Epic negation: the dialectical poetics of late modernism
"Epic Negation examines the dialectical turn of modernist poetry over the interwar period, arguing that late modernism inverts the method of Ezra Pound's "poem including history" to conceive a negated mode of epic, predicated on the encryption of disarticulated historical content...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford Univ. Press
2015
|
| Schriftenreihe: | Modernist literature & culture
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "Epic Negation examines the dialectical turn of modernist poetry over the interwar period, arguing that late modernism inverts the method of Ezra Pound's "poem including history" to conceive a negated mode of epic, predicated on the encryption of disarticulated historical content. Compelled to register the force of a totality it cannot represent, this negated epic reorients the function of poetic language and reference, remaking the poem, and late modernism generally, as a critical instrument of dialectical reason. Part I reads The Waste Land alongside the review it prefaced, The Criterion, arguing that the poem establishes the editorial method with which T. S. Eliot constructs the review's totalizing account of culture. Dividing the epic's critical function from its style, Eliot not only includes history differently, but also formulates an intricately dialectical account of the interwar crisis of bourgeois culture, formed in the image of a Marxian critique it opposes. Part II turns to the second war's onset, tracing the dislocated formal effects of an epic gone underground. In the elegies and pastorals of W. H. Auden and Louis MacNeice, lyric forms divulge the determining force of unmentionable but universal events, dividing experience against consciousness. With H.D.'s war trilogy, produced in a terse exchange with Freud's Moses, even the poetic image lapses, associating epic with the silent historical force of the unconscious as such"-- |
| Beschreibung: | Includes bibliographical references and index Machine generated contents note: -- Part I -- The Dialectical Poetics of Late Modernism -- Dialectical Poetics -- An Organ of Documentation: Eliot and Order -- Date Line: Including History -- Eliotic Marxism: Notes Toward a Dialectic of Culture -- Part II -- A poem is not poetry -- Auden's Monadology -- MacNeice's Dying Fall -- H.D.'s Incidents -- Notes -- Index |
| Beschreibung: | IX, 367 S. 25 cm |
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| 500 | |a Machine generated contents note: -- Part I -- The Dialectical Poetics of Late Modernism -- Dialectical Poetics -- An Organ of Documentation: Eliot and Order -- Date Line: Including History -- Eliotic Marxism: Notes Toward a Dialectic of Culture -- Part II -- A poem is not poetry -- Auden's Monadology -- MacNeice's Dying Fall -- H.D.'s Incidents -- Notes -- Index | ||
| 520 | |a "Epic Negation examines the dialectical turn of modernist poetry over the interwar period, arguing that late modernism inverts the method of Ezra Pound's "poem including history" to conceive a negated mode of epic, predicated on the encryption of disarticulated historical content. Compelled to register the force of a totality it cannot represent, this negated epic reorients the function of poetic language and reference, remaking the poem, and late modernism generally, as a critical instrument of dialectical reason. Part I reads The Waste Land alongside the review it prefaced, The Criterion, arguing that the poem establishes the editorial method with which T. S. Eliot constructs the review's totalizing account of culture. Dividing the epic's critical function from its style, Eliot not only includes history differently, but also formulates an intricately dialectical account of the interwar crisis of bourgeois culture, formed in the image of a Marxian critique it opposes. Part II turns to the second war's onset, tracing the dislocated formal effects of an epic gone underground. In the elegies and pastorals of W. H. Auden and Louis MacNeice, lyric forms divulge the determining force of unmentionable but universal events, dividing experience against consciousness. With H.D.'s war trilogy, produced in a terse exchange with Freud's Moses, even the poetic image lapses, associating epic with the silent historical force of the unconscious as such"-- | ||
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Series Editors* Foreword vii
