): Mobility and Uncertain Boundaries 53
Mark Berrettini
6 Jesus9 Son (1999): ‘I Knew Every Raindrop by Its Name’ 63
Constantine Verevis
7 Keane (2004): Cold Comfort Camera 73
Jaime Christley
8 Kicking and Screaming (1995): The Significance of Slightness 81
Chad R. Newsom
9 Laurel Canyon (2002): Lacuscular Cinema 91
Jodi Brooks
10 Living in Oblivion (1995): How Mistaking Chad for Brad Could
Not Overcome the Commercial Limitations of the Self-Reflexive
Cycle
John Berra
101
VI CONTENTS
11 Lovely Amazing (2001): Naked Chick Flick 111
Linda Badley
12 Old Joy(2006): Resisting Masculinity 123
E. Dawn Hall
13 Pariah (2011): Coming Out in the Middle 133
Patricia White
14 Primer(2004): A Primer in First-Time Indie Filmmaking 145
Geoff King
15 Rachel Getting Married (2008): Personal Cinema and the Smart-
Chick Film 155
Hilary Radner
16 Secretary(2002): Purple Pose, Indie Masochism, Bruised Romance 165
Elena Gorfinkel
17 Waitress (2007): Tragedy and Authorship in an Indie ‘Meta-Movie’ 177
Steven Rawle
18 The Weight of Water(2000): A Spectacular, if T ransformative
Failure 187
R. Barton Palmer
19 Winter s Bone (2010): Modest Deals and Film Adaptation 199
Noel King
20 You Can Count on Me (2000): Living in Dependence 209
Jesse Fox Mayshark
Notes on Contributors 218
Index 223
|
| any_adam_object | 1 |
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| spelling | US independent film after 1989 possible films edited by Claire Perkins and Constantine Verevis Edinburgh Edinburgh University Press 2015 VI, 230 S. Ill. 24 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references index "Looking beyond the directors and works that have branded indie discourse in the 1990s and 2000s, US Independent Film After 1989: Possible Films attends to a group of 20 texts that have not been so fully subsumed by existing critical and promotional rhetoric. Through individual studies of films including All the Real Girls, The Exploding Girl, Laurel Canyon, Jesus' Son, Old Joy, Primer and You Can Count on Me, leading cinema scholars consider how notions of indie practice, poetics and politics can be opened up to account for a larger body of work than the dominant canon admits. With particular attention to female directors, this innovative and comprehensive book explores the central tenets of indie scholarship while simultaneously emphasising the classifying processes that can limit it."--Back cover Geschichte 1995-2011 gnd rswk-swf Independent films / United States / History and criticism Independent filmmakers / United States Unabhängiger Film (DE-588)4485045-1 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Unabhängiger Film (DE-588)4485045-1 s Geschichte 1995-2011 z DE-604 Perkins, Claire 1978- (DE-588)1036245217 edt Verevis, Constantine 1956- (DE-588)1037699491 edt Erscheint auch als Online-Ausgabe, EPUB 978-0-7486-9246-0 Erscheint auch als Online-Ausgabe, PDF 978-0-7486-9245-3 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027995384&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027995384&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | US independent film after 1989 possible films Independent films / United States / History and criticism Independent filmmakers / United States Unabhängiger Film (DE-588)4485045-1 gnd |
| subject_GND | (DE-588)4485045-1 (DE-588)4078704-7 (DE-588)4143413-4 |
| title | US independent film after 1989 possible films |
| title_auth | US independent film after 1989 possible films |
| title_exact_search | US independent film after 1989 possible films |
| title_full | US independent film after 1989 possible films edited by Claire Perkins and Constantine Verevis |
| title_fullStr | US independent film after 1989 possible films edited by Claire Perkins and Constantine Verevis |
| title_full_unstemmed | US independent film after 1989 possible films edited by Claire Perkins and Constantine Verevis |
| title_short | US independent film after 1989 |
| title_sort | us independent film after 1989 possible films |
| title_sub | possible films |
| topic | Independent films / United States / History and criticism Independent filmmakers / United States Unabhängiger Film (DE-588)4485045-1 gnd |
| topic_facet | Independent films / United States / History and criticism Independent filmmakers / United States Unabhängiger Film USA Aufsatzsammlung |
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