Part One: Including History
1. The Dialectical Poetics of Late Modernism 3
Dialectical Poetics 3
Negated Epics 12
The Dialectics of Late Modernism 19
2. An Organ of Documentation: Eliot and Order 22
Notes on Order and Method 22
Eliot s Nomology 30
Allusion and Reference: Against the Mythic Method 43
O swallow swallow 54
Eliot’s Indication: The Waste Land as Method 63
And down we went: The Waste Land as Epic 76
3. Date Line: Including History 86
A Literary Program 86
Including History 93
Date Line(s) 98
Two Epics 104
4. Eliotic Marxism: Notes Toward a Dialectic of Culture 108
Last Words 108
Another Date Line 111
vi CONTENTS
Toward Definition: Eliotic Epistemology 121
An Absolute Criterion: Eliotic Praxis 131
Eliotic Marxism: Culture as Praxis 146
Negation: Epic as Critique 156
Part Two: Including Negation
5. A poem is not poetry 161
War Poetry 161
Seriality 167
Silence 174
6. Auden’s Monadology 180
Killing Ernst Toller 180
Including History Occasionally 188
Monadology: The End of Lyric 199
Elegy and Daybook: Two Allusions 205
Goliath 220
Ways of Happening 229
7. MacNeice s Dying Fall 233
Enforming: Poetry’s Ends 233
September 1, 1939, Again 240
Pastoral and Epic: The Orchestra and the Bonfire 251
Air Wars 269
Dying Fall: Epic as Elegy 276
8. H.D.’s Incidents 284
Freud and Words 284
The Hieroglyph of the Unconscious 293
Mosaic Visions and Revisions 298
Pararhyme and Afterimage 304
Angles of Incidence: Experiencing Totality 315
Cryptonymy: Two Universals 324
Notes 335
Index 357
ա§*
тш
effects of a serial epic gone underground.
In the tense elegies and pastorals of W. H.
Auden and Louis MacNeice, lyric forms
cryptically divulge the determining force
of unmentionable but universal events,
dividing experience against consciousness,
what can be said in a poem from what
cannot. And finally, with H.D.s Trilogy—
written under bombardment in a terse
exchange with Freuds famous rewriting of
biblical history in Moses and Monotheism—
the poetic image itself lapses, consigning
epic to the silent historical force of the
unconscious.
Uniquely conceived and deftly
executed, Epic Negation transforms our
understanding of modernist poetics and the
concept of epic more broadly.
|
| any_adam_object | 1 |
| author | Blanton, C. D. 1968- |
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| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 811 - American poetry in English |
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| dewey-search | 811/.509112 |
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| discipline | Anglistik / Amerikanistik |
| era | Geschichte 1900-2000 Geschichte 1920-1940 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1920-1940 |
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| indexdate | 2024-07-10T01:24:55Z |
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| series2 | Modernist literature & culture |
| spelling | Blanton, C. D. 1968- Verfasser (DE-588)1072302357 aut Epic negation the dialectical poetics of late modernism C. D. Blanton Oxford Oxford Univ. Press 2015 IX, 367 S. 25 cm txt rdacontent n rdamedia nc rdacarrier Modernist literature & culture Includes bibliographical references and index Machine generated contents note: -- Part I -- The Dialectical Poetics of Late Modernism -- Dialectical Poetics -- An Organ of Documentation: Eliot and Order -- Date Line: Including History -- Eliotic Marxism: Notes Toward a Dialectic of Culture -- Part II -- A poem is not poetry -- Auden's Monadology -- MacNeice's Dying Fall -- H.D.'s Incidents -- Notes -- Index "Epic Negation examines the dialectical turn of modernist poetry over the interwar period, arguing that late modernism inverts the method of Ezra Pound's "poem including history" to conceive a negated mode of epic, predicated on the encryption of disarticulated historical content. Compelled to register the force of a totality it cannot represent, this negated epic reorients the function of poetic language and reference, remaking the poem, and late modernism generally, as a critical instrument of dialectical reason. Part I reads The Waste Land alongside the review it prefaced, The Criterion, arguing that the poem establishes the editorial method with which T. S. Eliot constructs the review's totalizing account of culture. Dividing the epic's critical function from its style, Eliot not only includes history differently, but also formulates an intricately dialectical account of the interwar crisis of bourgeois culture, formed in the image of a Marxian critique it opposes. Part II turns to the second war's onset, tracing the dislocated formal effects of an epic gone underground. In the elegies and pastorals of W. H. Auden and Louis MacNeice, lyric forms divulge the determining force of unmentionable but universal events, dividing experience against consciousness. With H.D.'s war trilogy, produced in a terse exchange with Freud's Moses, even the poetic image lapses, associating epic with the silent historical force of the unconscious as such"-- Geschichte 1900-2000 Geschichte 1920-1940 gnd rswk-swf American poetry / 20th century / History and criticism / Theory, etc English poetry / 20th century / History and criticism / Theory, etc Modernism (Literature) Poetry / Explication Epic poetry, American / History and criticism Epic poetry, English / History and criticism Poetry, Modern / 20th century / History and criticism Poetics POETRY / English, Irish, Scottish, Welsh bisacsh POETRY / General bisacsh LITERARY COLLECTIONS / English, Irish, Scottish, Welsh bisacsh Poetik (DE-588)4046449-0 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Epos (DE-588)4015065-3 gnd rswk-swf Lyrik (DE-588)4036774-5 gnd rswk-swf Geschichte Motiv (DE-588)4156971-4 gnd rswk-swf Englisch (DE-588)4014777-0 s Lyrik (DE-588)4036774-5 s Epos (DE-588)4015065-3 s Geschichte Motiv (DE-588)4156971-4 s Poetik (DE-588)4046449-0 s Geschichte 1920-1940 z DE-604 Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027993571&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027993571&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Blanton, C. D. 1968- Epic negation the dialectical poetics of late modernism American poetry / 20th century / History and criticism / Theory, etc English poetry / 20th century / History and criticism / Theory, etc Modernism (Literature) Poetry / Explication Epic poetry, American / History and criticism Epic poetry, English / History and criticism Poetry, Modern / 20th century / History and criticism Poetics POETRY / English, Irish, Scottish, Welsh bisacsh POETRY / General bisacsh LITERARY COLLECTIONS / English, Irish, Scottish, Welsh bisacsh Poetik (DE-588)4046449-0 gnd Englisch (DE-588)4014777-0 gnd Epos (DE-588)4015065-3 gnd Lyrik (DE-588)4036774-5 gnd Geschichte Motiv (DE-588)4156971-4 gnd |
| subject_GND | (DE-588)4046449-0 (DE-588)4014777-0 (DE-588)4015065-3 (DE-588)4036774-5 (DE-588)4156971-4 |
| title | Epic negation the dialectical poetics of late modernism |
| title_auth | Epic negation the dialectical poetics of late modernism |
| title_exact_search | Epic negation the dialectical poetics of late modernism |
| title_full | Epic negation the dialectical poetics of late modernism C. D. Blanton |
| title_fullStr | Epic negation the dialectical poetics of late modernism C. D. Blanton |
| title_full_unstemmed | Epic negation the dialectical poetics of late modernism C. D. Blanton |
| title_short | Epic negation |
| title_sort | epic negation the dialectical poetics of late modernism |
| title_sub | the dialectical poetics of late modernism |
| topic | American poetry / 20th century / History and criticism / Theory, etc English poetry / 20th century / History and criticism / Theory, etc Modernism (Literature) Poetry / Explication Epic poetry, American / History and criticism Epic poetry, English / History and criticism Poetry, Modern / 20th century / History and criticism Poetics POETRY / English, Irish, Scottish, Welsh bisacsh POETRY / General bisacsh LITERARY COLLECTIONS / English, Irish, Scottish, Welsh bisacsh Poetik (DE-588)4046449-0 gnd Englisch (DE-588)4014777-0 gnd Epos (DE-588)4015065-3 gnd Lyrik (DE-588)4036774-5 gnd Geschichte Motiv (DE-588)4156971-4 gnd |
| topic_facet | American poetry / 20th century / History and criticism / Theory, etc English poetry / 20th century / History and criticism / Theory, etc Modernism (Literature) Poetry / Explication Epic poetry, American / History and criticism Epic poetry, English / History and criticism Poetry, Modern / 20th century / History and criticism Poetics POETRY / English, Irish, Scottish, Welsh POETRY / General LITERARY COLLECTIONS / English, Irish, Scottish, Welsh Poetik Englisch Epos Lyrik Geschichte Motiv |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027993571&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027993571&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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